So, you've got a great idea. By now, you have probably realized that there are many steps to take along this journey to bring your idea to market, but the most important step is getting a great product design logbook, commonly known as an "inventor's notebook." This Product Design Logbook was developed specifically for inventors who want to be more discrete in carrying around their inventor's notebook... thus we titled it, Product Design Logbook. After all, that's what inventing is all about - designing a new product, redesigning an existing product to make it better, or designing a better way to manufacture a product. This hardback edition allows inventors to remove the jacket if they wish and enjoy an attractive cloth edition without having those conspicuous words on the cover "INVENTOR'S NOTEBOOK." Because your logbook will become your constant companion, this edition provides ample space to record your ideas as well as a table of contents to record the progression of your logbook so you can easily locate projects, ideas, research, drawings, revisions, and notes. In the back of the book, you will find a section called Contacts & Addresses to record contact information for important individuals... perhaps contacts relevant to the inventions in this logbook. If this logbook will become an addition to an existing set of notebooks, you can identify the volume number on the title page along with your personal information. As a cloth edition, you can also use a silver marker to identify the volume number on the spine of the book further helping you keep organized. Lastly, you will find a section at the end of the book called Recommended Reading. Although there are many books on the market that provide invaluable information, we listed a few that we thought were noteworthy and covered a broad range of subjects. We hope the Product Design Logbook will help you organize your ideas to achieve great success with your inventions

Steel has, over centuries, played a crucial role in shaping our material, and in particular, urban landscapes. This books undertakes a cultural and ecological history of the material, examining the relationship between steel and design at a micro and macro level - in terms of both what it has been used to design and how it has functioned as a 'world-making force', necessary to the development of technologies and ideas. The research for the book is informed by diverse fields of literature including industry journals, contemporary accounts and technical literature - all framed by rich, early accounts of iron and steel making from the middle ages to the opening of the industrial age, and most notably, the crucial works of Vannoccio Biringuccio, Georgius Agricola, Andrew Ure and Harry Scrivenor. In contrast, trans-cultural accounts of the history of metallurgy from eminent sinologists and cultural historians like Joseph Neeham and G.E.R. Lloyd are used. Readings on the pre-history and history of science, as well as histories and philosophies technology from scholars such as Siegfried Giedion, Merritt Roe Smith, L.T.C Rolt, Robert B. Gordon inform the analysis. Social and economic history from historians such as Eric Hobsbawn, William T. Hogan and David Brody are consulted; labour process theory is also examined, particularly the influential writings of F.W. Taylor in the late 19th and early 20th centuries and his contemporary critics, like David Nobel and Harry Braverman. Many other disciples also inform the account: histories of urban design and architecture, transport and military history, environmental history and geography.

Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing. The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position - it seeks engagement over agreement.

Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

The management of design has emerged as central to the operational and strategic options of any successful organization. The Handbook of Design Management presents a state-of-the-art overview of the subject - its methodologies, current debates, history and future. The Handbook covers the breadth of principles, methods and practices that shape design management across the different design disciplines. These theories and practices extend from the operational to the strategic, from the product to the organization. Bringing together leading international scholars, the Handbook provides a guide to the latest research in the field. It also documents the shifts that have been taking place both in management and in design which have highlighted the value of design thinking and design education to organizations. Presenting the first systematic overview of the subject - and offering a wide range of examples, insights and analysis - the Handbook is an invaluable resource for researchers and students in design and management, as well as for design practitioners and professional managers.

Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using digital software based on parametric scripting platforms which claim to be able to process complex physical and social modelling alike. As more and more digital tools are developed into an apparently infinite repertoire of socio-technical functions, critical questions concerning these cultural and technological shifts are often eclipsed by the seductive aesthetic and the alluring futuristic imaginary that parametric design tools and their architectural products and discourses represent. The Politics of Parametricism addresses these issues, offering a collection of new essays written by leading international thinkers in the fields of digital design, architecture, theory and technology. Exploring the social, political, ethical and philosophical issues at stake in the history, practice and processes of parametric architecture and urbanism, each chapter provides different vantage points to interrogate the challenges and opportunities presented by this latest mode of technological production.

This pioneering anthology focuses exclusively on the history of industrial design. Sixty full-length primary source essays detail the most crucial movements, issues and accomplishments of industrial design. Written by a wide range of experts - designers, theorists, critics, advertisers, historians and curators - the book traces the history of industrial design, industrialization and mass production in the United States and other design centres from 1850 to the present day. The book combines news reports on the first design workshops, early reviews of household products, aesthetic manifestos, excerpts from socio-economic debates on mass production and lectures into a lively overview of this dynamic field. The texts were selected according to criteria such as canonicity, notoriety of the writer, pithiness and entertainment value and include key texts from visionaries such as William Morris, Henry Dreyfuss and Victor Papanek. Edited by an expert on industrial design history, the book provides educators, students and practitioners of industrial design a unique one-stop reading experience and resource.