Color Trends and Selection for Product Design: Every Color Sells a Story speaks to the needs of the manufacturing level where colorants are developed, helping manufacturers to understand where their colors will sell and for what period of time these products will be viable. It covers issues such as stability, color measurement, and new methods of incorporation, which are critical in the development of new colorants. The book helps product designers more effectively reach their target audiences by helping them understand more about how colors are chosen for particular markets and how certain colors will perform in designs, including how to evaluate color under different lighting conditions and in, or on, different materials. Knowing how colors will perform in each material and how they will be seen on a store shelf or show room floor is vital. The book gives an important insight into future trends, including new design methods for creating color prototypes and regulatory requirements. The color designer needs to better understand the world of the color formulator, and the formulator conversely needs to understand the needs of the designer, so this book is written for both.

Multi-criteria Decision Analysis for Supporting the Selection of Engineering Materials in Product Design, Second Edition, provides readers with tactics they can use to optimally select materials to satisfy complex design problems when they are faced with the vast range of materials available. Current approaches to materials selection range from the use of intuition and experience, to more formalized computer-based methods, such as electronic databases with search engines to facilitate the materials selection process. Recently, multi-criteria decision-making (MCDM) methods have been applied to materials selection, demonstrating significant capability for tackling complex design problems. This book describes the rapidly growing field of MCDM and its application to materials selection. It aids readers in producing successful designs by improving the decision-making process. This new edition updates and expands previous key topics, including new chapters on materials selection in the context of design problem-solving and multiple objective decision-making, also presenting a significant amount of additional case studies that will aid in the learning process.

Japandi is the newest and hottest trend in interiors: a harmonious combination of functionality, comfort, and the minimalist look that characterizes Scandinavian design, with the purest elegance of traditional Japanese craftsmanship. Japandi harmoniously blends Scandinavian hygge with wabi-sabi, a concept derived from Zen Buddhism that advocates peaceful sobriety and invites us to admire the beauty hidden in slight imperfections in nature. This first major survey of Japandi style will introduce the reader to the fundamentals, and to iconic objects that will transform an interior into a Japandi-inspired retreat. Chapter one of the book examines the converging principles that have contributed to the emergence of Japandi Style such as functionality, neutral colors, the importance of organic materials, and the thoughtful simplicity of shapes. Chapter two presents some of the most emblematic works of Japandi Style, and the design studios behind them. Chapter three gives examples of how to decorate and furnish rooms - the living room, dining room, bedroom, bathroom, winter garden, or home office - in Japandi Style.

So, you've got a great idea. By now, you have probably realized that there are many steps to take along this journey to bring your idea to market, but the most important step is getting a great product design logbook, commonly known as an "inventor's notebook." This Product Design Logbook was developed specifically for inventors who want to be more discrete in carrying around their inventor's notebook... thus we titled it, Product Design Logbook. After all, that's what inventing is all about - designing a new product, redesigning an existing product to make it better, or designing a better way to manufacture a product. This hardback edition allows inventors to remove the jacket if they wish and enjoy an attractive cloth edition without having those conspicuous words on the cover "INVENTOR'S NOTEBOOK." Because your logbook will become your constant companion, this edition provides ample space to record your ideas as well as a table of contents to record the progression of your logbook so you can easily locate projects, ideas, research, drawings, revisions, and notes. In the back of the book, you will find a section called Contacts & Addresses to record contact information for important individuals... perhaps contacts relevant to the inventions in this logbook. If this logbook will become an addition to an existing set of notebooks, you can identify the volume number on the title page along with your personal information. As a cloth edition, you can also use a silver marker to identify the volume number on the spine of the book further helping you keep organized. Lastly, you will find a section at the end of the book called Recommended Reading. Although there are many books on the market that provide invaluable information, we listed a few that we thought were noteworthy and covered a broad range of subjects. We hope the Product Design Logbook will help you organize your ideas to achieve great success with your inventions

Our globalised world is encountering problems on an unprecedented scale. Many of the issues we face as societies extend beyond the borders of our nations. Phenomena such as terrorism, climate change, immigration, cybercrime and poverty can no longer be understood without considering the complex socio-technical systems that support our way of living. It is widely acknowledged that to contend with any of the pressing issues of our time, we have to substantially adapt our lifestyles. To adequately counteract the problems of our time, we need interventions that help us actually adopt the behaviours that lead us toward a more sustainable and ethically just future. In Designing for Society, Nynke Tromp and Paul Hekkert provide a hands-on tool for design professionals and students who wish to use design to counteract social issues. Viewing the artefact as a unique means of facilitating behavioural change to realise social impact, this book goes beyond the current trend of applying design thinking to enhancing public services, and beyond the idea of the designer as a facilitator of localised social change.

Steel has, over centuries, played a crucial role in shaping our material, and in particular, urban landscapes. This books undertakes a cultural and ecological history of the material, examining the relationship between steel and design at a micro and macro level - in terms of both what it has been used to design and how it has functioned as a 'world-making force', necessary to the development of technologies and ideas. The research for the book is informed by diverse fields of literature including industry journals, contemporary accounts and technical literature - all framed by rich, early accounts of iron and steel making from the middle ages to the opening of the industrial age, and most notably, the crucial works of Vannoccio Biringuccio, Georgius Agricola, Andrew Ure and Harry Scrivenor. In contrast, trans-cultural accounts of the history of metallurgy from eminent sinologists and cultural historians like Joseph Neeham and G.E.R. Lloyd are used. Readings on the pre-history and history of science, as well as histories and philosophies technology from scholars such as Siegfried Giedion, Merritt Roe Smith, L.T.C Rolt, Robert B. Gordon inform the analysis. Social and economic history from historians such as Eric Hobsbawn, William T. Hogan and David Brody are consulted; labour process theory is also examined, particularly the influential writings of F.W. Taylor in the late 19th and early 20th centuries and his contemporary critics, like David Nobel and Harry Braverman. Many other disciples also inform the account: histories of urban design and architecture, transport and military history, environmental history and geography.

Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing. The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position - it seeks engagement over agreement.

Danish Modern explores the development of mid-century modernist design in Denmark from historical, analytical and theoretical perspectives. Mark Mussari explores the relationship between Danish design aesthetics and the theoretical and cultural impact of Modernism, particularly between 1930 and 1960. He considers how Danish designers responded to early Modernist currents: the Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic demands, their early fealty to wood and materials, and the tension between cabinetmaker craft and industrial production as it challenged and altered their aesthetic approach. Tracing the theoretical foundations for these developments, Mussari discusses the writings and works of such figures as Poul Henningsen, Arne Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.

The management of design has emerged as central to the operational and strategic options of any successful organization. The Handbook of Design Management presents a state-of-the-art overview of the subject - its methodologies, current debates, history and future. The Handbook covers the breadth of principles, methods and practices that shape design management across the different design disciplines. These theories and practices extend from the operational to the strategic, from the product to the organization. Bringing together leading international scholars, the Handbook provides a guide to the latest research in the field. It also documents the shifts that have been taking place both in management and in design which have highlighted the value of design thinking and design education to organizations. Presenting the first systematic overview of the subject - and offering a wide range of examples, insights and analysis - the Handbook is an invaluable resource for researchers and students in design and management, as well as for design practitioners and professional managers.