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Books > Arts & Architecture > Industrial / commercial art & design > Product design
So, you've got a great idea. By now, you have probably realized
that there are many steps to take along this journey to bring your
idea to market, but the most important step is getting a great
product design logbook, commonly known as an "inventor's notebook."
This Product Design Logbook was developed specifically for
inventors who want to be more discrete in carrying around their
inventor's notebook... thus we titled it, Product Design Logbook.
After all, that's what inventing is all about - designing a new
product, redesigning an existing product to make it better, or
designing a better way to manufacture a product. This hardback
edition allows inventors to remove the jacket if they wish and
enjoy an attractive cloth edition without having those conspicuous
words on the cover "INVENTOR'S NOTEBOOK." Because your logbook will
become your constant companion, this edition provides ample space
to record your ideas as well as a table of contents to record the
progression of your logbook so you can easily locate projects,
ideas, research, drawings, revisions, and notes. In the back of the
book, you will find a section called Contacts & Addresses to
record contact information for important individuals... perhaps
contacts relevant to the inventions in this logbook. If this
logbook will become an addition to an existing set of notebooks,
you can identify the volume number on the title page along with
your personal information. As a cloth edition, you can also use a
silver marker to identify the volume number on the spine of the
book further helping you keep organized. Lastly, you will find a
section at the end of the book called Recommended Reading. Although
there are many books on the market that provide invaluable
information, we listed a few that we thought were noteworthy and
covered a broad range of subjects. We hope the Product Design
Logbook will help you organize your ideas to achieve great success
with your inventions
An Applied Guide to Process and Plant Design, 2nd edition, is a
guide to process plant design for both students and professional
engineers. The book covers plant layout and the use of spreadsheet
programs and key drawings produced by professional engineers as
aids to design; subjects that are usually learned on the job rather
than in education. You will learn how to produce smarter plant
design through the use of computer tools, including Excel and
AutoCAD, "What If Analysis," statistical tools, and Visual Basic
for more complex problems. The book also includes a wealth of
selection tables, covering the key aspects of professional plant
design which engineering students and early-career engineers tend
to find most challenging. Professor Moran draws on over 20 years'
experience in process design to create an essential foundational
book ideal for those who are new to process design, compliant with
both professional practice and the IChemE degree accreditation
guidelines.
A fully updated and expanded edition of Don Norman's classic and
influential work, which pioneered the application of cognitive
science to design. Even the smartest among us can feel inept as we
try to figure out the shower control in a hotel or attempt to
navigate an unfamiliar television set or stove. When The Design of
Everyday Things was published in 1988, cognitive scientist Don
Norman provocatively proposed that the fault lies not in ourselves,
but in design that ignores the needs and psychology of people.
Fully revised to keep the timeless principles of psychology up to
date with ever-changing new technologies, The Design of Everyday
Things is a powerful appeal for good design, and a reminder of
how-and why-some products satisfy while others only disappoint.
Steel has, over centuries, played a crucial role in shaping our
material, and in particular, urban landscapes. This books
undertakes a cultural and ecological history of the material,
examining the relationship between steel and design at a micro and
macro level - in terms of both what it has been used to design and
how it has functioned as a 'world-making force', necessary to the
development of technologies and ideas. The research for the book is
informed by diverse fields of literature including industry
journals, contemporary accounts and technical literature - all
framed by rich, early accounts of iron and steel making from the
middle ages to the opening of the industrial age, and most notably,
the crucial works of Vannoccio Biringuccio, Georgius Agricola,
Andrew Ure and Harry Scrivenor. In contrast, trans-cultural
accounts of the history of metallurgy from eminent sinologists and
cultural historians like Joseph Neeham and G.E.R. Lloyd are used.
Readings on the pre-history and history of science, as well as
histories and philosophies technology from scholars such as
Siegfried Giedion, Merritt Roe Smith, L.T.C Rolt, Robert B. Gordon
inform the analysis. Social and economic history from historians
such as Eric Hobsbawn, William T. Hogan and David Brody are
consulted; labour process theory is also examined, particularly the
influential writings of F.W. Taylor in the late 19th and early 20th
centuries and his contemporary critics, like David Nobel and Harry
Braverman. Many other disciples also inform the account: histories
of urban design and architecture, transport and military history,
environmental history and geography.
The first and only survey of Japanese design as seen through the
lens of Japan's traditional colour spectrum - an exquisitely
packaged fresh take on a universally popular topic The traditional
colours of Japan have been in use since the seventh century,
originally to indicate rank and social hierarchy but, over time,
their significance has broadened to include all manner of designed
objects. This landmark volume celebrates a curated selection of 200
colours (iro in Japanese), with each traditional shade illustrated
by one or more items - ranging from 16th-century kimonos to
contemporary chairs, humble kitchen utensils to precious ceramics -
providing a unique route to a deeper appreciation of Japanese
design. Expertly bound in a traditional Japanese style, this
stunning book is a beautiful design object in its own right and is
a must-have for all lovers of design.
Danish Modern explores the development of mid-century modernist
design in Denmark from historical, analytical and theoretical
perspectives. Mark Mussari explores the relationship between Danish
design aesthetics and the theoretical and cultural impact of
Modernism, particularly between 1930 and 1960. He considers how
Danish designers responded to early Modernist currents: the
Stockholm Exhibition of 1930, their rejection of Bauhaus aesthetic
demands, their early fealty to wood and materials, and the tension
between cabinetmaker craft and industrial production as it
challenged and altered their aesthetic approach. Tracing the
theoretical foundations for these developments, Mussari discusses
the writings and works of such figures as Poul Henningsen, Arne
Jacobsen, Hans Wegner, Nanna Ditzel, and Finn Juhl.
Design and the Question of History is not a work of Design History.
Rather, it is a mixture of mediation, advocacy and polemic that
takes seriously the directive force of design as an historical
actor in and upon the world. Understanding design as a shaper of
worlds within which the political, ethical and historical character
of human being is at stake, this text demands radically transformed
notions of both design and history. Above all, the authors posit
history as the generational site of the future. Blindness to
history, it is suggested, blinds us both to possibility, and to the
foreclosure of possibilities, enacted through our designing. The
text is not a resolved, continuous work, presented through one
voice. Rather, the three authors cut across each other, presenting
readers with the task of disclosing, to themselves, the
commonalities, repetitions and differences within the deployed
arguments, issues, approaches and styles from which the text is
constituted. This is a work of friendship, of solidarity in
difference, an act of cultural politics. It invites the reader to
take a position - it seeks engagement over agreement.
Have you ever noticed how many products appear to be designed by
someone who has never used a product of that kind before? Nearly
everyone has encountered websites, software apps, cars, appliances,
and other products that made them wonder what the designers were
thinking. The Thoughtless Design of Everyday Things presents more
than 150 examples of products that violate nine fundamental design
principles, along with suggestions for improving many of the flawed
user interfaces and other design problems. These examples of
thoughtless design reveal 70 specific lessons that designers ought
to heed as they craft the user experience. This book describes
numerous specific practices for enhancing product usability through
usage-centered design strategies. You'll also see more than 40
products that exhibit particularly thoughtful designs, the kinds of
products that surprise and delight users. Whether you're a
designer, a product development manager, or a thoughtful and
curious consumer, you'll find The Thoughtless Design of Everyday
Things engaging, informative, and insightful.
The management of design has emerged as central to the operational
and strategic options of any successful organization. The Handbook
of Design Management presents a state-of-the-art overview of the
subject - its methodologies, current debates, history and future.
The Handbook covers the breadth of principles, methods and
practices that shape design management across the different design
disciplines. These theories and practices extend from the
operational to the strategic, from the product to the organization.
Bringing together leading international scholars, the Handbook
provides a guide to the latest research in the field. It also
documents the shifts that have been taking place both in management
and in design which have highlighted the value of design thinking
and design education to organizations. Presenting the first
systematic overview of the subject - and offering a wide range of
examples, insights and analysis - the Handbook is an invaluable
resource for researchers and students in design and management, as
well as for design practitioners and professional managers.
This book explores the evolution of products from the beginning
idea through mass-production. Rather than prescribing a
one-size-fits-all process, the authors explain the theory behind
product development and challenge readers to develop their own
customized development process uniquely suited for their individual
situation. In addition to theory, the book provides development
case studies, exercises and self-evaluation criteria at the end of
each chapter, and a product development reference that introduces a
wide variety of design tools and methods. Class-tested for three
consecutive years by hundreds of students in four different
courses, the book is an ideal text for senior design classes in
mechanical engineering and related disciplines as well as a
reference for practicing engineers/product designers.
Over the last decade, 'parametricism' has been heralded as a new
avant-garde in the industries of architecture, urban design, and
industrial design, regarded by many as the next grand style in the
history of architecture, heir to postmodernism and deconstruction.
From buildings to cities, the built environment is increasingly
addressed, designed and constructed using digital software based on
parametric scripting platforms which claim to be able to process
complex physical and social modelling alike. As more and more
digital tools are developed into an apparently infinite repertoire
of socio-technical functions, critical questions concerning these
cultural and technological shifts are often eclipsed by the
seductive aesthetic and the alluring futuristic imaginary that
parametric design tools and their architectural products and
discourses represent. The Politics of Parametricism addresses these
issues, offering a collection of new essays written by leading
international thinkers in the fields of digital design,
architecture, theory and technology. Exploring the social,
political, ethical and philosophical issues at stake in the
history, practice and processes of parametric architecture and
urbanism, each chapter provides different vantage points to
interrogate the challenges and opportunities presented by this
latest mode of technological production.
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