'Joyous, wise, reassuring and laugh-out-loud funny. I love these two women so much.' Elizabeth Day 'I can say with full confidence that Jane Garvey and Fi Glover are the two funniest women on planet earth right now.' Dolly Alderton 'A book like no other. Honest and very, very funny. Some bits made me want to cheer - a sentence on parenting teenage girls was so good I may get it tattooed on myself, possibly in Hebrew.' Sara Cox 'You'll laugh, you'll nod your head so vigorously in agreement that you'll end up with whiplash and you'll buy a copy of this book for all your friends for Christmas. If you loved the late, great Victoria Wood, then you'll love Fi and Jane too.' Red magazine Award-winning broadcasters Fi Glover and Jane Garvey don't claim to have all the answers (what was the question?), but in these hilarious and perceptive essays they take modern life by its elasticated waist and give it a brisk going over with a stiff brush. They riff together on the chuff of life, from pet deaths to broadcasting hierarchies, via the importance of hair dye, the perils and pleasures of judging other women, and the perplexing overconfidence of chino-wearing middle-aged white men named Roger. Did I Say That Out Loud? covers essential life skills (never buy an acrylic jumper, always decline the offer of a limoncello), ponders the prudence of orgasm merchandise and suggests the disconcerting possibility that Christmas is a hereditary disease, passed down the maternal line. At a time of constant uncertainty, what we all need is the wisdom of two women who haven't got a clue what's going on either.

March 1978 saw the first ever transmission of Douglas Adams' The Hitchhiker's Guide to the Galaxy on BBC Radio 4; the beginning of a cult phenomenon. March 2020 marks the 42nd anniversary of that first transmission - 42 being the answer, of course, to the Ultimate Question of Life, the Universe, and Everything. To mark the occasion, Pan Macmillan are bringing back into print The Hitchhiker's Guide to the Galaxy: The Original Radio Scripts with an introduction from Simon Jones. The collection also includes the previously 'lost' Hitchhiker script from the 25th anniversary edition, 'Sheila's Ear' and the original introductions by producer Geoffrey Perkins and Douglas Adams. This collection, which is a faithful reproduction of the text as it was first published in 1985, features all twelve original radio scripts - Hitchhiker as it was written and exactly as it was broadcast for the very first time. They include amendments and additions made during recordings and original notes on the writing and producing of the series by Douglas Adams and Geoffrey Perkins. For those who have always loved Douglas Adams, as well as for his new generation of fans, these scripts are essential reading and a must-have piece of Adams memorabilia. This special anniversary edition will accompany reissued eye-catching editions of the five individual Hitchhiker books coming in March 2020: The Hitchhiker's Guide to the Galaxy, The Restaurant at the End of the Universe, Life, the Universe and Everything, So Long, and Thanks for All the Fish and Mostly Harmless.

A practical guide to writing radio drama and getting it produced, by a leading radio dramatist and a hugely experienced radio drama producer who have both created award-winning dramas for the BBC. For writers, radio drama offers a remarkable degree of creative freedom, a unique relationship with an audience listening at home or on the move, and a wealth of opportunities to earn a living. But writing for radio is also a very particular craft, with its own distinctive conventions, techniques and pitfalls. And you need to know how the industry works to stand the best chance of getting your play commissioned. This book, written from the dual perspective of a writer and a radio drama producer, tells you all you need to know about: What works well on radio, and what doesn't How to hook listeners from the start, and how to keep them listening How to format your script How to research and contact the right producer for your play What to expect after you've received a commission What happens when you're in the recording studio Full of practical advice, tips and invaluable inside information about the industry, it also includes extracts from many outstanding radio dramas and a series of writing exercises to help put ideas into practice. So You Want To Write Radio Drama? is an essential guide for anybody who wants to write a radio play, whether you're a first-time writer or one currently working in a different medium. It will also be of help to those already involved in making radio drama, or who simply want an insight into how it is written and made.

John Bell collects scripts from his radio show 'Thought for the day', offering a religious perspective on matters of current social and international importance.

'Joyous, wise, reassuring and laugh-out-loud funny. I love these two women so much.' Elizabeth Day 'The two funniest women on planet earth right now.' Dolly Alderton 'I want to be Fi and Jane when I grow up.' Clare Balding 'A book like no other. Honest and very, very funny. Some bits made me want to cheer.' Sara Cox 'If you loved the late, great Victoria Wood, then you'll love Fi and Jane too.' Red magazine Award-winning broadcasters Fi Glover and Jane Garvey don't claim to have all the answers (what was the question?), but in these hilarious and perceptive essays they take modern life by its elasticated waist and give it a brisk going over with a stiff brush. They riff together on the chuff of life, from pet deaths to broadcasting hierarchies, via the importance of hair dye, the perils and pleasures of judging other women, and the perplexing overconfidence of chino-wearing middle-aged white men named Roger. Did I Say That Out Loud? covers essential life skills (never buy an acrylic jumper, always decline the offer of a limoncello), ponders the prudence of orgasm merchandise and suggests the disconcerting possibility that Christmas is a hereditary disease, passed down the maternal line. At a time of constant uncertainty, what we all need is the wisdom of two women who haven't got a clue what's going on either.

Kenneth Horne, Kenneth Williams, Betty Marsden and Hugh Paddick star in 16 episodes of the anarchic 1960s radio comedy. Round the Horne arrived on BBC radio in 1965, bringing laughter to Sunday lunchtimes throughout the land. Over the course of sixteen weekly episodes it carved a niche in the history of broadcast comedy, a sketch show which prodded the boundaries of propriety and innuendo. At its heart was the suave and upstanding Kenneth Horne, around which revolved the multiple naughty personas of Kenneth Williams, Betty Marsden, Hugh Paddick and Bill Pertwee. Among the parade of regular characters were Julian and Sandy, the camp couple of resting thespians happy to turn their hands to anything, Rambling Syd Rumbo the musical cordwangler, Fiona and Charles the passionate duo, and J. Peasemold Gruntfuttock the world's dirtiest man. Meanwhile regular film parodies, spoof sagas and musical interludes peppered the mix. Round the Horne earned its place in the annals of comedy history, and is fondly remembered today as a groundbreaking series that influenced many more to come. Here the entire first series can be enjoyed once again, along with a PDF booklet featuring cast biographies and a full series history. 8 CDs. 8 hrs 21 mins.

Cabin Pressure is set in the wing and a prayer world of a tiny, one-plane charter airline; staffed by two pilots, one on his way down, and one who was never up to start with. Whether flying a cat to Abu Dhabi, dealing with a nervous bassoonist, hunting for a cleverly-hidden lemon or attempting to celebrate Christmas in seven minutes, no job is too small, but many, many jobs are too difficult. Carolyn Knapp-Shappey, MJN Air's formidable boss, has employed two of the very cheapest pilots money can buy: Captain Martin Crieff, who's always wanted to fly and won't let a little thing like lack of ability stop him, and First Officer Douglas Richardson, smooth-voiced old sky-god and eternal schemer. Passenger service is provided by the relentlessly cheery Arthur, proud inventor of both Surprising Rice and his own hat. Written by John Finnemore (John Finnemore's Souvenir Programme, The Now Show), Cabin Pressure stars Stephanie Cole as Carolyn, Benedict Cumberbatch as Martin, Roger Allam as Douglas, and John Finnemore as Arthur. 'The more I listen to John Finnemore's Cabin Pressure, the more I think what a stonking masterpiece it is. Perfect in every department.' - Philip Pullman '... a diamond in radio's crown' - Gillian Reynolds, Daily Telegraph 10 CDs. 8 hrs 50 mins.

The Best of Round the Horne stars Kenneth Horne, 'the uncrowned head of the show'; Kenneth Williams, who played Rambling Syd Rumpo, Gruntfuttock, Sandy and Dr. Chou en Ginsberg M.A. (Failed); Hugh Paddick (Charles, Brown-Horrocks, Julian and Lotus Blossom); Betty Marsden (Daphne Whitethigh and terribly, terribly affected Fiona); and Bill Pertwee (Jocelyn Pettibone and two thinly disguised 'send-ups', Seamus Android and Rife Hobertson). Vintage Beeb: classic albums first available as BBC LPs, now on CD for the first time ever. This recording was previously released on LP in 1975, and subsequently on the cassette Round the Horne Volume 1. 1 CD. 45 mins.

Kenneth Horne, Kenneth Williams, Betty Marsden and Hugh Paddick star in 17 episodes of the anarchic 1960s radio comedy, including the 1967 Christmas special. Round the Horne arrived on BBC radio in 1965, bringing laughter to Sunday lunchtimes throughout the land. Over the course of sixteen weekly episodes it carved a niche in the history of broadcast comedy, a sketch show which prodded the boundaries of propriety and innuendo. At its heart was the suave and upstanding Kenneth Horne, around which revolved the multiple naughty personas of Kenneth Williams, Betty Marsden, Hugh Paddick and Bill Pertwee. Among the parade of regular characters were Julian and Sandy, the camp couple of resting thespians happy to turn their hands to anything, Rambling Syd Rumbo the musical cordwangler, Fiona and Charles the passionate duo, and J. Peasemold Gruntfuttock - the world's dirtiest man. Meanwhile regular film parodies, spoof sagas and musical interludes peppered the mix. In addition to the 16 episodes of Series Four, this edition also includes the 1967 Christmas special episode Cinderfella and The Bona History of Julian and Sandy, in which Maureen Lipman takes a vada at Round the Horne's most flamboyant omipalonies. Duration: 9 hours approx

This new edition brings together all of Beckett's dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism. Above all, Beckett found his unique uses for the radio-play, a medium 'for voices not bodies', compacted of speech, sound and silence - and the plays in this volume intently explore the resources and limits of the sound-stage. My father, back from the dead, to be with me. (Pause.) As if he hadn't died. (Pause.) No, simply back from the dead, to be with me, in this strange place. (Pause.) Can he hear me? (Pause.) Yes, he must hear me. (Pause.) To answer me? (Pause.) No, he doesn't answer me. (Pause.) Just be with me. (Pause.) That sound you hear is the sea. (Pause. Louder.) I say that sound you hear is the sea, we are sitting on the strand. (Pause.) I mention it because the sound is so strange, so unlike the sound of the sea, that if you didn't see what it was you wouldn't know what it was. (Pause.). Hooves! Contents: All That Fall, Embers, Words and Music, Eh Joe, Quad, Film, ...but the clouds..., Ghost Trio, Nacht und Traume, Rough for Radio I, Rough for Radio II, Cascando, The Old Tune Preface and Notes by Everett Frost

A gripping BBC Radio 4 full-cast dramatisation of Neil Gaiman's bestselling and much-loved novel When his father dies, Fat Charlie Nancy discovers that not only was the late Mr Nancy actually the god Anansi, but that he also has a long-lost brother, Spider, who is everything Fat Charlie is not. When Spider begins to take over Fat Charlie's life, flat and even his fiancee Rosie, Fat Charlie is forced to make a pact that lands him in trouble with the gods themselves... Anansi Boys is a story of love, laughter, music and murder, old gods and new tricks that takes Fat Charlie from his home in South London to Florida, the Caribbean, and the very Beginning of the World itself. Or the End of the World. Depending on which direction you're coming from. Jacob Anderson stars as Charlie, and he has written and performed a specially commissioned song - 'Charlie's Song' - which forms part of the magical fabric of Anansi Boys. Dramatised for Radio 4 by the award-winning Dirk Maggs (Neverwhere, Good Omens, The Hitchhiker's Guide to the Galaxy), the stellar cast of this series also includes Joseph Marcell, Lenny Henry, Nathan Stewart-Jarrett, Adjoa Andoh,Julie Hesmondhalgh and Julian Rhind-Tutt, as well as a cameo appearance from Neil Gaiman himself. Duration: 3 hours 15 mins

Best known as one of the leading Irish poets of her generation, Paula Meehan is also an accomplished and much-admired playwright, and her stage work has been performed by, among others, Team Theatre Company, Rough Magic, Calypso Theatre Company and The National Theatre Company at the Peacock. As well as her work for stage, in recent years she has also written for radio, a medium which provides particular scope for the oral and sonic qualities so often admired in her writing. Music for Dogs presents, for the first time in print, a selection of that work for radio from a poet of "perfect pitch" (Midwest Book Review). Janey Mack is Going to Die, The Lover and Threehander were all written for and first performed on RT Radio 1.

More Audio Drama is the second collection of plays by Neville Teller, intended both for lovers of radio drama and for podcast producers who specialise in audio drama. Neville is a veteran radio dramatist, with more than 50 BBC radio plays under his belt and scores more produced and broadcast across America by the San Francisco-based Shoestring Radio Theatre. Back in 2019 he published his first collection of ten radio plays, Audio Drama. They have been so welcomed that he decided to make another ten available. Here they are - 10 more of Neville's plays for radio and podcast, all of which have been produced and broadcast. As in his first book, these scripts are offered to podcast producers with no strings attached. The books on which they are based are all literary classics in the public domain. No performance rights are required. Whether you are a podcast producer seeking fully realised audio drama scripts, or one of the worldwide listening audience who love radio drama with its power to create images in the mind's eye, More Audio Drama is a book to treasure and enjoy.

A collection of BBC radio full-cast dramatisations of Jane Austen's six major novels Jane Austen is one of the finest writers in the English language, and this volume includes all six of her classic novels. Mansfield Park: On a quest to find a position in society, Fanny Price goes to live with her rich aunt and uncle. Northanger Abbey: Young, naive Catherine Morland receives an invitation to stay at the isolated Gothic mansion Northanger Abbey. Sense and Sensibility: Forced to leave their family home after their father's death, Elinor and Marianne Dashwood try to forge a new life at Barton Cottage. Pride and Prejudice: Mrs Bennet is determined to get her five daughters married well, so when the wealthy Mr Bingley and his friend Mr Darcy move into the neighbourhood her hopes are raised... Emma: Emma Woodhouse declares she will never marry, but she is determined to find a match for her friend Harriet. Persuasion: Eight years ago, Anne Elliot rejected a marriage proposal from a handsome but poor naval officer. Now her former love has returned... With an all-star cast including David Tennant, Benedict Cumberbatch, Julia McKenzie, Jenny Agutter, Toby Jones, Eve Best and Juliet Stevenson, these BBC radio adaptations are full of humour, romance, love lost and love regained.

British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC's history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre.

Three BBC Radio 4 full-cast dramatisations starring John Shrapnel as Morse and Robert Glenister as Lewis, plus a bonus reading by Colin Dexter of one of his short stories. In Last Seen Wearing, Inspector Morse is reluctant to take over an old missing person case from a dead colleague. But two years, three months and two days after teenager Valerie Taylor's disappearance, somebody decides to supply some surprising new evidence. . . In The Silent World of Nicholas Quinn Inspector Morse tackles the murder of an exam invigilator. The newly appointed member of the Oxford foreign exam syndicate was deaf, and he wasn't from the insular world of the Oxford colleges. Now he is dead. After he's rushed into hospital, Inspector Morse becomes intrigued by an old crime in The Wench is Dead. Could the wrong men have been hanged for the murder of Joanna Franks? Plus Colin Dexter reads his own short story, The Double Crossing, in which it is a good first day for a certain detective named Lewis. Gripping, suspenseful and entertaining, these BBC dramatisations were adapted by Guy Meredith from the original Inspector Morse novels by Colin Dexter. Duration: 4 hours 45 mins approx.

Kenneth Horne, Kenneth Williams, Betty Marsden and Hugh Paddick star in 20 episodes of the anarchic 1960s radio comedy. Round the Horne arrived on BBC radio in 1965, bringing laughter to Sunday lunchtimes throughout the land. It carved a niche in the history of broadcast comedy, a sketch show which prodded the boundaries of propriety and innuendo. At its heart was the suave and upstanding Kenneth Horne, around which revolved the multiple naughty personas of Kenneth Williams, Betty Marsden, Hugh Paddick and Bill Pertwee. Among the parade of regular characters were Julian and Sandy, the camp couple of resting thespians happy to turn their hands to anything, Rambling Syd Rumbo the musical cordwangler, Fiona and Charles the passionate duo, and J. Peasemold Gruntfuttock the world's dirtiest man. Meanwhile regular film parodies, spoof sagas and musical interludes peppered the mix. Round the Horne earned its place in the annals of comedy history, and is fondly remembered today as a groundbreaking series that influenced many more to come. Here the entire third series can be enjoyed once again, along with a PDF booklet featuring cast biographies and a full series history. Duration: 10 hours approx.

Audio Drama is unique. There's no other book like it. First it's aimed at the vast audience for audio drama, whether in the form of traditional radio plays or as podcasts. For them, Audio Drama provides the opportunity to see how ten literary classics were dramatised for radio, and to recreate the performances for themselves as they read. Secondly, it's for all those podcast producers who are keen to exercise their imagination and technical skills by producing audio drama for their followers. These ten scripts provide the raw material from which podcasters can craft their own drama productions. The works on which they are based are literary classics and are in the public domain. The audio dramatisations - all of which have been, or are about to be, produced and broadcast either by the BBC or across the USA - are offered to the global community of podcasters with no strings attached. An experienced dramatist and abridger, with more than 50 BBC radio dramatisations under his belt, Neville Teller not only presents 10 of his scripts, but also explains something of how a radio drama script is crafted. Audio Drama fills a niche that will appeal on both sides of the pond, and more widely in the whole English-speaking world.

Cabin Pressure is set in the wing and a prayer world of a tiny, one-plane charter airline; staffed by two pilots, one on his way down, and one who was never up to start with. Whether it's dealing with a stuffed sheep, an angry princess or a rogue fruit tray, no job is too small, but many, many jobs are too difficult. Carolyn Knapp-Shappey, MJN Air's formidable boss, has employed two of the very cheapest pilots money can buy: Captain Martin Crieff, who's always wanted to fly and won't let a little thing like lack of ability stop him, and First Officer Douglas Richardson, smooth-voiced old sky god and eternal schemer. Passenger service is provided by the relentlessly cheery Arthur, proud inventor of both Surprising Rice and his own hat. Written by John Finnemore (John Finnemore's Souvenir Programme, The Now Show), Cabin Pressure stars Stephanie Cole as Carolyn, Benedict Cumberbatch as Martin, Roger Allam as Douglas and John Finnemore as Arthur. 'The more I listen to John Finnemore's Cabin Pressure, the more I think what a stonking masterpiece it is. Perfect in every department.' - Philip Pullman 'Unexpectedly brilliant' - Time Out 'An inspired new sitcom' - Observer 3 CDs. 2 hrs 48 mins.

Why you should read this book: because it's full of wisdom, experiences, examples and entertaining stories drawn from Tony Hertz's 40 years' beyond-all reason passion for radio advertising. Including links to 25 of the best radio spots you've ever heard. Because in today's visual/digital /online/mobile/social media/branded content consumed advertising business, radio remains a powerful and relevant way to reach millions of consumers all over the world. And Tony Hertz is uniquely qualified to give it the creative attention it deserves. Because whatever your role in the advertising process, the 7 Secrets will actually show you how to make better radio commercials. Even if 6 of them aren't actually Secrets. Because if you've ever been in one of Tony's radio workshops, seminars or presentations, this is the book you would have bought afterwards anyway Because it will make you want to sit down and write a great radio ad

Best known as one of the leading Irish poets of her generation, Paula Meehan is also an accomplished and much-admired playwright, and her stage work has been performed by, among others, Team Theatre Company, Rough Magic, Calypso Theatre Company and The National Theatre Company at the Peacock. As well as her work for stage, in recent years she has also written for radio, a medium which provides particular scope for the oral and sonic qualities so often admired in her writing. Music for Dogs presents, for the first time in print, a selection of that work for radio from a poet of "perfect pitch" (Midwest Book Review). Janey Mack is Going to Die, The Lover and Threehander were all written for and first performed on RT Radio 1.

British Radio Drama, 1945-1963 reveals the quality and range of the avant-garde radio broadcasts from the 'golden age' of British radio drama. Turning away from the cautious and conservative programming that emerged in the UK immediately after World War II, young generations of radio producers looked to French theatre, introducing writers such as Samuel Beckett and Eugene Ionesco to British radio audiences. This 'theatre of the absurd' triggered a renaissance of writing and production featuring the work of Giles Cooper, Rhys Adrian and Harold Pinter, as well as the launch of the BBC Radiophonic Workshop. Based on primary archival research and interviews with former BBC staff, Hugh Chignell places this high-point in the BBC's history in the broader context of British post-war culture, as norms of morality and behavior were re-negotiated in the shadow of the Cold War, while at once establishing the internationalism of post-war radio and theatre.

Three classic radio productions from the BBC archives starring Nigel Hawthorne, Miriam Margolyes, Geraldine McEwan and a host of celebrated acting talent. These three legendary plays, performed by some of the best-known theatrical actors of the 20th Century, are the perfect way to commemorate England's greatestdramatist. The Taming of the Shrew: The controversial comedy about the battle of the sexes and a very unconventional marriage, starring Fenella Fielding as Katherine, with Miriam Margolyes as Bianca and Paul Daneman as Petruchio. A Midsummer Night's Dream: One of Shakespeare'sbest-loved plays, this tale of warring fairies, eloping lovers and the magic and madness of love has bewitched audiences since its very first performance. Starring Nigel Hawthorne as Oberon with Maureen O'Brien as Titania. Twelfth Night: Mistaken identity and a tangled love triangle lead to confusion and, ultimately, happiness in this comic masterpiece. Starring Dorothy Tutin as Viola, with Geraldine McEwan as Olivia and Stephen Murray as Malvolio. Recorded at BBC Broadcasting House and featuring the BBC Drama Repertory company, with specially composed music including a score from the BBC Radiophonic Workshop, this is classic radio drama at its finest.Duration: 7 hours approx.