Drawing on the culture's history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by 'postmodern' scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hop's pioneers and rap music's most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmodern theorization of Hip Hop has foreclosed the culture's ethical values and political goals from scholarly view, undermining its unity and progress. Through a historically informed critique of the hegemonic theoretical framework in Hip Hop Studies, and a re-centering of the culture's fundamental proscription against 'biting,' this book articulates and defends the aesthetic and ethical values of Hip Hop against their concealment and subversion by an academic discourse that merely 'samples' the culture for its own reactionary ends.

An extraordinary collection of lyrics showcasing rap's poetic depth and diversity From the school yards of the South Bronx to the tops of the Billboard charts, rap has emerged as one of the most influential musical and cultural forces of our time. In The Anthology of Rap, editors Adam Bradley and Andrew DuBois explore rap as a literary form, demonstrating that rap is also a wide-reaching and vital poetic tradition born of beats and rhymes. This pioneering anthology brings together more than three hundred rap and hip-hop lyrics written over thirty years, from the "old school" to the "golden age" to the present day. Rather than aim for encyclopedic coverage, Bradley and DuBois render through examples the richness and diversity of rap's poetic tradition. They feature both classic lyrics that helped define the genre, including Grandmaster Flash & the Furious Five's "The Message" and Eric B. & Rakim's "Microphone Fiend," as well as lesser-known gems like Blackalicious's "Alphabet Aerobics" and Jean Grae's "Hater's Anthem." Both a fan's guide and a resource for the uninitiated, The Anthology of Rap showcases the inventiveness and vitality of rap's lyrical art. The volume also features an overview of rap poetics and the forces that shaped each period in rap's historical development, as well as a foreword by Henry Louis Gates, Jr., and afterwords by Chuck D and Common. Enter the Anthology to experience the full range of rap's artistry and discover a rich poetic tradition hiding in plain sight.

The untold story of how breaking – one of the most widely practiced dance forms in the world today – began as a distinctly African American expression in the Bronx, New York, during the 1970s. Breaking is the first and most widely practiced hip-hop dance in the world, with around one million participants in this dynamic, multifaceted artform – and, as of 2024, Olympic sport. Yet, despite its global reach and nearly 50-year history, stories of breaking’s origins have largely neglected the African Americans who founded it. Dancer and scholar Serouj "Midus" Aprahamian offers, for the first time, a detailed look into the African American beginnings of breaking in the Bronx, New York. The Birth of Breaking challenges numerous myths and misconceptions that have permeated studies of hip-hop’s evolution, considering the influence breaking has had on hip-hop culture. Including previously unseen archival material, interviews, and detailed depictions of the dance at its outset, this book brings to life this buried history, with a particular focus on the early development of the dance, the institutional settings where hip-hop was conceived, and the movement’s impact on sociocultural conditions in New York City throughout the 1970s. By featuring the overlooked first-hand accounts of over 50 founding b-boys and b-girls alongside movement analysis informed by his embodied knowledge of the dance, Aprahamian reveals how indebted breaking is to African American culture, as well as the disturbing factors behind its historical erasure.

Sociology and Hip Hop: An Anthology provides students with a carefully curated selection of articles that explore human behavior and society through a variety of scholarly lenses crafted by hip hop-influenced academics. The anthology acknowledges the influence of hip hop on pop culture through music, fashion, dance, art, and more, and demonstrates how sociologists can better explain their work and research through hip hop. The anthology is organized into four distinct parts. The readings in Part I confront stereotypes generally associated with hip hop and provide readers with a greater understanding of the international impact and relevance of hip hop. Part II includes articles that demonstrate the ways in which hip hop culture and art are practiced in countries outside of the United States. In Part III, students read about the participation of women and members of the LGBTQ community in hip hop. The final part of the anthology speaks to hip hop as resistance and features readings that underscore the use of hip hop in contemporary social movements and activism. Designed to help readers understand the usefulness of hip hop within the discipline, Sociology and Hip Hop is an ideal resource for courses and programs in sociology.

Featuring an introductory interview with LL Cool J and epilogue from Paul Rosenberg, Eminem's manager In 1999, a former dishwasher from Detroit became the most influential music artist in the world. Eminem's dexterity, wit and honesty turned him into one of the biggest-selling artists of all time and changed the landscape of music and pop culture as we know it. Then, in 2006, at the height of his fame, he all but disappeared. Beset by non-stop controversies, bewildering fame, a debilitating drug problem and personal tragedies, he withdrew from the world. Over the next decade, he struggled and suffered through what he would call his "wilderness years" but eventually managed to get sober, get clean and get, triumphantly, back to the top. Not Afraid is the definitive account of that story. In this revelatory book, which follows on directly from the bestselling Whatever You Say I Am, rock journalist Anthony Bozza chronicles the personal and spiritual growth of one of music's most enduring and enigmatic artists through the insights of those closest to him, including Royce da 5'9", LL Cool J, Mr Porter, Paul Rosenberg and other friends and associates. Capturing Eminem's toughest years in his own words, Not Afraid is a uniquely intimate portrait of an incredibly private man known by many to be the greatest rapper alive.

Hip Hop Music: History and Culture explores core hip hop elements, including graffiti art, breakin', DJing, MCing, and the knowledge of self. It covers innovators of the art form from the 1970s to present, providing readers with a deeper understanding of hip hop through the styles and terminology that have made it a significant, enduring aspect of global culture. Opening chapters of the text examine the origin of hip hop and how it developed as a music and cultural movement. Readers learn how hip hop is not solely a source of entertainment, but also a vehicle for commentary on political and social empowerment. Dedicated chapters explore the roles of the DJ and MC, the commercial success of hip hop, and how inner-city youths have used beats and rhymes to build and heal their communities. Readers learn about the careers of Run DMC, LL Cool J, and Luke Campbell, as well as various styles that have evolved over time, including rap rock fusion, rap ballads, dis rap, novelty/humorous rap, dirty booty rap, and gangsta rap. Additional chapters trace the story of hip hop through the rap stars, producers, and record owners who continue to move the music into uncharted territories, including those who are leveraging their platforms for social and cultural change. Hip Hop Music: History and Culture is available to adopt as a paperback or an interactive ebook. The interactive ebook format allows students to read the text of each chapter and engage with digital learning activities throughout-including dynamic timelines, flashcards covering music and hip hop vocabulary, videos, audio playlists, and links to additional resources-all within a single system. The ebook also includes writing prompts, activities, and suggestions for group work that can be used to create assignments and engage students in the classroom.

Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States . In The Hip-Hop Wars , Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.

"The Gospel of Hip Hop: First Instrument," the first book from the "I Am Hip Hop," is the philosophical masterwork of KRS ONE. Set in the format of the Christian Bible, this 800-plus-page opus is a life-guide manual for members of Hip Hop Kulture that combines classic philosophy with faith and practical knowledge for a fascinating, in-depth exploration of Hip Hop as a life path. Known as "The Teacha," KRS ONE developed his unique outlook as a homeless teen in Brooklyn, New York, engaging his philosophy of self-creation to become one of the most respected emcees in Hip Hop history. Respected as Hip Hop's true steward, KRS ONE painstakingly details the development of the culture and the ways in which we, as "Hiphoppas," can and should preserve its future.
"The Teacha" also discusses the origination of Hip Hop Kulture and relays specific instances in history wherein one can discover the same spirit and ideas that are at the core of Hip Hop's current manifestation. He explains Hip Hop down to the actual meaning and linguistic history of the words "hip" and "hop," and describes the ways in which "Hiphoppas" can change their current circumstances to create a future that incorporates Health, Love, Awareness, and Wealth (H-LAW).
Committed to fervently promoting self-reliance, dedicated study, peace, unity, and truth, The "Teacha" has drawn both criticism and worship from within and from outside of Hip Hop Kulture. In this beautifully written, inspiring book, KRS ONE shines the light of truth, from his own empirical research over a 14-year period, into the fascinating world of Hip Hop.