Chris Burton and Gary Thompson have compiled a fascinating collection of flyers advertising secret parties on the Bristol circuit in the 80s and conducted a series of interviews with the people behind the leading hip hop crews of the day. The result is a book that covers an area in Bristol's (and the UK's) musical development that has never before been documented. Nothing seemed to daunting for the young DJs, MCs and rappers as they took over abandoned buildings, moved in the sound systems and partied al night long. The only publicity was word of mouth and flyers. Many of the artists behind the flyers such as FLX, Inkie and Nick Walker have gone on to gain national and international recognition while many of the crews have become music superstars.

Musicians rapping in kriolu--a hybrid of Portuguese and West African languages spoken in Cape Verde--have recently emerged from Lisbon's periphery. They popularize the struggles with identity and belonging among young people in a Cape Verdean immigrant community that shares not only the kriolu language but its culture and history. Drawing on fieldwork and archival research in Portugal and Cape Verde, Derek Pardue introduces Lisbon's kriolu rap scene and its role in challenging metropolitan Portuguese identities. Pardue demonstrates that Cape Verde, while relatively small within the Portuguese diaspora, offers valuable lessons about the politics of experience and social agency within a postcolonial context that remains poorly understood. As he argues, knowing more about both Cape Verdeans and the Portuguese invites clearer assessments of the relationship between the experience and policies of migration. That in turn allows us to better gauge citizenship as a balance of individual achievement and cultural ascription. Deftly shifting from domestic to public spaces and from social media to ethnographic theory, Pardue describes an overlooked phenomenon transforming Portugal, one sure to have parallels in former colonial powers across twenty-first-century Europe.

"Hip Hop" is more than Rap Music. There are five "elements" that make up Hip Hop culture: DJing, MCing, B-Boying, Graffiti writing, and Knowledge. This book is a special collection of the four books DJ, MC, B-Boy, and Graffiti (A Children's Guide to Hip Hop). This book will help children of all ages learn about how the different elements started and grew into the world-wide phenomenon that came to be known as Hip Hop.

Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop. Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students.

Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop. Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students.