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Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > Rap & hip-hop
This book explores an important aspect of hip-hop that is rarely
considered: its deep entanglement with spiritual life. The world of
hip-hop is saturated with religion, but rarely is that element
given serious consideration. In Street Scriptures, Alejandro Nava
focuses our attention on this aspect of the music and culture in a
fresh way, combining his profound love of hip-hop, his passion for
racial and social justice, and his deep theological knowledge.
Street Scriptures offers a refreshingly earnest and beautifully
written journey through hip-hop's deep entanglement with the
sacred. Nava analyzes the religious heartbeat in hip-hop, looking
at crosscurrents of the sacred and profane in rap, reggaeton, and
Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the
Rapper, Lauryn Hill, and Cardi B to St. Augustine and William
James, Nava examines the ethical-political, mystical-prophetic, and
theological qualities in hip-hop, probing the pure sonic and
aesthetic signatures of music, while also diving deep into the
voices that invoke the spirit of protest. The result is nothing
short of a new liberation theology for our time, what Nava calls a
"street theology."
From the platinum selling recording artist and New York Times
bestselling author of The Autobiography of Gucci Mane comes THE
GUCCI MANE GUIDE TO GREATNESS - an unprecedented look at Gucci
Mane's secrets to success, health, wealth and self-improvement.
From Gucci: 'I live by the principles in this book. I wanted to
write this book to give you a tool set. This book should touch
people who are going through something. It's not going to be easy.
But study these words, and put them into action. I want this book
to keep you motivated. I want you to keep coming back to it for
guidance and inspiration. You can put it on your shelf and keep
going to TheGucci Mane Guide to Greatness. This book is a
challenge. Don't underestimate yourself. Don't think that what
you're saying is not important. Don't think you can't achieve the
impossible. Everyone needs some game, so here it is. TheGucci Mane
Guide to Greatness is for the world. Enjoy.' In this inspiring
follow-up to his iconic memoir, Gucci Mane gifts us with his
playbook for living your best life. Packed with stunning
photographs, The Gucci Mane Guide to Greatness distils the legend's
timeless wisdom into a one-of-a-kind motivational guidebook. Gucci
Mane emerged transformed after a turbulent life of violence, crime
and addiction to become a dazzling embodiment of the power of
positivity, focus and hard work. Using examples from his life of
unparalleled success, Gucci Mane looks inwards and upwards to offer
his blueprint for greatness. A must-read for anyone with big
ambitions and bigger dreams.
An NPR Best Book of the Year "Without God Save the Queens, it is
possible that the contributions of dozens of important female
hip-hop artists who have sold tens of millions of albums, starred
in monumental films, and influenced the direction of the culture
would continue to go unrecognized." -AllHipHop.com Can't Stop Won't
Stop meets Girls to the Front in this essential and long overdue
history of hip-hop's female pioneers and its enduring stars. Every
history of hip-hop previously published, from Jeff Chang's Can't
Stop Won't Stop to Shea Serrano's The Rap Yearbook, focuses
primarily on men, glaringly omitting a thorough and respectful
examination of the presence and contribution of the genre's female
artists. For far too long, women in hip-hop have been relegated to
the shadows, viewed as the designated "First Lady" thrown a
contract, a pawn in some beef, or even worse. But as Kathy Iandoli
makes clear, the reality is very different. Today, hip-hop is
dominated by successful women such as Cardi B and Nicki Minaj, yet
there are scores of female artists whose influence continues to
resonate. God Save the Queens pays tribute to the women of
hip-hop-from the early work of Roxanne Shante, to hitmakers like
Queen Latifah and Missy Elliot, to the superstars of today.
Exploring issues of gender, money, sexuality, violence, body image,
feuds, objectification and more, God Save the Queens is an
important and monumental work of music journalism that at last
gives these influential female artists the respect they have long
deserved.
Though cultural hybridity is celebrated as a hallmark of U.S.
American music and identity, hybrid music is all too often marked
and marketed under a single racial label.Tamara Roberts' book
Resounding Afro Asia examines music projects that foreground racial
mixture in players, audiences, and sound in the face of the
hypocrisy of the culture industry. Resounding Afro Asia traces a
genealogy of black/Asian engagements through four contemporary case
studies from Chicago, New York, and California: Funkadesi
(Indian/funk/reggae), Yoko Noge (Japanese folk/blues), Fred Ho and
the Afro Asian Music Ensemble (jazz/various Asian and African
traditions), and Red Baraat (Indian brass band and New Orleans
second line). Roberts investigates Afro Asian musical settings as
part of a genealogy of cross-racial culture and politics. These
musical settings are sites of sono-racial collaboration: musical
engagements in which participants pointedly use race to form and
perform interracial politics. When musicians collaborate, they
generate and perform racially marked sounds that do not conform to
their racial identities, thus splintering the expectations of
cultural determinism. The dynamic social, aesthetic, and sonic
practices construct a forum for the negotiation of racial and
cultural difference and the formation of inter-minority
solidarities. Through improvisation and composition, artists can
articulate new identities and subjectivities in conversation with
each other. Resounding Afro Asia offers a glimpse into how artists
live multiracial lives in which they inhabit yet exceed
multicultural frameworks built on racial essentialism and
segregation. It joins a growing body of literature that seeks to
write Asian American artists back into U.S. popular music history
and will surely appeal to students of music, ethnomusicology, race
theory, and politics, as well as those curious about the
relationship between race and popular music.
Pinballing around the major cities of the world, from where it all
began in the projects of Brooklyn and the Bronx to the excessive
madness of Tokyo, from the random violence of Johannesburg, to the
shanty towns of Rio, Whitbread Award-winning writer Patrick Neate
explores the way how, through hip hop, the potent symbolism of
black America has been acquired, used and subsumed by cultures on
every continent to create a uniquely different form of globalism. A
stunning musical journey and cultural odyssey, "Where You're At" is
the story of how hip hop conquered the globe and nobody noticed.
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