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Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > Rap & hip-hop
An inside look at women graffiti artists around the world Since the
dawn of Hip Hop graffiti writing on the streets of Philadelphia and
New York City in the late 1960s, writers have anonymously inscribed
their tag names on trains, buildings, and bridges. Passersby are
left to imagine who the author might be, and, despite the artists'
anonymity, graffiti subculture is seen as a "boys club," where the
presence of the graffiti girl is almost unimaginable. In Graffiti
Grrlz, Jessica Nydia Pabon-Colon interrupts this stereotype and
introduces us to the world of women graffiti artists. Drawing on
the lives of over 100 women in 23 countries, Pabon-Colon argues
that graffiti art is an unrecognized but crucial space for the
performance of feminism. She demonstrates how it builds communities
of artists, reconceptualizes the Hip Hop masculinity of these
spaces, and rejects notions of "girl power." Graffiti Grrlz also
unpacks the digital side of Hip Hop graffiti subculture and
considers how it widens the presence of the woman graffiti artist
and broadens her networks, which leads to the formation of all-girl
graffiti crews or the organization of all-girl painting sessions. A
rich and engaging look at women artists in a male-dominated
subculture, Graffiti Grrlz reconsiders the intersections of
feminism, hip hop, and youth performance and establishes graffiti
art as a game that anyone can play.
"Hip Hop" is more than Rap Music. There are five "elements" that
make up Hip Hop culture: DJing, MCing, B-Boying, Graffiti writing,
and Knowledge. This book is a special collection of the four books
DJ, MC, B-Boy, and Graffiti (A Children's Guide to Hip Hop). This
book will help children of all ages learn about how the different
elements started and grew into the world-wide phenomenon that came
to be known as Hip Hop.
Chris Burton and Gary Thompson have compiled a fascinating
collection of flyers advertising secret parties on the Bristol
circuit in the 80s and conducted a series of interviews with the
people behind the leading hip hop crews of the day. The result is a
book that covers an area in Bristol's (and the UK's) musical
development that has never before been documented. Nothing seemed
to daunting for the young DJs, MCs and rappers as they took over
abandoned buildings, moved in the sound systems and partied al
night long. The only publicity was word of mouth and flyers. Many
of the artists behind the flyers such as FLX, Inkie and Nick Walker
have gone on to gain national and international recognition while
many of the crews have become music superstars.
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