With a biblically based approach, this groundbreaking textbook for life coaching explores a new coaching model, how-to sections field-tested for more than eight years, custom forms coaches can use, and more.

The prominent Buddhist religious leader and advocate for peace, Daisaku Ikeda, has placed dialogue at the centre of his efforts towards securing global justice and conflict resolution. However, far from constituting abstract plans for the future of the world, Ikeda's dialogues represent very concrete and focused activity. He concentrates on one significant individual (such as Joseph Rotblat, Linus Pauling and Mikhail Gorbachev) at a time, or sometimes small groups, in order to attempt the transformation of thinking and society through intense discussion. This book offers detailed exploration of this crucial aspect of Ikeda's philosophy of peace. Contributors examine topics such as: the background to Ikeda's dialogic thinking as found in the Lotus Sutra; Buddhism as a practical philosophy of dialogue; Ikeda's use of dialogue, specifically in the field of education; and dialogue in relation to the abolition of nuclear weapons. Ikeda's concept of dialogue emerges as a paradoxical movement towards common ground based on respectful difference. This study will appeal to students of peace, politics and modern Buddhism.

Every church leader knows the qualifications for elders and deacons that are spelled out in the Bible, but actually finding other leaders who fulfill the biblical qualifications can be difficult.

Thabiti Anyabwile writes from his expertise as a pastor and elder, showing how to identify and reproduce legitimate leaders and willing servants throughout the ranks of the local church. Balancing thoughtful analysis of pertinent passages with thorough application for practical use in a contemporary context, Anyabwile answers the questions, "Who should we look for to lead and serve in the church?" and "What should they do to fulfill their calling?"

Religious controversies frequently center on origins, and at the origins of the major religious traditions one typically finds a seminal figure. Names such as Jesus, Muhammad, Confucius, and Moses are well known, yet their status as "founders" has not gone uncontested. Does Paul deserve the credit for founding Christianity? Is Laozi the father of Daoism, or should that title belong to Zhuangzi? What is at stake, if anything, in debates about "the historical Buddha"? What assumptions are implicit in the claim that Hinduism is a religion without a founder? The essays in Varieties of Religious Invention do not attempt to settle these perennial arguments once and for all. Rather, they aim to consider the subtexts of such debates as an exercise in comparative religion: Who engages in them? To whom do they matter, and when? When is "development" in a religious tradition perceived as "deviation" from its roots? To what extent are origins thought to define the "essence" of a religion? In what ways do arguments about founders serve as a proxy for broader cultural, theological, political, or ideological questions? What do they reveal about the ways in which the past is remembered and authority negotiated? As the contributors survey the landscape shaped by these questions within each tradition, they provide insights and novel perspectives about the religions individually, and about the study of world religions as a whole.

Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.