Our Pearl Powder can be mixed into many mediums such as paint, epoxy resin, glue or paste to create a pearlescent or metallic finish.

Available in sets of 5 colours of 5g or single colours.

Dala pure pigments are water-based & highly concentrated offering excellent dispersion & consistant colour. Use the pigment straight from the bottle or mix colours to create your own custom shades. Most compatible with Dala liquid epoxy, urethane or acrylic. May alo be used to colour paints and more. Use more pigment for dramatic colour and less for more pastel shades.

Our Pearl Powder can be mixed into many mediums such as paint, epoxy resin, glue or paste to create a pearlescent or metallic finish.

Available in sets of 5 colours of 5g or single colours.

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Inorganic Chemical Description: Natural Mica Flakes Opacity/Transparency: N/A Lightfastness Rating: N/A Permanency: Exc Colour index name: - Colour index number: - Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: N/A CIE L*a*b* Values: L* a* b* Tint Strength: N/A

These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added, and they have an exceptionally smooth, thick buttery consistency.

Pigment Classification: Inorganic Chemical Description: Natural Mica Flakes Opacity/Transparency: N/A Lightfastness Rating: N/A Permanency: Exc Colour index name: - Colour index number: - Munsell Notation Listing: Hue N/A Value N/A Chroma N/A

Viscosity Range: 5000-6000 CPS Gloss Average: N/A CIE L*a*b* Values: L* a* b*N/A Tint Strength: N/A

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Eli-Glow Photoluminescent Pigments will release light for up to 8 hours in darkness and 'charge up' after only 30 minutes exposure to daylight. By day the powder crystals absorb UV light and after dark they release energy in the form of a long-lasting ambient glow. The technology behind the Eli-Glow pigments shows no sign of any reduction in the ability to rejuvenate daily. The long-lasting glow offers functional and decorative solutions, ranging from workplace and road safety to visual applications, art, sculpture and interior/exterior design. Eli-Glow is harmless, non-toxic, non-radioactive and non-hazardous.

The pigments will recharge themselves an infinite number of times and will last indefinitely. The pigments absorb radiant U.V energy from sunlight (or indoor lighting) and convert it into longer wavelengths in the visible spectrum, thereby emitting it as light with the sensation of colours. By day the pigment is a pale straw-coloured substance. When mixed in a ratio of 10-20% with a binder it becomes invisible and will not affect the optical clarity of your coating.

How do I use Eli-Glow Pigment Powder?

Mix the powder into any non-waterbased binder (Eli Glow TotalCast Resin., PVA glues, clear varnishes, acrylic paints, oil paints, enamel paints, solvent-based paints, concrete sealers, inks etc.)

The binder needs to be clear/transparent or light in colour so as to allow the passage of U.V light to activate the Eli-Glow crystals.

Mix 10-20% powder into your binder to achieve a general glow colour across the finished article. Alternatively the powder can be sprinkled/scattered in some areas to highlight in a line, spot or even trace a curved section.

Resi-METAL pre-polymer metallic pigments are solvent-free colour additives which can be used to colour most polymer resin systems (Epoxy, Polyester and Polyurethane) used within the arts, crafts, flooring and coating industries. Resi-METAL will crosslink with polymer binding resins.

Resi-METAL pre-polymer metallic pigments are solvent-free colour additives which can be used to colour most polymer resin systems (Epoxy, Polyester and Polyurethane) used within the arts, crafts, flooring and coating industries. Resi-METAL will crosslink with polymer binding resins.

Resi-TINT MAX is a range of high quality pre-polymer pigments. The heavy body paste consistency provides a rich colour effect with rapid and uniform dispersion into clear polymer resins.

Most of the colours have a BW lightfastness rating of 8. The exceptions are the Red Oxide and the Rutile Titanium Dioxide-derived colours (Titanium White, Classic Red, Rust Red and Pure Orange). These have a light fastness index of 6.

This range is designed to be added to MasterCast 1-2-1, totalCAST, Ultra-Cast xt, as well as Eli-Chem General Purpose and CER slow set clear casting resins. You can also use other brand clear casting resins.

Resi-TINT MAX is a range of high quality pre-polymer pigments. The heavy body paste consistency provides a rich colour effect with rapid and uniform dispersion into clear polymer resins.

Most of the colours have a BW lightfastness rating of 8. The exceptions are the Red Oxide and the Rutile Titanium Dioxide-derived colours (Titanium White, Classic Red, Rust Red and Pure Orange). These have a light fastness index of 6.

This range is designed to be added to MasterCast 1-2-1, totalCAST, Ultra-Cast xt, as well as Eli-Chem General Purpose and CER slow set clear casting resins. You can also use other brand clear casting resins.

Resi-TINT MAX is a range of high quality pre-polymer pigments. The heavy body paste consistency provides a rich colour effect with rapid and uniform dispersion into clear polymer resins.

Most of the colours have a BW lightfastness rating of 8. The exceptions are the Red Oxide and the Rutile Titanium Dioxide-derived colours (Titanium White, Classic Red, Rust Red and Pure Orange). These have a light fastness index of 6.

This range is designed to be added to MasterCast 1-2-1, totalCAST, Ultra-Cast xt, as well as Eli-Chem General Purpose and CER slow set clear casting resins. You can also use other brand clear casting resins.

TotalCast Resin is an optically clear, high-gloss, hybrid polymer resin system which is suitable for the protection and decoration of artwork, paintings or sculptures. This is because it provides a tough coating with good abrasion resistance.

It is easy to use because it cures at room temperatures and is self-levelling. The resin is non-flammable, odour-free and has no solvent content. It is also free of volatile organic compounds (VOCs), is non-toxic and has non-yellowing properties. It is for use on all art surfaces including canvas, wood, MDF and photographs, and can be used over acrylic, oil, watercolour and enamel paint.

This kit consists of 2kg of each component (Resin & Hardener). The Mixing Ratio is 1 : 1

Please note, the mixing ratio must be accurately followed. It is not possible to change the ratio. This would adversely affect the mechanical properties of the resin and would lead to it not drying properly. The mixture should be thoroughly stirred (mix for 3-4 mins) to ensure full homogeneity. Polymer systems tend to heat up much faster in a pot than as a thin film. Therefore mix only the necessary amount usable within the given pot life.

TotalCast Resin is an optically clear, high-gloss, hybrid polymer resin system which is especially suitable for the protection and decoration of artwork, paintings or sculptures as it provides a tough coating with good abrasion resistance. It is easy to use because it cures at ambient temperatures and is self-levelling. The resin is non-flammable, odour-free and has no solvent content. It is also free of volatile organic compounds (VOCs), is non-toxic and has non-yellowing properties. It is perfect for use on all art surfaces including canvas, wood, MDF and photographs, and can be used over acrylic, oil, watercolour and enamel paint.

As with all resins, this is very sticky - we advise that you wear disposable gloves while using the product.

This 500g kit consists of 250g of each component (Resin & Hardener). The Mixing Ratio is 1 : 1

Please note, the mixing ratio must be accurately followed. It is not possible to change the ratio. This would adversely affect the mechanical properties of the resin and would lead to it not drying properly. The mixture should be thoroughly stirred (mix for 3-4 mins) to ensure full homogeneity. Polymer systems tend to heat up much faster in a pot than as a thin film. Therefore mix only the necessary amount usable within the given pot life.