This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of "it's time" for change, Ni Wakati.

Keith Morris is a true punk icon. No one else embodies the sound of Southern Californian hardcore the way he does. With his waist-length dreadlocks and snarling vocals, Morris is known the world over for his take-no-prisoners approach on the stage and his integrity off of it. Over the course of his forty-year career with Black Flag, the Circle Jerks, and OFF!, he's battled diabetes, drug and alcohol addiction, and the record industry...and he's still going strong. My Damage is more than a book about the highs and lows of a punk rock legend. It's a story from the perspective of someone who has shared the stage with just about every major figure in the music industry and has appeared in cult films like The Decline of Western Civilization and Repo Man. A true Hollywood tale from an L.A. native, My Damage reveals the story of Morris's streets, his scene, and his music--as only he can tell it.

One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

Elvis Presley and his two faithful sidekicks tore up Texas highways, crisscrossing the state, always late for their next high school hop, car dealership opening, or Lion's Club fund raiser.

Here is the story of the boy from Brixton who became one of the most famous artists of the 20th century, returned to prominence in the 21st with music and visions informed by a sense of his own mortality and who through his life and work, changed lives and those of generations to come.

Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop. Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students.

_______________ 'A coolly literary masterpiece' - Greil Marcus, Esquire 'Sad, funny, brilliant' - The Daily Telegraph 'In classic fish-out-of-water fashion Young writes with wry amusement alongside a fair bit of affection for his icy boss' - The Times _______________ Fully updated with a new introduction, this is the story of Nico, former model, film actress, singer with the Velvet Underground and darling of Andy Warhol's factory, when the world had all but forgotten her. In 1982 Nico was living in Manchester, interested mainly in feeding her heroin habit. Local promoter Alan Wise ('Dr Demetrius') hired musicians, rented a van and set off with the band on a tour of Italy. James Young played keyboards for Nico throughout this period. Over six years, until her death in 1988, Nico toured the world, encountering poets, artists, gangsters, losers and drifters. Fellow-spirits including John Cale, Allen Ginsberg, Gregory Corso and John Cooper Clarke are among those who appear in this classic memoir of Nico 'the last bohemian'. _______________ 'Stunning ... Nico is so HERE in this wonderful narrative; I recognized her right away. James Young was the keyboard player in Nico's very insane bande a part on the last tours of her life and is a spectacular writer; let him be your perfect witness from the nomadic court of the once and future goddess of the musical underground' - Danny Fields, friend of Nico, and manager of The Ramones, Iggy Pop and The Stooges

'If you stay alive long enough, people eventually catch up' Born in rural Georgia in 1947, Jayne moved to New York and became part of the 60s art scene surrounding Andy Warhol's Factory. Jayne's story follows the arc of LGBT liberation in the US - she came of age living hand-to-mouth, faced off against police at Stonewall and came out as a trans woman while she was touring Europe with her band. She went everywhere and met everyone and lived to tell the tale. Man Enough to Be a Woman is the funny, fierce memoir of Jayne's extraordinary journey, now including a new epilogue where she reflects on how the world has (almost) caught up with her.

Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden offers the first considered survey of Mingotti's London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, the finance, the choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. Burden also argues that Mingotti's years with Farinelli influenced her understanding of drama, fed her appreciation of Metastasio, and were partly responsible for London labelling her a 'female Garrick'. The book includes the important publication of the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi, which shed light on the role a singer could play in the replacement of arias.

The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl * Album * Cover * Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), 'designed half your record collection'. Founded in 1967 by Storm Thorgerson, Aubrey 'Po' Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few. Arranged chronologically, Vinyl * Album * Cover * Art features stunning reproductions of every single Hipgnosis cover - 372 in total - coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram's Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design. A highly accessible stand-alone volume, Vinyl * Album * Cover * Art will also make the perfect pop partner to the groundbreaking Hipgnosis | Portraits (2014) with its rare revelations and behind-the-scenes photography.

As told by the musicians who made it happen, Desperados: The Roots of Country Rock revisits country rock's rise to the top of the charts. Music scholar John Einarson delves into the years from 1963, when Buck Owens and his Buckaroos brought an electric edge to their Texas honky-tonk tunes, to 1973, when The Eagles released their album "Desperado" on David Geffen's label. Einarson examines how folk, rockabilly, blues, Nashville country, Tejano, bluegrass, and other musical idioms influenced a generation of journeyman musicians. He traces the paths taken by the songsmiths, the bands in which they served their apprenticeships, and the songs they wrote together, as they steadily shaped the country rock sound. The protagonists of this story include talented but troubled Gram Parsons, a virtuoso determined to burn out before he faded away; the versatile and appealing Linda Ronstadt; Mike Nesmith, the Monkee from Texas who returned to his musical roots with a trilogy of country-rock albums; TV heartthrob turned country rocker Rick Nelson; folkie songbird Emmylou Harris before she made it in Nashville; and many others.

This comprehensive book documents the nearly half-century-long story of The Rolling Stones-the group many regard as the most eminent rock band ever. By 1964 the United States had been "invaded" by a number of British bands, led by the Beatles. The Rolling Stones were seen as more rebellious and rowdy than The Beatles-they were the "bad boys" as opposed to the "good boys"-and this reputation only served to enhance their popularity with their teenage fans. The Stones far outlasted the Beatles and all the other 60s-era British bands, however The Rolling Stones not only continued, but flourished, their tours drawing enormous crowds for decades. The Rolling Stones: A Musical Biography chronicles the fascinating adventures of these Rock and Roll Hall of Fame inductees and sheds light on what has allowed these music legends to enjoy such lifelong popularity and success. A clear timeline of key events in the life of the band that encompasses over 40 years Images of the band members and their performances across time Print and nonprint resources for student research Appendices of albums, awards, film appearances, and more

What makes a song sound foreign? What makes it sound "American," or Brazilian? Caetano Veloso's 2004 American songbook album, A Foreign Sound, is a meditation on these questions-but in truth, they were questions he'd been asking throughout his career. Properly heard, the album throws a wrench into received ideas regarding the global hegemony of US popular music, and also what constitutes the Brazilian sound. This book takes listeners back through some of Veloso's earlier considerations of American popular music, and forward to his more recent experiments, in order to explore his take on the relationship between US and Brazilian musical idioms. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people's lives in a period of total war.

As a co-founder of The Byrds and The Flying Burrito Brothers, Chris Hillman is arguably the primary architect of what's come to be known as country rock. He went on to record and perform in various configurations, including as a member of Stephen Stills's Manassas and as a co-founder of The Souther-Hillman-Furay Band. In the 1980s he formed The Desert Rose Band, scoring eight Top 10 Billboard country hits. He's released a number of solo efforts, including 2017's highly acclaimed Bidin' My Time - the final album produced by the late Tom Petty. In Time Between, Hillman shares his quintessentially Southern Californian experience, from an idyllic, rural 1950s childhood; to achieving worldwide fame thanks to hits such as "Mr. Tambourine Man," "Turn! Turn! Turn!" and "Eight Miles High"; to becoming the first musician to move to Laurel Canyon. Featuring behind-the-scenes insights on his time in The Byrds, his productive but sometimes complicated relationship with Gram Parsons, his role in launching the careers of Buffalo Springfield and Emmylou Harris, and the ups and downs of life in various bands, music is only part of his story. Within the pages of Time Between, Hillman reveals the details of his personal life with candor and vulnerability, writing honestly about the shocking tragedy that struck his family when he was a teenager, his subsequent struggles with anger, and how his spiritual journey led him to a place of deep faith that allowed him to extend forgiveness and experience wholeness. Chris Hillman is much more than a rock star. He is truly a founding father of American music and a man who has faced down the challenges of life to discover what really matters.

The harmonica is one of the most important, yet overlooked, instruments in music. This definitive volume celebrates the history of the world's most popular musical device, its impact on various forms of music, folk, country, blues, rock, jazz and classical music. The author traces the development of the harmonica from the ancient Chinese sheng to futuristic harmonica sythesizers. Nearly seventy harmonica masters are profiled including Stevie Wonder, Little Walter, Bob Dylan, Jimmy Reed, Charlie McCoy, Sonny Terry, and John Popper. This updated edition includes an extensive new afterword, an expanded discography of the finest harmonica recordings, and a listing of the best harmonica resources on the internet.

As the creative force behind Berry Gordy Jr.'s Motown Records in the mid-Sixties, a writing credit from Holland Dozier Holland was virtually a guarantee of chart success. From Stop! In The Name Of Love to How Sweet It Is To Be Loved By You, they were the songwriting and production dream team responsible for some of the greatest songs of the twentieth century. In this compelling autobiography, brothers Eddie and Brian Holland share their story for the first time, starting with growing up in Detroit raised by a single mother and their grandmother, before shining a light on their early musical careers. A gifted lyricist, Eddie started out as a solo singer with Berry Gordy as his manager before partnering up with his brother Brian and Lamont Dozier, both talented arrangers and producers. When Holland Dozier Holland came together, they helped transform Motown Records from a local soul label into a worldwide hit factory, home to international superstars such as Marvin Gaye, Martha & The Vandellas, The Supremes, Smokey Robinson, The Miracles, The Four Tops and The Isley Brothers. After an awe-inspiring tenure they left Motown in 1968, continuing their successes at new labels and with new collaborators for years to come. Featuring honest and open first-hand accounts, Come and Get These Memories is more than just a behind-the-scenes look at Motown Records at its peak: Eddie and Brian set the record straight on both their personal and professional lives and offer a revealing slice of pop-music history.

"This chronological account of the rock era and its evolution will appeal to many researchers interested in the period. This book will also appeal to trivia buffs with its inordinate amount of little-known information." Reference Books Bulletin

You've recorded the album, toured the world, and all of the fans have left the venues. Where can the rock star now turn for sanctuary? With stadium size egos to placate, how does the rock star relax in their household? From Keith Moon's stately home to George Harrison's Buddhist retreat, Sinatra's chic apartment to Elton John's crash pad, how do the homes of the rock stars reflect their personalities and idiosyncrasies? This picture led book takes you through the keyhole of the abode's of our biggest stars.

This discography gives as complete a recording history as possible of Johnny Cash, using a listing of more than 500 recording sessions that he participated in as a singer, musician and/or composer. These sessions produced over 1400 master recordings, all listed in the Song Title Index of this discography. The finished product is covered in a listing of some 245 singles, 58 extended play albums and 455 long-play albums released in the United States and Europe. By using his recording sessions, including location, date, musicians, titles and composers credits as a reference, a profile emerges of 30 years of consistent popularity and record sales.

Rough Trade's Book of the Year Electronic Sound Magazine's Book of the Year Mute Records is one of the most revered and influential independent music labels of all time. Through the music of its tight-knit community of artists - ranging from Cabaret Voltaire, Throbbing Gristle, Nick Cave's The Birthday Party and Einsturzende Neubauten to Depeche Mode, Yazoo, Erasure, Laibach and Goldfrapp - it has had an incalculable impact on popular music for forty years. This authoritative, sumptuously illustrated history of the label features stunning artwork and photography - much of it previously unseen - and insights from those who have worked with the label. Text contributions from key players, together with ground-breaking shots and video stills from lengendary photographers, make this book the definitive chronicle of the iconic label, which today has offices in the USA, UK, Germany and France and an unparalleled reputation worldwide.