This text explores the possibility of drawing upon a punk ethos to inspire and invigorate sociology. It uses punk to think creatively about what sociology is and how it might be conducted and aims to fire the sociological imaginations of sociologists at any stage of their careers, from new students to established professors.

There is no denying that the last couple of years have been tough for all of us. Life has changed drastically due to the Covid 19 pandemic, and this includes rock icons. Suzi Quatro has never had a regular job. Being a rock and roll musician is what she has been doing her whole life. Then suddenly, everything changed, and instead of constantly being on tour, she found herself at home. Suzi is never one to sit around idling her time and the pandemic produced an album that has done very well indeed. It has also produced her third hardcover coffee table book, sharing her thoughts as the days and the weeks passed. Full to the brim with private photographs in colour, Suzi lets us in to her life in this window of time when the world changed. Her thoughts about the state of life as she sees it is meant as an inspiration to us all. "The third in my series of illustrated coffee table books, 1 year in lockdown,1 year on this roller coaster called life, 1 year where you can go through every single emotion you have in 5 minutes. Sometimes you smile, sometimes you cry, many times you just hit the wall. I faithfully did my instagram posts every morning sharing my feelings and tribulations, trying to lift people's spirits. It helps to share. It helps to know you're not alone. Enjoy my moods! ( I blame being a Gemini!!) Suzi Quatro"

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From youth violence, to the impact of high stakes educational testing, to editorial hand wringing over the moral failures of hip-hop culture, young people of color are often portrayed as gang affiliated, "troubled," and ultimately, dangerous. The Hip-Hop Generation Fights Back examines how youth activism has emerged to address the persistent inequalities that affect urban youth of color. Andreana Clay provides a detailed account of the strategies that youth activists use to frame their social justice agendas and organize in their local communities.

Based on two years of fieldwork with youth affiliated with two non-profit organizations in Oakland, California, The Hip-Hop Generation Fights Back shows how youth integrate the history of social movement activism of the 1960s, popular culture strategies like hip-hop and spoken word, as well as their experiences in the contemporary urban landscape, to mobilize their peers. Ultimately, Clay's comparison of the two youth organizations and their participants expands our understandings of youth culture, social movements, popular culture, and race and ethnic relations.

Fully revised and expanded second edition of the only chart book dedicated to British Hit EPs. Originally conceived as sort-of 'mini LP', the four-track extended play album or 'EP' achieved mass popularity in the late 1950s and early 1960s, later enjoying a revival during the punk/new wave era of the mid-1970s. Attractively packaged in glossy colour sleeves and often containing rare material, EPs also rapidly acquired a following among discerning music fans and record collectors that continues to the present day. Includes a history of the format, an artist-by-artist listing of every 7-inch hit EP from 1955 to 1989 (with full track details for each record), a trivia section, the official UK EP charts week by week, and much more. Profusely illustrated with over 600 sleeve shots.

Thanks to Steve Parkhouse's wonderfully vivid illustrations and Jim McCarthy's clever distillation of the script that rewrote rock 'n' roll and much else besides, the Pistols' story returns to the rough and tumble of the comic strip from which it derived so much of its initial inspiration.

Think Woodstock and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock--the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident--was already a key location in the '60s rock landscape. Drawing on numerous first-hand interviews with the remaining key players in the scene--and on the period when he lived there himself in the 1990s--Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.

With these words, President Clinton contributed to Long Island University's three-day celebration of that momentous event in American history when Robinson became the first African American to play major league baseball. This new book includes presentations from that celebration, especially chosen for their fresh perspectives and illuminating insights. A heady mix of journalism, scholarship, and memory offers a presentation that far transcends the retelling of just another sports story. Readers get a true sense of the social conditions prior to Robinson's arrival in the major leagues and the ripple effect his breakthrough had on the nation. Anecdotes enliven the story and offer more than the usual "larger than life" portrait of Robinson. A melange of contributors from the sports world, academia, and journalism, some of Robinson's contemporaries, Dodger fans, and historians of the era, all sharing a passion for baseball, reflect on issues of sports, race, and the dramatic transformation of the American social and political scene in the last fifty years. In addition to the editors, the list of authors includes Peter Golenbock, one of America's preeminent sports biographers and author of Bums: The Brooklyn Dodgers, 1947-1957, Tom Hawkins, the first African-American to star in basketball at Notre Dame and currently Vice-President for Communications of the Los Angeles Dodgers, Bill Mardo a former writer for the New York Daily Worker, Roger Rosenblatt, teacher at the Southampton Campus of Long Island University, and author of numerous articles, plays, and books, Peter Williams, author of a study of sports myth, The Sports Immortals, and Samuel Regalado, author of Viva Baseball!: LatinMajor Leaguers and Their Special Hunger.

This detailed exploration looks at the musical works of recording artist Billy Joel and his impact on popular culture. Billy Joel skyrocketed to popularity in 1977 with his fifth album, The Stranger, and he has been a major American artist ever since. His songs are timeless and appreciated by generations of fans. The Words and Music of Billy Joel examines this influential musician's songs in detail, exploring the meaning of the lyrics and placing Joel's artistry in a regional and cultural context. Covering work that ranges from Joel's recordings with the Lost Souls to his classical compositions, the book focuses on the dozen studio albums of popular music released between 1971 and 1993. A bibliographic essay is included, as are both a discography and a filmography. There is also a special focus on the interpretation of Joel's songs by other recording artists. Photographs A discography of Joel's recordings including albums and singles A selected discography of cover versions of Joel's songs by other recording artists A filmography A bibliography of significant books and articles about Billy Joel and his work A bibliographic essay

Listen to Psychedelic Rock! contains more than 50 entries covering the people, records, places, and events that shaped one of the most exciting and influential periods in popular music. This addition to the Exploring a Music Genre series concentrates solely on psychedelic rock music. Listen to Psychedelic Rock! Exploring a Musical Genre covers over fifty topics, arranged alphabetically, that are central to learning about psychedelic music and will enable readers to understand the breadth and ongoing influence of psychedelia through to the present day. The title contains biographical sketches on selected artists, "song-by-song" descriptions of many albums, and short, informative essays on participants who were influential in the original psychedelic movement. A background section introduces the genre and a legacy section shows how psychedelic music has cemented its place in the world, while another section shows the tremendous impact the music has had on popular culture. Information on record labels and year-of-release dates for all musical entries make it easy for any reader to navigate this title - a must-have for high school and college readers as well as for music scholars and fans of the genre. Provides readers with a thorough overview of artists and albums whose works came to define psychedelic music Addresses the differences between psychedelia in England and in the United States Discusses the intellectual and literary influence on psychedelia in England Provides easy reference to more than fifty individual topics through A-Z organization Contextualizes the music in American history

The music we hear is always inhabited by voices of previous performances. Because listening is now so often accompanied by moving images, this process is more complex than ever. Music videos, television and film music, interactive video games, and social media are now part of the contemporary listening experience.
In An Eye for Music, author John Richardson navigates key areas of current thought - from music theory to film theory to cultural theory - to explore what it means that the experience of music is now cinematic, spatial, and visual as much as it is auditory. Richardson maps out the terrain of recent audiovisual production over a wide array of styles and practices, and sketches out a set of common structures that inform how we experience sound and vision. Whether examining Philip Glass or The Gorillaz, Richard Linklater's Waking Life or Michel Gondry's Be Kind Rewind, Richardson's arguments are both fascinating and provocative.

Contents:
Introduction Part One : Nursery Crymes Little Miss Dynamite; The Boy Behind The Mask; Father... I Want To Kill You: The Birth of the Lizard King; Monsters and Ogres; When Will They Ever Learn? Part Two : Little Girls Introduction; Kate Bush: The Red Shoes; Tori Amos: Lady of the Rings; Bjork: The Icelandic Elf; Little Girls Revisited Part Three: Little Boys Introduction: The Rules of the Game; Age, Identity and the Slippery Divide of the Rock/Pop Binary; Who's That Boy? Death And My Cock; 'Scuse Me While I Kiss The Sky; Myth and Reality; Boys Just Wanna Be Boys; The Young Ones; Somebody Wants To Be Wanted; I'm A Believer; Rollermania; Do What U Like? Pop Idols Postscript. Life After Death: Old Girls and Old Boys Notes Bibliography Discography

Carpet Burns is Tom Hingley's account of his life as lead singer of Inspiral Carpets, one of the big three bands of the Manchester movement who, along with The Stone Roses and Happy Mondays, changed music for a generation. Tom's own words provide an account of what it felt like to be in the eye of a pop hurricane and what happens when the hits end and the arguments kick in.

Embodying Mexico examines two performative icons of Mexicanness--the Dance of the Old Men and Night of the Dead of Lake P tzcuaro--in numerous manifestations, including film, theater, tourist guides, advertisements, and souvenirs. Covering a ninety-year period from the postrevolutionary era to the present day, Hellier-Tinoco's analysis is thoroughly grounded in Mexican politics and history, and simultaneously incorporates choreographic, musicological, and dramaturgical analysis.
Exploring multiple contexts in Mexico, the USA, and Europe, Embodying Mexico expands and enriches our understanding of complex processes of creating national icons, performance repertoires, and tourist attractions, drawing on wide-ranging ethnographic, archival, and participatory experience. An extensive companion website illustrates the author's arguments through audio and video.

Nevermind, Achtung Baby, Use Your Illusion 1&2 - the 90s saw some classic albums produced by artists such as Nirvana, U2, Gun n' Roses and Red Hot Chili Peppers, as well as a resurgence in country music popularized by Shania Twain and Garth Brooks. Combining information from both the US and UK charts provided by the Recording Industry Association of America (RIAA) and British Phonographic Industry (BPI), 100 Best Selling Albums of the 90s features chart-topping work from Michael Jackson, Puff Daddy and Green Day. Each album entry is accompanied by the original sleeve artwork - front and back - and is packed full of facts and recording information, including a complete track listing, musician and production credits, and an authoritative commentary on the record and its place in cultural history. Soundtracks featured include the 60s and 70s hits on Forrest Gump, the Elton John/Tim Rice songs in The Lion King, and the orchestral score for Titanic (and Celine Dion's Oscar-winning My Heart Will Go On). Other stand-out albums include the Eagles' reforming to make Hell Freezes Over and Eric Clapton's Unplugged, a career revival for him in the popular 90s back-to-basics semi-acoustic series. With vinyl sales now at their highest in 25 years, 100 Best Selling Albums of the 90s is an expert celebration of popular music from Sheryl Crow to Shania Twain, from the Spice Girls to the Backstreet Boys, from Gloria Estefan to Michael Jackson to Lauryn Hill.

This is the first extensive scholarly study of drone metal music and its religious associations, drawing on five years of ethnographic participant observation from more than 300 performances and 74 interviews, plus surveys, analyses of sound recordings, artwork, and extensive online discourse about music. Owen Coggins shows that while many drone metal listeners identify as non-religious, their ways of engaging with and talking about drone metal are richly informed by mysticism, ritual and religion. He explores why language relating to mysticism and spiritual experience is so prevalent in drone metal culture and in discussion of musical experiences and practices of the genre. The author develops the work of Michel de Certeau to provide an empirically grounded theory of mysticism in popular culture. He argues that the marginality of the genre culture, together with the extremely abstract sound produces a focus on the listeners' engagement with sound, and that this in turn creates a space for the open-ended exploration of religiosity in extreme states of bodily consciousness.

This book launches a proposal: to fill some empirical and theoretical gaps that presently exists in populism studies by looking at the potential nexus between populist phenomena and popular culture. It provides a detailed account of the multiple mechanisms linking the production of pop music (as a form of popular culture) to the rise and reproduction of populism. The authors use a case study of Italy to interrogate these mechanisms because of its long-lasting populist phenomena and the contextual importance of pop music. The book's mixed-methods strategy assesses three different aspects of the potential relationship between pop music and populist politics: the cultural opportunity structure generated and reproduced by the production of music, the strategies political actors use to exploit music for political purposes, and, crucially, the ways fans and ordinary citizens understand the relationship between pop music and politics, and subsequent debates and identities. Moving from the case study, the book in its last chapter offers a more general understanding of the associations between pop music and populism.

Kylie Minogue's self-titled debut album produced hits, controversy and a perfect mainstream storm. The then soap and children's television star 'crossed over' to music with hit writer/producers SAW - and the shamelessly commercial approach of all involved saw the 'real' music industry get its back up. This book interrogates the way that commercial pop albums are remembered in both the popular music press and in academic research. Is there a way of dealing with 'mainstream' pop without denigrating the music and (just as importantly) without validating it according to the terms of a 'high art' canon? This text sheds light on the way that notions of 'mainstream' and 'other' play out in a local context-specifically, Australia and New Zealand music on a global stage.

A monumental oral biography filled with raucous joy, aching loss and terrible poignancy, Elvis & the Memphis Mafia is the first book to capture the King - the man and the phenomenon - in his full complexity. Through revealing interviews with three of Elvis' s closest friends, who were also his protectors and rescuers, Nash achieves the first true mapping of Elvis' s psyche. Billy Smith - Elvis' s first cousin and the person he reputedly loved most after his own mother - Marty Lacker - best man at his wedding and foreman of the ' Memphis Mafia' , the King' s handpicked group of gatekeepers and confidants - and Lamar Fike - the touring crew member who accompanied him into the Army - were with Elvis from his teens to his final days and provide unique access to the greatest of all rock and roll legends. The revelations cut through every aspect of Elvis' s life, from the childhood seeds of his drug dependency, through his fear for his mother' s life and his plan to change his identity, to his bizarre self-mutilation. No one who reads this symphonic blending of three proud, ribald, sad and ultimately wistful voices can fail to be profoundly moved.

Now in paperback, the New York Times bestseller by one of rock's most provocative figuresScar Tissue is Anthony Kiedis's searingly honest memoir of a life spent in the fast lane. In 1983, four self-described "knuckleheads" burst out of the mosh-pitted mosaic of the neo-punk rock scene in L.A. with their own unique brand of cosmic hardcore mayhem funk. Over twenty years later, the Red Hot Chili Peppers, against all odds, have become one of the most successful bands in the world. Though the band has gone through many incarnations, Anthony Kiedis, the group's lyricist and dynamic lead singer, has been there for the whole roller-coaster ride. Whether he's recollecting the influence of the beautiful, strong women who have been his muses, or retracing a journey that has included appearances as diverse as a performance before half a million people at Woodstock or an audience of one at the humble compound of the exiled Dalai Lama, Kiedis shares a compelling story about the price of success and excess. Scar Tissue is a story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption--a story that could only have come out of the world of rock.

"Ed's photos take us behind the scenes and in the middle of the action. I always felt like I was being transported to the location of the shot, and was experiencing it all first hand. The Stooges Funhouse sessions are my favorite rock photos of all time. I wanted to be those guys. Those images have stayed with me my entire life and continue to inspire me to this day !!!!!" - John Varvatos In May 1970, The Stooges were in the middle of recording their celebrated album, Fun House at Elektra Records Recording Studio in Los Angeles. That same month, they appeared at the Whisky a Go-Go on Sunset Boulevard for two incredible nights. Ed Caraeff, a new rock photographer who had burst onto the scene three years prior with his now-iconic image of Jimi Hendrix burning his guitar onstage at Monterey, happened to be in that crowd, and took a plethora of wonderful pictures. Only a few stills from that phenomenal gig were ever reproduced. Most famously, one was used on the cover of Fun House. The rest were filed away. Until now. Ed Caraeff's coverage of this monumental moment is reprinted here for the first time in book form. He not only captures the energy, madness and raw power of Iggy Pop's performance, but also the preceding minutes before the band stepped onto stage and made history. Along with images and contact sheets, original interviews shed new light on that unforgettable night. Interviewed by pop-culture historian Jennifer Otter Bickerdike, names include Jac Holzman, Head of Elektra Records during the recording of Fun House; Mikael Maglieri, son of Mario Maglieri, owner of the Whisky a Go-Go when The Stooges played in 1970; Danny Fields, a DJ/publicist credited for signing MC5 and The Stooges; and Jeff Gold, music historian and noted Iggy Pop biographer. A tribute to the band that rocked the world, Iggy & The Stooges: One Night at the Whisky, 1970 will revolutionise your view of music.

One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

With a listing of over 3,600 books about individual artists and groups, this is the most accurate and comprehensive bibliography available on Rock/Pop stars. It is the most authoritative source for English-language titles, which are listed in the main directory under an A-Z presentation of artists. For easy access, information is cross-referenced through the use of author, title, and subject indexes. A down-to-the-wire supplement completes the book in a timely fashion. Collectors will be pleased with entries for privately published and/or limited editions, of which many are very rare.