Embodying Mexico examines two performative icons of Mexicanness--the Dance of the Old Men and Night of the Dead of Lake P tzcuaro--in numerous manifestations, including film, theater, tourist guides, advertisements, and souvenirs. Covering a ninety-year period from the postrevolutionary era to the present day, Hellier-Tinoco's analysis is thoroughly grounded in Mexican politics and history, and simultaneously incorporates choreographic, musicological, and dramaturgical analysis.
Exploring multiple contexts in Mexico, the USA, and Europe, Embodying Mexico expands and enriches our understanding of complex processes of creating national icons, performance repertoires, and tourist attractions, drawing on wide-ranging ethnographic, archival, and participatory experience. An extensive companion website illustrates the author's arguments through audio and video.

From the record-breaking success of 1991's 'Black Album' to the band's reinvention with the Load/Reload albums; from bassist Jason Newsted's shock departure to the group's subsequent meltdown as laid bare in the documentary Some Kind of Monster; from the Lulu album with Lou Reed to their hugely expensive feature film Through the Never, the second half of the Metallica story has been as eventful and controversial as it has triumphant.

The German edition of the AK Press book "Philosophy of Punk: More Than Noise!," Additions include a preface by Joachim of OX fanzine.

This is the first book to give an inside look at the thriving subculture as an important present day movement and a way of life. Covering such topics as skinheads, fanzines, anarchism, homosexuality, and, of course, punk rock! Includes over 70 photos and graphics.

A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century. Re-make/Re-model tells the little known and fascinating story of the individuals and circumstances which combined to form the groundbreaking band Roxy Music -- how the art school avant-garde of the 1960s met the sweat, luck and attitude of chart-topping pop. Written with the co-operation of all of those involved, including Bryan Ferry, Brian Eno, Andy Mackay and Phil Manzanera, this is also the definitive account of a new pop vision that would dominate the 1970s. From student digs and provincial nightclubs to emerald-green eyeshadow and fake leopard skin, Re-make/Re-model is about a band which invented an era.

The success of the Hip-Hop album The Calling (2003) by the Hilltop Hoods was a major event on the timeline of Hip-Hop in Australia. It launched a formerly ‘underground’ scene into the spotlight, radically transforming the group members’ lives and creating new opportunities for other Hip-Hop artists. This book analyses the impact of the album by drawing on original interviews with fifteen Hip-Hop practitioners from across Australia, including artists who contributed to the album. These primary interviews are interwoven with material from media sources and close readings of song lyrics and album imagery. An exploration of the early histories of Hip-Hop in Australia with a focus on the formation of Obese Records and the Hilltop Hoods’ biography gives way to analysis of specific tracks from the album and the Hoods’ prowess as live performers. The book uses The Calling as a lens to examine the beliefs and practices of Hip-Hop enthusiasts in Australia, including changes since the album was released. Published in 2023 to coincide with the album’s twenty-year anniversary, the book is an engaging evaluation of a musical release that was so significant that people now use it explain two distinct periods in Australian Hip-Hop (pre or post The Calling).

One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

Rick Bucklers autobiography is the first from a member of The Jam, who some considered were the ultimate Mod band. Rick tells The Jam story from growing up in Woking and meeting fellow members Paul Weller and Bruce Foxton at school, through their formation in 1972 and tells of the band's early years before signing to Polydor records. He provides a year by year account of The Jam's progress whilst describing what it was like being a part of the music industry during the 70's and 80's and some of the characters who he met along the way including the Ramones, John Enwistle, Sid Vicious, Blondie, Boy George and Paul McCartney. Rick shares his own experiences and thoughts about what it was like to be in one of the UK's most successful bands who spent a great deal of time recording, performing and touring. Following The Jam's split in 1982, Rick gives a candid account of how he coped and his subsequent relationship with Paul and Bruce. All three members of The Jam stayed within the music industry and Rick takes the reader through his years in Time UK and various other bands up until forming From the Jam. A must read for any Jam fan.

Prior to new editions of legendary Man musician Deke Leonard's previous books Rhinos, Winos & Lunatics and Maybe I Should've Stayed in Bed? planned for 2020, we are happy to bring back his 3rd and 4th books in their original editions. The Twang Dynasty is a book for people who love guitars and the glorious noise they make, written by a musician who has lived and loved the music for 50 years. Deke Leonard reflects on the genre from within in a highly amusing and informative style that makes this an essential read. He shines a light on how and why some musicians changed the landscape forever, tracing the development of modern popular music from its fragmented roots in delta blues, country and early rock 'n' roll to today's guitar based rock. He mixes personal encounters with Hendrix and Clapton with analysis of well-known but equally important players, ending with a chapter on Welsh rock guitarists that have been particularly dear to his heart. The Twang Dynasty is compelling reading, making the reader want to revisit the music and embark on their own personal guitar odyssey.

Nevermind, Achtung Baby, Use Your Illusion 1&2 - the 90s saw some classic albums produced by artists such as Nirvana, U2, Gun n' Roses and Red Hot Chili Peppers, as well as a resurgence in country music popularized by Shania Twain and Garth Brooks. Combining information from both the US and UK charts provided by the Recording Industry Association of America (RIAA) and British Phonographic Industry (BPI), 100 Best Selling Albums of the 90s features chart-topping work from Michael Jackson, Puff Daddy and Green Day. Each album entry is accompanied by the original sleeve artwork - front and back - and is packed full of facts and recording information, including a complete track listing, musician and production credits, and an authoritative commentary on the record and its place in cultural history. Soundtracks featured include the 60s and 70s hits on Forrest Gump, the Elton John/Tim Rice songs in The Lion King, and the orchestral score for Titanic (and Celine Dion's Oscar-winning My Heart Will Go On). Other stand-out albums include the Eagles' reforming to make Hell Freezes Over and Eric Clapton's Unplugged, a career revival for him in the popular 90s back-to-basics semi-acoustic series. With vinyl sales now at their highest in 25 years, 100 Best Selling Albums of the 90s is an expert celebration of popular music from Sheryl Crow to Shania Twain, from the Spice Girls to the Backstreet Boys, from Gloria Estefan to Michael Jackson to Lauryn Hill.

From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term "listening device." In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its "other"-a history of non-listening. The book proposes "listening device" as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.

The Beatles are probably the most photographed band in history and are the subject of numerous biographical studies, but a surprising dearth of academic scholarship addresses the Fab Four. New Critical Perspectives on the Beatles offers a collection of original, previously unpublished essays that explore 'new' aspects of the Beatles. The interdisciplinary collection situates the band in its historical moment of the 1960s, but argues for artistic innovation and cultural ingenuity that account for the Beatles' lasting popularity today. Along with theoretical approaches that bridge the study of music with perspectives from non-music disciplines, the texts under investigation make this collection 'new' in terms of Beatles' scholarship. Contributors frequently address under-examined Beatles texts or present critical perspectives on familiar works to produce new insight about the Beatles and their multi-generational audiences.

With a listing of over 3,600 books about individual artists and groups, this is the most accurate and comprehensive bibliography available on Rock/Pop stars. It is the most authoritative source for English-language titles, which are listed in the main directory under an A-Z presentation of artists. For easy access, information is cross-referenced through the use of author, title, and subject indexes. A down-to-the-wire supplement completes the book in a timely fashion. Collectors will be pleased with entries for privately published and/or limited editions, of which many are very rare.

Follow their incredible journey from students when the band formed in Cambridge in 1965 and consisted of Syd Barrett, Nick Mason, Roger Waters, Richard Wright with Dave Gilmour joining in 1967. Syd Barrett left in 1968 but remains synonymous with the group. Pink Floyd rose to become the most commercially successful and musically influential group in the history of popular music.

* explores the creative dialogue between John Lennon and Paul McCartney * employs the author's own 'Songscape' analysis, a multi-layered approach designed to engage a recorded work on its own terms, that does not require any specialist knowledge. * discusses the move towards more intimate sound spaces made possible by the recording process itself. *draws together evidence that Lennon and McCartney's uniquely eclectic approach, which came to encompass music, recording, film, literature, theatre, and painting, can be traced back to the Liverpool College of Art.

With practitioners, management and policy makers continuing to critically examine pedagogical practice in post 16 education, the need to engage in conversations concerning the exact nature of this practice remains extremely pertinent. This collection develops existing work on punk pedagogies by connecting up theory and practices whilst simultaneously disrupting current accepted approaches to pedagogy in post 16 education. The insights generated within the various settings outlined in this book - further education, higher education, migrant education, zine workshops, community education and for speakers of other languages - are relevant beyond those contexts. They are applicable to a wide range of disciplines, settings, teaching and learning styles. Contributions from Ipsita Chatterjea, Mike Dines, Asya Draganova, Jon Evans, Muhammad Fakhran al Ramadhan, Michael Gratzke, Matt Grimes, Craig Hamilton, Michael Hepworth, Adam Hounslow-Eyre, Dave Kane, Nathan Kerrigan, Marco Milano, Ces Pearson, Sarah Raine, Katie Shaw, Francis Stewart, Iain Taylor, Dean Thiele, Elke Van dermijnsbrugge, L. Viner and Laura Way. A new volume in the Global Punk series from Intellect.

The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural traditions, popularize new music, and engage diverse audiences. They also deploy mediated musics as a vehicle for disseminating ideologies, educating the masses, shaping national borders, and promoting political alliances. With original contributions by leading scholars in anthropology, ethnomusicology, sound studies, and media and cultural studies, the 12 essays this book investigate the processes of broadcasting musical culture in the Asia Pacific. We shift our gaze to the mechanisms of cultural industries in eastern Asia and the Pacific islands to understand how oft-invisible producers, musicians, and technologies facilitate, frame, reproduce, and magnify the reach of local culture.

Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swath of generations and perspectives, shedding light on the musical, political, and social aspects of this movement. The narrators highlight many of the major folk revival figures, including Pete Seeger, Bernice Reagon, Phil Ochs, Mary Travers, Don McLean, Judy Collins, Arlo Guthrie, Ry Cooder, and Holly Near. Together they tell the stories of such musical groups as the Composers' Collective, the Almanac Singers, People's Songs, the Weavers, the New Lost City Ramblers, and the Freedom Singers. Folklorists, musicians, musicologists, writers, activists, and aficionados reveal not only what happened during the folk revivals, but what it meant to those personally and passionately involved. For everyone who ever picked up a guitar, fiddle, or banjo, this will be a book to give and cherish. Extensive notes, bibliography, and discography, plus a photo section.

Sin Documentos is a landmark album in Spanish popular culture and continues to maintain considerable popularity more than two decades after its release. The characteristic guitar riff of the title song, a kind of rumba-rock, still occupies a place at every party in Spain. Los Rodriguez's success came after a decade characterized by the rise and fall of local-language punk and new wave bands. By the time Sin Documentos appeared, however, rock journalism was fascinated by the thriving indie scene, where the bands were singing in English and had turned to grunge and noise rock. This book evaluates the influence of Latin American pop-rock in the modernization of Spanish popular music from the 1950s, despite the Anglophilia of Spanish rock scenes, especially in the 1990s. Through interviews with members of the band and members of the record label DRO, analysis of the media coverage of the album and a cultural analysis of its meanings, it delves into the cultural trends of Spain throughout the 1990s and beyond.

This text brings together spokespersons from several different disciplines who can present their arguments for or against rational suicide as a viable concept and, consequently, a realistic option. The pros and cons of the discussion format bring the readers to search for their beliefs, and the final decision of acceptance or rejection of the concept is left to each individual reader.

Music is one of the most distinctive cultural characteristics of Latin American countries. But, while many people in the United States and Europe are familiar with musical genres such as salsa, merengue, and reggaeton, the musical manifestations that young people listen to in most Latin American countries are much more varied than these commercially successful ones that have entered the American and European markets. Not only that, the young people themselves often have little in common with the stereotypical image of them that exists in the American imagination.
Bridging this divide between perception and reality, Music and Youth Culture in Latin America brings together contributors from throughout Latin America and the US to examine the ways in which music is used to advance identity claims in several Latin American countries and among Latinos in the US. From young Latin American musicians who want to participate in the vibrant jazz scene of New York without losing their cultural roots, to Peruvian rockers who sing in their native language (Quechua) for the same reasons, to the young Cubans who use music to construct a post-communist social identification, this volume sheds new light on the complex ways in which music provides people from different countries and social sectors with both enjoyment and tools for understanding who they are in terms of nationality, region, race, ethnicity, class, gender, and migration status. Drawing on a vast array of fields including popular music studies, ethnomusicology, sociology, and history, Music and Youth Culture in Latin America is an illuminating read for anyone interested in Latin American music, culture, and society."

In the 1970s, Northern Soul held a pivotal position in British youth culture. Originating in the English North and Midlands in the late-1960s, by the mid-1970s it was attracting thousands of enthusiasts across the country. This book is a social history of Northern Soul, examining the origins and development of this music scene, its clubs, publications and practices. Northern Soul emerged in a period when working class communities were beginning to be transformed by deindustrialisation and the rise of new political movements around the politics of race, gender and locality. Locating Northern Soul in these shifting economic and social contexts of the English North and Midlands in the 1970s, the authors argue that people kept the faith not just with music, but with a culture that was connected to wider aspects of work, home, relationships and social identities. Drawing on an expansive range of sources, including oral histories, magazines and fanzines, diaries and letters, this book offers a detailed and empathetic reading of a working class culture that was created and consumed by thousands of young people in the 1970s. The authors highlight the complex ways in which class, race and gender identities acted as forces for both unity and fragmentation on the dancefloors of iconic clubs such as the Twisted Wheel in Manchester, Blackpool Mecca, the Torch in Stoke-on-Trent, the Catacombs in Wolverhampton and the Casino in Wigan. Marking a significant contribution to the historiography of youth culture, this book is essential reading for those interested in popular music and everyday life in postwar Britain. -- .