The Eighties were about big ideas writ large - new money, new style, gender fluidity, gay pride, attritional politics, the 'special relationship', nuclear fear, AIDS, cocaine, ecstasy, tabloid royalty, the rise of urban pop, and ultimately geopolitical chaos. Using a big narrative approach, Dylan Jones' history of the decade in pop frames the decade through some of its most important and popular hits, choosing records which either epitomised their time, or ushered in a new cultural shift. So we move seamlessly from Rapper's Delight and the genre defining moment of hip hop into The Specials' spectral, Ghost Town; from ABC and the apotheosis of New Pop (The Look of Love) to Madonna's breakthrough moment with Like a Virgin, and so on. In the '80s each year brought a new twist as technology shifted and genres snowballed, MTV reigned supreme and the story of pop became globalised. It was a decade of excess in all areas, especially ambition, but it was in the transcendent moments of pop perfection that the '80s found its true art-form. Subjective and idiosyncratic, SHINY AND NEW takes us from downtown New York to post-industrial Manchester, in the first widescreen attempt to weave together the stories, the songs and events that re-shaped music and society.

BTS, also known as the Bangtan Boys, is a seven-member South Korean boy band composed of RM, Jin, Suga, J-Hope, Jimin, V, and Jungkook. Originally a hip hop group, their musical style has evolved to include a wide range of genres. Their lyrics, often focused on personal and social commentary, touch on the themes of mental health, troubles of school-age youth, loss, the journey towards loving oneself, and individualism. After debuting in 2013 with their single album 2 Cool 4 Skool, BTS released their first Korean-language studio album, Dark & Wild, and Japanese- language studio album, Wake Up, in 2014. The group's second Korean studio album, Wings (2016), was their first to sell one million copies in South Korea. By 2017, BTS crossed into the global music market, leading the Korean Wave into the United States and breaking numerous sales records. BTS became the fastest group since the Beatles to earn four No 1 US Albums, doing so in less than four years. By 2020 they had become the biggest selling band on the planet.

Glen Matlock was a founding member of the Sex Pistols and co-wrote most of their iconic songs. His story of the Pistols' rise to global infamy is an honest, insightful account of a group of intelligent malcontents, determined to change the music business and to attack hypocrisy and stale conventions in society at large. Glen brilliantly captures the flavour of seventies Britain and reveals the complexities and personality clashes that made the Pistols so explosive at that time. Also includes true tales of the Pistols reunion tours of 1996 and 2003. Never mind the other bollocks-filled books about the Sex Pistols, here's the truth. -- .

Buzztime Entertainment, the interactive gaming network, is played and enjoyed by hundreds of thousands of people at home, in sports bars, and in restaurants. Now this popular game is available in book form--but unlike other trivia books, these are actually fun to play. While other books reveal the answers below the questions or group all of the answers together, the Buzztime format allows you to see only one answer at a time. That way, readers can play along. Besides being packed with challenging questions, the "Buzztime Trivia Series" provides fascinating facts along with the answers. These are no ordinary trivia books
"The Buzztime Trivia Series" is designed to put your knowledge of movies, radio, television, sports, and music to the test, with each celebrity author putting a little of himself in each game. And with dozens of individual games--nearly a thousand intriguing questions --each book is bound to provide hours of stimulating competition. From cover to cover, the "Buzztime Trivia Series" is pure entertainment.

Lead author Bruno Nettl. The grand-daddy of Ethnomusicology compiled the first edition, and his name and contributions to the field have brought the book forward several editions. Chapters are written by established/known ethnomusicologists specializing in the particular region, in the perhaps the most balanced attempt to get expert authors together. Does not aim to teach students how to do field work (like Titon), per se, or other ethnomusicological study, and does not aim to teach music - rather, how to think about music in world perspective and the major themes and issues that emerge when we take the musics of the world seriously. Draws a big picture and explains why the musics of the world matter.....the economics, politics, and social dynamics of these sounds.

He takes my hand, pulls me to him. 'This is our dancing time.' A debut about love, loss, freedom and dub reggae, Fire Rush is an electrifying state-of-the-nation novel and an unforgettable portrait of Black womanhood Yamaye lives for the weekend, when she can go raving with her friends at The Crypt, an underground club in the industrial town on the outskirts of London where she was born and raised. A young woman unsure of her future, the sound is her guide - a chance to discover who she really is in the rhythms of those smoke-filled nights. In the dance-hall darkness, dub is the music of her soul, her friendships, her ancestry. But everything changes when she meets Moose, the man she falls deeply in love with, and who offers her the chance of freedom and escape. When their relationship is brutally cut short, Yamaye goes on a dramatic journey of transformation that takes her first to Bristol - where she is caught up in a criminal gang and the police riots sweeping the country - and then to Jamaica, where past and present collide with explosive consequences. 5* Reader Reviews 'I will be recommending it to everyone' 'A phenomenal debut novel' 'Yamaye is a fantastic central protagonist and narrator ... This novel takes you on an emotional and unforgettable journey' 'This book has it all ... You're immersed into something really special' 'A stunning debut novel... as relevant to today's racial climate as the 1970s... it felt musical, with dub music almost a secondary character in the novel'

An interdisciplinary annotated bibliography, this one volume covers 10 subject areas, eliminating the need to use disparate sources. It provides links among the various areas of rock music scholarship, thus imposing bibliographic control across a wide body of research that treats rock music in a serious manner. The disciplines include communication, education, ethnomusicology, history, literature and the arts, music, politics, psychology, religion, and sociology. Journal articles, books, book chapters, dissertations, and films and videos are reviewed. A quick and efficient way for scholars, students, and rock music fans to examine a broad range of works. Each entry contains full bibliographic information plus annotations that are designed to provide clear descriptive explanations of content. The publications reviewed are primarily interpretive and analytical rather than merely descriptive or just factual. They exclude most news publications, biographies, and histories, and include works that provide serious treatment of subjects that inform, enlighten, and educate. The work definitely provides an insightful, easy-to-use format for studying this particular expression of the human experience.

The Hiplife in Ghana explores one international site - Ghana, West Africa - where hip-hop music and culture have morphed over two decades into the hiplife genre of world music. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a reinvention of Ghana's century-old highlife popular music tradition. Author Halifu Osumare traces the process by which local hiplife artists have evolved a five-phased indigenization process that has facilitated a youth-driven transformation of Ghanaian society. She also reveals how Ghana's social shifts, facilitated by hiplife, have occurred within the country's 'corporate recolonization,' serving as another example of the neoliberal free market agenda as a new form of colonialism. Hiplife artists, we discover, are complicit with these global socio-economic forces even as they create counter-narratives that push aesthetic limits and challenge the neoliberal order.

Winner of the Southwest Popular and American Culture Association's 2016 Peter C. Rollins Book Award in the category of Film/Television The popular music industry has become completely interlinked with the film industry. The majority of mainstream films come with ready-attached songs that may or may not appear in the film but nevertheless will be used for publicity purposes and appear on a soundtrack album. In many cases, popular music in films has made for some of the most striking moments in films and the most dramatic aesthetic action in cinema, like Ben relaxing in the pool to Simon and Garfunkel's 'The Sound of Silence' in The Graduate (1967), and the potter's wheel sequence with the Righteous Brothers' 'Unchained Melody' in Ghost (1990). Yet, to date, there have only been patchy attempts to deal with popular music's relationship with film. Indeed, it is startling that there is so little written on subject that is so popular as a consumer item and thus has a significant cultural profile. Magical Musical Tour is the first sustained and focused survey to engage the intersection of the two on both an aesthetic and industrial level. The chapters are historically-inspired reviews, discussing many films and musicians, while others will be more concentrated and detailed case studies of single films. Including an accompanying website and a timeline giving a useful snapshot around which readers can orient the book, Kevin Donnelly explores the history of the intimate bond between film and music, from the upheaval that rock'n'roll caused in the mid-1950s to the more technical aspects regarding 'tracking' and 'scoring'.

New Wave: Image is Everything traces the evolution of the often neglected pop music genre, new wave. Using artists from Elvis Costello to Cyndi Lauper as illustrations, the book argues that new wave was among the first flowerings of postmodern theory in popular culture.

William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented-until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution-and the way you hear its music.

"Sesali Bowen is poised to give Black feminism the rejuvenation it needs. Her trendsetting writing and commentary reaches across experiences and beyond respectability. I and so many Black girls still figuring out who they are in this world will gain so much from whatever she has to say."-Charlene A. Carruthers, activist and author of Unapologetic: A Black, Queer and Feminist Mandate for Radical Movements "Sesali perfectly vocalizes the inner dialogue, and daily mantras needed to be a Bad Bitch."-Gabourey Sidibe, actor, director, and author of This is Just My Face: Try Not To Stare "A powerful call for a more inclusive and 'real' feminism."-Publishers Weekly (starred review) "Bowen writes from an authentic space for Black women who are often left out of feminist conversations due to respectability politics, but who are just as deserving of the same voice and liberation."-Booklist (starred review) From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut. Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love. Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae. But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop. Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience. Bad bitches: this one's for you.

For What It's Worth is a revealing insiders look at an influential and groundbreaking rock group whose remendous talents have gone on to achieve legendary status in the annals of rock music history. Besides chronicling Buffalo Springfield's roots and career, the book offers rare and personal glimpses into several seminal music scenes, notably the Greenwich Village folk movement, the embryonic San Francisco scene, and LA's Sunset Strip, along with a lesson in the pitfalls of the music industry. Written with founding member Richie Furay and including the insights, recollections, and reflections of band members, managers, close friends, associates, and contemporaries, the book paints a unique portrait of one of rock music's most beloved groups. Updated edition includes new epilogue.

Kurt Cobain and Ian Curtis. Through death, they became icons. However, the lead singers have been removed from their humanity, replaced by easily replicated and distributed commodities bearing their image. This book examines how the anglicised singers provide secular guidance to the modern consumer in an ever more uncertain world.

Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden offers the first considered survey of Mingotti's London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, the finance, the choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. Burden also argues that Mingotti's years with Farinelli influenced her understanding of drama, fed her appreciation of Metastasio, and were partly responsible for London labelling her a 'female Garrick'. The book includes the important publication of the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi, which shed light on the role a singer could play in the replacement of arias.

In SCAR TISSUE Anthony Kiedis, charismatic and highly articulate frontman of the Red Hot Chili Peppers, recounts his remarkable life story, and the history of the band itself. Raised in the Midwest, he moved to LA aged eleven to live with his father Blackie, purveyor of pills, pot, and cocaine to the Hollywood elite. After a brief child-acting career, Kiedis dropped out of U.C.L.A. and plunged headfirst into the demimonde of the L.A. underground music scene. He formed the band with three schoolfriends - and found his life's purpose. Crisscrossing the country, the Chili Peppers were musical innovators and influenced a whole generation of musicians.;But there's a price to pay for both success and excess and in SCAR TISSUE, Kiedis writes candidly of the overdose death of his soul mate and band mate, Hillel Slovak, and his own ongoing struggle with an addiction to drugs.;SCAR TISSUE far transcends the typical rock biography, because Anthony Kiedis is anything but a typical rock star. It is instead a compelling story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption.

After the great success of Metal Covers Volume 1, the second edition is finally released! The new perpetual calendar presents in Volume 2 another 365 legendary Metal covers from over 40 years and is a unique "must-have" for every Heavy Metal, Death Metal, Doom Metal, Speed Metal Metal, Speed Metal, Black Metal, Hard Rock, Progressive Metal, Power Metal, Hardcore, Glam Metal, Stoner Rock, Modern Metal. And of course for friends of illustrative fantasy art. A special kind of feast for the eyes and ears. And the blast: with the printed SPOTIFY Codes, you can "listen" to any album anywhere and immediately.

This first critical appreciation of T Bone Burnett reveals how the proponent of Americana music and producer of artists ranging from Robert Plant and Alison Krauss to B. B. King and Elvis Costello has profoundly influenced American music and culture. T Bone Burnett is a unique, astonishingly prolific music producer, singer-songwriter, guitarist, and soundtrack visionary. Renowned as a studio maven with a Midas touch, Burnett is known for lifting artists to their greatest heights, as he did with Raising Sand, the multiple Grammy Award-winning album by Robert Plant and Alison Krauss, as well as acclaimed albums by Los Lobos, the Wallflowers, B. B. King, and Elvis Costello. Burnett virtually invented "Americana" with his hugely successful roots-based soundtrack for the Coen Brothers film, O Brother, Where Art Thou? Outspoken in his contempt for the entertainment industry, Burnett has nevertheless received many of its highest honors, including Grammy Awards and an Academy Award. T Bone Burnett offers the first critical appreciation of Burnett's wide-ranging contributions to American music, his passionate advocacy for analog sound, and the striking contradictions that define his maverick artistry. Lloyd Sachs highlights all the important aspects of Burnett's musical pursuits, from his early days as a member of Bob Dylan's Rolling Thunder Revue and his collaboration with the playwright Sam Shepard to the music he recently composed for the TV shows Nashville and True Detective and his production of the all-star album Lost on the River: The New Basement Tapes. Sachs also underscores Burnett's brilliance as a singer-songwriter in his own right. Going well beyond the labels "legendary" or "visionary" that usually accompany his name, T Bone Burnett reveals how this consummate music maker has exerted a powerful influence on American music and culture across four decades.

This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of "it's time" for change, Ni Wakati.

Keith Morris is a true punk icon. No one else embodies the sound of Southern Californian hardcore the way he does. With his waist-length dreadlocks and snarling vocals, Morris is known the world over for his take-no-prisoners approach on the stage and his integrity off of it. Over the course of his forty-year career with Black Flag, the Circle Jerks, and OFF!, he's battled diabetes, drug and alcohol addiction, and the record industry...and he's still going strong. My Damage is more than a book about the highs and lows of a punk rock legend. It's a story from the perspective of someone who has shared the stage with just about every major figure in the music industry and has appeared in cult films like The Decline of Western Civilization and Repo Man. A true Hollywood tale from an L.A. native, My Damage reveals the story of Morris's streets, his scene, and his music--as only he can tell it.

One of our great essayists and journalists-the Dean of American Rock Critics, Robert Christgau-takes us on a heady tour through his life and times in this vividly atmospheric and visceral memoir that is both a love letter to a New York long past and a tribute to the transformative power of art. Lifelong New Yorker Robert Christgau has been writing about pop culture since he was twelve and getting paid for it since he was twenty-two, covering rock for Esquire in its heyday and personifying the music beat at the Village Voice for over three decades. Christgau listened to Alan Freed howl about rock 'n' roll before Elvis, settled east of Manhattan's Avenue B forty years before it was cool, witnessed Monterey and Woodstock and Chicago '68, and the first abortion speak-out. He's caught Coltrane in the East Village, Muddy Waters in Chicago, Otis Redding at the Apollo, the Dead in the Haight, Janis Joplin at the Fillmore, the Rolling Stones at the Garden, the Clash in Leeds, Grandmaster Flash in Times Square, and every punk band you can think of at CBGB. Christgau chronicled many of the key cultural shifts of the last half century and revolutionized the cultural status of the music critic in the process. Going Into the City is a look back at the upbringing that grounded him, the history that transformed him, and the music, books, and films that showed him the way. Like Alfred Kazin's A Walker in the City, E. B. White's Here Is New York, Joseph Mitchell's Up in the Old Hotel, and Patti Smith's Just Kids, it is a loving portrait of a lost New York. It's an homage to the city of Christgau's youth from Queens to the Lower East Side-a city that exists mostly in memory today. And it's a love story about the Greenwich Village girl who roamed this realm of possibility with him.

Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop. Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students.