for SATB and organ This stirring Christmas song, setting a text by Kevin Crossley-Holland, combines bouncing rhythms, expressive Chilcott harmonies, and vibrant word-painting to depict the gifts brought to Christ's stable. Unison sections are contrasted with imitative writing, and an undulating piano part creates a sense of drive. An ideal addition to Christmas services and concerts for more experienced choirs.

for SATB (with divisions) unaccompanied This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana, Princess of Wales in 1997. Opening with the melody sung by tutti sopranos, the texture gradually builds to a climatic double choir section as the text celebrates the journey to God's heavenly kingdom. I would be true has been recorded by the Cambridge Singers on the CD This is the Day.

for upper voices and organ This radiant anthem was commissioned as part of the celebrations to mark Her Majesty's Diamond Jubilee. It was first performed at the Service of Thanksgiving on 5 June 2012 at St Paul's Cathedral by choristers from the Chapel Royal, St Paul's, and an expressly auditioned 'Diamond Choir' of young singers from around the UK. Setting a text adapted from Proverbs 8 by Michael Hampel, Precentor of St Paul's Cathedral, that implores the listener to place their trust in a faithful God, Todd employs arching melodies and beautifully simple harmonies that are underpinned by a gentle organ accompaniment. With its peaceful simplicity and sparkling tranquillity, The Call of Wisdom would make an affecting addition to any service or concert. There is also a version for SATB.

for SATB and organ or brass ensemble This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir underpinned by rich organ harmonies, this anthem will be a stirring addition to all Eastertide celebrations. An accompaniment for brass ensemble, timpani, and organ is available on hire/rental.

For SATB unaccompanied This is an innovative and moving setting of Robert Herrick's popular Christmas text. The carol opens with an uplifting unison melody, and each verse introduces new vocal textures and increasingly expressive harmonies. Filled with dance-like rhythms and tender four-part choral writing, it will make a memorable addition to any Christmas celebration.

for SATB and organ or orchestra This beautiful setting of verses from the psalms was commissioned by Westminster Abbey for the wedding of HRH Prince William of Wales and Catherine Middleton. It was first performed on 29 April 2011 by the combined choirs of Westminster Abbey and the Chapel Royal, in the presence of the royal family, and was broadcast live to millions across the globe. With elegant melodic lines and warm harmonies, This is the day is perfectly suited to performance at a wedding or special occasion, and would make a joyous addition to any concert or service.

for SATB choir and organ or piano, with optional soloists, congregation, and strings (string orchestra, string quintet, or string quartet) Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages, 3 well-known hymns, and settings of 4 well-known sacred texts, including 'Drop, drop, slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir, and strings (quartet, quintet, or ensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically, the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire from the Music Hire Library.

for SA and piano or orchestra With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season. Also available in a version for upper voices. An accompaniment for orchestra is available on hire/rental.

for SA and piano or orchestra With a simple, appealing melody and a flowing accompaniment, The Colours of Christmas evokes a touching sense of longing for the joys of the festive season. Also available in a version for mixed voices. An accompaniment for orchestra is available on hire/rental.

for SA (with divisions) and piano, with optional bass This is a gentle, blues setting of 'A Cradle Song' from William Blake's Songs of Innocence and Experience. Rich harmonies, blues chords, and syncopation combine with the classic Chilcott sound to create a charming addition to the upper-voice repertory. The optional bass part is printed in the vocal score and also available from OUP's website as a free PDF. The pianist may improvise around the printed piano part. An optional drum part may also be added, following the rhythm and metre of the written bass part.

This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiritual arrangers in the United States to deliver specially commissioned, authentic settings. You'll find familiar melodies, such as 'Deep River' and 'Somebody's knockin' at yo' do'', alongside lesser-known spirituals, and a range of styles and moods extending from the aspirational to the celebratory. Many of the arrangements include a 'lead voice' part, allowing the opportunity for solo singing, and idiomatic piano parts support the voices for the accompanied spirituals; piano reductions are included for the unaccompanied arrangements. This inspirational journey through the African-American spiritual tradition is sure to captivate and delight all upper-voice choirs.

for SATB, accompanied and unaccompanied To celebrate the 50th anniversary of the publication of Carols for Choirs 1, OUP presents a new volume in this ground-breaking series. Carols for Choirs 5 continues the tradition of its predecessors by providing a complete resource for choirs from Advent through to Epiphany. Featuring brand new carols and arrangements of classic tunes, the collection showcases the very best established and new names in choral composition today, both in the UK and world-wide.

for SSA and piano On this day is a bright and exuberant upper-voice setting of the English version of 'Personent hodie' from Piae Cantiones (1582). The text and the manageable vocal parts make this carol particularly suitable for children's voices, but it could equally be sung by adult choirs. The piano part, featuring bell-like passages and a driving momentum, contributes to an overall sense of jubilation. An excellent addition to any carol service or concert.

for SATB and keyboard or orchestra Setting a text by David Warner, this charming composition has a warm, memorable tune and rich, expansive harmonies. Wilberg masterfully moves through different keys and scorings, culminating in a stirring unison 'amen'. Benediction has been recorded on the CD Heavensong: Music of Contemplation and Light, and is ideal for use both in concerts and services throughout the year. An orchestral accompaniment is available on hire.

for SATB (with divisions) and organ Commissioned and first performed by the choir of Liverpool Cathedral, this anthem is ideal for use during the Feast of Saints Peter and Paul. The choral lines move between sonorous homophonic writing and vibrant imitative passages, and are underpinned by a repeated quaver motif in the organ. Combining a sense of joy with moments of reflection, this anthem will particularly appeal to choirs looking to expand their choral repertoire.

Experiencing Jewish Music in America: A Listener's Companion offers an easy-to-read and new perspective on the remarkably diverse landscape that comprises Jewish music in the United States. This much-needed survey on the art of listening to and enjoying this dynamic and diverse musical culture invites listeners curious about the many types of music in its connection to Jewish life. Experiencing Jewish Music in America is intended to encourage further reading about, listening to, and viewing of this portion of America's musical heritage, and provide listeners with the tools to understand and appreciate this body of work. This volume is designed to appeal to listeners of all stripes, regardless of ability to read music, and of religious or cultural background. Experiencing Jewish Music in America offers insights into an extensive range of musical genres and styles that have been central to the Jewish experience, beginning with the arrival of the first Jewish immigrants in the sixteenth century and the chanting of the Torah, to the sounds of pop today. It lays the groundwork for the listener's understanding of music in its relation to Jewish studies by exploring the wide range of venues in which this music has appeared, from synagogue to street to stage to screen. Each chapter offers selected case studies where these unique forms of music were-and still can be-heard, seen, and experienced. This book gives readers unique insights into the challenges of classifying Jewish music, while it traces its history and development on American soil and outlines "ways of listening" so readers can draw clear connections to Jewish culture. The volume thus brings together American Jewish history, the story of American and Jewish music, and the roles of the individuals important to both. It offers the reader tools to identify, evaluate, and appreciate the musical genres, and reflect the growing interest of the past decade in the academic study of Jewish music.

for SATB and organ or orchestra Featured in My Song in the Night (2009), Amazing grace! is a majestic arrangement of the well-known melody. Beginning with male voices in unison, Wilberg gradually introduces more vocal parts, building ultimately to a grand climax in eight parts. A subtle Scottish influence is evident through the use of drones and a Scotch snap motif in the organ. Orchestral material is available on hire/rental.

for SATB and organ or orchestra Novo profusi gaudio is a vibrant Christmas motet, setting a medieval text that combines English, Latin, and French words. This joyful account of the nativity is combined with colourful, exuberant music featuring memorable motifs, rhythmic phrases, and triumphant climaxes. Topped off with an extra layer of character from the organ part, this piece is sure to add sparkle to any service or concert at Christmas time.

for SATTBB unaccompanied Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing, with sinuous stepwise motion and persistent imitative entries. The optimism of the text, taken from the Gospel of Luke, is reflected in the music of this buoyant motet, and the dashes of harmonic colour, unexpected cadences, and elaborate textures make this highly rewarding counterpoint to sing.

for SATB choir and piano four-hands or orchestra First published in My Song in the Night (2009), Wilberg's Down to the River to Pray is a spirited arrangement of the traditional melody. The piano duet accompaniment provides a folk-like rhythmic underpinning, and the piece ascends to a magnificent finish. Orchestral material is available on hire/rental.

for SATB and organ or brass ensemble This Easter anthem is a triumphant setting of words by Edmund Spenser and St John Damascene for mixed choir and organ. Featuring joyful choral parts and an optional soprano solo, Most glorious Lord of life ends with a new harmonization of the Easter hymn tune 'Ellacombe', with an optional congregational part. Material for an accompaniment for brass, timpani, and organ is available on hire/rental. Featured on the CD A Song in Season, on the Collegium label.

This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Oxford Service Music for Organ: Manuals and Pedals, Book 1 was winner of the Music Industries Association's Best Classical Publication 2011.