Is it possible to rethink the multilayered and polyvalent Christology of the Qur'an against the intersecting of competing peripheral Christianities, anti-Jewish Christian polemics, and the making of a new Arab state in the 7th-century Near East? To what extent may this help us to decipher, moreover, the intricate redactional process of the quranic corpus? And can we unearth from any conclusions as to the tension between a messianic-oriented and a prophetic-guided religious thought buried in the document? By analysing, first, the typology and plausible date of the Jesus texts contained in the Qur'an (which implies moving far beyond both the habitual chronology of the Qur'an and the common thematic division of the passages in question) and by examining, in the second place, the Qur'an's earliest Christology via-a-vis its later (and indeed much better known) Muhamadan kerygma, the present study answers these crucial questions and, thereby, sheds new light on the Qur'an's original sectarian milieu and pre-canonical development.

The Cross of Christ: Foundational Islamic Perspectives takes an in-depth look at all of the medieval Muslim scholars considered to have affirmed Jesus' crucifixion. Each chapter provides the important historical and intellectual context for the commentators. As well, critical new translations of key texts are provided, offering important access to vital documents and schools of thought. The author argues that, rather than affirming the historicity of the crucifixion, the Isma'ilis tend to assume its historicity, in order to advance important Isma'ili doctrines. The author also contends that the commentators who explored ways to affirm the crucifixion, nonetheless made extensive use of traditional substitution legends that deny the crucifixion. In order to orient the reader, the book starts by introducing the reader to the Jesus of the Qur'an. It then compares him to the Jesus of the New Testament and the Jesus of extra canonical literature. Upon this Qur'anic skeleton, the author layers a myriad of details found in seventeen works of classic Islamic literature, so that a truly unique, authentic and authoritative Jesus of Islam emerges.

Discoveries on Mount Gerizim and in Qumran demonstrate that the final editing of the Hebrew Bible coincides with the emergence of the Samaritans as one of the different types of Judaisms from the last centuries BCE. This book discusses this new scholarly situation. Scholars working with the Bible, especially the Pentateuch, and experts on the Samaritans approach the topic from the vantage point of their respective fields of expertise. Earlier, scholars who worked with Old Testament/Hebrew Bible studies mostly could leave the Samaritan material to experts in that area of research, and scholars studying the Samaritan material needed only sporadically to engage in Biblical studies. This is no longer the case: the pre-Samaritan texts from Qumran and the results from the excavations on Mount Gerizim have created an area of study common to the previously separated fields of research. Scholars coming from different directions meet in this new area, and realize that they work on the same questions and with much common material.This volume presents the current state of scholarship in this area and the effects these recent discoveries have for an understanding of this important epoch in the development of the Bible.

The author of this unique volume, Dr. Ronald W. Pies is a psychiatrist with a long-standing inerest in Jewish thought. Readers will surely note Dr. Pies's efforts to connect the teachings found within Pirkei Avot with the larger fabric of psychology, philosophy, and literature. While Pirkei Avot is a unique and specific expression of Judaic values, it is nevertheless true that the world's great religions often resonate with the values found within them. In some instances, this may reflect a direct historical/cultural interaction; in other cases, it reflects what may be called "convergent evolution." In any case, as the author writes, "Many values articulated in the world's major faiths are seen to mirror those embraced in Pirkei Avot.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

The Book of Shalya recounts in gory detail the final destruction of the Kaurava army and the defeat of its leader, Dur-yodhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Kaurava army, only to be slaughtered in his turn.

The Book of Shalya recounts in gory detail the final destruction of the Kaurava army and the defeat of its leader, Duryodhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Kaurava army, only to be slaughtered in his turn.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

The author presents a new approach to the study of manna, which does not concentrate only on one particular representation of the bread from heaven (especially Ex 16). Additionally, he investigates the interconnections between Ps 78:23-25, Wis 16:20-13; 19:21 and Jn 6:22-59 and he explores the new ideas of each of these texts. He also strongly asserts that Hellenistic Judaism, represented by the Book of Wisdom, is not "a second-class Judaism". This fact is proved with the example of manna as the food of immortality, an idea not introduced by Christians in the Fourth Gospel, but already present in Wis 19:21.

The corpus coranicum eludes familiar categories and resists strict labels. No doubt the threads woven into the fabric are exceptionally textured, varied, and complex. Accordingly, the introductory chapter of this book demonstrates the application of form criticism to the text. Chapter two then presents a form-critical study of the prayer genre. It identifies three productive formulae and addresses distinct social settings and forms associated with them. The third chapter begins by defining the liturgy genre vis-a-vis prayer in the Qur'an. Drawing a line between the hymn and litany forms, this chapter treats each in turn. Chapter four considers the genre classified as wisdom literature. It identifies sapiential formulae and sheds light on wisdom contexts. The fifth chapter examines the narrative genre writ large. It also surveys narrative blocks of the long saga. The subsequent chapter on the proclamation genre inspects a set of vocative formulae, which occurs in the messenger situation. The concluding chapter looks at the corpus through synchronic and diachronic lenses. In the end, Qur'anic genres encapsulate the form-critical elements of formulae, forms, and settings, as well as an historical dimension.

The essays in this volume address the conundrum of how Jewish believers in the divine character of the Sinaitic revelation confront the essential questions raised by academic biblical studies. The first part is an anthology of rabbinic sources, from the medieval period to the present, treating questions that reflect a critical awareness of the Bible. The second part is a series of twenty-one essays by contemporary rabbis and scholars on how they combine their religious beliefs with their critical approach to the Bible.

The biblical figure Melchizedek appears just twice in the Hebrew Bible, and once more in the Christian New Testament. Cited as both the king of Shalem-understood by most scholars to be Jerusalem-and as an eternal priest without ancestry, Melchizedek's appearances become textual justification for tithing to the Levitical priests in Jerusalem and for the priesthood of Jesus Christ himself. But what if the text was manipulated? Robert R. Cargill explores the Hebrew and Greek texts concerning Melchizedek's encounter with Abraham in Genesis as a basis to unravel the biblical mystery of this character's origins. The textual evidence that Cargill presents shows that Melchizedek was originally known as the king of Sodom and that the later traditions about Sodom forced biblical scribes to invent a new location, Shalem, for Melchizedek's priesthood and reign. Cargill also identifies minor, strategic changes to the Hebrew Bible and the Samaritan Pentateuch that demonstrate an evolving, polemical, sectarian discourse between Jews and Samaritans competing for the superiority of their respective temples and holy mountains. The resulting literary evidence was used as the ideological motivation for identifying Shalem with Jerusalem in the Second Temple Jewish tradition. A brief study with far-reaching implications, Melchizedek, King of Sodom reopens discussion of not only this unusual character, but also the origins of both the priesthood of Christ and the role of early Israelite priest-kings.

Although seldom studied by biblical scholars as a discrete phenomenon, ritual violence is mentioned frequently in biblical texts, and includes ritual actions such as disfigurement of corpses, destruction or scattering of bones removed from a tomb, stoning and other forms of public execution, cursing, forced depilation, the legally-sanctioned imposition of physical defects on living persons, coerced potion-drinking, sacrificial burning of animals and humans, forced stripping and exposure of the genitalia, and mass eradication of populations. This book, the first to focus on ritual violence in the Hebrew Bible, investigates these and other violent rites, the ritual settings in which they occur, their various literary contexts, and the identity and aims of their agents in order to speak in an informed way about the contours and social aspects of ritual violence as it is represented in the Hebrew Bible.

Comedy is both relative, linked to a time and culture, and universal, found pervasively across time and culture. The Hebrew Bible contains comedy of this relative, yet universal nature. Melissa A. Jackson engages the Hebrew Bible via a comic reading and brings that reading into conversation with feminist-critical interpretation, in resistance to any lingering stereotype that comedy is fundamentally non-serious or that feminist critique is fundamentally unsmiling.
Dividing comic elements into categories of literary devices, psychological/social features, and psychological/social function, Jackson examines the narratives of a number of biblical characters for evidence of these comic elements. The characters include the trickster matriarchs, the women involved in the infancy of Moses, Rahab, Deborah and Jael, Delilah, three of David's wives (Michal, Abigail, Bathsheba), Jezebel, Ruth, and Esther. Nine particularly instructive points of contact between comedy and feminist interpretation emerge: both (1) resist definition, (2) exist amidst a self/other, subject/object dichotomy, (3) emphasise and utilise context, (4) promote creativity, (5) acknowledge the concept of distancing, (6) work towards revelation, (7) are subversive, (8) are concerned with containment and control, and (9) enable survival. The use of comedy as an interpretive lens for the Hebrew Bible is not without difficulties for feminist interpretation. While maintaining an uncomfortable, even painful, awareness of the hold patriarchy retains on the Hebrew Bible, feminist critics can still choose to allow comedy's revelatory, subversive, survivalist nature to do its work revealing, subverting, and surviving.

Sefer ha-Zohar (The Book of Radiance) has captivated readers ever since it emerged in Spain over seven hundred years ago. Written in a lyrical Aramaic, the Zohar, a masterpiece of Kabbalah, features mystical interpretation of the Torah, rabbinic tradition, and Jewish practice. Volume 11 comprises a collection of different genres within the Zoharic library. The fragmentary Midrash ha-Ne'lam on Song of Songs opens with its treatment of mystical kissing. Highlights of Midrash ha-Ne'lam on Ruth are the spiritual function of the Kaddish prayer, the story of the ten martyrs, and mystical eating practices. In Midrash ha-Ne'lam on Lamentations, the inhabitants of Babylon and the inhabitants of Jerusalem vie to eulogize a ruined Jerusalem. It reframes the notion of a Holy Family in Jewish terms, in implicit contrast to the Christian triad of Father, Mother, and Son. The Zohar on Song of Songs consists of dueling homilies between Rabbi Shim'on bar Yohai and the prophet Elijah, contrasting spiritual ascent with the presence of the demonic. The climax projects the eros of the Song of Songs onto the celestial letters that constitute the core of existence. Matnitin and Tosefta are dense, compact passages in which heavenly heralds chide humanity for its spiritual slumber, rousing people to learn the mysteries of holiness. Packed with neologisms and hortatory in tone, these passages are spurs to pietistic devotion and mystical insight.

This volume collects several articles by scholar Uri Zur on various areas in the field of Jewish studies. Topics discussed include different types of structure in Talmudic texts from a literary point of view, the study of the Aramaic language utilized in the Bible and the Talmud from a linguistic and interpretive perspective, the redaction of sugyot in the Talmud Bavli analyzed from a textual point of view, and matters of halakha and halakhic rules. The author also examines contemporary topics such as modern Judaism in Israel and peacemaking efforts grounded in the Pentateuch and Jewish tradition.

It is commonly asserted that heresy is a Christian invention that emerged in late antiquity as Christianity distinguished itself from Judaism. Heresy, Forgery, Novelty probes ancient Jewish disputes regarding religious innovation and argues that Christianity's heresiological impulse is in fact indebted to Jewish precedents. In this book, Jonathan Klawans demonstrates that ancient Jewish literature displays a profound unease regarding religious innovation. The historian Josephus condemned religious innovation outright, and later rabbis valorize the antiquity of their traditions. The Dead Sea sectarians spoke occasionally-and perhaps secretly-of a "new covenant," but more frequently masked newer ideas in rhetorics of renewal or recovery. Other ancient Jews engaged in pseudepigraphy-the false attribution of recent works to prophets of old. The flourishing of such religious forgeries further underscores the dangers associated with religious innovation. As Christianity emerged, the discourse surrounding religious novelty shifted dramatically. On the one hand, Christians came to believe that Jesus had inaugurated a "new covenant," replacing what came prior. On the other hand, Christian writers followed their Jewish predecessors in condemning heretics as dangerous innovators, and concealing new works in pseudepigraphic garb. In its open, unabashed embrace of new things, Christianity parts from Judaism. Christianity's heresiological condemnation of novelty, however, displays continuity with prior Jewish traditions. Heresy, Forgery, Novelty reconsiders and offers a new interpretation of the dynamics of the split between Judaism and Christianity.

Jeremiah in History and Tradition examines aspects of the Book of Jeremiah from a variety of perspectives including historical, textual, redaction, and feminist criticism, as well as the history of its reception. The book looks afresh at the Book of Jeremiah through the lens of intertextuality and reception history in the broadest sense, exploring Jeremiah in its historical context as well as the later history and interpretation of the text, and also reconsidering aspects of the Book of Jeremiah's traditions. This volume features essays from a unique assembly of scholars, both seasoned and new. It is divided into two parts: "Jeremiah in History", which explores a variety of readings of Jeremiah from the point of view of classical historical criticism; and "Jeremiah in Tradition", which discusses the portraits and use of both the book and the figure of Jeremiah in extra-biblical traditions. Offering challenging new theories, Jeremiah in History and Tradition is invaluable to scholars and students in the field of Biblical Studies. It is a useful resource for anyone working on the interpretation of the biblical text and the readings of the text of Jeremiah throughout history.