This new edition of Scriptures of the World's Religions uses selections from scriptures to examine the world's religions. It emphasizes religions that are practiced today and features English translations that are accessible to the layperson. This edition examines the collected sacred texts revered by these religions themselves. There are special benefits to exploring the world's religions through selections from their scriptures. In most cases, the sacred texts are the oldest written documents in the tradition, and we gain a sense of immediate connection with these religions by studying the same documents that followers have been reading for millennia.

The Koren Sacks Yom Kippur Mahzor, is a new Hebrew/English prayer book with translation and commentary by Chief Rabbi Lord Jonathan Sacks. It is a companion to the Koren Sacks Rosh Hashana Mahzor, and one volume among a growing body of work produced by the celebrated Koren Publishers-Chief Rabbi Sacks partnership. The Koren Sacks Yom Kippur Mahzor marries the sophisticated graphic approach for which Koren Publishers Jerusalem is renowned with the insight and eloquence of Chief Rabbi Sacks. The Koren Sacks Yom Kippur Mahzor brings out the inner meaning of the Yom Kippur prayers by aligning the Hebrew and English texts, highlighting key words, distinguishing poetry from prose, and using beautiful fonts designed by master typographer Eliyahu Koren. Chief Rabbi Sacks' translation brings readers closer to the authentic meaning of the Hebrew text, while his introduction and commentary provide new ways of understanding and experiencing the Yom Kippur service.

This book presents the Book of Ecclesiastes as a single coherent work, whose ideas are consistent and collectively form a comprehensive worldview. Moreover, in contrast to the prevailing view in the research literature - it presents the Book of Ecclesiastes as a work with an essentially positive outlook: Kohelet's fault-finding is aimed not at the world itself, or how it functions, but at the people who persist in missing out on the present, on what it has to offer, and of the ability to enjoy all that exists and is available. Contrasting with these are Koheleth's positive perscriptions to make the most of the present. To my mind, his remonstrations are meant to "clear the way" for his positive recommendations - to clear the path, as it were, of the obstacles to accepting reality. These two aspects, the negative and the positive, come together in this investigation into Koheleth's belief, which is founded on an acceptance of all that God has created.

The Oxford Handbook of the Apocrypha addresses the Old Testament Apocrypha, known to be important early Jewish texts that have become deutero-canonical for some Christian churches, non-canonical for other churches, and that are of lasting cultural significance. In addition to the place given to the classical literary, historical, and tradition-historical introductory questions, essays focus on the major social and theological themes of each individual book. With contributions from leading scholars from around the world, the Handbook acts as an authoritative reference work on the current state of Apocrypha research, and at the same time carves out future directions of study. This Handbook offers an overview of the various Apocrypha and relevant topics related to them by presenting updated research on each individual apocryphal text in historical context, from the late Persian and early Hellenistic periods to the early Roman era. The essays provided here examine the place of the Apocrypha in the context of Early Judaism, the relationship between the Apocrypha and texts that came to be canonized, the relationship between the Apocrypha and the Septuagint, Qumran, the Pseudepigrapha, and the New Testament, as well as their reception history in the Western world. Several chapters address overarching themes, such as genre and historicity, Jewish practices and beliefs, theology and ethics, gender and the role of women, and sexual ethics.

One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.

From the recipient of the National Jewish Book Award for Lifetime Achievement, a "hugely entertaining and irreverent" (Adam Gopnik, New Yorker) account of the art of translating the Hebrew Bible into English In this brief book, award-winning biblical translator and acclaimed literary critic Robert Alter offers a personal and passionate account of what he learned about the art of Bible translation over the two decades he spent completing his own English version of the Hebrew Bible. Alter's literary training gave him the advantage of seeing that a translation of the Bible can convey the text's meaning only by trying to capture the powerful and subtle literary style of the biblical Hebrew, something the modern English versions don't do justice to. The Bible's style, Alter writes, "is not some sort of aesthetic embellishment of the 'message' of Scripture but the vital medium through which the biblical vision of God, human nature, history, politics, society, and moral value is conveyed." And, as the translators of the King James Version knew, the authority of the Bible is inseparable from its literary authority. For these reasons, the Bible can be brought to life in English only by re-creating its literary virtuosity, and Alter discusses the principal aspects of style in the Hebrew Bible that any translator should try to reproduce: word choice, syntax, word play and sound play, rhythm, and dialogue. In the process, he provides an illuminating and accessible introduction to biblical style that also offers insights about the art of translation far beyond the Bible.

Jews have sometimes been reluctant to claim Jesus as one of their own; Christians have often been reluctant to acknowledge the degree to which Jesus' message and mission were at home amidst, and shaped by, the Judaism(s) of the Second Temple Period. In The Jewish Teachers of Jesus, James, and Jude David deSilva introduces readers to the ancient Jewish writings known as the Apocrypha and Pseudepigrapha and examines their formative impact on the teachings and mission of Jesus and his half-brothers, James and Jude. Knowledge of this literature, deSilva argues, helps to bridge the perceived gap between Jesus and Judaism when Judaism is understood only in terms of the Hebrew Bible (or ''Old Testament''), and not as a living, growing body of faith and practice. Where our understanding of early Judaism is limited to the religion reflected in the Hebrew Bible, Jesus will appear more as an outsider speaking ''against'' Judaism and introducing more that is novel. Where our understanding of early Judaism is also informed by the Apocrypha and Pseudepigrapha, Jesus and his half-brothers appear more fully at home within Judaism, and giving us a more precise understanding of what is essential, as well as distinctive, in their proclamation. This comparative study engages several critical issues. How can we recover the voices of Jesus, James, and Jude from the material purporting to preserve their speech? How can we assess a particular text's influence on Jews in early first-century Palestine? How can we be sufficiently sensitive to the meanings and nuances in both the text presumed to influence and the text presumed to be influenced so as not to distort the meaning of either? The result is a portrait of Jesus that is fully at home in Roman Judea and Galilee, and perhaps an explanation for why these extra-biblical Jewish texts continued to be preserved in Christian circles.

Yitzhak Berger advances a distinctive and markedly original interpretation of the biblical book of Jonah that resolves many of the ambiguities in the text. Berger contends that the Jonah text pulls from many inner-biblical connections, especially ones relating to the Garden of Eden. These connections provide a foundation for Berger's reading of the story, which attributes multiple layers of meaning to this carefully crafted biblical book. Focusing on Jonah's futile quest and his profoundly troubled response to God's view of the sins of humanity, Berger shows how the book paints Jonah as a pacifist no less than as a moralist.

What do we know about the Book of Job? Not very much. The hero complains endlessly. He has just lost his children all his livestock. He scratches his ulcers. The misfortunes of which he complains are all duly enumerated in the prologue. They are misfortunes brought on him by Satan with God's permission. We think we know, but are we sure? Not once in the Dialogues does Job mention either Satan or anything about his misdeeds. Could it be that they are too much on his mind for him to mention them? Possibly, yet Job mentions everything else, and does much more than mention. He dwells heavily on the cause of his misfortune, which is none of those mentioned in the prologue. The cause is not divine, satanic nor physical, but merely human.

The Mahabharata, one of the major epics of India, is a sourcebook complete by itself as well as an open text constantly under construction. This volume looks at transactions between its modern discourses and ancient vocabulary. Located amid conversations between these two conceptual worlds, the volume grapples with the epic's problematisation of dharma or righteousness, and consequently, of the ideal person and the good life through a cluster of issues surrounding the concept of agency and action. Drawing on several interdisciplinary approaches, the essays reflect on a range of issues in the Mahabharata, including those of duty, motivation, freedom, selfhood, choice, autonomy, and justice, both in the context of philosophical debates and their ethical and political ramifications for contemporary times. This book will be of interest to scholars and researchers engaged with philosophy, literature, religion, history, politics, culture, gender, South Asian studies, and Indology. It will also appeal to the general reader interested in South Asian epics and the Mahabharata.

This book challenges the dominant scholarly notion that the Qur'an must be interpreted through the medieval commentaries shaped by the biography of the prophet Muhammad, arguing instead that the text is best read in light of Christian and Jewish scripture. The Qur'an, in its use of allusions, depends on the Biblical knowledge of its audience. However, medieval Muslim commentators, working in a context of religious rivalry, developed stories that separate Qur'an and Bible, which this book brings back together. In a series of studies involving the devil, Adam, Abraham, Jonah, Mary, and Muhammad among others, Reynolds shows how modern translators of the Qur'an have followed medieval Muslim commentary and demonstrates how an appreciation of the Qur'an's Biblical subtext uncovers the richness of the Qur'an's discourse. Presenting unique interpretations of 13 different sections of the Qur'an based on studies of earlier Jewish and Christian literature, the author substantially re-evaluates Muslim exegetical literature. Thus The Qur'an and Its Biblical Subtext, a work based on a profound regard for the Qur'an's literary structure and rhetorical strategy, poses a substantial challenge to the standard scholarship of Qur'anic Studies. With an approach that bridges early Christian history and Islamic origins, the book will appeal not only to students of the Qur'an but of the Bible, religious studies and Islamic history.

In the last three decades, hundreds of books and essays have been published on women, gender, and Jewish Studies. This burgeoning scholarship has not been adequately theorized, contextualized, or historicized. This book argues that Jewish feminist studies is currently constrained by multiple frames of reference that require re-examination, a self-critical awareness, and a serious reflective inquiry into the models, paradigms, and assumptions that inform, shape, and define this area of academic interest. This book is the first critical analysis of Jewish feminist scholarship, tracing it from its tentative beginnings in the late 1970s to contemporary academic articulations of its disciplinary projects. It focuses on the assumptions, evasions, omissions, inconsistencies, and gaps in this scholarship, and notably the absence of debate, contestation, and interrogation of authoritative articulations of its presumed goals, investments, and priorities. The book teases out implicit thinking about mapping, direction, and orientation from introductions to leading anthologies and engages critically with the few explicitly theoretical works on Jewish feminist studies, contesting ideas that have become hegemonic in some areas, and interrogating the limitations these theories impose on future trajectories in Jewish feminist studies. Each chapter outlines the theoretical assumptions that inform salient publications in the field, providing a close reading of scholarly texts that justify certain practices. The book is divided into four chapters, each of which focuses on a different frame of reference. It outlines the way in which the various frames that have so far been imposed on Jewish feminism, the ethnocentric, liberal, personal, masculinist, and essentialist, have arrested its theoretical elaboration and articulation. The book includes both interdisciplinary anthologies on gender and Jewish identity and disciplinary publications in history, literature, philosophy, cultural studies, and Holocaust studies.

This book offers new translations of the Tiruppavai and Nacciyar Tirumoli, composed by the ninth-century Tamil mystic and poetess Kotai. Two of the most significant compositions by a female mystic, the Tiruppavai and Nacciyar Tirumoli give expression to her powerful experiences through the use of a vibrant and bold sensuality, in which Visnu is her awesome, mesmerizing, and sometimes cruel lover. Kotai's poetry is characterized by a richness of language in which words are imbued with polyvalence and even the most mundane experiences are infused with the spirit of the divine. Her Tiruppavai and Nacciyar Tirumoli are garlands of words, redolent with meanings waiting to be discovered. Today Kotai is revered as a goddess, and as a testament to the enduring relevance of her poetry, her Tiruppavai and Nacciyar Tirumoli continue to be celebrated in South Indian ritual, music, dance, and the visual arts.
This book aims to capture the lyricism, beauty, and power of Kotai's original works. In addition, detailed notes based on traditional commentaries, and discussions of the ritual and performative lives of the Tiruppavai and Nacciyar Tirumoli highlight the importance of this ninth-century poet and her two poems over the past one thousand years.

The influence of Buddhism on the Chinese language, on Chinese literature and on Chinese culture in general cannot be overstated, and the language of most Chinese Buddhist texts differs considerably from both Classical and Modern Chinese. This reader aims to help students develop familiarity with features of Buddhist texts in Chinese, including patterns of organization, grammatical features and specialized vocabulary. It also aims to familiarize students with the use of a range of resources necessary for becoming independent readers of such texts. Chinese Buddhist Texts is suitable for students who have completed the equivalent of at least one year's college level study of Modern Chinese and are familiar with roughly one thousand of the commonest Chinese characters. Previous study of Classical Chinese would be an advantage, but is not assumed. It is an ideal textbook for students taking relevant courses in Chinese studies programs and in Buddhist studies programs. However, it is also possible for a student to work through the reader on his or her own. Further online resources are available at: lockgraham.com

The influence of Buddhism on the Chinese language, on Chinese literature and on Chinese culture in general cannot be overstated, and the language of most Chinese Buddhist texts differs considerably from both Classical and Modern Chinese. This reader aims to help students develop familiarity with features of Buddhist texts in Chinese, including patterns of organization, grammatical features and specialized vocabulary. It also aims to familiarize students with the use of a range of resources necessary for becoming independent readers of such texts. Chinese Buddhist Texts is suitable for students who have completed the equivalent of at least one year's college level study of Modern Chinese and are familiar with roughly one thousand of the commonest Chinese characters. Previous study of Classical Chinese would be an advantage, but is not assumed. It is an ideal textbook for students taking relevant courses in Chinese studies programs and in Buddhist studies programs. However, it is also possible for a student to work through the reader on his or her own. Further online resources are available at: lockgraham.com

Dead Sea: New Discoveries in the Cave of Letters is a multidisciplinary study of the Cave of Letters in the Nahal Hever of the Judean desert, a site reputed for having contained the most important finds evidencing the Bar Kokhba revolt, including the cache of bronzes found buried there and the papers of Babatha, one of the few direct accounts of the context of the Bar Kokhba revolt in the second century CE. Chapters by diverse scholars report on and discuss the ramifications of the 1999-2001 expedition to the site, the first organized archaeological activity there since the expeditions at Nahal Hever by Yigal Yadin in 1960-1961. Using advanced technological methodologies alongside more "traditional" archaeological techniques, the team explored several research hypotheses. The expedition sought to determine whether the material collected in the cave could substantiate the hypothesis that the cave was a place of refuge during both the Bar Kokhba revolt and the earlier Great Revolt against the Roman Empire. The expedition also researched the viability of a relatively long-term occupation of the cave while under siege by Roman forces, questioning whether occupants would have been able to cook, sleep, etc., without severely degrading the cave environment as a viable place for human habitation. The individual chapters represent the result of analysis by scholars and scientists on different aspects of the material culture that the expedition uncovered.

Sefer ha-Zohar (The Book of Radiance) has captivated readers ever since it emerged in Spain over seven hundred years ago. Written in a lyrical Aramaic, the Zohar, a masterpiece of Kabbalah, features mystical interpretation of the Torah, rabbinic tradition, and Jewish practice. Volume 11 comprises a collection of different genres within the Zoharic library. The fragmentary Midrash ha-Ne'lam on Song of Songs opens with its treatment of mystical kissing. Highlights of Midrash ha-Ne'lam on Ruth are the spiritual function of the Kaddish prayer, the story of the ten martyrs, and mystical eating practices. In Midrash ha-Ne'lam on Lamentations, the inhabitants of Babylon and the inhabitants of Jerusalem vie to eulogize a ruined Jerusalem. It reframes the notion of a Holy Family in Jewish terms, in implicit contrast to the Christian triad of Father, Mother, and Son. The Zohar on Song of Songs consists of dueling homilies between Rabbi Shim'on bar Yohai and the prophet Elijah, contrasting spiritual ascent with the presence of the demonic. The climax projects the eros of the Song of Songs onto the celestial letters that constitute the core of existence. Matnitin and Tosefta are dense, compact passages in which heavenly heralds chide humanity for its spiritual slumber, rousing people to learn the mysteries of holiness. Packed with neologisms and hortatory in tone, these passages are spurs to pietistic devotion and mystical insight.

Four Testaments brings together four foundational texts from world religions-the Tao Te Ching, Dhammapada, Analects of Confucius, and Bhagavad Gita-inviting readers to experience them in full, to explore possible points of connection and divergence, and to better understand people who practice these traditions. Following Brian Arthur Brown's award-winning Three Testaments: Torah, Gospel, Quran, this volume of Four Testaments features essays by esteemed scholars to introduce readers to each tradition and text, as well as commentary on unexpected ways the ancient Zoroastrian tradition might connect Taoism, Buddhism, Confucianism, and Hinduism, along with the Abrahamic faiths. Four Testaments aims to foster deeper religious understanding in our interconnected and contentious world.

The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India's great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story-a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar's thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.

The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India's great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story-a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar's thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.

Steve D. Fraade offers a new translation, with notes, and detailed commentary to the Dead Sea Scroll most commonly called the Damascus Document, based on both ancient manuscripts from caves along the western shore of the Dead Sea, and medieval manuscripts from the Cairo Geniza. The text is one of the longest and most important of the Dead Sea Scrolls. Its importance derives from several aspects of its contents: its extensive collections of laws, both for the sectarian community that authored it and for the rest of Israel; some of the oldest examples of scriptural interpretation, both legal and narrative, both implicit and explicit, with important implications for our understanding of the evolving status of the Hebrew canon; some of the clearest expressions, often in hortatory form, of the community's self-understanding as an elect remnant of Israel that understands itself in dualistic opposition to the rest of Israel, its practices, and its leaders; important expressions of the community's self-understanding as a priestly alternative to the sacrificial worship in the Jerusalem Temple; expressions of an apocalyptic, eschatological understanding of living as the true Israel in the "end of days;" important expressions of attitudes toward woman, sexual activity, and marriage; importance for our understanding of ancient modes of teaching and of ritual practice; importance for the study of the history of the Hebrew language and its scribal practices. The volume contains a substantial introduction, dealing with these aspects of the Damascus Document and locating its place within the Dead Sea Scrolls more broadly as well as the historical context of ancient Judaism that gave rise to this text.