The Eco-Self in Early Modern English Literature>/cite> tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world. A confluence of cultural factors produced the relevant changes. Of paramount significance was the rapid spread of literacy in England and across Europe: reading transformed the relationship between self and world, retooled moral reasoning, and even altered human anatomy. This book pursues the salutary possibilities, including the ecological benefits, of this redesigned self by advancing fresh readings of texts by William Shakespeare, Christopher Marlowe, John Webster, and Margaret Cavendish. The eco-self offers certain refinements to ecological theory by renewing appreciation for the rational, deliberative functions that distinguish humans from other species.

Kein Stein bleibt auf dem anderen, seit Alik Sokolov als Kredithai in Deutschland das Zepter schwingt. Was Wunder aber auch bei den Wucherzinsen fur Start-ups wie Mobit, ein Unternehmen, das drauf und dran ist, mit der klassischen Teleportation in die Annalen einzugehen. Und selbst wenn die Autohersteller demnach wenigstens noch uber den Personenverkehr gebieten, haben die so schon durch den chinesischen Vorstoss von Middle Kingdom genug Probleme am Hals. Der Grund jedenfalls fur Kleinanleger wie Andrey Zosimoff, die Mittel aus heimischen Traditionsunternehmen abzuziehen und sie stattdessen Zockern wie Alik Sokolov und sohin Mobit anzuvertrauen. Paradoxerweise investiert Mobit allerdings die erhaltenen Gelder in Middle Kingdom. Und erst scheint die Rechnung auch aufzugehen, ist der Borsengang der Chinesen ein Mordserfolg und vermag Mobit mit dem Verkauf einzelner Papiere den Zahlungsaufforderungen Alik Sokolovs spielend nachzukommen. Wie sich freilich der MK Mini als Reinfall entpuppt und sich die institutionellen Investoren nach und nach von ihren Papieren trennen, ist die Kacke am Dampfen, ruhrt selbst eine Mutti, die Frau Bundeskanzlerin, vergeblich die Trommel ... Unter der Rose ist eine Politsatire, kurzweilig, spritzig, pfiffig, phasenweise spannend auch wie ein Thriller. Von Prostitution uber Mord bis hin zum schmahlichen Vertrauensmissbrauch und Ende einer Freundschaft bietet sie alles, um den Leser auf seiner Reise zur versohnlichen Losung bei Laune zu halten

Rome was a recurring theme throughout Shakespeare's career, from the celebrated Julius Caesar, to the more obscure Cymbeline. In this book, Paul Innes assesses themes of politics and national identity in these plays through the common theme of Rome. He especially examines Shakespeare's interpretation of Rome and how he presented it to his contemporary audiences. Shakespeare's depiction of Rome changed over his lifetime, and this is discussed in conjunction with the emergence of discourses on the British Empire. Each chapter focuses on a play, which is thoroughly analysed, with regard to both performance and critical reception. Shakespeare's plays are related to the theatrical culture of their time and are considered in light of how they might have been performed to his contemporaries. Innes engages strongly with both the plays the most current scholarship in the field.

It's the 15th century and the Archbishop of Canterbury, worried over impending legislation that would effectively rob the Church in England of its power and wealth, convinces Henry V to forego this pursuit in favour of laying claim to France. This title presents the historic tale of war and peace between England and France in the reign of Henry V.

Murder, Mayhem, and Madness-- Collected here are five of William Shakespeare's greatest tragedies Romeo and Juliet, Hamlet, Macbeth, Othello, and King Lear. These are the plays that made Shakespeare's reputation. Murder, deceit, treachery, and madness play out on the grand stage. Stories for the ages Tomorrow, and tomorrow, and tomorrow Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

HarperCollins is proud to present its new range of best-loved, essential classics. 'Though this be madness, yet there is method in't.' Considered one of Shakespeare's most rich and enduring plays, the depiction of its hero Hamlet as he vows to avenge the murder of his father by his brother Claudius is both powerful and complex. As Hamlet tries to find out the truth of the situation, his troubled relationship with his mother comes to the fore, as do the paradoxes in his personality. A play of carefully crafted conflict and tragedy, Shakespeare's intricate dialogue continues to fascinate audiences to this day.

Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Contributions from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making these books ideal companions for study and research. Key features include: Essays on the play's critical and performance histories A keynote chapter reviewing current research and recent criticism of the play A selection of new essays by leading scholars A survey of learning and teaching resources for both instructors and students This volume offers a thought-provoking guide to Shakespeare's Richard II, surveying its critical heritage and the ways in which scholars, critics, and historians have approached the play, from the 17th to the 21st century. It provides a detailed, up-to-date account of the play's rich performance history on stage and screen, looking closely at some major British productions, as well as a guide to learning and teaching resources and how these might be integrated into effective pedagogic strategies in the classroom. Presenting four new critical essays, this collection opens up fresh perspectives on this much-studied drama, including explorations of: the play's profound preoccupation with earth, ground and land; Shakespeare's engagement with early modern sermon culture, 'mockery' and religion; a complex network of intertextual and cultural references activated by Richard's famous address to the looking-glass; and the long-overlooked importance to this profoundly philosophical drama of that most material of things: money.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The Tragedy of Hamlet, Prince of Denmark, is widely considered Shakespeare's greatest play. Hamlet is confronted by the ghost of his father, who tells him that Hamlet's uncle and mother conspired to poison him. Knowing that his uncle, who now sits upon the throne, and his mother, who has married his uncle and is now his queen, have murdered his father, Hamlet sets out to avenge his father's death and set things to right. But his plan could destroy the entire realm. To be, or not to be-that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die-to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks