This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

No one does romantic comedy like William Shakespeare, and Much Ado About Nothing is the Bard at the top of his game. The Italian countryside is the perfect setting for love, which soon appears in abundance. We have Hero and Claudio, star-struck sweethearts who are kept apart by wicked machinations. Beatrice and Benedick are the original couple who can't stand each other yet are made for each other. Add to that a bevy of villains, fools, and assorted family members, and you have a recipe for fun of the highest order.

Star-crossed Romeo and Juliet are Shakespeare's most famous lovers. A staple of high school reading lists, the tragedy especially resonates with young adult readers who, like Romeo and Juliet, have experienced the exhilarating and perilous phenomenon of being "in love." Given the tragic ending of the play, what does Shakespeare illustrate about his teen protagonists: Are they the hapless victims of fate, or are they responsible for the poor choices they make? Is their love the "real thing," or is it self-indulgent passion run amok? These are some of the ever relevant questions discussed in this critical edition of Romeo and Juliet.

No Fear Shakespeare gives you the complete text of "Julius Caesar" on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains

• The complete text of the original play
• A line-by-line translation that puts Shakespeare into everyday language
• A complete list of characters with descriptions
• Plenty of helpful commentary

Hamlet. Romeo and Juliet. Henry V. Macbeth. A Midsummer Night's Dream. King Lear. Lovers of literature will immediately recognise these as signature works of William Shakespeare, whose plays still rank as the greatest dramas ever produced in the English language four centuries after they were written. The Complete Works of William Shakespeare collects all thirty-seven of the immortal Bard's comedies, tragedies, and historical plays in a beautiful edition. This volume also features Shakespeare's complete poetry, including the sonnets. With this beautiful edition, you can enjoy Shakespeare's enduring literary legacy again and again. The Complete Works of William Shakespeare is one of Barnes & Noble's Leatherbound Editions. Each volume presents classic works by the world's best-loved authors in a beautifully designed edition bound in bonded leather. The attractive covers are embossed with colourful foils and the books have many special details including decorative endpapers, gilded edges, and ribbon markers. Elegant and affordable, these volumes are cornerstones for any home library.

As You Like It is a light-hearted, gender-bending comedy by William Shakespeare. Rosalind has fallen for Orlando, but wants to test his feelings, so she disguises herself as a boy and befriends him. Will Orlando convince Rosalind he is for real, or will the guy talk turn her off? Shakespeare gleefully throws a number of courting couples into the mix, adds a dose of political scheming, and turns up the fun in what has become one of his most beloved and frequently-performed plays.

This is William Shakespeare's full and unabridged play in comic book form. This full colour graphic novel presents "The Scottish Play" just as Shakespeare intended: in its original and unabridged format. Ideal for purists, students and readers who will appreciate the unaltered text. "Macbeth" is probably the most dramatic of Shakespeare's tragedies and this version will give you a brand new and totally fulfilling view of the sheer genius of Shakespeare's story telling. Witchcraft, superstition, murder - it's all here! Featuring stunning artwork, and full of action, atmosphere and intrigue from start to finish; this new treatment of The Bard's wonderful tragedy will have you on the edge of your seat. It's 11th century Scotland. Macbeth, Thane of Glamis, is one of King Duncan's greatest war captains. Upon returning from a battle with the rebellious Thane of Cawdor, Macbeth and Banquo encounter three witches, who prophecy that Macbeth will become Thane of Cawdor and then King. They also prophecy that Banquo will become the father of kings. When Lady Macbeth hears this, she is determined to push her husband to take fate into his own hands and make himself king by murdering Duncan. Macbeth is reluctant to harm Duncan. But, when the King makes arrangements to visit Macbeth's castle, the opportunity presents itself. Pressed on by his wife, Macbeth kills Duncan and blames the King's drunken attendants, who he also kills. However, Macbeth is racked with guilt and begins to see apparitions. When the body is discovered, Malcolm and Donalbain, the King's sons, are suspicious of Macbeth and flee for their lives. To everyone else, it looks as if the sons have been the chief conspirators and Macbeth is crowned King of Scotland. Banquo's suspicions grow, based on his encounter with the witches and Macbeth is wary of the second prophecy concerning Banquoa's offspring. Macbeth hires assassins to kill Banquo and his son, Fleance. Banquo is murdered that night, but Fleance escapes. The bloody ghost of Banquo appears to Macbeth at a feast, tormenting his already guilty conscience. In addition, Macduff, once a comrade of Macbeth, has fled after the King's sons to England, as he also suspects Macbeth. In revenge, Macbeth butchers Macduff's entire household. Macduff and the King's sons raise an army in England and march against Macbeth, who is given another prophecy by the witches, as he prepares for the assault. They tell him his throne is safe until Birnam Wood comes to Dunsinane and he will not die by the hand of any man born of a woman. Macbeth now feels invincible. Lady Macbeth, on the other hand, has been slowly driven mad by her dreams, in the wake of Duncan's murder. She sleepwalks and eventually kills herself. Macbeth learns that many of his lords are deserting and joining Malcolm's army, which approaches Dunsinane under cover of boughs, which they've cut from the trees of Birnam Wood. Macbeth and Macduff eventually meet on the bloody battlefield. Macbeth laughs derisively, relating the witches' prophecy. But Macduff retorts that he was from his mother's womb untimely ripp'd and not (technically) of woman born. The play ends with the death of Macbeth and Malcolm is crowned King of Scotland.

Abridged specially for teachers and students of English and drama, this is a pacy and engaging version of the play that maintains the coherence of the plot and contains all the essential elements needed for classroom study and dramatic performance. This version is based on a script abridged by the for a highly successful tour of schools.

Edited, introduced and annotated by Cedric Watts, Emeritus Professor of English, University of Sussex. In Henry IV, Part 1, the King is in a doubly ironic position. His rebellion against Richard II was successful, but now he himself is beset by rebels, led by the charismatic Harry Hotspur. The King's son, Prince Hal, seems to be more concerned with the pleasures of the tavern world and the company of the fat rogue, Falstaff, than with concerns of state. Eventually, however, Hal proves a courageous foe of the rebels. This history play is lively in its interplay of political intrigue and boisterous comedy, subtle in the connections between high statecraft and low craftiness, exuberant in its range of vivid characters, and memorable in its thematic concern with honour, loyalty and the quest for power. In Henry IV, Part 2, the King is ailing, Falstaff is ageing, and the kingdom itself, where rebellion is still rife, seems diseased or debilitated. The comedy has a melancholy undertone, and the politics verge on the Machiavellian. Eventually, the resourceful Hal, inheriting the crown as Henry V, must prove that he can uphold justice in the realm. Here Shakespeare demonstrates a mastery of thematic complexity and subtlety, and shows the price in human terms that may be exacted by political success.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

SHAKESPEARE FOR THE MODERN READER Presented by John Burfeind Twelfth Night is a riotous romp on the sun-drenched shores of the Mediterranean Sea. Beautiful Olivia, plucky Viola, and maudlin Orsino clumsily romance one another, while steering clear of the inebriated prankster Sir Toby Belch and his idiotic comrade-in-arms Sir Andrew Aguecheek. When Viola's twin brother unexpectedly shows up in the midst of one of Sir Toby's booze-fueled practical jokes, confusion and laughs abound Familiarity with the plays of William Shakespeare has long been a sign of cultural literacy. For centuries, refined readers and theatergoers worldwide have savored the beauty of his poetry and drama. For the first time in 400 years, the meaning of his plays is accessible to the general public in Shakespeare For The Modern Reader. This unique new presentation allows the reader to enjoy a Shakespearean play in its original language with complete comprehension. Grab this book, set aside a few hours on a weekend, and have a wonderful time with the greatest writer in history

This book about the work of actor director John Bell is essential reading for anyone interested in Australian theatre and in Shakespearean performance. Adrian Kiernander lucidly explains how, for over five decades, Bell has revived and reinvented theatre in Australia with his interpretations of radical new drama and particularly his innovative approach to staging Shakespeare's plays.

The Taming of the Shrew has puzzled, entertained and angered audiences, and it has been reinvented many times throughout its controversial history. Offering a focused overview of key emerging ideas and discourses surrounding Shakespeare's problematic comedy, the volume reveals and debates how contemporary readings and adaptions of the play have sought to reconsider and resolve the play's contentious portrayal of gender, power and identity. Each chapter has been carefully selected for its originality and relevance to the needs of students, teachers and researchers. Key themes and issues include: * Gender and Power * History and Early Modern Contexts * Performance and Politics * Adaptation and Afterlife All the essays offer new perspectives and combine to give readers an up-to-date understanding of what's exciting and challenging about The Taming of the Shrew.