Shakespeare's Religious Allusiveness complicates debates about whether Shakespeare's plays are fundamentally Protestant or Catholic in sympathy, challenging analyses that either find Protestant elements consistently undercutting Catholic motifs or, less often, discover evidence of the playwright's endorsement of Catholic doctrine and customs. Rather, Maurice Hunt argues that Shakespeare's syncretistic method of incorporating both Protestant and Catholic elements into his plays was singular among early modern English playwrights at a time when governmental and social tolerance of Protestantism in the theatre was high and criticism of stereotyped Catholicism was correspondingly rampant in drama. In-depth discussions of The Two Gentlemen of Verona, the Second Henriad, All's Well That Ends Well, Twelfth Night, and Othello reveal how Shakespeare allusively integrates Reformation Protestant and Roman Catholic motifs and systems of thought. This book sheds new light on the playwright's knowledge of and interest in Elizabethan and Jacobean religious debates over the nature of spiritual reformation, the efficacy of merit for redemption, and the operation of Providence. It will appeal not only to Shakespeare scholars but to those interested in the cultural history of the Reformation.

The authoritative edition of The Two Noble Kinsmen from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers. Written by Shakespeare and John Fletcher, this play tells the familiar story of a love triangle. Here, though, it seems distant and strange. Initially, the Theban knights Arcite and Palamon are devoted kinsmen, both serving their king, Creaon, who is defeated by Theseus, Duke of Athens. After they are imprisoned in Athens, they see Emilia, sister of the Duchess of Athens, through a window. They become rivals for her love, eager to fight each other to the death, even though she does not know they exist. After Arcite is released and banished, and Palamon escapes, they begin their would-be fight to the death with chivalric ceremony. Theseus, happening on them, decrees that they must compete for her in a tournament, after which the loser will be executed. Emilia is no willing bride; as a girl, she loved Flavina, who has died. Still, she tries to avert the tournament by choosing between Arcite and Palamon, only to find she cannot. The jailer's daughter, a character added by the playwrights, is infatuated with Palamon and helps him escape. But the social gulf between her and Palamon is unimaginably wide. Only the gods can bring the play to resolution. This edition includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play's famous lines and phrases -An introduction to reading Shakespeare's language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library's vast holdings of rare books -An annotated guide to further reading Essay by Dieter Mehl The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This catalogue of the Shakespeare First Folio (1623) is the result of two decades of research during which 232 surviving copies of this immeasurably important book were located - a remarkable 72 more than were recorded in the previous census over a century ago - and examined in situ, creating an essential reference work.

Bringing Shakespeare to the Sunshine State, this book gathers together a talented group of teachers, choreographers, directors, set designers, musicians, costumers, actors, and artists to discuss how they have adapted the bard's monologues in Miami, assassinated Julius Caesar on the steps of Tallahassee's Capitol, trained students to duel in Florida's Panhandle, placed Shylock on trial in Orlando, and transformed Gainesville into Puck's magical forest. This guide for teachers and lovers of literature and theater is an original collection of essays exploring the idea that Shakespeare's plays are best approached playfully through performance. Based on their wide-ranging experience as theater professionals and teachers in Florida, New York, London, and Stratford, the authors celebrate Shakespeare's continuing appeal to our complex, diverse culture. The essays include reflections on acting by the Royal Shakespeare Company's longest-serving member. And there's practical advice on acting; directing; staging fights; designing costumes; and integrating music, dance, masks, and puppets into performances from teachers and others who have refined their methods by performing Shakespeare in the classroom.

This innovative edition of Richard III emphasizes the play as a theatre work, and this understanding informs every aspect of the editing. The choice of the 1597 quarto text brings us close to the play as it would have been performed in Shakespeare's theatre. The play's long performance history is described and illustrated in an introduction that is also responsive to recent historicist and gender-based critical approaches. The commentary gives full and balanced treatment to matters of language, performance, text, and historical and cultural contexts.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

In Shakespeare and the Dawn of Modern Science, renowned astronomy expert Peter Usher expands upon his allegorical interpretation of Hamlet and analyzes four more plays, Love's Labour's Lost, Cymbeline, The Merchant of Venice, and The Winter's Tale. With painstaking thoroughness, he dissects the plays and reveals that, contrary to current belief, Shakespeare was well aware of the scientific revolutions of his time. Moreover, Shakespeare imbeds in the allegorical subtext information on the appearances of the Sun, Moon, planets, and stars that he could not have known without telescopic aid, yet these plays appeared coeval with or prior to the commonly accepted date of 1610 for the invention and first use of the astronomical telescope. Dr. Usher argues that an early telescope, the so-called perspective glass, was the likely means for the acquisition of these data. This device was invented by the mathematician Leonard Digges, whose grandson of the same name contributed poems to the First and Second Folio editions of Shakespeare's plays. Shakespeare and the Dawn of Modern Science is an important addition to literature, history, and science collections as well as to personal libraries.

A collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.

Timon of Athens is a bitterly intriguing study of a fabulously rich man who wastes his wealth on his friends, and, when he is finally impoverished, learns to despise humanity with a hatred that drives him to his grave. The play's response to matters topical in Jacobean London sharpens its thrust as satire. Yet the setting in ancient Athens allows it to read as a timeless fable, deeply relevant to a modern society that sees itself as pursuing material prosperity to the point of self-destruction. The first half of the play offers a satirical vision of a world of artifice and insincerity. The second half is a startlingly experimental drama in which a succession of Timon's real and false friends unsuccessfully challenge his commitment to his life as a misanthropic recluse in the woods. The play's plot structure is schematically clear, and the poetry of Timon's rage is arresting in its savage intensity. Yet readers have often detected loose ends, and the tone of writing is uneven. In his Introduction, John Jowett explains how these characteristics arise because the play was written as a collaboration between Shakespeare and Thomas Middleton. This edition pays full justice to Middleton's presence, explaining how his contribution gave the play its distinctive edge. We as readers need to read this play as a dialogue between writers of different temperaments, and this edition is the first to make such a reading possible. The Introduction provides the fullest account of the play's performance history available. The commentary is the most detailed ever to have been published. Appendices include source materials and a listing of major productions world-wide.

ARCHIDAMUS. If you shall chance, Camillo, to visit Bohemia, on the like occasion whereon my services are now on foot, you shall see, as I have said, great difference betwixt our Bohemia and your Sicilia. CAMILLO. I think this coming summer the King of Sicilia means to pay Bohemia the visitation which he justly owes him.

The plays of Shakespeare are filled with ghosts--and ghost writing. In "Shakespeare's Ghost Writers, " Marjorie Garber begins with an examination of the authorship controversy surrounding Shakespeare: the claim made repeatedly that the plays were ghostwritten. Garber asks what is at stake in the imputation that "Shakespeare" did not write the plays and argues that the plays themselves both thematize and theorize that controversy.

This is William Shakespeare's full and unabridged play in comic book form. This full colour graphic novel presents "The Scottish Play" just as Shakespeare intended: in its original and unabridged format. Ideal for purists, students and readers who will appreciate the unaltered text. "Macbeth" is probably the most dramatic of Shakespeare's tragedies and this version will give you a brand new and totally fulfilling view of the sheer genius of Shakespeare's story telling. Witchcraft, superstition, murder - it's all here! Featuring stunning artwork, and full of action, atmosphere and intrigue from start to finish; this new treatment of The Bard's wonderful tragedy will have you on the edge of your seat. It's 11th century Scotland. Macbeth, Thane of Glamis, is one of King Duncan's greatest war captains. Upon returning from a battle with the rebellious Thane of Cawdor, Macbeth and Banquo encounter three witches, who prophecy that Macbeth will become Thane of Cawdor and then King. They also prophecy that Banquo will become the father of kings. When Lady Macbeth hears this, she is determined to push her husband to take fate into his own hands and make himself king by murdering Duncan. Macbeth is reluctant to harm Duncan. But, when the King makes arrangements to visit Macbeth's castle, the opportunity presents itself. Pressed on by his wife, Macbeth kills Duncan and blames the King's drunken attendants, who he also kills. However, Macbeth is racked with guilt and begins to see apparitions. When the body is discovered, Malcolm and Donalbain, the King's sons, are suspicious of Macbeth and flee for their lives. To everyone else, it looks as if the sons have been the chief conspirators and Macbeth is crowned King of Scotland. Banquo's suspicions grow, based on his encounter with the witches and Macbeth is wary of the second prophecy concerning Banquoa's offspring. Macbeth hires assassins to kill Banquo and his son, Fleance. Banquo is murdered that night, but Fleance escapes. The bloody ghost of Banquo appears to Macbeth at a feast, tormenting his already guilty conscience. In addition, Macduff, once a comrade of Macbeth, has fled after the King's sons to England, as he also suspects Macbeth. In revenge, Macbeth butchers Macduff's entire household. Macduff and the King's sons raise an army in England and march against Macbeth, who is given another prophecy by the witches, as he prepares for the assault. They tell him his throne is safe until Birnam Wood comes to Dunsinane and he will not die by the hand of any man born of a woman. Macbeth now feels invincible. Lady Macbeth, on the other hand, has been slowly driven mad by her dreams, in the wake of Duncan's murder. She sleepwalks and eventually kills herself. Macbeth learns that many of his lords are deserting and joining Malcolm's army, which approaches Dunsinane under cover of boughs, which they've cut from the trees of Birnam Wood. Macbeth and Macduff eventually meet on the bloody battlefield. Macbeth laughs derisively, relating the witches' prophecy. But Macduff retorts that he was from his mother's womb untimely ripp'd and not (technically) of woman born. The play ends with the death of Macbeth and Malcolm is crowned King of Scotland.

Presents the original text of Shakespeare's play side by side with a modern version, with marginal notes and explanations and full descriptions of each character.

VALENTINE. Cease to persuade, my loving Proteus: Home-keeping youth have ever homely wits. Were't not affection chains thy tender days To the sweet glances of thy honour'd love, I rather would entreat thy company To see the wonders of the world abroad, Than, living dully sluggardiz'd at home, Wear out thy youth with shapeless idleness. But since thou lov'st, love still, and thrive therein, Even as I would, when I to love begin. PROTEUS. Wilt thou be gone? Sweet Valentine, adieu! Think on thy Proteus, when thou haply seest Some rare noteworthy object in thy travel. Wish me partaker in thy happiness When thou dost meet good hap; and in thy danger, If ever danger do environ thee, Commend thy grievance to my holy prayers, For I will be thy headsman, Valentine.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

DUKE. If music be the food of love, play on, Give me excess of it, that, surfeiting, The appetite may sicken and so die. That strain again! It had a dying fall; O, it came o'er my ear like the sweet sound That breathes upon a bank of violets, Stealing and giving odour! Enough, no more; 'Tis not so sweet now as it was before. O spirit of love, how quick and fresh art thou! That, notwithstanding thy capacity Receiveth as the sea, nought enters there, Of what validity and pitch soe'er, But falls into abatement and low price Even in a minute. So full of shapes is fancy, That it alone is high fantastical.

Part of a series of Shakespeare editions, providing the complete original text as well as support materials for teachers and pupils. It features a National Curriculum study programme with activities "before", "during" and "after" encountering the text. Opening double page spreads for each act provide a synopsis of that act and, where appropriate, photographs from productions. Notes are given on left-hand pages, opposite the text.

From the Royal Shakespeare Company - a modern, definitive edition of Shakespeare's most loved comedy. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of A Midsummer Night's Dream in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are three interviews with leading directors Michael Boyd, Gregory Doran and Tim Supple, providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare's career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended - as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.