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Shakespeare's Religious Allusiveness - Its Play and Tolerance (Paperback)
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Shakespeare's Religious Allusiveness - Its Play and Tolerance (Paperback)
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Shakespeare's Religious Allusiveness complicates debates about
whether Shakespeare's plays are fundamentally Protestant or
Catholic in sympathy, challenging analyses that either find
Protestant elements consistently undercutting Catholic motifs or,
less often, discover evidence of the playwright's endorsement of
Catholic doctrine and customs. Rather, Maurice Hunt argues that
Shakespeare's syncretistic method of incorporating both Protestant
and Catholic elements into his plays was singular among early
modern English playwrights at a time when governmental and social
tolerance of Protestantism in the theatre was high and criticism of
stereotyped Catholicism was correspondingly rampant in drama.
In-depth discussions of The Two Gentlemen of Verona, the Second
Henriad, All's Well That Ends Well, Twelfth Night, and Othello
reveal how Shakespeare allusively integrates Reformation Protestant
and Roman Catholic motifs and systems of thought. This book sheds
new light on the playwright's knowledge of and interest in
Elizabethan and Jacobean religious debates over the nature of
spiritual reformation, the efficacy of merit for redemption, and
the operation of Providence. It will appeal not only to Shakespeare
scholars but to those interested in the cultural history of the
Reformation.
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