Daar doer in die fliek sluit aan by die televisiereeks met dieselfde naam wat op kykNet uitgesaai is. Die omvangryke boek gee 'n oorsig oor die ontwikkeling van Afrikaanse rolprente vanaf die heel vroegste stilprente tot en met die heel nuutste rolprente van ons tyd. Die geskiedenis begin met die dokumentere films wat tydens die Anglo-Boereoorlog gemaak is en die epiese De Voortrekkers uit die tyd van die stilprente. Daarna word gedetailleerde aandag aan elke dekade van die 20ste eeu gegee met belangrike figure soos Pierre de Wet, Jamie Uys, Emil Nofal Jans Rautenbach, Katinka Heyns, Leon Schuster en Dirk de Villiers. Die titel is ontleen aan Jamie Uys se baanbreker-rolprent van 1951, Daar doer in die bosveld, wat die begin was van Uys se hoogs suksesvolle loopbaan met rolprente soos Lord oom Piet en die internasionale treffer The gods must be crazy. Van Nierop kon gebruik maak van skaars rolprente in KykNet se videoteek en in die Nasionale filmargief. Talle onderhoude met akteurs, regisseurs en vervaardigers gee eerstehandse inligting oor die vervaardiging van bekende en suksesvolle rolprente. Alhoewel die klem op Afrikaanse rolprente val, word ook na baanbreker-rolprente in Engels en die inheemse tale verwys. Ten slotte word besondere aandag gegee aan die opbloei van die Afrikaanse rolprente in die eerste twee dekades van die 21ste eeu, waardeur talentvolle mense die geleentheid kry om aan hul drome uiting te gee. Die boek is Leon van Nierop se huldeblyk aan een van die oudste rolprentindustriee in die wereld. Die ontwikkeling van die Suid-Afrikaanse rolprentkuns word met 'n groot aantal foto’s geillustreer.

Award-winning cartoonist Jerm's spot-on analysis and commentary provide a highly entertaining way to digest the buffoonery of politics in South Africa. No one, neither left nor right, in government or opposition, can escape the acerbic observations of this provocative artist. Jeremy Nell's work has appeared in several online and offline publications, such as the Sunday Times, eNCA, TIME, The Star, City Press, Beeld, The Times, Rolling Stone, Daily Dispatch, Daily Maverick, The New Age, EWN and others.

Kitaar my kruis is vir die eerste keer in 1962 deur H.A.U.M. gepubliseer, en die tweede uitgawe het sewe herdrukke beleef.

Small se identifikasie met sy karakters vind neerslag in sy gebruik van Kaaps – volgens hom ’n volwaardige taal waarin mense hul eerste skreeu en hul laaste doodsroggel gee. Wat in heelparty gedigte opval, is die gebruik van refreine en herhaling, wat as ’t ware die gemeenskap se vrese waarskuwings en aanklagte van die tyd eggo (Van Wyk, 2006). Verder is daar ’n sterk Ou Testamentiese inslag, maar ook talle verwysings na die geboorte en wederkoms van Christus.

Volgens Steward van Wyk word dié gegewe op die lotgevalle van onderdruktes van toepassing gemaak, oa die geskiedenis van Moses en die Israelitiese volk onder Egiptiese slawerny: Soos Moses met sy staf, moet die digter met sy kitaar sy mense lei, maar omdat die taak so moeilik is, word die kitaar ironies ook sy kruis.

'n Nuwe en bygewerkte uitgawe van die publikasie wat in 1990 uitgegee is deur die Nasionale Parkeraad van Suid-Afrika (tans SANParke).

Dit is die uitvoerige voorgeskiedenis en geskiedenis van die ou Transvaalse Laeveld en die gebeure wat gelei het tot die ontstaan van een van die eerste bewaringsgebiede in die ou Zuid-Afrikaansche Republiek toe die Sabie-reservaat in 1898 geproklameer is.

Die skrywer se doelstelling met hierdie publikasie is om die beginsels van sterrekunde toeganklik te maak vir almal, om ‘n teks daar te stel wat bruikbare toeligting vir die amateursterrekundige is en kan dien as voorbereiding vir verdere studie in die sterrekunde.

Van Zyl se eenvoudige, onderhoudende skryfstyl dra verder by tot die boek se toeganklikheid vir sterrekundiges sowel as leke met ‘n besondere belangstelling in die heelal. Deurgaans word gepoog om te verduidelik hoe sterrekundiges te werk gaan. Om begrip te vergemaklik, verskyn ook 11 bladsye bylaes waarin die wiskunde wat gebruik word uit grondbeginsels herlei word. Dit bevat gedetailleerde beskrywings en verduidelikings van die heelal se geheime.

Inligting oor nuwe ontdekkings en teoriee, kleurvolle diagramme en foto’s verhoog die waarde.

David Bristow is the author of some 30 books to date. His most recent venture is a series of four non-fiction paperbacks titled ‘Stories from the Veld’.

They include:

• 20 curious characters – The Game Ranger, the Knife, the Lion and the Sheep,
• 20 amazing places – Of Hominins, Heroes and Hunter-Gatherers,
• 20 environmental stories – Big Pharma, Dirty Lies, Busy Bees and Eco-Activists, and
• 20 bush tales – The Lion, the Dung Beetle and the Veld Toolbox.

Having produced more books than The Beatles recorded albums, he felt he was qualified to release his own “best of” collection. In order to do so, with long-time friend and fellow author Monty Roodt, he formed Southern Right Publishers.

Some of the stories you can read are about the giant Trekboer and desperado Coenraad de Buys, lions and men who look – and act – like them, and a Khoi leader who took on an empire. The places are not your typical beauty spots but those with deeper backstories such as Mapungubwe, Die Hel, and the Heerenlogement ¬– a gentleman’s lodging in a time long past. There are rhinos, rhino poachers and rhino guardians, adventures in the Okavango Delta and perhaps the greatest survival story seldom ever told.

The Sappi Tree Spotting series is a breakthrough in botanical literature.

This revised edition with updated tree names allows for easy and enjoyable identification, offering readers beautiful illustrations and photographs making for truly enlightening reading.

Sappi Tree Spotting provides the reader with powerful tools to help look for easy-to-find trees in the right places, builds knowledge on uniquely shaped and seasonally striking trees, and uses clear and simple terminology. Grids showing seasonal changes, animal and human uses for each tree, gardening tips and beautifully detailed maps add to the richness of the tree-spotting experience.

South Africa has a treasure of magnificent, indigenous trees to be found in the diverse and spectacular natural habitats of our country. If you love trees but have found it difficult to find and name them, this book is all you need to enhance and develop your adventure with them.

A handy, all-in-one photographic field guide to the wildlife of South Africa, this guide covers the region's mammals, birds, reptiles, frogs and trees that are most likely to be seen. Concise accounts and distribution maps are included for each species.

A brief introduction discusses geology, climate, vegetation zones, wildlife hotspots, and tips on watching wildlife. This convenient presentation of South Africa’s most visible wildlife in a single volume will find favour with tourists and local enthusiasts alike.

• Handy, all-in-one guide to diverse groups of wildlife and trees
• Full-colour photographs of all species
• Distribution maps
• Tips to watching wildlife
• Very attractive price

What with the rising cost of travel, the scary exchange rate, the cost of visas, traffic congestion on the roads to the coast, the environmental cost of air travel and – generally – a lack of time, perhaps we should revisit the concept of holidays. Do we really have to travel halfway across the world or halfway across the country for a holiday to ‘count’? After all, what makes a holiday a holiday anyway? What makes it special? Two days of genuine relaxation within 100km of your home is worth more than a week in a glamorous resort if you’re stressing out about work, are in semi-constant contact with the office, or are trying to figure out how you are going to resuscitate your credit card when you get back. A holiday is a state of mind.

It’s a series of special moments that you will treasure forever. And that’s what’s so great about staycations. No long queuing and interviews for visas, no long queues at the airport, no long flights, and no long, thousand-yard-stare, endless drives through the Karoo. By choosing a staycation, you minimise the boring, long bits of holidays, and maximize the fun, interesting bits that make for treasured memories. And, hey, you save money, save fuel, and pile up carbon credits at the same time. What’s not to love? And you would be amazed at how much there is to do so close to the city – stunning hikes and country stays, big five safaris, awesome golf, amazing adventures, romantic retreats, and genuinely fun family-friendly resorts where your kids can act their age, and so can you.

So, check it out – you’ll find amazing golf staycations, adventure staycations, safari staycations and a range of fabulous one-tank-cations spreading out from the city like the petals of a daisy. North, south, east, west – close to home is best.

Craft metal has endless decorative possibilities. It is pliable and can be wrapped around or adhered to any surface you can imagine.

This book is all about using coloured craft metal – decorating it by means of embossing, cutting out designs, adding further colour, taking away colour and filling in 3D designs and much more – to customise blanks and found objects for your home. You will learn more about the metal and supporting mediums, and how to use the tools and familiarise yourself with several techniques, all of which can be applied in making more than 50 decorative and functional items.

The original projects were designed and created specifically to show-case a variety of techniques and applications, including:

• Transferring and tracing designs
• Creating texture by means of inexpensive handheld tools or manual processes
• Using an embossing machine such as the cuttlebug™ for textures, patterns and die-cuts
• Finishing techniques such as sanding, ageing and painting
• Upcycling and repurposing
• Tips and tricks to simplify processes

The projects range from beginners to advanced level and from quick ideas to masterpieces that will take longer to complete. Magnificent photographs of the finished objects will inspire you while step-by-step instructions and photographs will help you to get started right away.

Soos Hilda Smits se eerste, bekroonde bundel die bome reusagtig soos ons was betrek die verse in hierdie bundel die leser by die hoogs persoonlike en gee dit terserfdertyd betekenis aan die universele belewenis.

Die verse is magies soos bewussynstroom, soos drome waar die kloutjie nie altyd by die oor uitkom nie, ʼn mens ervaar dit met jou onderbewuste, in jou maag. Dis dromerig soos meditasie, dis soos sit en staar na reën teen ʼn ruit.

Sinne is onvoltooid, werkwoorde hang in die lug sonder naamwoorde, byvoeglike naamwoorde is bedrieglik eenvoudig; “gewone” woorde soos mooi, sterk, fyn, jonk – dis egter die onverwagse beelde wat verras, en woorde wat buite hul normale konteks ingespan word, wat jou uitknikker.

This anthology of poems and its companion anthology of stories The last time I lived anywhere real collect writing from a weekly creative writing course held in Grahamstown/Makhanda since 1998. The two anthologies bring together more than eighty writers from 21 years of the annual course publication Aerial.

The poems in A flower for the dashboard are reflective, wistful, angry, conversational, celebratory. Written by people of all ages and cultural contexts, they describe family, love, place, memory, making words, reading, self-confrontation and discovery.

Die ontnugtering en nostalgie van die middeljare word hier in alle erns met humor en trefsekere taalgevoel verwoord.

Ryk aan intertekstualiteit en slim woordspeling, is hierdie bundel vars en toeganklik vir alle oopkop lesers. Ou vrese word besweer en nuwes sinies en liries besing.

Table Mountain & Cape Peninsula includes an illustrated terrain map of Table Mountain at a scale of 1:50 000. Detailed street map of the city centre including access points to trails, hikes and routes, major and minor roads of the entire Cape Peninsula. Also includes detailed activities map of Cape Town & the Peninsula.

Also included are full-colour photographs of activities and areas of interest, national parks and reserves, protected areas and marine reserves, lighthouse and shipwreck positions, mountain biking access areas, as well ais entrance gates and good swimming beaches, visitor centres, best viewpoints and horse riding areas, parking, restaurants and picnic spots, small craft/boat launching sites, local information, hobbie sailing, kite surfing, wind surfing, surfing, paragliding, climbing, diving, surf skiing and sea kayaking, index of suburbs, hoerikwaggo trail information, adventure activity contact information and websites, embassy locations, hotel and backpacker locations and places of interest.

Coverage includes detailed activities map of Cape Town and the Peninsula. Detailed map of the Table Mountain at 1: 24 000 scale AND of the Cape Peninsula at 1: 55 000 scale

Sasol Eerste Veldgids tot Slange & Ander Reptiele van Suider-Afrika bied aan die jong leser 'n fassinerende blik op die reptiele van die streek. Met behulp van volkleur fotoÆs en verspreidings kaarte, asook maklik leesbare teks, sal die jong volwassene en ontluikende natuur liefhebber die algemene reptielspesies in Suider-Afrika kan identifiseer.

After the resounding success of his first book of poetry, Matthew Freemantle releases his second collection of poems.

Packed with a fresh set of slice-of-life type literary doodles, this new collection provides an exclusive window into the mind and lifestyle of a man who has embraced his newfound fame.

In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day.

It explores how the gallery has understood its function and its public, as a 'national' gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery's administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad international cultural discourse, or should it be representative of a specifically national - or even regional - identity?

The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the 'history' museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country's national gallery.

The absence of such a history marks a serious gap in the literature, which this study aims to fill.

Uit stof, ster, planete word daar poësie gemaak. Die digter verken die geskape Univers met fyn aanvoeling en vernuf. Hier is ’n poëtiese fisikus op sy allerbeste.

Hennie Smith se aanleg vir wiskunde en wetenskap het hom tot ’n doktorsgraad in fisika geneem en ’n suksesvolle navorsingsloopbaan in Suid-Afrika en Frankryk. Sy aanvoeling vir poësie het hom egter deurgaans besiel en hy het telkens woorde gevind om emosiebelaaide insigte in verse neer te pen. Die fisika en kosmologie word vir hom ’n teleskoop om van die einders van die kosmos in te kyk op die binneruimte van menslike emosie.

Hier is van die kragtigste gedigte in Afrikaans wat die leser as ’n gedagtegolf tref en met nuwe denke oor die poësie laat. Die intense gedigte oor die roering en spanning tussen die manlike en vroulike het ook ’n kosmiese inslag wanneer hy soos Goethe in sy Faust ervaar dat die ewig vroulike hom motiveer en die volheid van die syn laat beleef. ’n Aantal verse reik uit na die grense van religie en filosofie.

Hier is ’n bundel wat die grense van dig-denke roer en verbreed.

Daniel Dumile Qeqe (1929–2005), ‘Baas Dan’, ‘DDQ’. He was the Port Elizabeth leader whose struggles and triumphs crisscrossed the entire gamut of political, civic, entrepreneurial, sports and recreational liberation activism in the Eastern Cape. Siwisa tells the story of Qeqe’s life and times and at the same time has written a social and political biography of Port Elizabeth – a people’s history of Port Elizabeth. As much as Qeqe was a local legend, his achievements had national repercussions and, indeed, continue to this day.

Central to the transformation of sports towards non-racialism, Qeqe paved the way for the mainstreaming and liberation of black rugby and cricket players in South Africa. He co-engineered the birth of the KwaZakhele Rugby Union (Kwaru), a pioneering non-racial rugby union that was more of a political and social movement. Kwaru was a vehicle for political dialogues and banned meetings, providing resources for political campaigns and orchestrations for moving activists into exile.

This story is an attempt at understanding a man of contradictions. In one breath, he was generous and kind to a fault. And yet he was the indlovu, an imposing authoritarian elephant, decisively brutal and aggressive. Then there was Qeqe, the man whose actions were not in keeping with the struggle. This story narrates his role in ‘collaborationist’ civic institutions and in courting reactionary homeland structures, yet through all that he was the signal actor in the emancipation of rugby in South Africa.

Blind Date At A Funeral is a collection of coming-of-age stories by bestselling author Trevor Romain, which he recorded in journals, notebooks and on beer-stained bar napkins over the years and is retelling now.

Trevor takes us on a tour of his own memories, filled with anecdotes about foolish endeavours, dumb decisions, army adventures and the searing pain of losing the love of your life. Each story is accompanied by one of Trevor’s classic drawings and carefully crafted with a pitch-perfect combination of humour and nostalgia.

Both entertaining and deeply moving, this is a book about what it really means to be proudly South African.

To both the beginner and the experienced birdwatcher, this compact guide will prove as indispensable as binoculars.

Special features:

• Updated with new bird names
• Fits your pocket
• Practical and user-friendly
• Over 400 bird species
• Excellent colour photographs
• Logical grouping of birds
• Concise biological information
• English & Afrikaans names
• Southern African bird numbers
• Distribution maps according to the new bird atlas
• Index

Over 90 000 copies of this book have been sold to avid birders from South Africa and across the world.

On bended knee, he leaned over the stricken boxer and counted him out. When he waved the fight over, there was exactly one second to go in the dramatic and brutal world championship bout and Víctor Galíndez had retained his title. But the referee, his shirt stained with the champion’s blood, had cemented his reputation as a cool professional, one destined to become an esteemed figure in world boxing.

South Africa’s own Stanley Christodoulou has officiated an unprecedented 242 world title fights over five decades, some of them among the most iconic in boxing history, and became his nation’s very first inductee into the International Boxing Hall of Fame. He rose from humble beginnings, learning his trade in the South African townships of the 1960s, and went on to lead his national boxing board as it sought to shed the racial restrictions of the apartheid era. It was a contribution to his country’s sporting landscape that saw him recognised by the president of the ‘new’ South Africa, Nelson Mandela.

The Life and Times of Stanley Christodoulou is Stanley’s memoir in boxing. It takes the reader to a privileged position, inside the ropes with champions and into the company of boxing legends.

In 'n oomblik toon die hand van 'n ervare digter wie se poetika reeds gevestig is in terme van temas en tegnieke. Die digbundel verteenwoordig 'n voortsetting van die aspekte van Vos se digkuns waarvoor hy reeds lof verdien het. Op tegniese vlak is daar veral sy baie effektiewe gebruik van 'n onpretensieuse toon wat dikwels sonderlinge poetiese vondste oplewer. 'n Voorbeeld hiervan is die nuutskepping (die slinkshandige). Tegniese vernuwing vind ook plaas deur die aanwending van die epiese gedig en die tersine. Die intertekstuele gesprek met Homeros en Dante as reismotief om 'n langdurige ongeluk en operasie poeties te verwoord, is nuut in die Afrikaanse digkuns. Tydens die reis kom daar fel en verskillende emosies en ervaringe na vore. Dit word alles met die leser gedeel. Die tematiese nuutheid en aktualiteit van die bundel blyk uit die digterlike uitbeelding van die menseslagting op 13 November 2015 in Parys en vlugtelinge uit Sirie se bootreise na 'n heenkome. In die bundel kom daar diep emosies na die oppervlakte. Alles gebeur in 'n oomblik. Op die lewensreis word verskillende emosies ervaar: lig en donker, liefde en ongeluk, geboorte en die na-lewe. Die tema van verganklikheid en ouer-word is sentraal in die bundel. Die lewensreis is ook 'n taalreis. Daarom word die taalgesprek, in 'n boeiende saampraat met Konstantinos Kavafis, poeties uitgedruk. Op die leefreis is daar ook verlies. Hier kom Cas Vos se vertalings van Konstantinos Kavafis en Georgos Seferis se Griekse gedigte aan die bod. Die reis eindig egter nie in wanhoop nie, maar met uit-sig.

The "birds, beasts and flowers" of Isobel Dixon’s new collection are in conversation with DH Lawrence's essay ‘Whistling of Birds’, thus lending this publication its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it.

Lyrical, vigorous, inventive, the poems share points of creative contact with Lawrence’s iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers and makers. Threaded throughout is the beautiful complexity and vulnerability of the planet, and the joy and difficulty of making art. With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet draws you surely in to its quiet, reflective heart.

Poetry as powerful connection and recapitulation, and, even in landscapes of exile and diminishment, the art of rewilding and replenishing the self.