’n Stuk of 50 stories waarin Dana Snyman besin oor enigiets van fopnuus tot ’n 40ste skoolreünie. Hy vertel van sy kennismaking met Eugène Terre’Blanche en van die Bogosi-gesin wat by hom op Jacobsbaai gewoon het. Hy vertel hoe mense na mekaar probeer uitreik in die land. Hoe ons mekaar soek en nie altyd vind nie. Ten slotte vertel hy van sy verloofde se selfdood en hoe hy daarná byna al sy besittings weggee en die pad vat.

In this intimate and modern poetry collection, Zubayr Charles seeks healing amidst the shocks of personal and social rejection, navigating the paradoxes of identity and love.

Vivid, brave and witty, the sad boy’s starter pack is a reclamation of the self and a homecoming for the lonely and estranged. Invoking a strong sense of place, Charles’ Cape Town shapes what it means to be queer and Coloured. Charles’ poems explore the tension between desire and detachment, longing and all-consuming love.

This volume takes familiar, timeless themes by storm, forging them anew with luminous self-possession.

Elkeen van ons het ‘n rugbystorie. In Stryd van die reuse vertel Michael Green ‘n klompie rugbystories op sy eiesoortige manier. Hy vertel van snaakse goed wat met hom gebeur het as rugbyskrywer, soos die keer toe hy net moes keer toe ‘n fotograaf ‘n “kannibaal-foto” wou neem. In die boek is daar onderhoude met bekende en vergete rugbyhelde, soos Temba Ludwaba wat op sy dag as die “swart Frik du Preez” beskryf is. Daar is ‘n roerende vertelling van die oud-Springbok kaptein Hannes Marais oor ‘n spanmaat wat twee keer sy glasoog op die rugbyveld verloor het. Dis maar net ‘n paar hoogtepunte uit die lekkerleesboek wat rugbyliefhebbers nie sal kan neersit as hulle di teers begin lees het nie.

The Karoo is big sky country; a land of vast plains punctuated by flat-topped mountains, conical hills and secluded valleys, a land of scrubby bushes and hardy trees, where pioneers carved roads out of rock to set down roots in an unforgiving environment.

Here dreams are born, legends are made, and outcasts find sanctuary. It is also an ancient place, whose story is revealed through geology, fossils and artefacts, and whose human lineage predates any written history. Today, the people who inhabit it must manifest the same fortitude that sustained those who left their footprints in the primieval mud.

In Hidden Karoo you will find all this, and more. Through a series of superb photo-essays, this majestic place is revealed as a land where conservation and neglect are seldom far apart, where one town boasts splendidly restored buildings, while along a dusty road lie forgotten villages waiting for... something. Could it be a renewal, or a slow death? There’s nothing novel about the movement of people from country to city, and the Karoo mimics other parts of the world where rural areas become derelict as they are depopulated.

Hidden Karoo presents a snapshot of the region, offering a glimpse into towns and villages, farms and churches, public buildings and private homes, all against a backdrop of awe-inspiring landscapes. Through words and pictures, it prompts us to consider what was, what is and, perhaps, what might be. One constant about the Karoo is change. A book can do no more than capture a moment in time or depict fragments of a place, but in doing so, it bears witness to the past and offers the hope that there may yet be a future for this unparalleled part of our country.

Southern Africa has a wealth of mammal fauna, and is home to about 530 species, including tiny shrews, intriguing pangolins and majestic whales. All the species that occur in the region are featured in this updated sixth edition of Stuarts' Field Guide to Mammals of Southern Africa. This comprehensive guide features:

• Fully updated text based on the most recent research and taxonomy.
• Detailed species accounts describing key identification characteristics, behaviour, habitat, diet, reproduction and longevity.
• Visual identification tools, including full-colour photographs, spoor and size icons, and skull photographs.
• Up-to-date distribution maps showing the geographical range of each species within the region.

This captivating and informative book focuses on the threatened bird species of SouthAfrica and its oceans, and of Lesotho and Eswatini. Presented in an elegant large format,Birds on the Brink highlights the beauty, unique traits and vulnerabilities of these birds,while emphasising the human-induced threats, such as habitat loss, climate change,energy infrastructure and competition for resources. Personal accounts from researcherson the front lines offer insight into the skill and dedication required to safeguard thesespecies. The birds featured are not merely fascinating creatures – they act as sentinels ofbiodiversity, whose decline signals concerning ecological shifts.

A valuable resource for birders, students, educators, conservationists and anyonewho cares about the future of our planet, Birds on the Brink is both an enduring recordand a call for conservation action at this tenuous moment in time. It is a reminder thatwhile the challenges are immense, so too is our capacity for change.

Now in its third year, the AVBOB Poetry Project has garnered several industry prizes.

I Wish I'd Said: Volume 2 includes 101 poems with English translations: 55 specially commissioned poems and 44 poems drawn from the 2018 competition. And, following the blueprint of the first volume, we pay homage to the Khoisan languages, by including two poems by the |Xam poet Dia!kwain. South African poets old and new were asked to submit poems on loss, grieving, love and consolation in their mother tongues.

This new collection – and the online poetry portal – forms a space where the voiceless may be heard, and where we find common ground. Loss is a universal language and poetry its voice.

Menige ouer, onderwyser en afrigter het al die wens uitgespreek dat minder tyd aan die soek van geskikte materiaal vir Eisteddfods bestee hoef te word. Eisteddfod-pret is gebore uit hierdie noodkreet van ouers, onderwysers en kinders wat jaarliks in desperaatheid die internet en biblioteke fynkam vir vars, nuwe materiaal, want dis nie sommer enigiets wat geskik is nie. Die inhoud van hierdie bundel is oorspronklike, ongepubliseerde werke van die Fynbosskrywers, werke wat die potensiaal het om A++ by ’n Eisteddfod te verwerf. Dit bestaan uit 108 gedigte, 24 monoloë en 20 samesprake wat geskik is vir gebruik in die laerskool. ‘n Inleiding deur Louise Lachenicht verseker ook dat die deelnemer se potensiaal ten volle ontwikkel word met riglyne vir afrigters, onderwysers en ouers.

Room by room, this striking catalogue of South African artist Sue Williamson’s major retrospective at the Iziko South African National Gallery in Cape Town takes readers on a walk through 45 years of her work.

We begin with A Few South Africans (1983–1987), the iconic photo-etched and silk-screened portraits of women who fought for liberation from apartheid—a series now held in a number of international museum collections. From there, the reader moves through The Apartheid Years, Africa and her Colonisers, The Voices on the Street, No More Fairy Tales, Messages from the Moat, and The Story of District Six. Each room highlights a distinct theme.

New York Times art critic Holland Cotter has called Williamson “a dynamic amazement.” Her work flows fluidly across a wide range of media, including drawing, printmaking, photography, video, and sculptural installation. Critical texts by award-winning writers Zoé Whitley and Sean O’Toole offer further insights into her practice. The final room In the Studio is wallpapered with a facsimile of the artist’s studio, featuring a timeline and vitrines containing press clippings, posters, photographs, tools, and objects from Williamson’s working life, and Sihle Sogaula’s text reflects on this archive.

For anyone interested in how art can speak to power, in the courage of women, or in making collaborative work that resonates within a community, this is a must-have book.

The River People is a revelation of poetry, art (sculptures and beadworks), songs, interactive teachings, quotations, counsel, stories and reflections. Barbara Fairhead offers us a work that combines memoir and testimony with recent questions and learnings. The book is a gift of an uncompromising creative spirit, determined to be faithful to the last to the sacred sovereignty of her visions, dreams and experiences.

A multi-genre limited-edition Art Book that contains professional photographs of Fairhead’s original bead and sculpture artworks as well as poetry, songs, memoir, and reflections. Incorporates the introduction to the earlier edition of Word and Bead by the late Stephen Watson and a foreword to this edition by Ian McCallum.

Printed on high quality matt art paper, thread sewn with cover flaps in a landscape format.

The greatest botanical artists in the world capture one of the most diverse floral kingdoms on earth.

The traditional medium of botanical art is given a new lens with the aim to ultimately connect the reader to a bigger picture - one in which the intricate relationship between ourselves, the natural environment, plants and their pollinators is revealed. Expect meticulous detailing of floral structures, bursting seed pods, brightly coloured beetles, foraging ants, floating pollen and striped field mice...coupled with scientific facts and narrative stories about each plant.

This is a florilegium immersed in the natural world, informed by ecology and the fragility of our botanical heritage. Each chapter includes an up-front ‘Wunderkammer’ of artists' notes, colour swatches, working drawings and archeological details, revealing a glimpse into the creative process and ancient origins of the area.

A unique marriage of art, natural science and storytelling is used to share the treasures of our botanical heritage, diversity and sustainability.

Heidri Mittendorf is 'n bekende en ervare blokkiesraaiselkenner en - opsteller.

Die Bybel Blokraai bevat 70 blokraaie wat opgelos word met leidrade wat uit die Bybel nageslaan kan word asook 10 woordsoeke gebaseer op temas uit die Bybel.

Al die antwoorde word ook verskaf. Dit sal ure se blokraaigenot verskaf aan blokraailiefhebbers.

His truth. His story. In his words.

There have been many comments made and books written about Siya Kolisi, captain of the Springboks, and the first black man to lead his country in over 128 years of South African rugby.

But now, for the very first time, Siya Kolisi shares his story in an extraordinarily intimate memoir, charting his journey from being born into the impoverished Zwide township, to leading his proud nation to an astonishing victory at the Rugby World Cup in 2019.

However, Rise is not simply a chronology of matches played and games won; it is an exploration of a man’s race and his faith, a masterclass in attaining a positive mindset, and an inspirational reminder that it is possible to defy the odds, no matter how they are stacked against you.

In 2020, partly in response to the pandemic, Siya and his wife, Rachel, launched The Kolisi Foundation, providing personal protective equipment to healthcare workers and delivering food parcels throughout South Africa.

The title Rise is inspired by Siya’s mother – Phakama – which translates to the book’s name, as well as a celebration of his Xhosa heritage.

Die Pharos Afrikaansgids bied eenvoudige riglyne vir spelling en skryfwyses volgens die 2017-uitgawe van die Afrikaanse woordelys en spelreëls en is KABV- geskik. Dit dek die belangrike taalsake wat oor leerders se pad kom en is 'n praktiese, alledaagse gids vir voorgraadse studente en ander taalgebruikers.

- Deel A bevat naslaanlyste van woorde wat dikwels spellingprobleme oplewer, meervoude en verkleining, intensiewe vorme, vergelykings en idiome.

- Deel B is ’n naslaangedeelte wat belangrike en algemene taalreëls aan die hand van eenvoudige definisies en enkele voorbeelde verduidelik.

- Deel C bevat nuttige inligting oor byvoorbeeld sinsoorte, woordorde in sinne en die konstruksie van paragrawe. Daar is ook ’n kort oorsig oor tekstipes.

Dié jongste bundel verse deur Philip de Vos is vir jonk én oud, en getuig opnuut van sy vakmanskap as digter, sy slinkse, aweregse humor maar ook sy fyn waarnemingsvermoë.

Ritme dien as ruggraat vir elke vers, met ’n goeie skeut tong-in-die-kies stuitigheid, maar soms ook met ’n melancholiese, elegiese ondertoon.

Daar is verse oor die Skepping, oor Moses en oor Lot, verskeie oor nig Mara en Maraaia, en ter afsluiting meer as ’n handvol stoute kwatryne.

On bended knee, he leaned over the stricken boxer and counted him out. When he waved the fight over, there was exactly one second to go in the dramatic and brutal world championship bout and Víctor Galíndez had retained his title. But the referee, his shirt stained with the champion’s blood, had cemented his reputation as a cool professional, one destined to become an esteemed figure in world boxing.

South Africa’s own Stanley Christodoulou has officiated an unprecedented 242 world title fights over five decades, some of them among the most iconic in boxing history, and became his nation’s very first inductee into the International Boxing Hall of Fame. He rose from humble beginnings, learning his trade in the South African townships of the 1960s, and went on to lead his national boxing board as it sought to shed the racial restrictions of the apartheid era. It was a contribution to his country’s sporting landscape that saw him recognised by the president of the ‘new’ South Africa, Nelson Mandela.

The Life and Times of Stanley Christodoulou is Stanley’s memoir in boxing. It takes the reader to a privileged position, inside the ropes with champions and into the company of boxing legends.

Desiree Ellis has been associated with Banyana Banyana, the South African women’s national football team, for 30 years – initially making her mark as a player (1993–2002), before transitioning to coaching. Taking the experience of 32 caps, including captaining the team when South Africa won the inaugural Cosafa Women’s Cup in 2002, she went on to become the most successful women’s coach in South Africa.

After a stint as assistant coach to Vera Pauw, Desiree was officially appointed head coach in 2018 and continued adding to her outstanding resumé. A high point came in 2022 when she coached Banyana Banyana to the Wafcon title in Morocco. The win also earned the team automatic qualification for the 2023 FIFA Women’s World Cup.

But Desiree’s inspiring football journey began many years before on the streets of Salt River in Cape Town where she developed the strength and skills that earned her the nickname ‘Magic’ on the field. Back then soccer boots were only dreamed of and it was her Bata Toughees school shoes that suffered the wear and tear, often to the despair of her hardworking parents. In the early days of the Athlone Celtic women’s side, it was a family affair: (Uncle) Eddie took on the role of coach, (Mom) Natalie’s seamstress skills saw them all kitted out, and (Dad) Ernest handled everything else, from transport to scheduling games.

When Desiree’s talent and dedication saw her become a serious contender at league and then provincial level, and finally gave her a chance to play with and against the world’s best, there was no stopping her. As South Africa emerged from sporting exile after the dark days of apartheid and stepped up to the international stage, Desiree proved to everyone who believed in her that dreams can come true.

Gorgeous photos, detailed maps, and a moving personal narrative narrate grueling expeditions to the source of Africa’s famous Okavango Delta, a sanctuary of biodiversity.

Explorers discover signs of Angola's ghost elephants—presumed extinct after decades of civil war but now reappearing in the highlands wilderness.

Follow intrepid explorer Steve Boyes as he leads the National Geographic Okavango Wilderness Project, documenting the little-known lakes and rivers flowing through central Africa to the vast Okavango, a region supporting the world’s largest elephant population as well as lions, cheetahs, and hundreds of bird species.

For miles on end of twisting waterways and leech-filled swamps, Boyes and his fellow explorers pole their flatboats with only satellite imagery and hippo trails to guide them. Sometimes they must drag their boats through dense bush or mud-thick waters. An angry hippo threatens to overturn the caravan; swarms of bees dive-bomb explorers’ ears and eyelashes. In Angola, closed off by war for decades, the team tracks ghost elephants—a subspecies thought to have disappeared forever.

By day they press on, by night they camp under the stars. Lions roar and hyenas howl in the distance. Locals become friends and fellow travelers—guardians of the rivers, sharing generational knowledge of these waters they call the “source of life.”

With more than 100 photographs and maps, including a foreword by Prince Harry and portraits of local wisdom keepers, this beautiful book provides a glimpse of primeval wilderness still thriving on the planet—and the grit of explorers determined to preserve it.

Ont is ʼn drama oor die reis van “grootword”, ʼn studie oor die samestelling van ʼn gesin en die vreugdes van vryheid en vlug. Die proses van menswording word met deernis geskets met behulp van die Groot Verseboek, Ma se grammofoonspeler en Pa se Camel filters.

Marina Griebenow sê: 'n Mens besef net weer dat ware skoonheid in eenvoud opgesluit lê, oftewel in die skyn van eenvoud. Die treffendste kuns kan altyd aan dié goue reël gemeet word.

Die bekroonde Ont het feitlik elke dramaprys verower nadat dit feesgangers en kritici gaande gehad het … kragtoer waarin Pretorius vir ons die estetika van toneelkuns herdefinieer en sodoende ons menswees mateloos verryk.

Life is like that sometimes draws readers into the unforgettable personal experiences that have shaped Khaya Dlanga’s world. Weaving heartfelt and often hilarious tales, from his rural Eastern Cape childhood to the profound losses he has faced as an adult, Khaya reflects on life’s unpredictability with warmth and wit.

The vivid stories explore love, loss, loyalty, forgiveness, tradition, chance, mischief, justice, responsibility and resilience, offering insights on relationships, identity and the lessons found in life’s toughest moments.

Both deeply moving and laugh-out-loud funny, Life is like that sometimes is an exploration of personal growth, faith and the power of storytelling to find meaning in it all.

To journey through South Africa is to step into a world where beauty is woven into every horizon. This is a country whose landscapes defy description: from the golden savannahs of the Highveld and the emerald vineyards of the Cape to the untamed wilds of Kruger and the dramatic meeting of two oceans at the continent’s edge. South Africa’s uniqueness lies not only in its breathtaking scenery, but in the vibrant tapestry of cultures, languages, and traditions that infuse every encounter with meaning. Here, luxury is found in the stillness of dawn as elephants roam free, in the exquisite comfort of lodges designed to honour the land, and in the knowledge that each experience is anchored in a deep respect for nature and community. The country’s commitment to conservation and sustainability is a way of life – one that invites visitors to become stewards of its wild beauty. To explore South Africa is to be changed by it: to witness a place where grandeur and spirituality coexist, where adventure and serenity are never far apart, and where every moment is a celebration of life’s richness and possibility.
 
The warmth and resilience of South Africa’s people and their deep connection to the land creates encounters that resonate long after departure. Ubuntu, the unique philosophy that ‘we are because of others,’ shapes not only human relationships, but also the approach to conservation and sustainable tourism that defines the country’s finest establishments.
 
The lodges, hotels, and retreats featured in ‘South Africa’s Best’ represent more than luxury accommodation; they all embody a commitment to environmental stewardship and community empowerment by demonstrating how exceptional hospitality can coexist with conservation efforts. Here, solar-powered suites overlook pristine wilderness, organic gardens supply world-class kitchens, and tourism revenue directly supports local communities and wildlife protection initiatives. These properties are bastions of hope, demonstrating that luxury and purpose can flourish together, and that travel can be a force for good.
 
This edition has been enriched through our collaboration with Ardmore, South Africa’s celebrated design studio, whose distinctive ceramics, textiles, and homeware are inspired by the country’s flora, fauna, and folklore. Ardmore reflects a commitment to artistic excellence and social upliftment, embodying the philosophy of Ubuntu. Their work has transformed local talent into internationally recognised artistry while supporting conservation efforts.
 
Our partnership with Steadfast Africa further enhances this collection. As a boutique luxury travel company, Steadfast Africa curates bespoke journeys within South Africa that showcase the country’s most exceptional destinations. Their expertise ensures seamless access to the world-class lodges, exclusive reserves, and immersive cultural experiences featured in this edition. Steadfast Africa ensures that travellers are able to become active participants in preserving the country’s natural heritage and supporting the communities that call these landscapes home.
 
Whether tracking rhino on foot with expert guides, dining on farm-to-table cuisine under the stars, or participating in meaningful cultural exchanges, each featured destination invites guests to engage deeply and mindfully with both nature and heritage. What sets these luxury destinations apart is their shared ethos: a dedication to preserving the country’s wild beauty and uplifting its people, ensuring that South Africa’s wonders will endure for generations to come.
 
‘South Africa’s Best’ gives readers the opportunity to embark on a journey where every page is infused with purpose, gratitude, and the promise of lasting change. In compiling this edition, our hope is to unite travellers who share a love for this remarkable country and a desire to make a meaningful impact. This book is both a tribute and a call to action: to honour and protect the land, people, and wildlife that make South Africa truly extraordinary.

Hierdie bundel is 'n keur uit Anton se liedjies; (hi)stories en "his stories", fabels en feite. Goosen se musiekloopbaan strek reeds oor 25 jaar - 15 albums, 2 SARIE-toekennings, 2 SAMA-toekennings en 'n Geraas-toekenning (2002) vir sy bydrae tot Afrikaanse musiek. Sy werk word gekenmerk deur reisverhale (Liedjieboer), kulturele ontwaking (Lappiesland) en stedelike beskouings (City/Stad).

The "birds, beasts and flowers" of Isobel Dixon’s new collection are in conversation with DH Lawrence's essay ‘Whistling of Birds’, thus lending this publication its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it.

Lyrical, vigorous, inventive, the poems share points of creative contact with Lawrence’s iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers and makers. Threaded throughout is the beautiful complexity and vulnerability of the planet, and the joy and difficulty of making art. With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet draws you surely in to its quiet, reflective heart.

Poetry as powerful connection and recapitulation, and, even in landscapes of exile and diminishment, the art of rewilding and replenishing the self.

Om hierdie skryfsels te lees is soos die oomblik wanneer jy ’n 3D-bril opsit of ’n towersampioen eet: Alles lyk opeens anders, die wêreld is op sy kop gedraai, oral knetter moontlikhede.

Dreyer het die vermoë om op hierdie manier te sien en om die leser só te laat sien.

Dis ’n wonderbaarlike mengelmoes van alledaagse sowel as fantasmagoriese objekte soos ’n vingerhoed, ’n verdwaalde los skroefie, ’n geel badeendjie op die vloer van ’n afdelingwinkel, die bloop, Napoleon en sy jaggeselskap wat op die vlug slaan voor ’n spul mak hase, die klankeffekte in Star Wars, ’n intakte beesoog in die pad, meerminne, ’n mimeerkunstenaar, Noorderligte, monsters, vampiere, salmanders en ander.

Die skrywer, wat ook digter is, mors nie met woorde nie en sy gedagtes is elegant.

C. Johan Bakkes is die geliefde skrywer van aweregse reisjoernale. Twintig jaar ná die verskyning van C. Johan Bakkes se eerste boek, Moertoe die vreemde in tref dit weer die rak – nie slegs as heruitgawe nie, die skrywer het bygereis en bygewerk. Dit is ’n terugblik sowel as nuwe ervarings/ gewaarwordings soos net Bakkes dit kan verhaal.