The book reads the descriptions of the body in the Song of Songs as grotesque, as an alternative way of interpreting perplexing imagery and as a means to investigate the Song's politics of gender and love. The lovers' expressions of mutual affection and desire in the Song of Songs include intimate and detailed poetic descriptions of the body. These are challenging to interpret because the imagery used is cryptic, drawing on seemingly incongruous aspects of nature, architecture and war. Biblical scholarship frequently expresses some discomfort or embarrassment over this language, yet largely maintains the view that it should be interpreted positively as a complimentary and loving description of the body. If read without this hermeneutic, however, the imagery appears to construct nonsensical and ridiculous pictures of the human form, which raise interesting questions, and pose definite challenges, for the Song's readers. Fiona Black addresses the problematic nature of the Song's body imagery by using the artistic and literary construct of the grotesque body as a heuristic. The resulting reading investigates some issues for the Song that are often left to the margins, namely, the Song's presentation of desire, its politics of gender, and the affect of the text. The book concludes with the identification of some implications of this reading, including the creation of a new framework in which to understand the relevance of the Song's imagery for its presentation of love.

In The Language and Literature of the New Testament, a team of international scholars assembles to honour the academic career of New Testament scholar Stanley E. Porter. Over the years Porter has distinguished himself in a wide range of sub-disciplines within New Testament Studies. The contents of this book represent these diverse scholarly interests, ranging from canon and textual criticism to linguistics, other interpretive methodologies, Jesus and the Gospels, and Pauline studies.

This book provides a literary analysis of New Testament texts on marriage, sex, family, and celibate ideals. It seeks to explore if, how, and eventually to what extent the New Testament favors sexual abstinence. The core of this study consequently consists of fresh perspectives on the issue of sexual abstinence in the New Testament through close readings of 1 Cor 7, Gal 3:28, Matt 19:10-12, and Mark 12:18-27/Matt 22:23-33/Luke 20:27-40, with a keen eye to the many ambassadors of abstinence in the texts-characters exhibiting sexual abstinence given a favorable characterization and function. As a comprehensive literary analysis of these texts from this perspective lacks precedent in contemporary biblical scholarship, the study is a valuable contribution to the ongoing scholarly debate on the biblical views on sex and marriage.

Over the course of the fourteenth and fifteenth centuries, as more and more vernacular commentaries on the Decalogue were produced throughout Europe, the moral system of the Ten Commandments gradually became more prominent. The Ten Commandments proved to be a topic from which numerous proponents of pastoral and lay catechesis drew inspiration. God's commands were discussed and illustrated in sermons and confessor's manuals, and they spawned new theological and pastoral treatises both Catholic and Reformed. But the Decalogue also served several authors, including Dante, Petrarch, and Christine de Pizan. Unlike the Seven Deadly Sins, the Ten Commandments supported a more positive image of mankind, one that embraced the human potential for introspection and the conscious choice to follow God's Law.

Biblical scholarship today is divided between two mutually exclusive concepts of the emergence of monotheism: an early-monotheistic Yahwism paradigm and a native-pantheon paradigm. This study identifies five main stages on Israel's journey towards monotheism. Rather than deciding whether Yahweh was originally a god of the Baal-type or of the El-type, this work shuns origins and focuses instead on the first period for which there are abundant sources, the Omride era. Non-biblical sources depict a significantly different situation from the Baalism the Elijah cycle ascribes to King Achab. The novelty of the present study is to take this paradox seriously and identify the Omride dynasty as the first stage in the rise of Yahweh as the main god of Israel. Why Jerusalem later painted the Omrides as anti-Yahweh idolaters is then explained as the need to distance itself from the near-by sanctuary of Bethel by assuming the Omride heritage without admitting its northern Israelite origins. The contribution of the Priestly document and of Deutero-Isaiah during the Persian era comprise the next phase, before the strict Yahwism achieved in Daniel 7 completes the emergence of biblical Yahwism as a truly monotheistic religion.

The Believers Church Bible Commentary presents the best of modern scholarship in an accessible, practical form. The commentary emphasizes the special concerns of readers from the Believers Church tradition.

At the end of each chapter, an article on "The Text in the Life of the Church" highlights how the Scripture passage applies to the daily practice of Christian faith. Some of the themes that the Believers Church Bible Commentary underscores are believer's baptism, submission to the rule of Christ in the church, and following Christ in personal sacrifice and service.