At the beginning of one's architecture studies, there are many unknowns: what is really important? how do I brainstorm a design idea? how can this idea be depicted and ultimately implemented? BASICS is a series that imparts fundamental knowledge in compact individual volumes as well as in topical compendiums. It offers precise, step-by-step discussions, systematically covering the most important material pertaining to a given topic. Tailored to the needs of students, the series addresses all key subject areas, including design, architectural presentation, construction, professional practice, building services, landscape architecture, and urbanism.

Christian Norberg-Schulz's Interpretation of Heidegger's Philosophy investigates the theoretical contribution of the world-renowned Norwegian architectural theorist Christian Norberg-Schulz and considers his architectural interpretation of the writings of German philosopher Martin Heidegger. Though widely recognised as providing the most comprehensive reading of Heideggerian philosophy through the lens of architecture, this book argues that Norberg-Schulz neglected one of the key aspects of the philosopher's contributions: the temporal nature of being-in-the-world as care. The undeveloped architectural implications of the ontological concept of care in his work prevented the fruition of his ultimate aim, transforming the 'art of place' into an 'art of living'. This book seeks to realign Norberg-Schulz's understanding of time as continuity and change to present a holistic approach grounded in Heidegger's phenomenological philosophy; architecture as art of care. Aimed at academics and scholars in architectural theory, history and philosophy, Christian Norberg-Schulz's Interpretation of Heidegger's Philosophy surveys the implications and significance of Norberg-Schulz's works on architectural criticism in the late 20th century.

Urban Grids: Handbook for Regular City Design is the result of a five-year design research project undertaken by professor Joan Busquets and Dingliang Yang at the Harvard Graduate School of Design. The research that is the foundation for this publication emphasises the value of open forms for city design, a publication that specifically insists that the grid has the unique capacity to absorb and channel urban transformation flexibly and productively. Urban Grids analyses cities and urban projects that utilise the grid as the main structural device for allowing rational development, and goes further to propose speculative design projects capable of suggesting new urban paradigms drawn from the grid as a design tool. Text in Spanish.

This volume of the "Delft School of Design" series focuses on the South African urban context, seeking to construct a contemporary critical dialogue of current spatial practices in relation to social, political and governance structures. The contributors-academics, urban historians, architects, policy makers-reflect on the possible paths forward. The book is divided into thematic sections: "Other Urbanisms," "Tradition, Culture and Education," "Urban Design, Civic Action and Agency in South Africa" and "Future Perspectives."

Die Prasenz der klassischen Antike - als Norm oder Form, als blosse Denkfigur oder ausgefeiltes Theoriegebaude - gehoert zu den grossen Konstanten der abendlandischen Architektur. Doch waren die Vorstellungen, die man mit antiker Architektur verband, im Verlauf der Geschichte erheblichen Wandlungen ausgesetzt. Deshalb widmet sich der Band dem epochenubergreifenden Wandel des Antikenbildes in der europaischen Architektur. Die hier vereinten Beitrage fragen sowohl nach spezifischen Verlaufen theoretischer oder praktischer Antikenaneignung zu verschiedenen Zeiten als auch danach, welche Bedeutungen, Funktionen und Farbungen der Begriff "Antike" als Instanz architektonischen Denkens zwischen Altertum und Gegenwart gewann. Im Epochenvergleich treten die Spannung zwischen Antikenbild und zeitgenoessischer architektonischer Kultur deutlich zu Tage, und zwar in doppelter Hinsicht: Kenntnis und Wertung der Antike wirken auf Entwurf und Theoriebildung ein, das jeweilige Antikenbild verandert sich aber auch unter der Einwirkung jeweils aktueller Vorgaben.

The Gentleman's House analyses the architecture, decoration, and furnishings of small classical houses in the eighteenth century. By examining nearly two hundred houses it offers a new interpretation of social mobility in the British Atlantic World characterized by incremental social change.

Naked Architecture Valerio Paolo Mosco An account of one of the most interesting phenomena of contemporary architecture: the return to the structure and methods with which contemporary constructions are realized. Over the last ten years architecture would seem to have rediscovered engineering. Now that the Postmodern period, in which the structure of buildings was camouflaged by coverings of every kind, has passed, architecture today seems to have undressed, almost as though wishing to show how it is made (and to render this spectacular). On the other hand, the rediscovery in recent years of plastic form has brought about a closer relationship between architects and engineers. In the wake of the phenomenon that is the work of Santiago Calatrava, figures of engineer-architects have emerged such as Cecil Balmond, Sasaki and Guy Nordenson, who have been able to give a strongly "engineering-oriented" guise to ever more complex building sites. To this we must add the rise of new issues, such as that of environmental engineering, which has changed from being a specifically technical sphere to one of many other realms of knowledge, not least the aesthetic. If, therefore, there is a phenomenon today that is able to hold together the various expressions of contemporary architecture, it is precisely this return to the structure and methods with which it is realized.

Building Cultures Valparaiso takes a critical look at how pedagogy, practice and poetry are brought together at one of the most influential schools of architecture of the past 50 years: the School of Architecture and Design of the Pontifical Catholic University of Valparaiso in Chile. The editors have brought together research on the origins of the school, on the role that poetry plays in teaching and practice, and on the school's larger historical place in the context of a global out-break of radical architectural teaching in the late 1960's. Contributors come from both within and outside of the school and include Beatriz Colomina, David Jolly Monge and Gerald Wildgruber. In addition to original research, Building Cultures Valparaiso includes a collection of student drawings from the early years of the Valparaiso School's Open City, a 270 hectare stretch of land along the Pacific Ocean that serves as a laboratory for living and working together. These drawings provide an insight into how the philosophy of the school translates into the making of architecture. Through its exploration of the Valparaiso School's radical approach to teaching and making, Building Cultures Valparaiso serves as a guide for all those interested in an experimental vision of architecture.

Winner of the 2018 IDEC Book Award With fifteen essays by scholars and professionals, from fields such as policy and law, Health and Well-being for Interior Architecture asks readers to consider climate, geography, and culture alongside human biology, psychology, and sociology. Since designers play such a pivotal role in human interaction with interior and architectural design, this book sheds light on the importance of a designer's attention to health and well-being while also acknowledging the ever changing built environment. Through various viewpoints, and over 30 images, this book guides designers through ways to create and develop interior designs in order to improve occupants' health and well-being.

The Gensler Research Catalogue, Volume 3 profiles the work of 35+ research projects conducted by Gensler professionals around the world, spanning topics from the future of autonomous vehicles to how workplace design drives great customer and workplace experiences. Graphic designers from across the firm collaborated to design the Catalogue, giving each entry a unique design language tailored to the expression of each projects' methods and findings. The diverse set of projects are unified by a human-centric approach to design research, focused on ways to improve the human experience through great design. The research is organised into chapters focused on broad topics of interest, each with an introduction focused on broad trends and implications for the future of design. In addition to profiling Gensler's myriad research investigations, the publication also highlights the history and ethos of the Gensler Research Institute. The Catalogue offers not only thought-provoking descriptions of individual research, but an overall evidence-based approach to thinking about the approach to and design of space with the human experience at its heart.

On Weathering illustrates the complex nature of the architectural project by taking into account its temporality, linking technical problems of maintenance and decay with a focused consideration of their philosophical and ethical implications.In a clear and direct account supplemented by many photographs commissioned for this book, Mostafavi and Leatherbarrow examine buildings and other projects from Alberti to Le Corbusier to show that the continual refinishing of the building by natural forces adds to, rather than detracts from, architectural meaning. Their central discovery, that weathering makes the "final" state of the construction necessarily indefinite, challenges the conventional notion of a building's completeness.By recognizing the inherent uncertainty and inevitability of weathering and by viewing the concept of weathering as a continuation of the building process rather than as a force antagonistic to it, the authors offer alternative readings of historical constructions and potential beginnings for new architectural projects.Mohsen Mostafavi is Associate Professor of Architecture and Director of the Master of Architecture I Program at the Graduate School of Design, Harvard University. David Leatherbarrow is Chairman of the Department of Architecture and of the Program in Urban Design at the Graduate School of Fine Arts, University of Pennsylvania.

Dessau may be a mere speck on the map, but to this day the city of Bauhaus still occupies the most important place in the development of the New Building - otherwise known as the Neues Bauen - movement. Alongside the Modernist architecture, there is another World Cultural Heritage site which draws in visitors from all over the world to the region, namely the Garden Kingdom of Dessau Woerlitz (Gartenreich Dessau-Woerlitz). In the shape of the Bauhaus Dessau Foundation (Stiftung Bauhaus Dessau) and the Dessau-Woerlitz Cultural Foundation (Kulturstiftung Dessau Woerlitz), two institutions have come together to publish the first comprehensive architectural guide on Dessau-Rosslau and Woerlitz, areas most closely linked to the UNESCO World Heritage sites domiciled there. The eighteenth-century Garden Kingdom of Dessau Woerlitz and the twentieth-century Bauhaus School of Design (Bauhaus Hochschule fur Gestaltung) have not only bequeathed the city and its surrounds inestimable architectural urban and rural properties and spaces, but also an associated intellectual heritage which has made a lasting impact on the world and, last but not least, accounts for the attraction the area holds for tourists. These and other notable historic and contemporary buildings alike are presented in this architectural guide which also raises issues about the nuanced handling of this architectural and cultural legacy and of future planning.

The condition of "fake" and "real" in architecture is rarely publicly discussed nor has it encountered broad journalistic or scholarly attention. This book explores the realm of truth, authenticity and fakery in architecture, providing a timely collection of analytical essays and projects. Photographers, writers and architects share their understanding and speculations about a broad range of spaces and concepts all searching for common ground between real and imagined, function and story. The authors challenge our perception of "authenticity " through the examination of built and simulated environments, architectural fiction, theatric illusions and mannerist trickery. They examine the notion that the principle of Sullivans "form follows function" contains a paradox caused by the ambiguity and complexity of architectural expression. Buildings are perceived through an individuals personal experiences while also being interpreted along broader cultural values. The works shown reveal that under scrutiny, any built environment harbors both, reveals moments of truth, deception and ambiguity all of it partially in the eye of the beholder.The diverse contributions shed light on unexpected identities in architecture inviting criticalthought about our built environment analog and digital. The goal of this publication goes beyond unmasking deception in architecture, it aims at unfolding time-lines and revealing the layerednature of people and places. The images and essays reveal our contemporary condition and let collective and individual narratives unfold, a range of truths in themselves. Expanding from the discussion about truthful materiality and tectonics, this book provides an understanding ofreal, authentic, and fake in urbanism and architecture. Anne-Catrin Schultz studied architecture inStuttgart and Florence. Following post-doctoral research at the Massachusetts Institute of Technoloyin Boston, she worked for several years with Turnbull Griffin Haesloop and Skidmore, Owings & Merrill in San Francisco. While developing her own practice, she has taught at the University of California in Berkeley, the California College of the Arts and the Academy of Arts University in San Francisco. In 2013 she joined the Department of Architecture at Wentworth Institute of Technology in Boston.

According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the discipline make it difficult for women to remain in the profession. As a result, a great deal of highly trained talent is lost. Black Turtleneck, Round Glasses uses an intersectional feminist perspective to examine the structural causes that push women—and anyone else who isn’t a white cis man—out of the field. How can architectural teaching and discourse, as well as the industry’s self-image, become more diverse? Where are the experiences of a pluralistic society missing from the built environment? How can we bring about cultural change in planning and architecture? Featuring an interview with the Dutch architect Afaina de Jong

Once regarded a secondary consideration, in recent years, materiality has emerged as a powerful concept in architectural discourse and practice. Prompted in part by developments in digital fabrication and digital science, the impact of materiality on design and practice is being widely reassessed and reimagined. Materiality and Architecture extends architectural thinking beyond the confines of current design literatures to explore conceptions of materiality across the field of architecture. Fourteen international contributors use elucidate the problems and possibilities of materiality-based approaches in architecture from interdisciplinary perspectives. The book includes contributions from the professions of architecture, art, architectural history, theory and philosophy, including essays from Gernot Boehme, Jonathan Hill and Philip Ursprung. Important 'immaterial' aspects such as presentation, agency, ecology and concept are examined, deepening our understanding of materiality's role in architectural processes, the production of cultural identities, the pursuit of political agendas, and the staging of everyday environments and atmospheres. In-depth illustrated case studies examine works by Herzog & de Meuron, Zaha Hadid, and Lacaton & Vassal, interspersed with visual essays and interviews with architects such as MVRDV providing a direct connection to practice. Materiality and Architecture is an important read for researchers and students with an interest in architectural theory and related fields such as art, art history, or visual and cultural studies.

Buckminster Fuller (1895-1983) was one of the most revolutionary technological visionaries of the 20th century. As an architect, engineer, entrepreneur, and poet, he was a quintessentially American self-made man. But he was also an outsider: a technologist with a poet's imagination who already developed theories of environmental control in the thirties ("more with less") and who anticipated the globalization of our planet ("think global-act local"). In light of the reawakening interest in his works and thoughts, and of their growing importance for our technological world, it is time for a reedition of this comprehensive and legendary publication from 1999. The visual reader Your Private Sky examines and documents Fuller's theories, ideas, and projects, and critically deals with his ideology of "rescue through technology."

The subject is the human imagination-and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Like all of Robert Harbison's works, Eccentric Spaces is a hybrid, informed by the author's interests in art, architecture, fiction, poetry, landscape, geography, history, and philosophy. The subject is the human imagination-and the mysterious interplay between the imagination and the spaces it has made for itself to live in: gardens, rooms, buildings, streets, museums and maps, fictional topographies, and architectures. The book is a lesson in seeing and sensing the manifold forms created by the mind for its own pleasure. Palaces and haunted houses, Victorian parlors, Renaissance sculpture gardens, factories, hill-towns, ruins, cities, even novels and paintings constructed around such environments-these are the spaces over which the author broods. Brilliantly learned, deliberately remote in form from conventional scholarship, Eccentric Spaces is a magical book, an intellectual adventure, a celebration. Since its original publication in 1977, Eccentric Spaces has had a devoted readership. Now it is available to be discovered by a new generation of readers.

This book offers the first comprehensive overview of alternative approaches to architectural practice.

At a time when many commentators are noting that alternative and richer approaches to architectural practice are required if the profession is to flourish, this book provides multiple examples from across the globe of how this has been achieved and how it might be achieved in the future.

Particularly pertinent in the current economic climate, this book offers the reader new approaches to architectural practice in a changing world. It makes essential reading for any architect, aspiring or practising.

This book provides an extended exploration of the multimodal analysis of spatial (three-dimensional) texts of the built environment, culminating in a holistic approach termed Spatial Discourse Analysis (SpDA). Based on existing frameworks of multimodal analysis, this book applies, adapts, and extends these frameworks to spatial texts. The authors argue that choices in spatial design create meanings about what we perceive and how we can or should behave within spatial texts, influence how we feel in and about those spaces, and enable these texts to function as coherent wholes. Importantly, a spatial text, once built, is also a resource which is then used, and an essential aspect of understanding these texts is to consider what users themselves contribute to the meaning potential of these texts. The book takes the metafunctional approach familiar from Systemic-Functional Linguistics (SFL) and foregrounds each metafunction in turn (textual, interpersonal, experiential, and logical), in relation to the detailed analysis of a particular spatial text.

If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.

Welcome to the hybrid home, in which the bathroom has become a temple of wellness, the living room an online couch, and the kitchen a lounge. Everything appears tidy and chic, perfect for social media. In the Instagram Age, even micro-apartments are mutating into semi-public places. The German journalist Oliver Herwig has been studying the transformation of living spaces and dream interiors for years. In this book, he portrays a society in the throes of digital transformation. The lines between work, leisure and rest have been blurred, as our homes become temporary, multipurpose work, fun and multimedia spaces; the office has invaded the home, and the world of smart shopping is always just a word away thanks to Alexa. Nothing quite fits anymore, yet everything must have its place. Welcome to the hybrid home. Easy reading about the difficult transitions in our living spaces Smart and analytical, the book reveals the hidden desires that shape how we live Designed and illustrated by Studio fur Gestaltung, Cologne Available in German and English

Klaus von Beyme is a distinguished German political scientist and recipient of the Mattei Dogan Award of Political Science (2012). In honour of his 80th birthday this book addresses political culture, cultural policy, art and politics. The first part on transformation theory analyses: "Historical Memories in Political Theories", "Historical Memory in Nation-Building and the Building of Ethnic Subsystems", "The Concept of Totalitarianism - A Reassessment After the Breakdown of Soviet Rule", "Political Culture - A Concept from Ideological Refutation to Acceptance in the Soviet Social Sciences", "Institutions and Political Culture in Post-Soviet Russia" and "Political and Economic Consolidation in Eastern Europe. Evidence from Empirical Data". The second part on cultural policies addresses "Why is There No Political Science of the Arts?", "Historical Memory and the Arts in the Era of the Avantgardes: Archaisme and Passeisme as a 'passeisme of the future'", and "Capital-building in Post-war Germany".

Sandy Isenstadt examines how architects, interior designers, and landscape designers worked to enhance spatial perception in middle class houses visually. The desire for spaciousness reached its highest pitch where it was most lacking, in the small, single-family houses that came to be the cornerstone of middle class life in the nineteenth century. In direct conflict with actual dimensions, spaciousness was linked to a tension unique to the middle class - between spatial aspirations and financial limitations. Although rarely addressed in a sustained fashion by theorists and practitioners, and the inhabitants of houses themselves, Isenstadt argues that spaciousness was central to the development of modern American domestic architecture, with explicit strategies for perceiving space being pivotal to modern house design. Through professional endorsement, concern for visual space found its way into discussion of real estate and law.

Bauingenieur zu sein ist ein erfullender Beruf. Bauingenieure gestalten nachhaltige Infrastruktur. Wir errichten Hauser, Strassen, Brucken, Tunnel, Kulturstatten, Turme und vieles mehr. Dafur bringen wir haufig die ganze Ingenieurskunst auf, um solide Loesungen zu erreichen. Und haufig noch mehr, was jenseits der technischen Ingenieurskunst liegt. Das Buch schaut uber die technischen Loesungen hinaus in das weitere Umfeld des Bauingenieurs und reflektiert seinen Beruf und die eigene Einstellung aus unterschiedlichsten Perspektiven. "Bruckenbau beginnt im Kopf" bedeutet, sich darauf einzulassen, Verbindungen zu suchen - zu einem ganzheitlichen Berufsbild und seinem Standort als Ingenieur. Wenn der sichere Bruckenschlag zum Umfeld des Ingenieurs gelingt, heisst Ingenieursein mehr als perfekte Technik anzuwenden.

In this text, Ford offers an account of the relationship between urban architecture - especially vernacular architecture - and the spatial arrangement and development of cities in North America. From office towers in the central business district to commercial strips in the "edge city", Ford shows how changes in the built environment parallel changes in urban economies and human culture. Focusing on ordinary structures rather than famous landmarks, the book aims to provide a guide to understanding the changing character of any urban landscape. Ford describes how the idea - as well as the appearance - of the modern city has changed with the evolution of buildings such as skyscrapers, skid-row hotels, single family bungalows and ranches, large apartment buildings, public-housing towers, motels, mini-malls and festival market-places. Through illustrated case studies of specific building types in particular places, Ford explores the conflicting forces of decline, revitalization and preservation that constantly transform the urban scene.