At the turn to the twentieth century, architects began to realize that architecture should no longer find ist expression in historic styles. They had recognized that the reason for arbitrarily resorting to historical building forms established in advance was that the design process had been completely separated from construction. In spite of the incidental paths of architectural design approaches, there seems to be a consensus emerging in view of today's global challenges: It is no longer just a question of what shall I build or how shall I build. Instead, the question is how shall I organize and improve my design tools to new dimensions of architecture in order to increase building performance while saving resources and energy and to let digital design solve design tasks that could hardly be solved previously? Today, many projects are pointing in this direction and seem to inaugurate a sustainable fourth dimension of architecture. This book is a comparative critical analysis of such seemingly incidental design approaches, and thus it is an attempt to serve as a historical scenario for the future.

Thinking Big: A History of Davis Langdon provides a history of one of the world's largest quantity surveying companies. They have been involved in the rebuilding of Ground Zero, Chek Lap Kok, the Cooper Union for the Advancement of Science and Art in New York and the Millennium Dome in London, amongst thousands of other projects around the world. Thinking Big is complete with illustrations of projects and details the working of this global multi-million dollar corporation and their impact on some of the most exciting buildings of the last century. Organised around seven chapters that cover different elements of the company's history in detail and written by a senior partner of the company, Thinking Big provides details of the company's foundation in the early years of the twentieth century, through the difficult years of the depression, to the firm's growth in the 1930s and its international expansion in the post-war years. The book discusses the turbulent period of the 1970s and its leading to a merger and growth of new markets in the 1980s. Thinking Big outlines the company's survival during the recession through to its increasing growth and diversification in the new millennium. The book goes on to look at the new challenges the company faces, including sustainability and the current economic crisis.

Building-Art: Modern Architecture Under Cultural Construction is an anthology of essays by noted critic Joseph Masheck. Considering topics in nineteenth and twentieth century architecture, its theory and practice, as well as selected achievements by such great modernists as Le Corbusier, Ludwig Mies van der Rohe, and Louis Kahn, Masheck also analyzes important monuments and architectural ideas of such artists as Giorgio di Chirico and Tony Smith. Contextualizing and culturally speculative, these studies address such issues as the distinction between architecture and "mere" building, and architecture and engineering, frequently drawing the reader into architectural problems that have persisted for at least two centuries. Demonstrating a concern with on-going modernism, Masheck's essays guide the reader through the anti-modernist polemics of the 1970s and 1980s, which are particularly relevant in light of Postmodernism's demise. Joseph Masheck, editor-in-chief of Artforum from 1977-1980, is Associate Professor of Art History and coordinator of the graduate humanities program at Hofstra University. He is the author of several books and many articles.

Domestic Architecture and the Use of Space investigates the relationship between the built environment and the organisation of space. The contributors are classical and prehistoric archaeologists, anthropologists and architects, who from their different backgrounds are able to provide some important and original insights into this relationship.

Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both. The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.

Nearly every work of architecture can be characterized by specific approaches to forming and centering. An awareness of these "underpinnings" would facilitate a more informed approach to architectural design problems, as well as a deeper understanding of the central issues (and flaws) embodied by completed works of architecture. But the addressing of such topics has generally remained multifarious and diverse: more in the nature of a collection of independent issues than an overarching analytical argument. In this book, fresh looks at such issues are assembled and recast into a fully integrated narrative, based on two foundational and complementary aspects of architectural design: those that give shape and those that give focus-forming and centering. The author uses an equally weighted interplay of discussion and diagram, with over 450 illustrations throughout the book. In addition, the text includes many links to further information online in the form of narratives, photographs, delineations, and contextual views.

Now as before, Japanese architecture is very popular in Europe and the western world. This publication provides an overview of its many design concepts and cross-references. Using design examples and interviews, the book presents thirteen current positions.The publication focuses on young architects who take up extremely independent positions within Japanese architecture, as well as on Pritzker Prize winners Toyo Ito and Fumihiko Maki. Six essays by European specialists on Japan provide supplementary insights into the aesthetics and space concepts of Japanese architecture, making cross-references to Japan's architectural history, and explaining current lines of development. The book thus combines a self-reflective approach with an outsider's analytical view.

Based on a new way of describing and analyzing the kinds of spatial patterns produced by buildings and towns, this study presents a new theory of space: how and why it is a vital component of how societies work. The authors examine what it is about different types of societies that leads them to adopt different spatial forms and from this general theory they outline a "pathology of modern urbanism" in today's social context.

Greg Penoyre and Sunand Prasad (recently elected President of the RIBA) have been in practice together for 18 years. In that time, they have garnered an eclectic portfolio of buildings that are both visually striking and practical, and for a variety of uses, including education, healthcare, housing and culture. "Transformations: The Architecture of Penoyre & Prasad" consists of eight essays written by Prasad: 'The Anchor of Function'; 'Architecture, Art and Culture'; 'Plan Section and Elevation'; 'Who Designs?'; 'From DIY to PFI'; 'Environments for Healing'; 'Environments for Learning'; and 'Working with Existing Buildings'. These texts discuss Penoyre and Prasad's engagement with their clients and examines its relationship to both architectural history and the contemporary situations and purposes for which the practice works. "Transformations" provides a unique and personal insight into Penoyre and Prasad's major projects, including Moorfields Eye Hospital, the Rich Mix Centre, Wolverhampton Civic Halls, Woodacre Farm Learning Difficulties Unit and the University of Portsmouth Frewen Library.

Unprecedented challenges await the future of the world's cities. Accelerating population pressure, climate change, food insecurity, poverty and geopolitical instability - in the face of such problems our current attempts at producing a sustainable agenda for the world's cities appear fragmented and inadequate. Fresh thinking is needed. In Remaking Cities, renowned design theorist Tony Fry brings a conceptual design perspective to the challenge of urban sustainability and resilience. In a typically far-sighted and provocative work, Fry presents ideas and actions for 'metrofitting' - a new kind of practice in architecture and urban design. Metrofitting expands the technological concept of retrofit up to the city scale, placing social, cultural, political and ethical concerns at its heart. Metrofitting is not about visionary technology, it is about transforming existing cities by combining available resources with human creativity, prompted by new thinking about new and old urban problems. It requires overcoming outmoded Eurocentric assumptions of what constitutes a city, rethinking their forms and structures, and understanding their metabolic processes and social and economic functions. This book provides conceptually strong practical approaches that will ultimately change the whole way we view cities and the way the urban future is designed. Illustrated with international case studies of metrofitting in action, Remaking Cities will provoke and stimulate debate among architects, urban designers, and anyone concerned with the urban environment and social and cultural change.

Constructed Narratives brings together essays and several recently completed buildings by David Adjaye, in the United States and elsewhere. In the essays, Adjaye shows how his approach to the design of temporary pavilions and furniture, private houses, and installations at the 2015 Venice Biennale feeds into his designs for public buildings. Other essays discuss his engagement with geography, the urban environment, his approach to materiality, and architectural types. The presented projects include two public libraries and the National Museum of African American History and Culture, all in Washington D.C., a residential mixed-use building in New York, and a hybrid art-retail building in Beirut. Two of Adjaye's current projects are also included.

Modern Construction Case Studies focuses on the interface between the design of facades, structures and environments of 12 building projects, all developed by Newtecnic. The Author compares facade technologies, particularly in the way they interface with structure and MEP (mechanical, electrical, plumbing services) in complex projects, to provide insights into the design process for building envelopes. Each envelope technology is described with an emphasis on one of three aspects: geometry, construction and performance. The analysis links the 12 case studies by comparing their structural and environmental performance. The aim is achieved by analyzing typical bays which are representative of each project and which illustrate the implications of using different building envelope technologies.

Today, it is hard to imagine the everyday work in an architectural practice without computers. Bits and bytes play an important role in the design and presentation of architecture. The book, which is published in the context of an exhibition of the same name of the Architekturmuseum der TUM at the Pinakothek der Moderne in Munich, for the first time considers - in depth - the development of the digital in architecture. In four chapters, it recounts this intriguing history from its beginnings in the 1950s through to today and presents the computer as a drawing machine, as a design tool, as a medium for telling stories, and as an interactive communication platform. The basic underlying question is simple: Has the computer changed architecture? And if so, by how much?

This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and cliches to communicate significance, demonstrating "Africanisms" through form and symbolism-but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.

CARTHA is a non-profit curated platform for sharing different forms of critical thinking regarding architecture and society, founded in 2015. Through opinions, experiences, and works it aims to map the contemporary architectural landscape and to bridge gaps between academic discourse and practical work. Each year CARTHA dedicates to a specific topic. In 2015 the topic was "Relations within the architectural spectrum." This book collects contributions by forty-two young architects from around the world in four sections: Worth Sharing, Confreres, Mannschaft, and Santisima Trinidad. They aim to develop the ways in which architects share, relate to architects, to workers, and to their clients and user of their buildings. Each section features an introductory interview with a renowned architect and a visual exploration by an up-and-coming photographer.

About Architecture is an engaging introduction to architecture, exploring the ways in which we construct our built environment, and why. Hugh Pearman guides us through the architecture that shapes our lives—from how our towns and cities are organized, to where we live, learn and work, and how we get around, interact with others, and relax. Organized by type—from civic spaces, to homes, offices, and museums—the clear and straightforward structure demystifies the many styles and functions of architecture. Pearman explores how architecture responds to our changing lifestyles and how some buildings evolve or find new uses. He demonstrates that while there is endless variety within each building type, the essence of architecture—the way buildings serve their users—remains surprisingly constant.   Through 55 fascinating international examples, from antiquity to the present day, About Architecture reveals the intriguing stories of the buildings that explain our world.

Since the first edition of this book, geometrical methods in the theory of ordinary differential equations have become very popular and some progress has been made partly with the help of computers. Much of this progress is represented in this revised, expanded edition, including such topics as the Feigenbaum universality of period doubling, the Zoladec solution, the Iljashenko proof, the Ecalle and Voronin theory, the Varchenko and Hovanski theorems, and the Neistadt theory. In the selection of material for this book, the author explains basic ideas and methods applicable to the study of differential equations. Special efforts were made to keep the basic ideas free from excessive technicalities. Thus the most fundamental questions are considered in great detail, while of the more special and difficult parts of the theory have the character of a survey. Consequently, the reader needs only a general mathematical knowledge to easily follow this text. It is directed to mathematicians, as well as all users of the theory of differential equations.

The problem of creating affordable, adequate housing for a growing population is not a new one. This book, aimed at anyone with a professional or personal interest in improving housing provision everywhere, aims to inspire by offering in-depth studies of London's housing past and seeks to provide sustainable solutions for the future by linking to wider contemporary historical and social contexts. This book will influence today's housing debates through showcasing lessons from the past and highlights examples that inform the present. The buildings assessed in these case studies will be measured in terms of their longevity, sustained popularity, livability, average densities and productivity. The research and case studies from the book provide an invaluable resource for academics of architecture, urban design, sociology, history and geography as well as professionals, policy makers and journalists.

This collection introduces Rudolf Steiner's vision of architecture as a culmination of the arts. Such an architecture unites sculpture, painting, and engraving as well as drama, music and dance -- a vital synthesis of all the arts working in cooperation out of a common ideal to awaken each human being to his or her unique self and task in life.

Unlike many of his contemporaries, however, Steiner's ideas did not remain abstract. Within his lifetime he was able to design and construct a number of buildings, including his architectural masterpiece, the Goetheanum -- a center for culture and arts near Basle, Switzerland. In these lectures Steiner describes, with reference to the Goetheanum, the importance of an architecturally coherent and integrated community, and how this in turn affects social unity and harmony.

Includes eight color plates and 30 black & white illustrations. A valuable collection for students of architecture, the arts, social science, or anybody seeking deeper spiritual understanding.

With the improved efficiency of heating, cooling and lighting in buildings crucial to the low carbon targets of all current governments, "Building Science: Concepts and Applications" provides a timely and much-needed addition to the existing literature on architectural and environmental design education. Taking a logical and didactic approach, the author introduces the reader to the underlying concepts and principles of the thermal, lighting, and acoustic determinants of building design in four integrated sections.

The first section explores the thermal building environment and the principles of thermal comfort, translating these principles into conceptual building design solutions. The author examines the heat flow characteristics of the building envelope and explains steady state design methods that form the basis of most building codes. He discusses the sun as a natural heat source and describes the principles of active and passive solar building design solutions.

The second section introduces the scientific principles of light, color, and vision, stressing the importance of daylight in building design, presenting the Daylight Factor design concept and methodology, and discussing glare conditions and their avoidance. It also addresses artificial lighting, delving into the prominent role that electricity plays in the production of light by artificial means and comparing the efficacy and characteristics of the various commercially available light sources in terms of the energy to light conversion ratio, life span, available intensity range, color rendition properties, and cost.

The third section deals with the various aspects of sound that impact the design of the built environment, discussing the nature of sound as a physical force that sets any medium through which it travels into vibration and laying the foundations for the treatment of sound as an important means of communication as well as a disruptive disturbance.

The final section discusses the foundational concepts of ecological design as a basis for addressing sustainability issues in building design solutions. These issues include the embedded energy of construction materials, waste management, preservation of freshwater and management of graywater, adoption of passive solar principles, energy saving measures applicable to mechanical building services, and the end-of-lifecycle deconstruction and recycling of building materials and components.Covers the fundamental building science topics of heat, energy, light and soundTakes a logical and didactic approach, tracing the historical roots of building scienceIncludes summaries of new technologies in solar energy and photovoltaic systemsFeatures a section on the principles of sustainable architectureWebsite with answers to MC questions testing students' learning

Invitation to Vernacular Architecture: A Guide to the Study of Ordinary Buildings and Landscapes, is a manual for exploring and interpreting vernacular architecture, the common buildings of particular regions and time periods. Thomas Carter and Elizabeth Collins Cromley provide a comprehensive introduction to the field. Proposing a methodology, Invitation to Vernacular Architecture provides a systematic approach to vernacular architecture fieldwork. The authors walk readers through the process of examining and documenting a building, explaining in detail how to define a research area and create a research plan. They guide students step-by-step in how to take accurate measurements of sites and of building exteriors and interiors and explain what to look for at each level. They show how to find patterns and how to organize information to yield sound interpretations of buildings' meanings. As a complement to this practical approach, Carter and Cromley present current scholarship on vernacular architecture and explain the need for a broad theoretical perspective. They show how analysis of facts related to a building can reveal important insights into the behavior and culture of people who lived in a certain area at a certain time. The authors then present a single ordinary house as a case study to explore the different points of view that scholars have brought to the study of vernacular architecture. Rich with illustrations and written in a clear and jargon-free style, Invitation to Vernacular Architecture is an ideal text for courses in architecture, material culture studies, historic preservation, American studies, and history, and a useful guide for anyone interested in the built environment.

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an "infinite flow" of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.