In its history of over a hundred of years, landscape architecture has developed many ideas, concepts, methods, and models. In this issue, LA Frontiers focuses on prototype studies by examining those traceable and repeatable landscape theories, methodologies, and pedagogies, and introducing the knowledge from allied disciplines to inspire knowledge innovation, with a particular highlight on the prototypes adaptive to future uncertainties. It hopes to extend the disciplinary horizon and enrich the fruition of disciplinary growth, and to provide designers and scholars with prospective design thoughts and more resilient working methods. This issue explores the following aspects: First, prototyping process, or test planning process, which is characterised for the test-planning-design process and has been widely applied in the fields of computer sciences and industrial design but still being less explored in landscape architecture. This process emphasises the multi-disciplinary collaboration and test procedure before design, which would improve the communication efficiency among professionals from different fields. Second, reflection and innovation on classic theories and models in landscape planning and design, such as Ian McHarg's Map Overlay and Carl Steinitz's Six Steps model. Third, research-based design, including design research or competitions with clear goals and boundary conditions which help designers comprehend the essence and implications of design and encourage disciplinary innovation. And fourth, inductive and empirical pedagogies to inspire forward-looking design ideas and working methods.

The Atelier de la Conception de l'Espace (ALICE), affiliated with the School of Architecture at the Ecole Polytechnique Federale de Lausanne, is an educational facility focusing on preparing students for the practice of architecture. To cultivate the ability to create or shape space, students must be confronted with an educational framework that prepares them for the field's many practical challenges, from cultural, social, environmental, and physical concerns to working with the wide range of collaborators who must bring their creativity and expertise together in the design process. The second volume in a four-part series on ALICE, The House 1 Catalogue focuses on a prototype, House I, developed and constructed throughout the academic year. This mobile structure incorporates ALICE's core values of communication and collaboration in building processes, and it will travel as part of an exhibition to several major cities, where it will be continually modified and reconfigured. With five hundred illustrations, this book continues the experimental narrative Dieter Dietz, Matthias Michel, and Daniel Zamarbide began in The Invention of Space, which will be further developed in the forthcoming third and fourth volumes in the series. ALICE plays a key role in the success of one of Europe's leading schools of architecture, and this book, together with the three other volumes in the series, provides an opportunity to explore the exceptional learning environment ALICE offers.

Beautifully designed and featuring breathtaking photography, this is the ultimate Christmas gift for home design enthusiasts - from cultural phenomenon THE MODERN HOUSE! 'A source of fascination, inspiration and fantasy' Guardian In 2005, childhood friends Matt Gibberd and Albert Hill set out to convince people of the power of good design and its ability to influence our wellbeing. They founded The Modern House - in equal parts an estate agency, a publisher and a lifestyle brand - and went on to inspire a generation to live more thoughtfully and beautifully at home. As The Modern House grew, Matt and Albert came to realise that the most successful homes they encountered - from cleverly conceived studio flats to listed architectural masterpieces - had been designed with attention to the same timeless principles: Space, Light, Materials, Nature and Decoration. In this lavishly illustrated book, Matt tells the stories of these remarkable living spaces and their equally remarkable owners, and demonstrates how the five principles can be applied to your own space in ways both large and small. Revolutionary in its simplicity, and full of elegance, humour and joy, this book will inspire you to find happiness in the place you call home. PRAISE FOR THE MODERN HOUSE: 'One of the best things in the world' GQ 'The Modern House transformed our search for the perfect home' Financial Times 'Nowhere has mastered the art of showing off the most desirable homes for both buyers and casual browsers alike than The Modern House' Vogue

This extensive, edited volume investigates how architects, planners, and other related experts responded to the contexts and discourses of "development" after WWII. The essays encompass countries as diverse as Israel, Ghana, Greece, Belgium, France, India, Mexico, the United States, Venezuela, the Philippines, South Korea, Sierra Leone, Singapore, Turkey, Cyprus, Iraq, Zambia, and Canada. The subject matter is increasingly taught as part of a broader turn to globalize the field of architecture studies, incorporating hitherto unacknowledged geographies primarily from the global south, with a focus on how architecture production is part of technical, economic, and political processes.

"Deeply historical and comparative, Mauro Guillen shows how a neo-institutionalist and social movement analysis complement each other as he explains the emergence and rise to prominence of modernist architecture. Systematic in its use of data, the book is nuanced in its analysis. He examines the several strains of modernism and subtly explains why modernism takes hold in some countries, but not others. An excellent analysis of aesthetics and the transformation of the profession of architecture."--Mayer Zald, University of Michigan

"When Frederick Winslow Taylor was hectoring the workers of the Bethlehem Iron Works to greater productivity, who would have guessed that this stolid, obsessive Philadelphian would inspire visionary aesthetic movements across the European continent? Mauro Guillen interrogates the surprising affinity between scientific management and architectural modernism until it yields both engrossing narrative and analytic insight. Combining the skills of the comparative historian with those of the detective, he follows his quarry around the globe, demonstrating the consistent connection between Taylorism and modernist architecture. In so doing he has produced what will be at once an important contribution to the history of architecture and a landmark study in the sociology of culture."--Paul DiMaggio, Princeton University

"Conventional wisdom is that scientific management's effects have been largely negative in moral and aesthetic terms. Guillen proposes that it has given rise to a distinctive artistic form associated with a new moral ethic and sensibility. The attempt to link theories of organizing and artistic styles is novel and should be of interest to studentsof culture and society generally."--W. Richard Scott, Professor Emeritus of Sociology, Stanford University

"Guillen documents with a profusion of information the influence of scientific management on the architects who played an important part in the emergence of modern architecture. He has mustered an impressive array of sources, including many primary sources on Latin American architecture that are almost never considered in the canonical literature."--Magali Sarfatti Larson, Professor of Sociology, Temple University

Architecture is commonplace. We inhabit it and use it; it is constantly present; it serves as foreground and background and usually has a story to tell. Numerous volumes are devoted to its typology, history, construction, and design. But apart from its most illustrious makers, we know almost nothing about the people who conceived it: the architects. What Kind of Architect Are You?, the question most architects encounter when they reveal their profession, is difficult to answer. What Kind of Architect Are You? showcases a panoply of architectural practices to a reading audience that shares an interest in the profession. Topics range from the theoretical to design build, from installations that challenge our preconceptions to the set of TV shows on home remodelling, from instructing future architects in the US to expanding the reach of the profession worldwide. The collection offers a glimpse into a vast array of professional possibilities and points out meaningful alternatives to the prevailing myth of the 'starchitect'. It provides those in search of an architect with insights into how we work and helps them to formulate expectations. It challenges practitioners to think introspectively and examine how they fit into the architectural spectrum. And finally, the collection documents the cross-section of cultural and architectural practice across America. The reader may find that the 'voice' varies throughout the collection. That variation is consistent with the variety of architects included in fact, it underscores the myriad of responses to What Kind of Architect Are You?

This book is a series of curated essays by high-profile architecture and design leaders and educators on the topic of professionalism. The book first sets out the current agenda - defining professionalism for the architecture sector - before moving on to focus on delivering the increased professional skills curriculum content within architecture schools as set by the RIBA. With an introduction and conclusion by the Editors, this book explores what contemporary professionalism within architecture is, and its future, encouraging the current and future profession to address professionalism across the industry.

Architecture Beyond Experience is an interdisciplinary work in the service of one goal: the bringing about of a more relational, 'posthuman' and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy's too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. This thought provoking essay argues it's time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. In this context, the word relationaldescribes an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When studying architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called 'phenomenological'). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-centre a profession.

Swedish-American architect Lars Lerup's writings suggest a mindful collector as their author, rather than a scholar or a theoretician. Lerup sharply observes and analyses his urban environment and its properties, before adding his findings to his own theory of the modern city. Lerup wrote the fourteen essays in this new book as self-contained pieces, yet together they still form a coherent entity. The fourteen essays in The Continuous City offer a survey of Lerup's thinking on identity and monumentality are the relationship between nature and culture. His interest and reflections focus, among other things, on Roberto Burle Marx, a founder of modern landscape design; the 'dancing floors' of Rem Koolhaas's Seattle Central Library; Herzog & de Meuron's 1111 Lincoln Road project in Miami Beach; and the character of urban icons like Coop Himmelb(l)au's Dalian International Conference Center. Lars Lerup invites his readers to join him on his journey and to be enriched, rather than instructed, en route.

Rudolf Arnheim has been known, since the publication of his groundbreaking "Art and Visual Perception" in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In "The Power of the Center", Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. "The Dynamics of Architectural Form" explores the unexpected perceptual consequences of architecture with Arnheim's customary clarity and precision.

Brickwork has long dominated architecture in almost every country in the world. And no wonder, it can be found virtually everywhere, considering the materials needed to produce it. Its colour reflects the mineral content in local clay, and a variety of brick sizes and construction methods make masonry a highly flexible option for construction. The traditional building material is more in demand today than ever before. Easy to dismantle and recycle, energy-efficient and sustainable, brick can be used across a wide range of applications. Brickwork Buildings S, M, L showcases 30 buildings of various sizes with inspiring photos and in-depth construction details. From small residential buildings, museums and schools to university buildings, cultural centres and even residential towers, the book shows its many potential uses.

The Fundamentals of Architecture, 2nd Edition is an introduction to the basic ideas that inform architecture. It is intended to unravel the complexity of architecture to explain its process and make it more accessible. It guides students through the rich history of the discipline, and introduces aspects of contemporary theory and practice. The book explores the process of architecture starting from the initial ideas and concepts, and how these ideas are informed by understanding site and context. It examines the impact of the physical environment and the historical ideas that have informed and influenced the architectural solution. The second edition has been redesigned and updated with new material, including six case studies, exercise sections and contemporary visuals from students and leading architects.

Meeting children as equals is not only a question of pedagogical attitude. Designing Spaces for Children shows how architecture and interior design can promote childhood development. Based on historical and current concepts of progressive education, the book sketches design principles for building daycare centers and schools that can also be transferred to other spaces, such as pediatric clinics. Rooms can invite discovery; they can promote communication and social interaction, strengthen self-confidence, and be places of retreat or landscapes for play. For years, the Berlin architectural firm baukind has been creatively balancing the strict legal requirements and architectural possibilities of architecture suitable for children-always with a view to children's needs. The book presents realized projects, such as the Kita Weltenbummler in Berlin, and aims to foster the equal involvement of children in the design of our environment.

Treatise on digital architecture Hovestadt's treatise strictly follows the model of the famous treatises by Vitruvius (De architectura) and Alberti (De re aedificatoria), based on the supposition that we find ourselves in a comparable situation today. Vitruvius and Alberti expressed the meaning of architecture in their eras: Roman antiquity and the Renaissance. Hovestadt has done the same for the present day, incorporating considerations of physics, mathematics, technology, literature, and philosophy. Books I to III deal with the role of the architect and the objectivity of architecture. Books IV to VI address the modalities of speaking about and encoding architecture: the secret, the public, and the private. Books VII to X are dedicated to actual digital mechanisms: artificial intelligence, natural communication, gnomonics, and cultural heritage. An architectural treatise for our age in 10 books Inspired by the works of Vitruvius and Alberti Published in three volumes in the Applied Virtuality Book Series

How do we live well? The first sentence of Grace and Gravity raises the fundamental question that constantly occupies our minds—and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine� of grace reveals its powers, a point where we “cannot say if we are moving or being moved�. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources—monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils—with profound meditations on living, death, consciousness, and existence, Grace and Gravity offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.

Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin to design itself and the role of the architect will need redefining. This heavily illustrated book highlights Haresh Lalvani's efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape-coding, exploring higher-dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams. Taking an in-depth look at Lalvani's pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process. Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art. It will also interest those in the latter fields for its broader implications.

Architecture after God A vivid retelling of the biblical story of Babel leads from the contested site of Babylon to the soaring towers of the modern metropolis, and sets the bright hopes of early modernism against the shadows of gathering war. Dealing in structural metaphor, utopian aspiration, and geopolitical ambition, Dugdale exposes the inexorable architectural implications of the event described by Nietzsche as the death of God. The Exploring Architecture series makes architectural scholarship accessible, introduces the latest research methods, and covers a wide range of periods, regions, and topics. Critical reappraisal of early modernism Based on the fable The Emperor and the Architect (1924) by Uriel Birnbaum New volume in the Exploring Architecture series

In this age of ever-increasing environmental awareness, the issue of sustainability is set to become the dominant factor in architectural design. At a time when, like most professions, architectural practice is increasingly governed by legal guidelines and requirements, competing policy demands require architects to aim for economic, social and environmental sustainability whilst also trying to effect social progress. Sustaining Architecture in the Anti-Machine Age asks whether these two ambitions can be reconciled.

Featuring contributions from architects, journalists, academics and legal consultants, the book takes a balanced look at the subject, giving the full range of sometimes opposing views. Examining all the key issues, it considers why the industrial development of town and country is considered unsustainable rather than socially imperative, and whether the aim of raising the level, standard and performance of arhcitectural production conflicts with the promotion of sustainability.

Over the last decade the profession and practice of architecture has changed rapidly. Sir Michael Latham's 'Constructing the team' and Sir John Egan's 'Rethinking Construction' attempted to turn the building industry from labour-intensive trade contracting the capital intensity of manufacturing. Paul Hyett, the current president of the Royal Institue of british architects, has a mandate to establish an environmental duty of care. Sustaining Architecture in the Anti-Machine Age considers what these initiatives mean for architects.

The author, John Hill, is the founder of the hugely influential architecture blog A Daily Dose of Architecture, which recently shifted course to focus entirely on architecture books of all kinds. His selection for this volume spans centuries, continents, and genres to include Le Corbusier's Towards a New Architecture, Project Japan by Rem Koolhaas, Atlas of Another America: An Architectural Fiction by Keith Krumwiede, X-Ray Architecture by Beatriz Colomina and Thomas Wolfe's From Bauhaus to Our House. The books selected are organized into the categories of Manifestos, Histories, Education, Housing, Monographs, Buildings, Exhibitions, Building Cities, and Critiques, and each one has a reproduction of the book's cover along with selected spreads which are accompanied by Hill's informed, personal, and engaging take on what makes the title unique and indispensable. In addition, sidebar "Top 10" lists from many of today's leading critics and architects are scattered throughout. Capturing the best of Hill's insightful and curious mind, this invaluable resource will broaden the world of anyone interested in the field of architecture- and provide irrefutable arguments for these works' continued relevance.