The seventh edition of the highly successful The City Reader juxtaposes the very best classic and contemporary writings on the city. Sixty-three selections are included: forty-five from the sixth edition and eighteen new selections, including three newly written exclusively for The City Reader. The anthology features a Prologue essay on "How to Study Cities", eight part introductions as well as individual introductions to each of the selected articles. The new edition has been extensively updated and expanded to reflect the latest thinking in each of the disciplinary and topical areas included, such as sustainable urban development, globalization, the impact of technology on cities, resilient cities, and urban theory. The seventh edition places greater emphasis on cities in the developing world, the global city system, and the future of cities in the digital transformation age. While retaining classic writings from authors such as Lewis Mumford, Jane Jacobs, and Louis Wirth, this edition also includes the best contemporary writings of, among others, Peter Hall, Manuel Castells, and Saskia Sassen. New material has been added on compact cities, urban history, placemaking, climate change, the world city network, smart cities, the new social exclusion, ordinary cities, gentrification, gender perspectives, regime theory, comparative urbanization, and the impact of technology on cities. Bibliographic material has been completely updated and strengthened so that the seventh edition can serve as a reference volume orienting faculty and students to the most important writings of all the key topics in urban studies and planning. The City Reader provides the comprehensive mapping of the terrain of Urban Studies, old and new. It is essential reading for anyone interested in studying cities and city life.

This book addresses the deltaic territories in Europe that are both fragile and affected by important climate changes.

Le Corbusier not only designed and built churches, but also engaged intensely with religion and faith and, through his oeuvre, had a significant impact on church architecture of the twentieth century. The book explains Le Corbusier's relationship with religion; it introduces his designs for La Sainte-Baume, the Chapel of Notre Dame du Haut de Ronchamp, La Tourette monastery, and the church of St. Pierre, and investigates his impact on the ensuing modern church architecture in Europe. This includes the Jubilee Church by Richard Meier, the Ignatius Chapel by Steven Holl, the Santa Maria Church by Alvaro Siza, Tadao Ando's Meditation Space, and the Chapel of Reconciliation by Reitermann & Sassenroth. For this edition, the introduction, the conclusion, and the bibliography have been revised and supplemented.

Over the last three decades neoliberal ideology has irreversibly changed our political and economic reality. But what-if any-relationship exists between neoliberalism and our built environment? Is There (Anti-)Neoliberal Architecture? seeks to complement the prevailingly geographical and sociological approaches to neoliberalism by (re)addressing the subject from the specific perspective of architectural theory. The articles collected in the volume focus on various dimensions of the contemporary architecture-system including: architectural practice, disciplinary status, discourse, exemplary projects, theoretical concepts etc. The result offers a multifaceted picture of architecture in the era of neoliberalism and its crisis.

This book gathers 14 architects, designers, performing artists, film makers, media theorists, philosophers, mathematicians and programmers. They all argue that matter in contemporary posthuman times has to be rethought in its rich internal dynamism and its multifaceted context. By transversally crossing disciplinary boundaries, new and profound insights into contemporary thinking and creating architecture emerge. Combining the dynamism of materiality and the capacities of nonhuman machines towards prototyping spatiotemporal designs and constructs leads to alternative conceptions of the human, of ethics, aesthetics and politics in this world yet-to-come.

Architecture Stuff is about a way of looking at architecture. It examines 7 seminal projects and shows how they might have been conceived with or without the design architect's awareness. More a working method than a theory, the book deals with questions pertinent to designers as well as to critics of buildings. More Stuff then illustrates how the same sensibility and working method can be used in the design of buildings as a tool for creating architecture. The 7 buildings featured are chosen for their breadth of styles and approaches to architecture, demonstrating that this approach to architecture can be applied to any building. Presented in reverse chronological order, the first project, Grace Farms, is a building by SANAA. Noted for its meandering river form and minimalist detailing, it is seen to be - among other things - a juxtaposition of orthogonal and sinuous forms. The second project is Villa Dall Ava by Rem Koolhaas/OMA. Located in the suburbs, the house is a transition from city to country. The third project is the Neue Staatsgalerie by James Stirling. The analysis shows how the 'bad boy' of architecture subverts conventional architectural tropes. Robert Venturi's Mother's House is shown to be a compressed stately manor and an architect's conceit. The Kimbell Art Museum by Louis Kahn can be understood as simple repetitive forms with elaborated elements that organize a diverse collection of spaces. Pierre Chareau's Maison de Verre is much more than types of transparency and mechanisation. One of its major themes is the use of 'L' shaped spaces. Finally, St George's Bloomsbury by Nicholas Hawksmoor is a parish church swallowed by a classical temple. The critique exposes how the architect used that idea to juxtapose the clerical and the civic to develop all of the details in the building. These are not singular idea buildings and, as a way of seeing architecture, there are overlapping themes in this collection. The history of architecture of specific periods is a common theme, as is architecture's stasis with spaces expanding or contracting. A dry sense of humour is always appreciated. What separates these buildings from any other building is the density of ideas presented. More Stuff accounts for the same working methods as a way to make architecture. Here the author illustrates eleven projects across the span of his career. Though often done in collaboration with others, in all cases the author generated the design ideas. One of the key aspects of architecture stuff is that it is unpretentious and accessible and these projects are meant to illustrate that quality. Architecture can be serious and playful at the same time.

This volume explores connections between architecture and theatre, and encourages imagination in the design of buildings and social spaces. Imagination is arguably the architect's most crucial capacity, underpinning memory, invention and compassion. No simple power of the mind, architectural imagination is deeply embodied, social and situational. Its performative potential and holistic scope may be best understood through the model of theatre. Theatres of Architectural Imagination examines the fertile relationship between theatre and architecture with essays, interviews and entr'actes arranged in three sections: Bodies, Settings and (Inter)Actions. Contributions explore a global spectrum of examples and contexts, from ancient Rome and Renaissance Italy to modern Europe, North America, India and Japan. Topics include: the central role of the human body in design; the city as a place of political drama, protest and phenomenal play; and world-making through language, gesture and myth. Chapters also consider sacred and magical functions of theatre in Balinese and Persian settings; eccentric experiments at the Bauhaus and 1970 Osaka World Expo; and ecological action and collective healing amid contemporary climate chaos. Inspired by architect and educator Marco Frascari, the book performs as a Janus-like memory theatre, recalling and projecting the architect's perennial task of reimagining a more meaningful world. This collection will delight and provoke thinkers and makers in theatrical arts and built environment disciplines, especially Architecture, Landscape and Urban Design.

The Fundamentals of Interior Architecture (second edition) offers an introduction to the key elements involved in the creation of aesthetically appealing and practically appropriate interior architecture. The book contains five sections, which together encapsulate the principle ideas, skills and knowledge that are employed in effective interior architecture and design. Areas of study include space and form, site and function, materials and texture, light and mood, and presentation and representation. Emphasis is placed on spatial solutions that support the needs of the client and which recognise the qualities of the building and its situation. The theory is contextualised using practitioner biographies and work from leading designers. The new material in this highly illustrated second edition includes interviews with leading practitioners. In addition, at the end of each chapter there are new projects to encourage readers to explore further the creative possibilities of working as an interior architect.

A building cannot be good to look at if it is unplanned, with its parts totally unrelated to one another; but on the other hand if the arrangement is too regular it becomes boring and dull. The object of architectural proportion is to strike the balance between these extremes, creating an interesting visible order by the repetition of similar shapes. In this book, first published in 1958, Mr Scholfield deals with the history of the theory of proportion, and in doing so develops his own positive theory, which reconciles the apparent contradictions of rival systems and serves as a key to historical understanding. Even when he is dealing with complex themes, Mr Scholfield's exposition can be followed by the uninitiated reader. Those already interested in architecture and the visual arts will certainly want the book; and those who are not will find, on reading it, that their interest is stimulated.

Avant-garde theorist and architect Bernard Tschumi is equally well known for his writing and his practice. Architecture and Disjunction, which brings together Tschumi's essays from 1975 to 1990, is a lucid and provocative analysis of many of the key issues that have engaged architectural discourse over the past two decades -- from deconstructive theory to recent concerns with the notions of event and program.The essays develop different themes in contemporary theory as they relate to the actual making of architecture, attempting to realign the discipline with a new world culture characterized by both discontinuity and heterogeneity. Included are a number of seminal essays that incited broad attention when they first appeared in magazines and journals, as well as more recent and topical texts.Tschumi's discourse has always been considered radical and disturbing. He opposes modernist ideology and postmodern nostalgia since both impose restrictive criteria on what may be deemed "legitimate" cultural conditions. He argues for focusing on our immediate cultural situation, which is distinguished by a new postindustrial "unhomeliness" reflected in the ad hoc erection of buildings with multipurpose programs. The condition of New York and the chaos of Tokyo are thus perceived as legitimate urban forms.

Shows in hundreds of illustrations, diagrams, and photographs what it is that makes an artful facade, so that readers are equipped to design beautiful, meaningful buildings Discusses proportional systems, the language of composition, how to use precedents, the importance of context, the role of structure, and much more Nontechnical approach will ground readers in the basics of how architecture expresses meaning by looking at both historic and contemporary buildings

The space we live in, reduced to a minimum, has been fascinating us for generations - the writer Thoreau lived in a self-built hut in the forest from 1845 -1847. In 1952, Le Corbusier built a hut at the Cote d'Azur for himself and his wife. Inspired by this, Urs Peter Fluckiger, together with his students, built an ecologically and economically sustainable cabin in the Texan prairie. All three projects share the idea of minimal space and its relationship with the surrounding nature. In text, drawings, and photographs, this book analyses the three projects and shows parallels and similarities. Inspired by Tolstoy's story How Much Land Does A Man Need?, the author asks: "How much house does a man need?", thereby providing a pointed contribution to the current discussion on the requirement for housing.

In this book, we review a set of Plan:b projects in Colombia through the environmental, social, and voluntary constraints we faced, and the interim agreements we built around them. We carry out a reconstruction of the central facts behind these buildings through an "inverse" exercise - explaining each project based on contextual constraints and not on singular architectural ideas. We review the work of other authors and the way they understand limitations and difficulties that are part of their creative activity and attempt to generate a broad reflective base to approach our architectural projects and the predominant role that restrictions have played in them.

This book proposes alternative interpretations of broadly-debated concepts within architectural modernity. Bringing into view the work of lesser-known architects from across the globe, alongside previously unexplored aspects of mainstream masters of the Modern, Rethinking Modernity puts forward a compelling case for the range and diversity of architectural projects encompassed by this term. Exploring themes such as the use of colour, materials, ornament, local traditions and identities, Rethinking Modernity challenges readers to build a better understanding of a crucial moment in architectural history, and of design trends shaping the present-day production of the built environment. Complementing the RIBA Publishing titles Redefining Brutalism and Revisiting Postmodernism, this book sits within a series of books aiming to explore new interpretations of well-loved architectural movements, richly illustrated with rarely-seen archive photography and lesser-known projects. Offers a comprehensive review of modernity, discussing its various strands through less typical case studies, rich and original visual material (photographs, redrawn plans, and spatial diagrams), as well as descriptions Illustrates the range of possibilities the umbrella term of Modernity encompasses, questioning stereotypical definitions and proposing alternative descriptions Offers a window onto lesser-known architectural figures of the modern alongside mainstream masters of the Modern Explores both historical modernity globally and its connection with present-day trends

Modern Architectural Theory is the first book to provide a comprehensive survey of architectural theory, primarily in Europe and the United States, during three centuries of development. In this synthetic overview, Harry Mallgrave examines architectural discourse within its social and political context. He explores the philosophical and conceptual evolution of its ideas, discusses the relation of theory to the practice of building, and, most importantly, considers the words of the architects themselves, as they contentiously shaped Western architecture. He also examines the compelling currents of French rationalist and British empiricist thought, radical reformation of the theory during the Enlightenment, the intellectual ambitions and historicist debates of the nineteenth century, and the distinctive varieties of modern theory in the twentieth century up to the profound social upheaval of the 1960s. Modern Architectural Theory challenges many assumptions about architectural modernism and uncovers many new dimensions of the debates about modernism.

Basics Urban Analysis is a new addition to the module on city planning. Building on the elements of cities as described in the volume Basics Urban Building Blocks, it provides techniques for analyzing cities. As a basis for city planning and architectural design work, a solid understanding of the existing and surrounding urban structures is indispensable. This volume not only explains the possible approaches; it also describes in practical terms how to implement those approaches in the areas analyzed and how to evaluate the data one has collected.

Library as Stoa is a reflection on the building design and construction in essays and photographs of Snohetta's Charles Library at Temple University. The library demonstrates the role of public space and innovation in architecture. By using an Automated Storage and Retrieval System (ASRS) for the storage of Temple's entire collection which includes two million books on site, the Charles Library was designed to balance the amount of space for books vs. people, and significantly increase the social spaces to accommodate student and faculty research and collaboration. Using the models of library as studio and creative commons, it is a place for discovery, creation, preservation, and sharing of knowledge. The library includes university partners and important library functions in strategic locations for improved support services for the university community. University Special Collections, an important institutional asset for the university and the city of Philadelphia, is visible and accessible for visitors from the city community. Snohetta's design approach took into account the diversity of the university community, the site conditions and the university's aspirations. The design process included collaboration with the campus community to fully understand the social aspects and future needs of the university. Sited in a prime location on the university's campus, the library is an inspirational destination for the campus and city communities and serves as a change agent, reflective of the future direction of the university.