This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and cliches to communicate significance, demonstrating "Africanisms" through form and symbolism-but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.

This book presents a series of contemporary, diverse and innovative design strategies that vary in form, function and design intent. The common denominator of all projects is the alternative and/or experimental approach of combining both private and public spaces. Diverse, innovative design approaches with complex programme are combined with socially and financially sustainable strategies. 'Innovative Architecture Strategies' aims to help understand the different design approa ches that can be followed when called to propose a concept and design for an innovative mixed-use building. It's also a guide, point of reference, and inspiration book. The book demonstrates an analytical and clear way to conceptualize, explain and present a mixed-use design project. Each project in the book is selected for its different form, function, technique and design intent. They all offer a clear example of a de sign project. The diverse design approaches are presented in ten chapters. Each chapter begins with explaining the main concept behind the specific design approach and with a reference to a built precedent.

Die Beitrage dieses Bandes vereinigen in sich die Aufgabe, ein uberzeugendes und kritisches wissenschaftliches Konzept vorzulegen, das aussichtsreich und nachvollziehbar Bedingungen formuliert und Moeglichkeiten aufzeigt, den "komplexen Sitz" einer beherbergenden Architektur im Leben methodisch kontrolliert zu erkunden.

This extensive, edited volume investigates how architects, planners, and other related experts responded to the contexts and discourses of "development" after WWII. The essays encompass countries as diverse as Israel, Ghana, Greece, Belgium, France, India, Mexico, the United States, Venezuela, the Philippines, South Korea, Sierra Leone, Singapore, Turkey, Cyprus, Iraq, Zambia, and Canada. The subject matter is increasingly taught as part of a broader turn to globalize the field of architecture studies, incorporating hitherto unacknowledged geographies primarily from the global south, with a focus on how architecture production is part of technical, economic, and political processes.

Does the recent explosion of the architectural manifesto signal a new urgency of the form, or does it represent a hopeless effort to resuscitate something that has outlived its useful lifespan? "After the Manifesto" brings together architects and scholars to revisit the past, present and future of the manifesto. In what ways have manifestos transformed the field over the last 50 years, and in what ways has the manifesto itself been transformed by new modes of communication? New writing by Ruben Alcolea, Craig Buckley, Beatriz Colomina, Carlos Labarta, Felicity D. Scott, Bernard Tschumi, Anthony Vidler, Enrique Walker and Mark Wigley is interwoven with key manifesto documents from the last 100 years, by Antonio Sant'Elia, Archigram, Constant, Le Corbusier, Yona Friedman, Hans Hollein, Kazimir Malevich, Kisho Kurokawa, Alexander Rodchenko, Superstudio, Aldo van Eyck, Ludwig Mies van der Rohe, Robert Venturi, Lebbeus Woods, Bernard Tschumi and Tristan Tzara, among others.

Treatise on digital architecture Hovestadt's treatise strictly follows the model of the famous treatises by Vitruvius (De architectura) and Alberti (De re aedificatoria), based on the supposition that we find ourselves in a comparable situation today. Vitruvius and Alberti expressed the meaning of architecture in their eras: Roman antiquity and the Renaissance. Hovestadt has done the same for the present day, incorporating considerations of physics, mathematics, technology, literature, and philosophy. Books I to III deal with the role of the architect and the objectivity of architecture. Books IV to VI address the modalities of speaking about and encoding architecture: the secret, the public, and the private. Books VII to X are dedicated to actual digital mechanisms: artificial intelligence, natural communication, gnomonics, and cultural heritage. An architectural treatise for our age in 10 books Inspired by the works of Vitruvius and Alberti Published in three volumes in the Applied Virtuality Book Series

Now as before, Japanese architecture is very popular in Europe and the western world. This publication provides an overview of its many design concepts and cross-references. Using design examples and interviews, the book presents thirteen current positions.The publication focuses on young architects who take up extremely independent positions within Japanese architecture, as well as on Pritzker Prize winners Toyo Ito and Fumihiko Maki. Six essays by European specialists on Japan provide supplementary insights into the aesthetics and space concepts of Japanese architecture, making cross-references to Japan's architectural history, and explaining current lines of development. The book thus combines a self-reflective approach with an outsider's analytical view.

The Atelier de la Conception de l'Espace (ALICE), affiliated with the School of Architecture at the Ecole Polytechnique Federale de Lausanne, is an educational facility focusing on preparing students for the practice of architecture. To cultivate the ability to create or shape space, students must be confronted with an educational framework that prepares them for the field's many practical challenges, from cultural, social, environmental, and physical concerns to working with the wide range of collaborators who must bring their creativity and expertise together in the design process. The second volume in a four-part series on ALICE, The House 1 Catalogue focuses on a prototype, House I, developed and constructed throughout the academic year. This mobile structure incorporates ALICE's core values of communication and collaboration in building processes, and it will travel as part of an exhibition to several major cities, where it will be continually modified and reconfigured. With five hundred illustrations, this book continues the experimental narrative Dieter Dietz, Matthias Michel, and Daniel Zamarbide began in The Invention of Space, which will be further developed in the forthcoming third and fourth volumes in the series. ALICE plays a key role in the success of one of Europe's leading schools of architecture, and this book, together with the three other volumes in the series, provides an opportunity to explore the exceptional learning environment ALICE offers.

For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people's lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences. Tanja Herdt's new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price's well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt's thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an "anti-architect".

Shows in hundreds of illustrations, diagrams, and photographs what it is that makes an artful facade, so that readers are equipped to design beautiful, meaningful buildings Discusses proportional systems, the language of composition, how to use precedents, the importance of context, the role of structure, and much more Nontechnical approach will ground readers in the basics of how architecture expresses meaning by looking at both historic and contemporary buildings

Parametric and algorithmic design are two of the fastest emerging, most radical technologies reshaping architecture today. This book presents six independent practices that explore current applications of parametric and algorithmic design techniques in architectural production. If the first generation of digital modeling programs allowed designers to conceive new forms and processes, a new breed of digital techniques is being discussed to control and realize these forms. How are these techniques affecting architectural practice and what potentials do they offer ? This is a compilation of projects from leading practitioners across the fields of parametric and algorithmic design. A compelling, multi-perspective debate on the future of design. Featuring: Mutsuro Sasaki, AGU (Arup), Aranda-Lasch, Michael Meredith (mos), P.art (AKT), Designtoproduction, with a conversation between Sanford Kwinter and Jason Payne.

Journeys: How travelling fruit, ideas and buildings rearrange our environment explores the subject of migrations and their impact on the built environment. The publication includes 16 stories written in a narrative form similar to historical fiction. The stories featured highlight key concepts critical to understanding the movement of people, animals, objects and ideas and explore the physical impact of this movement on the built environment. The book brings together different authors, subjects and historical periods in a cohesive way, allowing it to maintain a consistent narrative feel throughout. The authors, experts within their research field, come from various disciplines. Their different backgrounds contribute to the book's diverse and sometimes even witty content. Each story is accompanied by a specially commissioned illustration. A section in the book is also dedicated to photographs and images that visually represent the themes explored in the stories.

Draw In Order to See is the first book to survey the history of architectural design using the latest research in neuroscience and embodied cognition. At present, among the dozens of books on architectural drawing, design theory, methodologies, model making, CAAD, and planning, there is no book that specifically looks at the history of representation as a reflection of cognitive habits among individuals and groups of architects. As a historian and a practicing architect, Mark Hewitt has a unique point of view, that has enabled him to study the design practices of many architects during various eras, beginning in the Renaissance and stretching into the late 20th century. His earlier published books have touched on subjects related to design practice, as many have dealt with the lives of architects and designers. In addition, he has written dozens of biographies of architects, published essays on architectural representation, and wrote a master's thesis on visual perception and architecture. Hewitt has dedicated more than 30 years to writing about the process of conception (or visualisation) of buildings in the brain. Researchers on that subject now consistently cite one of his earliest studies on drawings and modes of conception. This book pursues that line of inquiry with the new discoveries about visual perception, cognition and embodiment that have revolutionised brain science. Hewitt believes that looking historically at how architects have designed, a brain-based practice developed during and after the Renaissance, once drawings became sophisticated enough to provide feedback for perception and memory in the cortex. His contention is that disegno, as invented in Italy during the time of Leonardo and Michelangelo, initiated that system, and that it was translated into a curriculum during the rise of Beaux Arts institutions prior to the 1920s, after which the Bauhaus system replaced it completely with what we have today.

There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Boehme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Boehme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised by Boehme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian (Forbes Chair in Architecture, Edinburgh College of Art) and an afterword by Professor David Leatherbarrow, (Chair of the Graduate Group in Architecture, University of Pennsylvania), the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus.

Beautifully designed and featuring breathtaking photography, this is the ultimate Christmas gift for home design enthusiasts - from cultural phenomenon THE MODERN HOUSE! 'A source of fascination, inspiration and fantasy' Guardian In 2005, childhood friends Matt Gibberd and Albert Hill set out to convince people of the power of good design and its ability to influence our wellbeing. They founded The Modern House - in equal parts an estate agency, a publisher and a lifestyle brand - and went on to inspire a generation to live more thoughtfully and beautifully at home. As The Modern House grew, Matt and Albert came to realise that the most successful homes they encountered - from cleverly conceived studio flats to listed architectural masterpieces - had been designed with attention to the same timeless principles: Space, Light, Materials, Nature and Decoration. In this lavishly illustrated book, Matt tells the stories of these remarkable living spaces and their equally remarkable owners, and demonstrates how the five principles can be applied to your own space in ways both large and small. Revolutionary in its simplicity, and full of elegance, humour and joy, this book will inspire you to find happiness in the place you call home. PRAISE FOR THE MODERN HOUSE: 'One of the best things in the world' GQ 'The Modern House transformed our search for the perfect home' Financial Times 'Nowhere has mastered the art of showing off the most desirable homes for both buyers and casual browsers alike than The Modern House' Vogue

This book is a series of curated essays by high-profile architecture and design leaders and educators on the topic of professionalism. The book first sets out the current agenda - defining professionalism for the architecture sector - before moving on to focus on delivering the increased professional skills curriculum content within architecture schools as set by the RIBA. With an introduction and conclusion by the Editors, this book explores what contemporary professionalism within architecture is, and its future, encouraging the current and future profession to address professionalism across the industry.

Parangole is an annual, independent journal that challenges ideas on urbanization, design and architecture by initiating a global dialogue on topics such as mobility, migration, fluidity and multiplicity. The journal expands on the cultural, social and political significance of what it means to live in the city. The title of the magazine pays homage to the work of Brazilian artist Helio Oiticica, extending his central tenet that "life is movement" from the body to the city. The first issue of Parangole, titled Motherland, focuses on the space of habitation for those who live in precarious and transitory conditions due to economic hardship, conflict, and violence. People on the move face unique challenges and vulnerabilities that must be identified and addressed in urban settings. With Motherland, researchers and practitioners are brought together to think about these issues and their solutions.

This book examines the 'window' in the life and work of the seminal architectural thinker Christian Norberg-Schulz (1926 - 2000). It draws new attention to his architectural designs and re-examines his acclaimed theoretical work on the phenomenology of architecture and place within the context of a biography of his life, linking him with other historical figures such as Helen Keller and Rainer Maria Rilke, and framing him within the modernist tradition of the latter. Taking a novel, experimental approach, the book also explores the potential of the essay-film as an innovative new approach to producing architectural history. Bridging archival research and artistic exploration, its ten chapters, written by an architectural historian who is also a film-maker, are each accompanied by a short documentary film, hosted online and linked from within the chapter, which use the medium of film to creatively explore and delve deeper into little-known aspects of Norberg-Schulz's theory of genius loci and the phenomenology of architecture. The book questions what it means to 'follow' those who came before, exploring the positionality of the architectural historian/filmmaker. Offering an insightful account of the life, work, and theory of a key thinker, Following Norberg-Schulz is also essential reading for those interested in practice-led research methodologies, particularly in the practice of film-making and the essay film, providing a highly innovative example of scholarly research which bridges the text-film gap.

Why some architects fail to realize their ideal buildings, and what architecture critics can learn from novelists. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of "real" versus "fake," Brittain-Catlin explains the effect this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.

Generational dialogues between 40 world-renowned creatives exploring how the creative legacy of previous generations is being reinterpreted over time. What is this phenomenon we call 'legacy'? This intangible inheritance that we eventually leave for our posterity? Is it the creative and intellectual heritage that one generation passes on to the next? Conceived by Lukas Feireiss, the book at hand tries to probe this open question by engaging in critical dialogue different generations of creatives, connectors and thinkers alike. In some cases, between inherent legacy of parent and child, in many cases between mentor and students, or simply between friends. The more than 40 illustrious contributors to this dialogue derive from an array of fields of knowledge and experience. Their stories often provide very personal insights into their work and life. They also reveal a broader perspective on the overall realms of art, design, architecture, music, literature, photography and curation in the 20th and 21st century. With contributions by Olafur Eliasson and Einar Thorsteinn, Lukas Feireiss and Ai Weiwei, Charlie and Rem Koolhaas, Francesca Gavin and Kerry James Marshall, Sophie Lovell and Dieter Rams, Hans-Ulrich Obrist and Yona Friedman, Shumon Basar and Ken Adam, Carson Chan and Phyllis Lambert, Rachel and Daniel Libeskind, Andres Ramirez and Denise Scott Brown, Aric Chen and Arata Isozaki, Ahmir Questlove Thompson and George Clinton and many more.