Caspar Hare presents a novel approach to questions of what we ought to do, and why we ought to do it. The traditional way to approach this subject is to begin by supposing a foundational principle, and then work out its implications. Consequentialists say that we ought to make the world impersonally better, for instance, while Kantian deontologists say that we ought to act on universalizable maxims. And contractualists say that we ought to act in accordance with the terms of certain hypothetical contracts. These principles are all grand and controversial. The motivating idea behind The Limits of Kindness is that we can tackle some of the most difficult problems in normative ethics by starting with a principle that is humble and uncontroversial. Being moral involves wanting particular other people to be better off. From these innocuous beginnings, Hare leads us to surprising conclusions about how we ought to resolve conflicts of interest, whether we ought to create some people rather than others, what we ought to want in an infinite world, when we ought to make sacrifices for the sake of needy strangers, and why we cannot, on pain of irrationality, attribute great importance to the boundaries between people.

This book is also available in paperback. What is it like to rehabilitate sun bears in the rainforests of Malaysia? Why are sloth bears trained to dance? How is traditional Chinese medicine implicated in the deaths of black bears in North America? Bear Necessities answers all of these questions, and many more. Through the voices of activists, scientists, and educators, readers walk alongside those who pull sun bears from Vietnamese bile farms, track Andean bears in the rugged hills of Ecuador, work to protect Montana's grizzlies in the courtroom, and gently heal the many wounded bears who live in sanctuaries around the world. Though almost every bear species is endangered or severely threatened, Bear Necessities offers hope through knowledge and understanding, which reside at the heart of change.

Returning to the Greek understanding of art to rethink its capacities, Creation and the Function of Art focuses on the relationship between techne and phusis (nature). Moving away from the theoretical Platonism which dominates contemporary understandings of art, this book instead reinvigorates Aristotelian causation. Beginning with the Greek topos and turning to insights from philosophy, pure mathematics, psychoanalysis and biology, Jason Tuckwell re-problematises techne in functional terms. This book examines the deviations at play within logical forms, the subject, and upon phusis to better situate the role of the function in poiesis (art). In so doing, Tuckwell argues that art concerns a genuinely creative labour that cannot be resolved via an ontological or epistemological problem, but which instead constitutes an encounter with the problematic. As such, techne is shown to be a property of the living, of intelligence coupled to action, that not only enacts poiesis or art, but indicates a broader role for creative deviation in nature.

This book examines the political and economic philosophy of Chief Jeremiah Oyeniyi Obafemi Awolowo and his concepts of democratic socialism (Liberal Democratic Socialism). It studies how Chief Awolowo and his political parties, first the Action Group (AG) 1951-1966 and later the Unity Party of Nigeria (UPN) 1978-1983, acted in various Nigerian political settings. Chief Awolowo was a principled man, who by a Spartan self-discipline and understanding of himself, his accomplishments, failures and successes, was a fearless leader. He has set an example of leadership for a new generation of Nigerian politicians. He was not only a brilliant politician, but a highly cerebral thinker, statesman, dedicated manager, brilliant political economist, a Social Democrat, and a committed federalist. From all accounts, Chief Awolowo knew the worst and the best, laughter and sorrow, vilification and veneration, tribulations and triumphs, poverty and prosperity, failures and successes in life.

Locating poetry in a philosophy of the everyday, Brett Bourbon continues a tradition of attention to logic in everyday utterances through Wittgenstein, Austin, Quine, and Cavell, arguing that poems are events of form, not just collections of words, which shape everyone's lives. Poems taught in class are formalizations of the everyday poems we live amidst, albeit unknowingly. Bourbon resurrects these poems to construct an anthropology of form that centers everyday poems as events or interruptions within our lives. Expanding our understanding of what a poem is, this book argues that poems be understood as events of form that may depend on words but are not fundamentally constituted by them. This line of thought delves into a poem's linguistic particularity, to ask what a poem is and how we know. By reclaiming arenas previously ceded to essayists and literary writers, Bourbon reveals the care and attention necessary to uncovering the intimate relationship between poems, life, reading and living. A philosophical meditation on the nature of poetry, but also on the meaning of love and the claim of words upon us, Everyday Poetics situates the importance of everyday poems as events in our lives.

The volume The Many Faces of Beauty joins the rich debate on beauty and aesthetic theory by presenting an ambitious, interdisciplinary examination of various facets of beauty in nature and human society. The contributors ask such questions as, Is there beauty in mathematical theories? What is the function of arts in the economy of cultures? What are the main steps in the historical evolution of aesthetic theories from ancient civilizations to the present? What is the function of the ugly in enhancing the expressivity of art? and What constitutes beauty in film? The sixteen essays, by eminent scientists, critics, scholars, and artists, are divided into five parts. In the first, a mathematician, physicist, and two philosophers address beauty in mathematics and nature. In the second, an anthropologist, psychologist, historian of law, and economist address the place of beauty in the human mind and in society. Explicit philosophical reflections on notoriously vexing issues, such as the historicity of aesthetics itself, interculturality, and the place of the ugly, are themes of the third part. In the fourth, practicing artists discuss beauty in painting, music, poetry, and film. The final essay, by a theologian, reflects on the relation between beauty and God. Contributors: Vittorio Hoesle, Robert P. Langlands, Mario Livio, Dieter Wandschneider, Christian Illies, Francesco Pellizzi, Bjarne Sode Funch, Peter Landau, Holger Bonus, Pradeep A. Dhillon, Mark W. Roche, Maxim Kantor, Claus-Steffen Mahnkopf, Mary Kinzie, Dudley Andrew, and Cyril O'Regan.

Oaths play an essential part in the political and religious history of the West as a 'sacrament of power'. Yet despite numerous studies by linguists, anthropologists and historians of law and of religion, there exists no complete analysis of the oath which seeks to explain the strategic function that this phenomenon has performed at the intersection of law, religion and politics. The oath seems to define man himself as a political animal, but what is an oath and from where does it originate? Taking this question as its point of departure, Giorgio Agamben's book develops a pathbreaking 'archaeology' of the oath. Via a firsthand survey of Greek and Roman sources which shed light on the nexus of the oath with archaic legislation, acts of condemnation and the names of gods and blasphemy, Agamben recasts the birth of the oath as a decisive event of anthropogenesis, the process by which mankind became humanity. If the oath has historically constituted itself as a 'sacrament of power', it has functioned at one and the same time as a 'sacrament of language' - a sacrament in which man, discovering that he can speak, chooses to bind himself to his language and to use it to put life and destiny at stake.

In a world riven with conflict, violence and war, this book proposes a philosophical defense of pacifism. It argues that there is a moral presumption against war and unless that presumption is defeated, war is unjustified. Leading philosopher of nonviolence Robert Holmes contends that neither just war theory nor the rationales for recent wars (Vietnam, the Gulf War, the Iraq and Afghanistan Wars) defeat that presumption, hence that war in the modern world is morally unjustified. A detailed, comprehensive and elegantly argued text which guides both students and scholars through the main debates (Just War Theory and double effect to name a few) clearly but without oversimplifying the complexities of the issues or historical examples.

The concept of friendship is more easily valued than it is described: this volume brings together reflections on its meaning and practice in a variety of social and cultural settings in history and in the present time, focusing on Asia and the Western, Euro-American world. The extension of the group in which friendship is recognized, and degrees of intimacy (whether or not involving an erotic dimension) and genuine appreciation may vary widely. Friendship may simply include kinship bonds-solidarity being one of its more general characteristics. In various contexts of travelling, migration, and a dearth of offspring, friendship may take over roles of kinship, also in terms of care.

Morton Feldman: Friendship and Mourning in the New York Avant-Garde documents the collaborations and conflicts essential to the history of the post-war avant-garde. It offers a study of composer Morton Feldman's associations and friendships with artists like John Cage, Jackson Pollock, Philip Guston, Frank O'Hara, Charlotte Moorman, and others. Arguing that friendship and mourning sustained the collective aesthetics of the New York School, Dohoney has written an emotional and intimate revision of New York modernism from the point of view of Feldman's agonistic community.

This is the first comprehensive volume to offer a state of the art investigation both of the nature of political ideologies and of their main manifestations. The diversity of ideology studies is represented by a mixture of the range of theories that illuminate the field, combined with an appreciation of the changing complexity of concrete ideologies and the emergence of new ones. Ideologies, however, are always with us. The Handbook is divided into three sections: The first reflects some of the latest thinking about the development of ideology on an historical dimension, from the standpoints of conceptual history, Marx studies, social science theory and history, and leading schools of continental philosophy. The second includes some of the most recent interpretations and theories of ideology, all of which are sympathetic in their own ways to its exploration and close investigation, even when judiciously critical of its social impact. This section contains many of the more salient contemporary accounts of ideology. The third focuses on the leading ideological families and traditions, as well as on some of their cultural and geographical manifestations, incorporating both historical and contemporary perspectives. Each chapter is written by an expert in their field, bringing the latest approaches and understandings to their task. The Handbook will position the study of ideologies in the mainstream of political theory and political analysis and will attest to its indispensability both to courses on political theory and to scholars who wish to take their understanding of ideologies in new directions.

How to Make Our Signs Clear is the result of an international cooperation between European and Brazilian Peircean scholars (I. A. Ibri, E. Visnovsky, C. Paolucci and others) and strives to dispel simplifications of Peirces semiotic as well as to collect various insights into it and into its consequences for philosophy, especially philosophy of language, pragmatism and epistemology. The central theme of this book is the notion of the sign as a specific triadic relational unit, treated from various perspectives and applied to various fields of philosophy: semeiotic knowledge grows up from the discussions, common interests and possible conflicts between the readers of Peirces works. This book does not offer a general overview of Peirces theory of signs, but rather various analyses of consequences of some capacities of his semiotic.