We rely on two different conceptions of morality. On the one hand, we think of morality as a correct action guide. Morality is accessed by taking up a critical, reflective point of view where our concern is with identifying the moral rules that would be the focus of the requiring activities of persons in a hypothetical social world whose participants were capable of accessing the justifications for everyone's endorsing just this set of rules. On the other hand, in doing virtually anything connected with morality-making demands, offering excuses, justifying choices, expressing moral attitudes, getting uptake on our resentments, and the like-we rely on social practices of morality and shared moral understandings that make our moral activities and attitudes intelligible to others. This second conception of morality, unlike the first, is not shaped by the aim of getting it right or the contrast between correct and merely supposed moral requirements. It is shaped by the moral aim of practicing morality with others within an actual, not merely hypothetical, scheme of social cooperation. If practices based on misguided moral norms seem not to be genuine morality under the first conception, merely hypothetical practices seem not to be the genuine article under the second conception. The premise of this book, which collects together nine previously published essay and a new introduction, is that both conceptions are indispensable. But exactly how is the moral theorist to go about working simultaneously with two such different conceptions of morality? The book's project is not to construct an overarching methodology for handling the two conceptions of morality. Instead, it is to provide case studies of that work being done.

For centuries, philosophers have addressed the ontological question of whether God exists. Most recently, philosophers have begun to explore the axiological question of what value impact, if any, God's existence has (or would have) on our world. This book brings together four prestigious philosophers, Michael Almeida, Travis Dumsday, Perry Hendricks and Graham Oppy, to present different views on the axiological question about God. Each contributor expresses a position on axiology, which is then met with responses from the remaining contributors. This structure makes for genuine discussion and developed exploration of the key issues at stake, and shows that the axiological question is more complicated than it first appears. Chapters explore a range of relevant issues, including the relationship between Judeo-Christian theism and non-naturalist alternatives such as pantheism, polytheism, and animism/panpsychism. Further chapters consider the attitudes and emotions of atheists within the theism conversation, and develop and evaluate the best arguments for doxastic pro-theism and doxastic anti-theism. Of interest to those working on philosophy of religion, theism and ethics, this book presents lively accounts of an important topic in an exciting and collaborative way, offered by renowned experts in this area.

Anaximander, the sixth century BCE philosopher of Miletus, is often credited as being the instigator of both science and philosophy. The first recorded philosopher to posit the idea of the boundless cosmos, he was also the first to attempt to explain the origins of the world and humankind in rational terms. Anaximander's philosophy encompasses theories of justice, cosmogony, geometry, cosmology, zoology and meteorology. "Anaximander: A Re-assessment" draws together these wide-ranging threads into a single, coherent picture of the man, his worldview and his legacy to the history of thought. Arguing that Anaximander's statements are both apodeictic and based on observation of the world around him, Andrew Gregory examines how Anaximander's theories can all be construed in such a way that they are consistent with and supportive of each other. This includes the tenet that the philosophical elements of Anaximander's thought (his account of the" apeiron," the extant fragment) can be harmonised to support his views on the natural world. The work further explores how these theories relate to early Greek thought and in particular conceptions of theogony and meterology in Hesiod and Homer.

In Nietzsche's Search for Philosophy: On the Middle Writings Keith Ansell-Pearson makes a novel and thought-provoking contribution to our appreciation of Nietzsche's neglected middle writings. These are the texts Human, All Too Human (1878-80), Dawn (1881), and The Gay Science (1882). There is a truth in the observation of Havelock Ellis that the works Nietzsche produced between 1878 and 1882 represent the maturity of his genius. In this study he explores key aspects of Nietzsche's philosophical activity in his middle writings, including his conceptions of philosophy, his commitment to various enlightenments, his critique of fanaticism, his search for the heroic-idyllic, his philosophy of modesty and his conception of ethics, and his search for joy and happiness. The book will appeal to readers across philosophy and the humanities, especially to those with an interest in Nietzsche and anyone who has a concern with the fate of philosophy in the modern world.

The cinema of Theo Angelopoulos is celebrated as challenging the status quo. From the political films of the 1970s through to the more existential works of his later career, Vrasidis Karalis argues for a coherent and nuanced philosophy underpinning Angelopoulos' work. The political force of his films, including the classic The Travelling Players (1975), gave way to more essayistic works exploring identity, love, loss, memory and, ultimately, mortality. This development of sensibilities is charted along with the key cultural moments informing Angelopoulos' shifting thinking. From Voyage to Cythera (1984) until his last film, The Dust of Time (2009), Angelopoulos' problematic heroes in search of meaning and purpose engaged with the thinking of Plato, Mark, Heidegger, Arendt and Luckacs, both implicitly and explicitly. Theo Angelopoulos also explores the rich visual language and 'ocular poetics' of Angelopopulos' oeuvre and his mastery of communicating profundity through the everyday. Karalis argues for a reading of his work that embraces contradiction and celebrates the unsettling questions at the heart of his work.

In Cultural and Political Imaginaries in Putin's Russia scholars scrutinise developments in official symbolical, cultural and social policies as well as the contradictory trajectories of important cultural, social and intellectual trends in Russian society after the year 2000. Engaging experts on Russia from several academic fields, the book offers case studies on the vicissitudes of cultural policies, political ideologies and imperial visions, on memory politics on the grassroot as well as official levels, and on the links between political and national imaginaries and popular culture in fields as diverse as fashion design and pro-natalist advertising. Contributors are Niklas Bernsand, Lena Jonson, Ekaterina Kalinina, Natalija Majsova, Olga Malinova, Alena Minchenia, Elena Morenkova-Perrier, Elena Rakhimova-Sommers, Andrei Rogatchevski, Tomas Sniegon, Igor Torbakov, Barbara Toernquist-Plewa, and Yuliya Yurchuk.

Ever since Plato expelled the poets from his ideal state, the ethics of art has had to confront philosophy's denial of art's morality. In Art before the Law, Ruth Ronen proposes a new outlook on the ethics of art by arguing that art insists on this tradition of denial, affirming its singular ethics through negativity. Ronen treats the mechanism of negation as the basis for the relationship between art and ethics. She shows how, through moves of denial, resistance, and denouncement, art exploits its negative relation to morality. While deception, fiction, and transgression allegedly locate art outside morality and ethics, Ronen argues they enable art to reveal the significance of the moral law, its origins, and the idea of the good. By employing the thought of Freud and Lacan, Ronen reconsiders the aesthetic tradition from Plato through Kant and later philosophers of art in order to establish an ethics of art. An interdisciplinary study, Art before the Law is sure to be of interest both to academic philosophers and to those interested in psychoanalytic theory and practice.

This book provides a new interpretation of the ethical theory of G.W.F. Hegel. The aim is not only to give a new interpretation for specialists in German Idealism, but also to provide an analysis that makes Hegel's ethics accessible for all scholars working in ethical and political philosophy. While Hegel's political philosophy has received a good deal of attention in the literature, the core of his ethics has eluded careful exposition, in large part because it is contained in his claims about conscience. This book shows that, contrary to accepted wisdom, conscience is the central concept for understanding Hegel's view of practical reason and therefore for understanding his ethics as a whole. The argument combines careful exegesis of key passages in Hegel's texts with detailed treatments of problems in contemporary ethics and reconstructions of Hegel's answers to those problems. The main goals are to render comprehensible Hegel's notoriously difficult texts by framing arguments with debates in contemporary ethics, and to show that Hegel still has much to teach us about the issues that matter to us most. Central topics covered in the book are the connection of self-consciousness and agency, the relation of motivating and justifying reasons, moral deliberation and the holism of moral reasoning, mutual recognition, and the rationality of social institutions.

Proclus's Commentary on the Republic of Plato contains in its fifth and sixth essays the only systematic analysis of the workings of the allegorical text to reach us from polytheist. In the context of defending Homer against the criticisms leveled by Socrates in the Republic, Proclus, a late-antique polytheist thinker, provides not only a rich selection of interpretive material, but also an analysis of Homer's polysemous text whose influence can be observed in the work of the founder of modern semiotics, Charles Sanders Peirce. This first modern translation into English, with Greek text facing and limited commentary, makes it possible to appreciate the importance of Proclus in the history of both hermeneutics and semiotics

Contemporary debates on free will are numerous and multifaceted. According to compatibilists, it is possible for an agent to be determined in all her choices and actions and still be free. Incompatibilists, on the other hand, think that the existence of free will is incompatible with the truth of determinism. There are also two dominant conceptions of the nature of free will. According to the first, it is primarily a function of being able to do otherwise than one in fact does. The second approach focuses on issues of sourcehood, holding that free will is primarily a function of an agent being the source of her actions in a particular way. This book guides the student through all these debates, demarcating the different conceptions of free will, exploring the relationships between them, and examining how they relate to the debate between compatibilists and incompatibilists. In the process, it addresses a number of other views, including revisionism and free will scepticism. This is the ideal introduction to the contemporary debates for students at all levels.

This is a clear and concise overview of and introduction to Deleuze in the field of politics. "Political Theory After Deleuze" provides an accessible introduction to Deleuze in the field of politics by putting his thought directly into dialogue with contemporary debates in political theory. The book focuses particularly on Deleuze's contribution to emerging debates in political theory. As these developments are a response to the inadequacies many theorists find with traditional dominant approaches, the book speaks to those traditional approaches as well. The book is not an exegesis of Deleuze's ideas on politics or political theory, but rather a re-reading of the field from a Deleuzian perspective. Nathan Widder shows how Deleuze offers a distinctive contribution to debates in political theory that are trying to rethink the nature of pluralism, individual and collective subjectivity, power relations and the state, the emergence of political events, and the role of desire in politics. Deleuze already figures in many of these debates and this book makes his contribution more accessible to a student audience and facilitates communication between the emerging field of Deleuze Studies and political theory as it is currently taught. "The Deleuze Encounters" series provides students in philosophy and related subjects with concise and accessible introductions to the application of Deleuze's work in key areas of study. Each book demonstrates how Deleuze's ideas and concepts can enhance present work in a particular field.

Global Media Ethics is the first comprehensive cross-cultural exploration of the conceptual and practical issues facing media ethics in a global world. A team of leading journalism experts investigate the impact of major global trends on responsible journalism. * The first full-length, truly global textbook on media ethics * Explores how current global changes in media promote and inhibit responsible journalism * Includes relevant and timely ethical discussions based on major trends in journalism and global media * Questions existing frameworks in Media Ethics in light of the impact of global media * Contributors are leading experts in global journalism and communication

Since the development of British Aestheticism in the 1870s, the concept of irony has focused a series of anxieties which are integral to modern literary practice. Examining some of the most important debates in post-Romantic aesthetics through highly focused textual readings of authors from Walter Pater and Henry James to Samuel Beckett and Alan Hollinghurst, this study investigates the dialectical position of irony in Aestheticism and its twentieth-century afterlives.

Aesthetic Afterlives constructs a far-reaching theoretical narrative by positioning Victorian Aestheticism as the basis of Literary Modernity. Aestheticism's cultivation of irony and reflexive detachment was central to this legacy, but it was also the focus of its own self-critique. Anxieties about the concept and practice of irony persisted through Modernism, and have recently been positioned in Hollinghurst's work as a symptom of the political stasis within post-modern culture. Referring to the recent debates about the 'new aestheticism' and the politics of aesthetics, Eastham asks how a utopian Aestheticism can be reconstructed from the problematics of irony and aesthetic autonomy that haunted writers from Pater to Adorno.