This interdisciplinary volume revisits Adorno's lesser-known work, Minima Moralia, and makes the case for its application to the most urgent concerns of the 21st century. Contributing authors situate Adorno at the heart of contemporary debates on the ecological crisis, the changing nature of work, the idea of utopia, and the rise of fascism. Exploring the role of critical pedagogy in shaping responses to fascistic regimes, alongside discussions of extractive economies and the need for leisure under increasingly precarious working conditions, this volume makes new connections between Minima Moralia and critical theory today. Another line of focus is the aphoristic style of Minima Moralia and its connection to Adorno's wider commitment to small and minor literary forms, which enable capitalist critique to be both subversive and poetic. This critique is further located in Adorno's discussion of a utopia that is reliant on complete rejection of the totalising system of capitalism. The distinctive feature of such a utopia for Adorno is dependent upon individual suffering and subsequent survival, an argument this book connects to the mutually constitutive relationship between ecological destruction and right-wing authoritarianism. These timely readings of Adorno's Minima Moralia teach us to adapt through our survival, and to pursue a utopia based on his central ideas. In the process, opening up theoretical spaces and collapsing the physical borders between us in the spirit of Adorno's lifelong project.

This edited collection provides an in-depth and wide-ranging exploration of pragmatist philosopher Richard Shusterman's distinctive project of "somaesthetics," devoted not only to better understanding bodily experience but also to greater mastery of somatic perception, performance, and presentation. Against contemporary trends that focus narrowly on conceptual and computational thinking, Shusterman returns philosophy to what is most fundamental-the sentient, expressive, human body with its creations of living beauty. Twelve scholars here provide penetrating critical analyses of Shusterman on ontology, perception, language, literature, culture, politics, aesthetics, cuisine, music, and the visual arts, including films of his work in performance art.

This study examines the motivations and doctrinal coherence of the Commentary on the Elements of Theology of Proclus written by Berthold of Moosburg, O.P. ( c. 1361/1363). It provides an overview of Berthold's biography and intellectual contexts, his manuscript remains, and a partial edition of his annotations on Macrobius and Proclus. Through a close analysis of the three prefaces to the Commentary, giving special attention to Berthold's sources, it traces the Dominican's elaboration of Platonism as a soteriological science. The content of this science is then presented in a systematic reconstruction of Berthold's cosmology and anthropology. The volume includes an English translation of the three fundamental prefaces of the Commentary. The publication of this volume has received the generous support of the European Research Council (ERC) under the European Union's Horizon 2020 research and innovation programme through the ERC Consolidator Grant NeoplAT: A Comparative Analysis of the Middle East, Byzantium and the Latin West (9th-16th Centuries), grant agreement No 771640 (www.neoplat.eu).

Collecting together numerous examples of Augustine's musical imagery in action, Laurence Wuidar reconstructs the linguistic laboratory and the hermeneutics in which he worked. Sensitive and poetical, this volume is a reminder that the metaphor of music can give access not only to human interiority, but allow the human mind to achieve proximity to the divine mind. Composed by one of Europe's leading musicologists now engaging an English-speaking audience for the first time, this book is a candid exploration of Wuidar's expertise. Drawing on her long knowledge of music and the occult, from antiquity to modernity, Wuidar particularly focuses upon Augustine's working methods while refusing to be distracted by questions of faith or morality. The result is an open and at times frightening vista on the powers that be, and our complex need to commune with them.

Responsibility is routinely overlooked, manipulated, and oversimplified. In Scandalous Obligation, Eric Severson explores the scope of Christian responsibility. This book delves into the slippery nature of obligation, the dilemma of competing calls for justice, and the perilous temptation to dismiss or avoid responsibility. Using examples from popular culture Severson casts an expansive and often daunting vision of responsibility that challenges the status quo.This book presses readers to consider the many complications that arise when Christians begin to understand the extent of their responsibility for the suffering that abounds in the world. It explores how Christians are to turn this approach to responsibility toward the clouds of injustice and pain that hang over our world today. With a brilliant use of Scripture, illustrations, and insights from classical literature and philosophy, Eric Severson makes us aware in this book that sin is not simply the breaking of rules, but is living with indifference to the needs of others when confronted by those needs.'--Tony CampoloProfessor Emeritus of Sociology, Eastern UniversityAuthor, Adventures in Missing the Point, Red Letter Christians In an era when so many Christians confuse their ethics with their politics, Severson summons the followers of Christ to once again take note of the 'alien at the gate.' Scandalous Obligation is a disturbing wake-up call to a church grown self-absorbed and complacent.'--Karl GibersonVice President, BioLogos FoundationCo-author, The Language of Faith and Science

Logics of Worlds stands as one of the most important texts in contemporary thought. Conceived as the sequel to Alan Badiou's Being and Event, the book expands upon and elucidates the questions that were posed in the first book. As a complex theory of worlds, the text has, for the most part, been misunderstood, but in William Watkin's diligent and critical close reading of the book, he makes the case for Logics of Worlds being the essential Badiou book for anyone interested in existence, meaning and the potential for radical change. For Watkin, this recasting of ontology is followed by a transformation of logic, which is not only a theory of being, but of appearing and allows Badiou to give new meaning to the object, body and relation. To do this, he explores these concepts through architecture, astronomy and renowned thinkers such as Kant, Hegel and Kierkegaard. For students of French Continental philosophy, ontology and Badiou himself, Watkin's commentary on the philosopher's text provides a brilliant and incisive new interpretation of this underrated work by the leading Continental philosopher of our time.

At the intersection between psychoanalysis (Freudian and Lacanian) and philosophy, this book is a glimpse into the life of patients, into desire and love, and into the fate of the relationship between men and women.

Casuistry and Early Modern Spanish Literature examines a neglected yet crucial field: the importance of casuistical thought and discourse in the development of literary genres in early modern Spain. Faced with the momentous changes wrought by discovery, empire, religious schism, expanding print culture, consolidation of legal codes and social transformation, writers sought innovation within existing forms (the novella, the byzantine romance, theatrical drama) and created novel genres (most notably, the picaresque). These essays show how casuistry, with its questioning of example and precept, and meticulous concern with conscience and the particularities of circumstance, is instrumental in cultivating the subjectivity, rhetorical virtuosity and spirit of inquiry that we have come to associate with the modern novel.

Who has the right to decide how nature is used, and in what ways? Recovering an overlooked thread of seventeenth- and eighteenth-century environmental thought, Erin Drew shows that English writers of the period commonly believed that human beings had only the "usufruct" of the earth the "right of temporary possession, use, or enjoyment of the advantages of property belonging to another, so far as may be had without causing damage or prejudice." The belief that human beings had only temporary and accountable possession of the world, which Drew labels the ""usufructuary ethos,"" had profound ethical implications for the ways in which the English conceived of the ethics of power and use. Drew's book traces the usufructuary ethos from the religious and legal writings of the seventeenth century through mid-eighteenth-century poems of colonial commerce, attending to the particular political, economic, and environmental pressures that shaped, transformed, and ultimately sidelined it. Although a study of past ideas, The Usufructuary Ethos resonates with contemporary debates about our human responsibilities to the natural world in the face of climate change and mass extinction.