Dark Shadows is a compelling portrait of Kazakhstan, a country that is little known in the West. Strategically located in the heart of Central Asia, sandwiched between Vladimir Putin’s Russia, its former colonial ruler, and Xi Jinping’s China, this vast oil-rich state is carving out its place in the world as it contends with its own complex past and present. Journalist Joanna Lillis paints a vibrant picture of this emerging nation through vivid reportage based on 17 years of on-the-ground coverage, and travels across the length and breadth of this enigmatic country that lies along the ancient Silk Road and at the geopolitical and cultural crossroads where East meets West. Featuring tales of murder and abduction, intrigue and betrayal, extortion and corruption, this book explores how a president, Nursultan Nazarbayev, transformed himself into a potentate and the economically-struggling state he inherited at the fall of the USSR into a swaggering 21st-century monocracy. A colourful cast of characters brings the politics to life: from strutting oligarchs to sleeping villagers, from principled politicians to striking oilmen, from crusading journalists to courageous campaigners. This new edition features two additional chapters covering the aftermath of Nazarbayev's fall from power in 2019; the Chinese government's repressions against the Kazakhs of Xinjiang as part of its crackdown on Muslim minorities; and an Afterword reflecting on the tumultuous events of January 2022 in Almaty. Traversing dust-blown deserts and majestic mountains, taking in glitzy cities and dystopian landscapes, Dark Shadows conjures up Kazakhstan as a living, breathing place, full of extraordinary people living extraordinary lives.

The Pinochet File reveals a record of complicity with atrocity by the U.S. government. The documents, first declassified for the original edition of the book, formed the heart of the campaign to hold Gen. Pinochet accountable for murder, torture and terrorism. The New York Times wrote of the original 2003 edition, 'Thanks to Peter Kornbluh, we have the first complete, almost day-to-day and fully documented record of this sordid chapter in Cold War American History.' With this 40th anniversary edition, the record is even more complete and up-to-date.

"The most intimate portrait yet produced of Zimbabwe's clever yet brutal leader." -"The Economist"
With plunging life expectancy, soaring inflation, and unemployment, repression, and starvation fueling a mass exodus, Zimbabwe is a nation in crisis. Its president, Robert Mugabe-once lauded for his heroics as a guerilla leader who fought against white-minority rule in the 1960s- is now seen as the man who ruined the country and cast shame on the African conti?nent. Beginning with a dinner shared with Mugabe the freedom fight?er and ending in a searching interview with Mugabe as Zimbabwe's president more than thirty years later, Heidi Holland's incisive and timely investigation charts Mugabe's gradual self- destruction and probes the mystery of Africa's loyalty to one of its worst dictators.

America's relationship with Pakistan has a profound impact on combating terrorism, nuclear security, oil, energy transportation, and strategic calculus in Asia and Europe. The relationship has been volatile: never vibrant or restive, but resilient, turbulent, and unreliable. The biggest dangers for Pakistan come from radical Islam - a threat which is spreading to Pakistan's neighbours and beyond. Pakistan has been allegedly named, even by Pakistanis, the most dangerous country in the world. Pakistan's strategic policies have been India-centric since its birth in 1947, and its relation with America is determined not by alliances with America but by America's relation with India.

Concerns over the rise of fascism have been preoccupied with the Trump presidency and the Brexit vote in the UK, yet, globally, we are witnessing a turn towards anti-democratic and illiberal forces. From the tragic denouement of the Egyptian Revolution to the consolidation of the so-called Gujarat Model in India under the leadership of Prime Minister Narendra Modi and the consolidation of the power of Turkish President Recep Tayyip Erdogan, to the recent election of Jair Bolsonaro in Brazil, fascist ideology, aesthetics and fascist personalities appear across the globe. Spectres of Fascism makes a significant contribution to the unfolding discussion on whether what we are witnessing today is best understood as a return to classic twentieth-century 'fascism,' or some species of what has been called 'post-fascism.' Applying a uniquely global perspective, it combines analyses of historical contexts, theoretical approaches and contemporary geopolitics.

Now available in English for the first time, "Dictatorship" is Carl Schmitt's most scholarly book and arguably a paradigm for his entire work. Written shortly after the Russian Revolution and the First World War, Schmitt analyses the problem of the state of emergency and the power of the Reichsprasident in declaring it. Dictatorship, Schmitt argues, is a necessary legal institution in constitutional law and has been wrongly portrayed as just the arbitrary rule of a so-called dictator. "Dictatorship" is an essential book for understanding the work of Carl Schmitt and a major contribution to the modern theory of a democratic, constitutional state. And despite being written in the early part of the twentieth century, it speaks with remarkable prescience to our contemporary political concerns.

This book offers a fresh and original approach to the study of one of the dominant features of the twentieth century. Adopting a truly global approach to the realities of modern dictatorship, this handbook examines the multiple ways in which dictatorship functions - both for the rulers and for the ruled - and draws on the expertise of more than twenty five distinguished contributors coming from European, American, and Asian universities. While confronting the immense complexities of repression and popular response under dictatorship, the volume also poses a series of wide-ranging questions about the political organization of present-day mass society.

Many of us are consumed by news cycles reporting on Trump's latest astonishing policy or declaration, and the overwhelming sense we have is one of confusion and incredulity - how could this be happening?

As the 2020 US Presidential race takes shape, Surviving Autocracy provides an indispensable overview of the calamitous trajectory of the past few years. Drawing on her Soviet childhood and two decades covering the resurgence of totalitarianism in Russia, acclaimed New Yorker journalist and prize-winning author Masha Gessen links together seemingly disparate elements of Trump's regime to offer a roadmap for understanding Trump's approach, policies and ultimate aims. Highlighting an inventory of ravages to liberal democracy, including the corrosion of the media, the justice system and cultural norms, she posits that America is in the throws of an autocratic attempt.

Gessen's penetrating analysis offers a new political discourse to replace that which has been so thoroughly degraded, and with it, a clearer path to action. Manifesto-like, Surviving Autocracy is threaded with solutions to the current situation, such as developing a political language that encompasses autocratic impulses, a more agile and honest media, and a visionary moral politics to counter Trump's extraordinary on-going assault.

Stalinism, that particularly brutal phase of the Communist experience, came to an end in most of Europe with the death of Stalin in 1953. However, in one country - Albania - Stalinism survived virtually unscathed until 1990. The regime that the Albanian dictator Enver Hoxha led from 1944 until his death in 1985 was incomparably severe. Such was the reign of terror that no audible voice of opposition or dissent ever arose in the Balkan state and Albania became isolated from the rest of the world and utterly inward-looking. Three decades after his death, the spectre of Hoxha still lingers over the country, yet many people - inside and outside Albania - know little about the man who ruled the country with an iron fist for so many decades. This book provides the first biography of Hoxha available in English. Using unseen documents and first-hand interviews, journalist Blendi Fevziu pieces together the life of a tyrannical ruler in a biography which will be essential reading for anyone interested in Balkan history and communist studies.

This book, first published in 1983, illustrates the domestic and internal dimension of appeasement and explores the political options open to the western powers in the run up to the Second World War. It looks at the factors pointing in the direction of a general settlement with the dictators: limitation of resources and strategic over-commitment by Britain; economic decline and financial exhaustion of France; lack of support from the United States and the Soviet Union.

For decades scholars have pored over Hitler's autobiographical journey/political treatise, debating if Mein Kampf has genocidal overtones and arguably led to the Holocaust. For the first time, Hitler's Mein Kampf and the Holocaust sees celebrated international scholars analyse the book from various angles to demonstrate how it laid the groundwork for the Shoah through Hitler's venomous attack on the Jews in his text. Split into three main sections which focus on 'contexts', 'eugenics' and 'religion', the book reflects carefully on the point at which the Fuhrer's actions and policies turn genocidal during the Third Reich and whether Mein Kampf presaged Nazi Germany's descent into genocide. There are contributions from leading academics from across the United States and Germany, including Magnus Brechtken, Susannah Heschel and Nathan Stoltzfus, along with totally new insights into the source material in light of the 2016 German critical edition of Mein Kampf. Hitler's views on Marxism, violence, and leadership, as well as his anti-Semitic rhetoric are examined in detail as you are taken down the disturbing path from a hateful book to the Holocaust.

After the Long Silence offers a ground-breaking, meticulously researched criticism of Brazilian contemporary performance created by its post-dictatorship generation, whose work expresses the consequences of decades of state-imposed censorship. By offering an in-depth examination of key artists and their works, Claudia Tatinge Nascimento highlights Brazil's political trajectory while never allowing the weight of historical events to offset key aesthetic trends. Brazilian theater artists born around the time of the nation's 1964 military coup experienced the oppressive rule of dictatorship throughout their formative years, but came of age as Brazil re-entered democracy some two decades later. This book showcases how the post-dictatorship generation developed performances that mapped the uncharted territories of Brazil's political trauma with new dramaturgies, site-specific and street productions, and aesthetic experimentation. The author's in-depth research into a wide array of archival materials and publications in both Portuguese and English demonstrates how the artistic practices of significant post-dictatorship artists such as Cia. dos Atores, Teatro da Vertigem, Grupo Galpao, Os Fofos Encenam, and Newton Moreno were driven by critical thinking and a postcolonial sentiment, proving symptomatic of the nation's shift from an ethos of half-truth telling into a transitional justice that fell short in affirming citizenship. Ideal for scholars of the intersection of theatre and politics, After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation offers insight into the function of theater in times of political turmoil and artmaking practices that emerge in response to oppressive regimes.

This book broaches a comparative and interdisciplinary approach in its exploration of the phenomenon of the dictatorship in the Hispanic World in the twentieth century. Some of the themes explored through a transatlantic perspective include testimonial accounts of violence and resistance in prisons; hunger and repression; exile, silence and intertextuality; bildungsroman and the modification of gender roles; and the role of trauma and memory within the genres of the novel, autobiography, testimonial literature, the essay, documentaries, puppet theater, poetry, and visual art. By looking at the similarities and differences of dictatorships represented in the diverse landscapes of Latin America and Spain, the authors hope to provide a more panoramic view of the dictatorship that moves beyond historiographical accounts of oppression and engages actively in a more broad dialectics of resistance and a politics of memory.

'[The Gulag Archipelago] helped to bring down an empire. Its importance can hardly be exaggerated' Doris Lessing, Sunday Telegraph WITH A NEW FOREWORD BY JORDAN B. PETERSON A vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators but also of everyday heroism, The Gulag Archipelago is Aleksandr Solzhenitsyn's grand masterwork. Based on the testimony of some 200 survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile, it chronicles the story of those at the heart of the Soviet Union who opposed Stalin, and for whom the key to survival lay not in hope but in despair. A thoroughly researched document and a feat of literary and imaginative power, this edition of The Gulag Archipelago was abridged into one volume at the author's wish and with his full co-operation. 'Solzhenitsyn's masterpiece...The Gulag Archipelago helped create the world we live in today' Anne Applebaum THE OFFICIALLY APPROVED ABRIDGEMENT OF THE GULAG ARCHIPELAGO VOLUMES I, II & III

'Clear-eyed and illuminating.' Henry Kissinger, former Secretary of State and National Security Advisor 'A rich, superbly researched, balanced history of the modern Kingdom of Saudi Arabia.' General David Petraeus, former Commander U.S. Central Command and Director of the Central Intelligence Agency 'Destined to be the best single volume on the Kingdom.' Ambassador Chas Freeman, former U.S. Ambassador to Saudi Arabia and Assistant Secretary of Defense 'Should be prescribed reading for a new generation of political leaders.' Sir Richard Dearlove, former Chief of H.M. Secret Intelligence Service (MI6) and Master of Pembroke College, Cambridge. Something extraordinary is happening in Saudi Arabia. A traditional, tribal society once known for its lack of tolerance is rapidly implementing significant economic and social reforms. An army of foreign consultants is rewriting the social contract, King Salman has cracked down hard on corruption, and his dynamic though inexperienced son, the Crown Prince Mohammad bin Salman, is promoting a more tolerant Islam. But is all this a new vision for Saudi Arabia or merely a mirage likely to dissolve into Iranian-style revolution? David Rundell - one of America's foremost experts on Saudi Arabia - explains how the country has been stable for so long, why it is less so today, and what is most likely to happen in the future. The book is based on the author's close contacts and intimate knowledge of the country where he spent 15 years living and working as a diplomat. Vision or Mirage demystifies one of the most powerful, but least understood, states in the Middle East and is essential reading for anyone interested in the power dynamics and politics of the Arab World.

This book examines memories of political violence in Chile after the 1973 coup and a 17-years-long dictatorship. Based on individual and group interviews, it focuses on the second generation children, adults today, born to parents who were opponents of Pinochets regime. Focusing on their lived experience, the intersection between private and public realms during Pinochet's politics of fear regime, and the afterlife of violence in the post-dictatorship, the book is concerned with new dilemmas and perspectives that stem from the intergenerational transmission of political memories. It reflects critically on the role of family memories in the broader field of memory in Chile, demonstrating the dynamics of how later generations appropriate and inhabit their family political legacies. The book suggests how the second generation cultural memory redefines the concept of victimhood and propels society into a broader process of recognition.

Christopher Dunn's history of authoritarian Brazil exposes the inventivecultural production and intense social transformations that emerged duringthe rule of an iron-fisted military regime during the sixties and seventies.The Brazilian contracultura was a complex and multifaceted phenomenonthat developed alongside the ascent of hardline forces within the regime inthe late 1960s. Focusing on urban, middle-class Brazilians often inspiredby the international counterculture that flourished in the United States andparts of western Europe, Dunn shows how new understandings of race, gender,sexuality, and citizenship erupted under even the most oppressive politicalconditions. Dunn reveals previously ignored connections between the countercultureand Brazilian music, literature, film, visual arts, and alternative journalism.In chronicling desbunde, the Brazilian hippie movement, he shows how thestate of Bahia, renowned for its Afro-Brazilian culture, emerged as a counterculturalmecca for youth in search of spiritual alternatives. As this criticaland expansive book demonstrates, many of the country's social and justicemovements have their origins in the countercultural attitudes, practices, andsensibilities that flourished during the military dictatorship.

This book uses the case studies of Adolf Hitler, Mao Zedong, Fidel Castro, and Hugo Chavez in order to introduce the concept of revolutionary totalitarian personality, and to show that this type of personality is decisive in choosing a totalitarian regime-building project and in shaping the ensuing totalitarian process.

Often dismissed as window-dressing, nominally democratic institutions, such as legislatures and political parties, play an important role in non-democratic regimes. In a comprehensive cross-national study of all non-democratic states from 1946 to 2002 that examines the political uses of these institutions by dictators, Gandhi finds that legislative and partisan institutions are an important component in the operation and survival of authoritarian regimes. She examines how and why these institutions are useful to dictatorships in maintaining power, analyzing the way dictators utilize institutions as a forum in which to organize political concessions to potential opposition in an effort to neutralize threats to their power and to solicit cooperation from groups outside of the ruling elite. The use of legislatures and parties to co-opt opposition results in significant institutional effects on policies and outcomes under dictatorship.

The collective work deals with the problems of if, how, and why the histories of German Nazism and Soviet Communism should and could be situated within one coherent narrative. As historical phenomena, can Communism and Nazism fruitfully be compared to each other? Do they belong to the same historical contexts? Have they influenced, reacted to or learned from each other? Are they interpreted, represented and used together by posterity? The background of the book is twofold. One is external. There is an ongoing debate about the historical entanglements of Communism and Nazism, especially about Auschwitz and Gulag, respectively. Our present fascination with the evil history of genocide has situated the Holocaust as the borderline event in Western historical thinking. The crimes against humanity perpetrated by the Soviet Communist regime do not have the same position but are considered more urgent in the East and Central European states that were subdued by both Nazi and Communist regimes. The other, internal background is to develop an analytical perspective in which the "comnaz" nexus can be understood. Using a complex approach, the authors investigate Communist and Nazi histories as entangled phenomena, guided by three basic perspectives. Focusing on roots and developments, a genetic perspective highlights historical, process-oriented connections. A structural perspective indicates an attempt to narrow down "operational" parallels of the two political systems in the way they handled ideology to construct social utopia, used techniques of terror, etc. A third perspective is genealogical, emphasizing the processing and use of Communist and Nazi history by posterity in terms of meaning and memory: What past is worth remembering, celebrating, debating-but also distorting and forgetting? The chapters of the book address phenomena such as ideology, terror, secular religion, museum exhibits, and denial.

'The most powerful indictment of Mugabe's regime yet written' The Economist 'A brave, sensitive and observant account of Zimbabwe's tragedy, exposing the cruelty of Mugabe's regime and the remarkable courage of those who have defied it' Financial Times In mid-2008, after thirty years of increasingly tyrannical rule, Robert Mugabe lost an election. Instead of conceding defeat, his supporters launched a brutal campaign of terror - Zimbabweans called it, simply, The Fear. Peter Godwin travels, at considerable risk, to see the havoc raging at the heart of his country, but what emerges from the brutality are the heartbreaking tales of resistance and survival, the astonishing moments of humour and goodwill, and the unforgettable characters who will not be subdued. 'A beautifully written chronicle of his journey through his ravaged but still achingly beautiful homeland' Independent 'An important book detailing the violent realities, the grotesque injustices, the hunger, the sadness, and a portrait of Mugabe, the tyrant who is the cause of it all' Paul Theroux

After the Long Silence offers a ground-breaking, meticulously researched criticism of Brazilian contemporary performance created by its post-dictatorship generation, whose work expresses the consequences of decades of state-imposed censorship. By offering an in-depth examination of key artists and their works, Claudia Tatinge Nascimento highlights Brazil's political trajectory while never allowing the weight of historical events to offset key aesthetic trends. Brazilian theater artists born around the time of the nation's 1964 military coup experienced the oppressive rule of dictatorship throughout their formative years, but came of age as Brazil re-entered democracy some two decades later. This book showcases how the post-dictatorship generation developed performances that mapped the uncharted territories of Brazil's political trauma with new dramaturgies, site-specific and street productions, and aesthetic experimentation. The author's in-depth research into a wide array of archival materials and publications in both Portuguese and English demonstrates how the artistic practices of significant post-dictatorship artists such as Cia. dos Atores, Teatro da Vertigem, Grupo Galpao, Os Fofos Encenam, and Newton Moreno were driven by critical thinking and a postcolonial sentiment, proving symptomatic of the nation's shift from an ethos of half-truth telling into a transitional justice that fell short in affirming citizenship. Ideal for scholars of the intersection of theatre and politics, After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation offers insight into the function of theater in times of political turmoil and artmaking practices that emerge in response to oppressive regimes.

Fascism exerted a crucial ideological and political influence across Europe and beyond. Its appeal reached much further than the expanding transnational circle of 'fascists', crossing into the territory of the mainstream, authoritarian, and traditional right. Meanwhile, fascism's seemingly inexorable rise unfolded against the backdrop of a dramatic shift towards dictatorship in large parts of Europe during the 1920s and especially 1930s. These dictatorships shared a growing conviction that 'fascism' was the driving force of a new, post-liberal, fiercely nationalist and anti-communist order. The ten contributions to this volume seek to capture, theoretically and empirically, the complex transnational dynamic between interwar dictatorships. This dynamic, involving diffusion of ideas and practices, cross-fertilisation, and reflexive adaptation, muddied the boundaries between 'fascist' and 'authoritarian' constituencies of the interwar European right.

Since the end of Suharto's long authoritarian rule in 1998, there has been a dramatic increase in the rise of ethnic and religious conflict in Indonesia. Jacques Bertrand argues that these conflicts were the result of the constraints imposed by Suharto's regime, which left the country unprepared for political and social change. Consequently, the very definition of the Indonesian nation and what it means to be Indonesian has come under scrutiny. The book is a major contribution to the understanding of religious and ethnic conflict in a complex and often misunderstood arena.