for SSA and organ Composed in 1977, this triumphant setting of words from Psalms 136 and 67 is now published for the first time following the rediscovery of the lost manuscript. Rutter's early style is reminiscent of Britten, making a feature of parallel harmonies and scalic runs to impressive effect- ideal to revitalise the evensong repertoire of upper-voice choirs.

for SATB and piano or orchestra A setting of the hymn Samanthra, this piece combines the original tune's simplicity with rich musical texture and majesty - the hallmarks of Wilberg's style. His voice as the sound features on the Mormon Tabernacle Choir's CD 'Come Thou Fount of Every Blessing: American Folk Hymns & Sprituals' (SKU5014332). Orchestral material is available on hire/rental.

for SATB and organ or strings John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24) is here included in the John Rutter Anniversary Edition, with an illuminating composer's note and useful performance hints. Also available in a version for upper voices. Conductor's scores and instrumental parts are available on sale and hire/rental.

for SATB and organ This short collection presents the complete set of hymns from Chilcott's stunning setting of the St John Passion. The five well-known hymn texts are set to new, original melodies, which are also intended for performance by the audience or congregation. The parts for SATB choir are simple yet beautifully crafted, with a soaring soprano descant to complete four of the hymns. Perfect for liturgical use during holy week, the set would also be ideal for concert performance.

for SATB choir, brass quintet, organ and percussion This engaging 15-minute cantata combines several popular carols to create a performance full of Christmas spirit. Through creative re-harmonization, rhythmic variation, and imaginative linking passages, McDowall conjures up a joyful atmosphere, delighting with familiar and surprising material in equal measure. A rousing finale weaves together several of the tunes to bring the piece to a jubilant close. Instrumental material is available on hire/rental.

for SSAATTBB unaccompanied Combining the evocative Emily Dickinson poem Before the ice and the familiar Latin responsory for Christmas day O magnum mysterium, this carol has beautifully rich textures and harmonies and a sensitive text setting that captures the mystery and wonder of Christmas. The final alleluias lift the carol from the minor to the major to bring the carol to a radiant and affirmatory conclusion. Before the ice features on the Naxos CD of Bob Chilcott's Christmas music, The Rose in the Middle of Winter.

for SATB wordless chorus, viola solo, and orchestra A suite for solo viola, wordless chorus (SATB), and small orchestra, Flos Campi is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon, the chorus never articulates a single word. Instead, it serves as a section of the orchestra, creating an elegant vocal texture and backdrop to the viola's haunting solo lines. The work was premiered in October 1925 by the violist Lionel Tertis, singers from the RCM, and the Queen's Hall Orchestra, directed by Sir Henry Wood.

for SATB unaccompanied Part of the John Rutter Anniversary Edition, this is a profoundly beautiful setting of one of the earliest English prayers, from the Sarum Primer of 1514.

for SATB and piano or small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang. Orchestral material is available on sale and hire/rental.

for SSAATTBB and SSATB unaccompanied The three Choral Amens in this set were written to fill a liturgical and musical gap in chapel services where the prevailing style of the music is romantic. This is the first publication of two of the Amens (in F and A), and the musical style of the three may be characterized as Anglican-romantic.

for SATB (with divisions) unaccompanied I my Best-Beloved's am was written in 1999 for a BBC Singers broadcast concert on the theme of the Seven Sacraments. This a cappella anthem focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Francis Quarles's poetic paraphrase of the Song of Solomon. Gregorian chant is the prevalent musical influence, and the male and female voices are offset against each other in an effective contrast.

for SATB, piano, and optional bass and drum kit The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie, funky Gloria, ballad-like Sanctus, laid-back Benedictus, and passionate Agnus Dei, this work breathes new life into familiar words, perfectly combining the contemporary with the ancient. Recorded by a professional jazz trio (piano, bass, and drums), this backing track is a useful tool for rehearsal and performance, and is compatible with both mixed- and upper-voice versions.

for SATB and piano or orchestra This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. It is a dual language publication, allowing for performance in both Japanese and English. There is a version for SSA. Orchestral material is available on hire.

for SSAA unaccompanied Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Morning Light will be a welcome addition to the upper-voice repertoire.

for SATB, organ, and optional handbells Through luminous choral harmonies, images of a winter night, and echoes of scripture, Advent Moon evokes deep human longing as well as the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece.

for SATB and piano Part of the Voice Junction series, Don't forget tomorrow is an uplifting encore-style piece ideal for college and community choirs, with independent parts during verses and a catchy chorus in harmony - all supported by an infectious samba rhythm from the piano.

for SATB and organ This moving and prayerful arrangement of the well-known traditional song was written in memory of Nelson Mandela. Rutter treats the melody in simple yet varied ways, with a mixture of unison and four-part choral textures, into which the organ is gently interwoven. The piece reaches a dynamic and emotional peak in the fourth and final verse, before a quiet and reflective ending.

for SATB and piano four-hands or orchestra This joyful take on the festive favourite would be the perfect ending to any Christmas concert. The choir grows from unison to eight parts, and a string of modulations keeps the audience on their toes. The orchestration features sleigh bells and brass interjections. Jingle, Bells features on the Mormon Tabernacle Choir's album with Alfie Boe, Home for the Holidays.

for SATB and organ Archer's setting of this well-known Christmas text is lilting and buoyant, with a memorable melody and charming organ interludes. Suitable for liturgical or concert use, the carol features great textual variety, building to a rousing finish that is sure to fill audiences with Christmas cheer!

for children's choir and piano Written for Children's International Voices, this delightfully uplifting piece will appeal to children's choirs everywhere. A highly singable melody alternates between unison and two parts, and the words, written by the composer, are full of excited optimism for the future. Rutter skilfully combines a flowing character with a strong rhythmic pulse, and the piano accompaniment provides harmonic support throughout.

Music as Prayer explores the spiritual and theological character of church music. Author Thomas H. Troeger-a theologian, preacher, poet and flutist-traces how making and listening to music can be an act of prayer, a way of sensing the irrepressible resilience of the divine vitalities, in down-to-earth language that everyone can enjoy. The book employs a wide range of perspectives: from scientific observations about the affect of music on the brain, to the insights of early church fathers about the place of music in worship, to the compositions of great composers and their reflections upon their art, to the Bible and theologians, to organists, choir directors and instrumentalists, to hymnists and poets. Listening to the wisdom of these varied tribes, Troeger finds them to be a cloud of witnesses, a choir giving testimony to how music puts the human heart in touch with the spirit in times of sorrow and seeking, in times of joy and gratitude. The book is addressed to listeners and performers alike, instrumentalists and singers, clergy and seminarians, worship committees and congregation members, scholars and teachers of liturgy and sacred music. It helps musicians and clergy to develop a mutual understanding of the theological and spiritual dimensions of their collaborative work. As a whole, the book celebrates the ministry of making music that awakens people to those gifts of the spirit that sustain hope, promote healing, and enliven a visionary faith in the possibility of a transformed world.

for solo soprano and SSATB Written for the wedding of the composer's niece in 2012, this piece affectionately sets a poem of the same title by Robert Burns. It was first performed by Chantage in London's Church of Scotland, St Columba's, conducted by James Davey. With something intrinsically Scottish about it, this tender setting of the well-loved poem, although written specifically for a wedding, would suit almost any occasion.