for SATB and chamber ensemble Inspired by Geertgen's painting Nativity at Night, Candlelight Carol centres around the love of a mother on that first night in the stable. The orchestral material is compatible with both the SATBB and SSAA versions.

for children's choir, SATB chamber choir, and SATB double choir This monumental cantata for massed forces was commissioned by David Hill and The Bach Choir and premiered as part of the 2012 BBC Proms. Setting a specially commissioned text by Charles Bennett, Chilcott skilfully uses both metred and unmetered sung and spoken lines to highlight the text's environmental message. While the musically interlinked choirs sing of humanity's negligence towards nature in a series of dream images, the endearing and innocent tunes of the children's choir ultimately evoke a sense of hope for the future. Creating a unique opportunity for adult and children's choirs to collaborate, this captivating piece offers a fun and educational performance experience for singers both young and old.

for soprano solo and SSATB unaccompanied Setting a text spoken by Nurse Edith Cavell on the eve of her execution in 1915 and re-fashioned by the poet SeA!n Street, McDowall has created a work of haunting beauty full of gently lamenting harmonies.The sombre subject matter makes the piece equally suitable for funerals and Remembrance Day celebrations. Standing as I do before God is featured on the CD A Multitude of Voices by the choir Sospiri on Convivium Records.

for SATB (with divisions) and soprano saxophone Setting the original Latin text of the hymn better known as 'Hark! a thrilling voice is sounding', Jackson creates an Advent piece of beautiful stillness. The largely homophonic choral parts, with a soloist supplying a gentle contrapuntal line, are contrasted with light and graceful interjections from the saxophone. The result is a quietly moving piece ideally suited for a reflective moment during an Advent service.

for SSATB and cello Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel. Setting texts by Sheila Bryer on the mysterious powers of the sea, earth, and air, McDowall uses vocal clusters and haunting solo cello lines to highlight the sense of fear, awe, and majesty experienced by an individual pitted against the elements. Cecilia McDowall was awarded the 2014 British Composer Award in the Choral category for Night Flight. The solo cello part is available for sale separately.

for SATB and organ or piano or orchestra or brass This anthem combines original music by Mack Wilberg, words by David Warner, and the celebrated hymn tune 'Old One Hundredth', which emerges from heralding voices, cleverly and majestically interwoven. Hymn of Praise is on the CD 'Glory! Music of Rejoicing' (2012) recorded by the Mormon Tabernacle Choir and Orchestra on Temple Square. Orchestral material is available on hire/rental.

for SATB and organ or large orchestra This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization, and a recurring instrumental passage smoothly connects the verses. Reflecting common hymn-singing practice, the first verse is in unison, the second in four-part harmony, and the third returns to unison with a soprano descant, before closing with a suitably exultant 'Alleluia' and 'Amen'. Christ the Lord is risen today appears on the Mormon Tabernacle Choir and Orchestra at Temple Square's latest CD, He is Risen, which reached No. 1 in both the 'Classical Albums' and 'Traditional Classical Albums' US charts within two weeks of its release in April 2014.

for SATB unaccompanied This paean to the divine creation of the world sets part of the Benedicite text from the US Book of Common Prayer. The four unaccompanied voice parts are used to great effect, with phrases often beginning in a strong unison before opening out into rich and colourful harmonies. Helvey highlights the words through the use of homophonic textures and changing time signatures to follow the natural stresses of the text.

for SA and piano or orchestra This charming piece brings to life a magical world that exists in everyone's mind - a land of make-believe, where there are dragons, giants, and castles in the air. The composer's wonderfully imaginative words will appeal to all young and young-at-heart singers, and the approachable melody and limited divisi make the work ideal for performance by children's choir.

for SSA and organ Composed in 1977, this triumphant setting of words from Psalms 136 and 67 is now published for the first time following the rediscovery of the lost manuscript. Rutter's early style is reminiscent of Britten, making a feature of parallel harmonies and scalic runs to impressive effect- ideal to revitalise the evensong repertoire of upper-voice choirs.

for SATB and piano or orchestra A setting of the hymn Samanthra, this piece combines the original tune's simplicity with rich musical texture and majesty - the hallmarks of Wilberg's style. His voice as the sound features on the Mormon Tabernacle Choir's CD 'Come Thou Fount of Every Blessing: American Folk Hymns & Sprituals' (SKU5014332). Orchestral material is available on hire/rental.

for SATB and organ or strings John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24) is here included in the John Rutter Anniversary Edition, with an illuminating composer's note and useful performance hints. Also available in a version for upper voices. Conductor's scores and instrumental parts are available on sale and hire/rental.

for SATB (with divisions) unaccompanied I my Best-Beloved's am was written in 1999 for a BBC Singers broadcast concert on the theme of the Seven Sacraments. This a cappella anthem focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Francis Quarles's poetic paraphrase of the Song of Solomon. Gregorian chant is the prevalent musical influence, and the male and female voices are offset against each other in an effective contrast.

for SATB choir, brass quintet, organ and percussion This engaging 15-minute cantata combines several popular carols to create a performance full of Christmas spirit. Through creative re-harmonization, rhythmic variation, and imaginative linking passages, McDowall conjures up a joyful atmosphere, delighting with familiar and surprising material in equal measure. A rousing finale weaves together several of the tunes to bring the piece to a jubilant close. Instrumental material is available on hire/rental.

Sir David Willcocks: A Celebration in Carols marks the 95th birthday of one of the most acclaimed choral conductors, editors, and arrangers of our time. A survey of his work, the collection brings together many of Willcocks's best-loved carol arrangements, spanning his career as co-editor of Carols for Choirs and as conductor of the UK's finest choirs. It includes a selection of his original compositions too, and gives an overview of the styles and traditions that have enhanced the Christmas musical experience of thousands of singers and listeners. As an affectionate birthday tribute, A Celebration also includes specially-commissioned new carols by John Rutter, Bob Chilcott, and Jonathan Willcocks.

for SATB and organ This short collection presents the complete set of hymns from Chilcott's stunning setting of the St John Passion. The five well-known hymn texts are set to new, original melodies, which are also intended for performance by the audience or congregation. The parts for SATB choir are simple yet beautifully crafted, with a soaring soprano descant to complete four of the hymns. Perfect for liturgical use during holy week, the set would also be ideal for concert performance.

for SSATB and organ The hymn Come, Holy Ghost lies at the heart of Celestial Fire. Here, McDowall has woven the exquisite poetry of Denise Levertov into this expressive and uplifting piece. At times quietly meditative, Celestial Fire unfolds to a most joyous, affirmative conclusion. Celestial Fire was commissioned as part of a trilogy suitable for significant occasions during the church calendar year by Oakham School; the two other Oakham anthems for organ and mixed chorus are Light Eternal and Candlemas.