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Arts & Crafts > Fine Art Supplies > Watercolour > Watercolour Colour
Lunar Violet (PV15 PBk11) is a black violet that can be diluted to a soft violet shade. This product is capable of conveying a twilight sky, rugged weathered stone or even the delicacy lavender flower.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Turner's concentrated Artists' Watercolours combine the finest pure pigments with gum arabic to achieve the highest of lightfast ratings and superb transparency and flow. The pigments are painstakingly ground to a uniform fineness and are blended without any fillers.Colour: 007Series: CPigment: PB15, PBk6, PV19Transparency: OpaqueLightfastness: Excellent
Burnt Umber (PBr7) is a rich dark brown colour. It is low-staining and semi-transparent. Burnt Umber can be warmed with a little Alizarin Crimson or cooled with blue.
Quinacridone Gold (PO49) is a yellow sienna colour. It is an excellent low-staining, golden yellow pigment that can enhance any mixture. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency.
Indigo (PB60, PBK6) is a deep blue colour produced by mixing Indathrone Blue and Lamp Black. A close match for true indigo, this product is an excellent choice when painting blueberries, blackberries, plums and dusky skies.
Lemon Yellow (PY175) is a brilliant primary yellow when used in masstone that can be washed out to produce a soft lemon glow. This productis the perfect pigment to use as a clean mixing colour.
Yellow Ochre (PY43) is a yellow-orange brown colour. This transparent shade is a sublime mixing colour and its uses are almost limitless as it works well with all other transparent pigments.ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-stainingDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 5ml tube of Daniel Smith Watercolour Paint in Yellow Ochre.
Daniel Smith Extra Fine watercolours were released in 1993 and are renowned by artists across the world. The range combine ancient hues and precious minerals with the most modern developments in paint technology. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
MaimeriBlu features an absolute purity of pigments that, together with gum arabic, compose the totality of the mixture. Imperceptible, transparent, clean. No blending powders, and no additives. Nothing harmonises or synchronises the shift between the various shades. The real value lies in the transparency of its colours and in the freshness of its washes. It is the whiteness of the paper that illuminates this type of painting. The light is behind the colour.
Shin Han Pass takes its name from a subway or metro pass. Like a travel pass that allows access to unlimited modes of transportation, ShinHan Pass allows both transparent and opaque techniques to be realised within a single tube. A combination of watercolour and acrylic, ShinHan Pass also exhibits characteristics of gouache. A low amount of gum arabic and glycerin in this paint makes brush strokes more free and colours appear more saturated.
Colour: Quinacridone GoldColour Pigment Index: PO48 PY150Colour Lightfastness: Excellent Transparency: TransparentStaining: Non StainingGranulation: No GranulationLifting: EasyA European style transparent watercolour, Holbein watercolour preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. They are produced without ox-gall, animal by-products or other dispersing agents, which permits greater colour density and brush control.The range has a consistent creamy texture that remains smooth when dry without cracking, crumbling, chipping or moulding in the palette. Colours can be rewetted and used like a pan colour - simply fill the wells of a suitable palette with the desired colour selection, allow it to dry, then wet the colour when needed.Holbein offers a 108-colour range, available in 5ml and 15ml tubes.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size.
Each colour is made with high quality gum arabic and glycerin, linden honey, distilled water and pure pigments. Every pan is hand filled and labelled with watercolour paper. Colours are made in small batches that allow them to be carefully checked. Every batch is tested for performance qualities: vibrancy, flowing abilities, viscosity, colour value, transparency, granulation, undertone, tinting strength, clarity and particle size. For each colour, Roman Szmal select the perfect grind to match the particle size. |
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