Hematite is a heavy silvery-black when used concentrated, but softens to a dove grey in a thin wash. Hematite (or Bloodstone) is ground from a heavy silvery-black mineral rich in iron. This mineral powder makes up the pigment portion of this watercolour paint.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Low

Amazonite Genuine is a strong, pure, teal colour that is completely transparent and non-staining. The precious mineral pigment contained in this paint is sourced from Brazil and named after the Amazon river.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: NoStaining: No

Daniel Smith : Watercolour Paint : 15ml : Purpurite Genuine : Series 2

Roasted French Ochre is a strong, natural orange-brown watercolour that is useful for both landscape and portrait work.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Low

Enviro-friendly Yellow Iron Oxide (PBr6) is a warm golden yellow. This earth-friendly product is semi-transparent and non-staining.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-TransparentStaining: Non-StainingGranulating: Yes

Sodalite Genuine is a deep inky blue. Sodalite, sourced from Greenland and the sides of Mount Vesuvius, is a rare component of Lapis Lazuli. Low staining, lightfast and semi-transparent, this product creates a three-dimensional quality as it dries.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentStaining: LowGranulating: Yes

Kyanite Genuine is a blue-gray with a dazzling, glittery sparkle. This pigment is ground from the translucent kyanite gemstone which is often used for jewellery. Its name comes from the Greek word kyanos meaning dark blue enamel. This granulated product is excellent for adding texture to a painting.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: Non-stainingGranulating: Yes

Transparent Pyrrol Orange (PO71) is a clear, dark, red-leaning orange. Great on its own or in mixes, this product can be added to granulating greens or blues to create earth colours and warm shadow-greys.

Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Shadow Violet (PO73 PB29 PG18) is a deep, warm violet that becomes a grey-mauve wash when added to water. A hint of orange can be perceived in Shadow Violet when it is used in thin applications. This product's transparency makes it a good choice for glazing or painting subtle shadows.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: Non-stainingGranulating: Yes

Cadmium Yellow Light Hue (PY53 PY138 PY3) is a clean lemon yellow. It creates clean mixtures and strong tints with all the richness of a classic cadmium colour.

Lightfastness: ExcellentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Bloodstone Genuine is an intense velvety aubergine. This product's strength is its granulation which is apparent when used on hot and cold pressed watercolour paper.

ASTM Lightfastness Rating: ExcellentGranulating: YesStaining: Non-stainingTranparency: Transparent

Jadeite Genuine is a deep, dark-green that can be softened to the palest jade wash with the addition of water. This product is made using jadeite variety of jade as opposed to the nephrite form.

ASTM Lightfastness Rating: ExcellentGranulating: YesStaining: Non-StainingTransparency: Semi-transparent

Blue Apatite Genuine is a dense rich midnight blue that can, with the addition of water, be turned into a lighter Prussian blue. This product's strength is its granulation which is apparent when used on hot and cold pressed watercolour paper.

ASTM Lightfastness Rating: ExcellentGranulating: YesStaining: Non-stainingTransparency: Transparent

Sugilite Genuine is a deep grey purple in masstone and a greyish lavender in a wash. When in a wash the rose tones in the mixture rise creating the perfect paint to illustrate a dawn sky. The pigment is produced from the South African pigment sugilite. This colour makes a great complement to golds, oranges and greens.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: LowGranulating: Yes

Burnt Bronzite Genuine is a coppery honey tone. This transparent shade is an excellent flesh tone that would be invaluable when portrait painting. Like Bronzite Genuine, it gets a subtle lustrous sparkle from iron oxide.

Lightfastness: ExcellentStaining: Non-StainingGranulating: YesTransparency: Transparent

Garnet Genuine is a warm reddish-orange with similar hue but more texture than Quinacridone Burnt Scarlet. Try mixing it with Cerulean Blue for beautiful mauves and grays.

Lightfastness: ExcellentStaining: LowGranulating: YesTransparency: Transparent

Cerulean Blue (PB35) is a brighter and warmer version of Cerulean Blue Chromium. It has excellent lightfastness and is semi-transparent.

Lightfastness: ExcellentStaining: Non-StainingGranulating: YesTransparency: Semi-Transparent

Mayan Yellow (PY223) is a saturated yellow with a rich history. This beautiful watercolour revives the bold colour used by the ancient Mayan people to adorn their murals and sculpture. Mayan Yellow is a new formula and is based on ancient Mayan chemistry, but is modernised to give a metal-free and eco-friendly paint. It is a natural looking yellow with a very slight green-brown cast, which is great for foliage highlights. You'll love it's transparancy and smooth working properties. Lightfastness: Very Good Staining: Non-Staining Granulating: No Transparency: TransparentDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.

Mayan Violet (PV 58) is a saturated fuschia with a rich tone and velvet finish. This beautiful watercolour revives the bold colour used by the ancient Mayan people to adorn their murals and sculpture. Mayan Violet is a new formula and is based on ancient Mayan chemistry, but is modernised to give a metal-free and eco-friendly paint. A luscious, deep fuchsia- it is perfect for landscapes and shadows. Lightfastness: Very Good Staining: Low-Staining Granulating: Yes Transparency: TransparentDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 15ml tube of Daniel Smith Watercolour Paint in Mayan Violet.

Mayan Red (PR 287) is truly distinctive and remarkable. The range of colour it produces ranges from a natural strong red, to a clear intense rose, to sublime smooth pinks. This pigment is named after the Mayan people that adorned their murals with this colour. Mayan Red is a new formula and is based on ancient Mayan chemistry, but modernised to give a metal-free and eco-friendly paint. ASTM Lightfastness Rating: Very Good Transparency: Transparent Staining: Low Granulating: YesDaniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 15ml tube of Daniel Smith Watercolour Paint in Mayan Red.

Cadmium Orange Hue (PY 53, PO 73, PY 83) is a deep, radiant red orange. This product is semi-transparent. It forms clean mixtures and strong tints with all the richness of a classic cadmium colour.

Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Quinophthalone Yellow (PY138) is a clean and bright yellow. The properties consists of low staining so you can paint with it at full strength but also strip it back to almost paper white. This is a beautiful colour to have on your water colour palette. ASTM Lightfastness Rating: Very Good Transparency: Semi-transparent Granulating: No Staining: Low Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 15ml tube of Daniel Smith Watercolour Paint in Quinophthalone Yellow.

Raw Sienna Light (PY42) has more golden yellow tones than the Daniel Smith Raw Sienna. This Sienna is a granulating colour too, but a bit smoother in washes and is non-staining rather than low staining. Washes suggest sunny wheat fields, dried savannah grasses and other sunbaked landscapes.Lightfastness: I - Excellent.Transparency: Semi-Transparent.Granulation: Non-Granulating.Staining: Non-Staining.Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 15ml tube of Daniel Smith Watercolour Paint in Raw Sienna Light.

Payne’s Blue Gray (PB60, PBk6) is similar to Daniel Smith's bluer Indigo, but like Daniel Smith's original Payne’s Gray, it is semi-transparent rather than transparent. Inky blue and non-granulating.

Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are formulated to meet and exceed the highest industry standards for the manufacture of artists’ paints. Every batch made is tested and analysed for its performance qualities.