Sap Green (PO49 PG7) is a bright yellow-green that mixes well with most pigments. Blend with French Ultramarine to create forest shadows or with Burnt Sienna and Burnt Orange to produce warmer toned greens. Sap Green can be lifted with knife to form blades of grass of with a sponge to create natural looking textures.

ASTM Lightfastness Rating: Excellent - Not yet rated by ASTM - Rating based on Daniel Smith's independent testing.Transparency: TransparentGranulating: YesStaining: Medium

Ultramarine Violet (PV15) is a soft purple hue. This is slightly granular, low-staining pigment and can be used to create delightful mottled washes.

ASTM Lightfastness Rating: Excellent.Transparency: TransparentGranulating: YesStaining: Low

Van Dyck Brown (Blend of PBr7) is a deep, dark brown made of siennas and umbers. Ideal for texturing and staining, this semi-transparent colour makes a good replacement for Sepia.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Venetian Red (PR101) is an earthy red-brown. A medium staining pigment, Venetian Red lifts with some difficulty when dry, but leaves a special warm afterglow when blotted at the damp state. This product is ideal for architectural depictions as due to its granular texture and red brick colouring. Venetian Red is also a great tube to reach for when painting Autumnal scenes.

ASTM Lightfastness Rating: Excellent.Transparency: OpaqueGranulating: YesStaining: Medium

Viridian (PG19) is a cool blue green. Non-staining mixtures and transparent glazes can be produced with ease with this pigment. Viridian can modify reds and make limitless combinations with Quinacridones colours. This paint is an ideal addition to any portrait painter's palette.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

Pompeii Red (PBr7) is a dramatic rusty red-orange that is made from earth that has been heated to attain a burnt colour. This earth creates a granulated texture in the paint. This texture is wonderful for depicting sunlit hills or rough material folds. When mixed with Carmine a lovely vermillion with a slight pink undertone is produced.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Low

Terre Ercolano (PBr7 PR101) is a natural bold brick red. This pigment is semi-transparent and lightfast. Try depicting the desert or red rocks with this earthy, granulating paint.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Low

Phthalo Blue (Red Shade) (PB15) is a deep intense blue with a red undertone. This product is a wonderful tool for painting skies (a small daub of pigment will product will yield sufficient mixture to cover a large area) or for capturing transparent containers filled with water.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: NoStaining: Staining

Verona Gold Ochre (PY150) is a golden yellow brown pigment. This paint is so called as its pigment is mined in the ancient Italian city. Verona Gold Ochre's unusual pigment gives it a surprising clarity and warmth for an earth colour.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

English Red Ochre (PR101) is a transparent sun-baked brick red with a rose-blush undertone. This product makes a wonderful highlight when painting red roses.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Non-staining

English Red Earth (PR101) is, when at full strength, a similar colour to Burnt Sienna. This product can be made into a wash that has a warm pink-brown tint with a soft granulation.

ASTM Lightfastness Rating: ExcellentTransparency: OpaqueGranulating: YesStaining: Non-staining

Green Gold (PY150 PY3 PG36) is a green shade with bright yellow undertones and golden highlights. This product, if used in concentrated form, has a rich and transparent olive-green tone.

ASTM Lightfastness Rating: Very GoodTransparency: TransparentGranulating: NoStaining: Medium

Minnesota Pipestone is a warm, soft, earthy pink. This paint is semi-opaque, lightfast, and granulates beautifully in washes. Made from ground American pipestone and synthetic pigments, this product both honours history of the indigenous American people and speaks of the modern age.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Sleeping Beauty Turquoise Genuine is a soft yet vibrant blue that comes from the Sleeping Beauty Mountain in Arizona. Unlike other turquoise colours this pigment is lightfast, permanent and vivid. Try this product in a wash to create a beautiful granular texture.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Non-staining

Quinacridone Deep Gold (PO48 PY150) is a ruddy golden-orange. Quinacridones are the brightest, boldest colours modern technology can offer. All Quinacridone colours excel in clarity, intensity, durability and transparency. Quinacridone Deep Gold is a vibrant alternative to Burnt Sienna.

Lightfastness: ExcellentStaining: LowGranulating: NoTransparency: Transparent

Natural Kingman Green Turquoise Genuine captures the magic and mystery of the ancient Southwest in a subtle greenish turquoise. It is mined near Kingman, Arizona, which lies along a Native American trade route.Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.This is a 15ml tube of Daniel Smith Watercolour Paint in Kingman Green Turquoise Gen.

Hematite is a heavy silvery-black when used concentrated, but softens to a dove grey in a thin wash. Hematite (or Bloodstone) is ground from a heavy silvery-black mineral rich in iron. This mineral powder makes up the pigment portion of this watercolour paint.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentGranulating: YesStaining: Low

Amazonite Genuine is a strong, pure, teal colour that is completely transparent and non-staining. The precious mineral pigment contained in this paint is sourced from Brazil and named after the Amazon river.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: NoStaining: No

Daniel Smith : Watercolour Paint : 15ml : Purpurite Genuine : Series 2

Roasted French Ochre is a strong, natural orange-brown watercolour that is useful for both landscape and portrait work.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentGranulating: YesStaining: Low

Enviro-friendly Yellow Iron Oxide (PBr6) is a warm golden yellow. This earth-friendly product is semi-transparent and non-staining.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-TransparentStaining: Non-StainingGranulating: Yes

Sodalite Genuine is a deep inky blue. Sodalite, sourced from Greenland and the sides of Mount Vesuvius, is a rare component of Lapis Lazuli. Low staining, lightfast and semi-transparent, this product creates a three-dimensional quality as it dries.

ASTM Lightfastness Rating: ExcellentTransparency: Semi-transparentStaining: LowGranulating: Yes

Kyanite Genuine is a blue-gray with a dazzling, glittery sparkle. This pigment is ground from the translucent kyanite gemstone which is often used for jewellery. Its name comes from the Greek word kyanos meaning dark blue enamel. This granulated product is excellent for adding texture to a painting.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: Non-stainingGranulating: Yes

Transparent Pyrrol Orange (PO71) is a clear, dark, red-leaning orange. Great on its own or in mixes, this product can be added to granulating greens or blues to create earth colours and warm shadow-greys.

Lightfastness: Extremely PermanentStaining: Low-StainingTransparency: Semi-TransparentGranulation: No

Shadow Violet (PO73 PB29 PG18) is a deep, warm violet that becomes a grey-mauve wash when added to water. A hint of orange can be perceived in Shadow Violet when it is used in thin applications. This product's transparency makes it a good choice for glazing or painting subtle shadows.

ASTM Lightfastness Rating: ExcellentTransparency: TransparentStaining: Non-stainingGranulating: Yes