Daniel Smith Ivory Black is a warm, semi-transparent leaning to an opaque pigment. Historically, this black was derived from burnt ivory from a now endangered species. Thankfully, this is no longer the practice. Ivory Black touched with yellow creates a blackened green excellent for backlit foliage. Think Sumi and hand-painted stone lithographs. This colour can be used to darken transparent pigments.

Daniel Smith Watercolour Sticks offer remarkably rich, vibrant colours and the same pure artists' pigments as their Extra Fine Watercolour Paint. They are very portable and long lasting and they make excellent on-the-go painting tools. Each stick is packed with pure pigment and produces vibrant, strong colour when wet. They can also be used dry to build texture. The sticks can also be used like a traditional pan colour. Try wetting your watercolour brush and lifting colour directly from the surface of the stick.

Each stick offers exceptional value as one stick is equivalent to three whole pans of watercolour. The sticks can be cut down and inserted into empty half pans to use as you would a traditional pan watercolour. All the sticks are the same price and include a selection of PrimaTek colours.

Daniel Smith Spring Green is a lovely clear, bright green. Combining two yellow pigments and one green pigment, it is semi-transparent and reveals a very slight granulation in washes. Enjoy its fresh, punchy quality straight from the tube or mix it with Pyrrol Orange or another bright orange to create a wide variety of landscape-friendly, natural greens and rusty oranges.

Daniel Smith Watercolour Sticks offer remarkably rich, vibrant colours and the same pure artists' pigments as their Extra Fine Watercolour Paint. They are very portable and long lasting and they make excellent on-the-go painting tools. Each stick is packed with pure pigment and produces vibrant, strong colour when wet. They can also be used dry to build texture. The sticks can also be used like a traditional pan colour. Try wetting your watercolour brush and lifting colour directly from the surface of the stick.

Each stick offers exceptional value as one stick is equivalent to three whole pans of watercolour. The sticks can be cut down and inserted into empty half pans to use as you would a traditional pan watercolour. All the sticks are the same price and include a selection of PrimaTek colours.

Daniel Smith Burnt Yellow Ochre is a beautiful, versatile earth colour with the ruddy warmth of redwood, ancient pottery or a sunset-lit pueblo. Falling between yellow ochre and burnt sienna, it is a wonderful portrait colour. Light, transparent washes create a range of glowing skin tones. On cold pressed or rough paper, it settles and granulates nicely.

Daniel Smith Watercolour Sticks offer remarkably rich, vibrant colours and the same pure artists' pigments as their Extra Fine Watercolour Paint. They are very portable and long lasting and they make excellent on-the-go painting tools. Each stick is packed with pure pigment and produces vibrant, strong colour when wet. They can also be used dry to build texture. The sticks can also be used like a traditional pan colour. Try wetting your watercolour brush and lifting colour directly from the surface of the stick.

Each stick offers exceptional value as one stick is equivalent to three whole pans of watercolour. The sticks can be cut down and inserted into empty half pans to use as you would a traditional pan watercolour. All the sticks are the same price and include a selection of PrimaTek colours.

Daniel Smith pearlescent colours give white paper a pearl-like lustre. Use Daniel Smith Pearlescent White as a slightly opaque glimmering glaze or combine with other colours to create sparkling pastel tones. Luminescent watercolours show best as glazes over darker colours and are excellent mixed with other colours adding a bit of their luminescent glow

Daniel Smith Watercolour Sticks offer remarkably rich, vibrant colours and the same pure artists' pigments as their Extra Fine Watercolour Paint. They are very portable and long lasting and they make excellent on-the-go painting tools. Each stick is packed with pure pigment and produces vibrant, strong colour when wet. They can also be used dry to build texture. The sticks can also be used like a traditional pan colour. Try wetting your watercolour brush and lifting colour directly from the surface of the stick.

Each stick offers exceptional value as one stick is equivalent to three whole pans of watercolour. The sticks can be cut down and inserted into empty half pans to use as you would a traditional pan watercolour. All the sticks are the same price and include a selection of PrimaTek colours.

This unique grey is versatile, liftable and granulating, helping to create the look of stormy skies and softened shadows. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Replacement for Daniel Smith's original Quinacridone Gold (PO49), which was made from a pigment which is no longer available. New Quinacridone Gold is a low staining, granulating two-pigment colour with similar mixing characteristics to Quinacridone Gold. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Wisteria is a delicate, red leaning lavender. Similar in colour to Ultramarine Red but with different properties, this non-granulating and non-staining colour paints smoothly and lifts easily. Wonderful for painting orchids and other florals. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Cerulean Blue (PB35) is a brighter and warmer version of Cerulean Blue Chromium. It has excellent lightfastness and is semi-transparent. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Bronzite Genuine is warm honey-bronze colour, between ochre and sienna, with lustrous sparkle. When made into a wash it softens to become a warm sandy beige. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. PrimaTek Watercolours are made from minerals, often semi precious minerals, that have been ground into pigments, mixed with gum arabic (the binder) and milled into PrimaTek Watercolours. The first was Lapis Lazuli Genuine in 1998, since then, many more have been added such as Amethyst Genuine, Piemontite Genuine and Serpentine Genuine. Most of these colours have wonderful granulating effects that some artists have called 'magical'.

Colour: Green Apatite Genuine
Pigment Index: Genuine Green Apatite
Transparency: Semi-Transparent
Lightfastness: Excellent
Granulation: Granulating
Staining: Low

Daniel Smith Green Apatite Genuine is a dark, almost brown, olive green in masstone. The product becomes more of a vivid green when made into a wash.
Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision.

PrimaTek Watercolours are made from minerals, often semi precious minerals, that have been ground into pigments, mixed with gum arabic (the binder) and milled into PrimaTek Watercolours. The first was Lapis Lazuli Genuine in 1998, since then, many more have been added such as Amethyst Genuine, Piemontite Genuine and Serpentine Genuine. Most of these colours have wonderful granulating effects that some artists have called 'magical'.

Daniel Smith Perylene Green is an almost black masstone that turns to a blue-green wash. Fantastic for delineating shadows or creating moody landscapes, ominous horizons and stormy seas. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Cadmium Yellow Medium Hue (PY53 PY151 PY83) is a rich intense yellow. This colour disperses beautifully in water for smooth, rich washes. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Cascade Green is a cool, dark, mossy green named after the Cascade Mountains. This colour has superb lightfastness and a beautiful clarity when used as a wash. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Undersea Green (PB29, PO48, PY150) is a warm seaweed green. Creates beautiful autumnal leaf colours and sits perfectly next to Interference Gold. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Sap Green (PO48, PY150, PG7) is a bright yellow-green that mixes well with most pigments. Blend with French Ultramarine to create forest shadows or with Burnt Sienna and Burnt Orange to produce warmer toned greens. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Quinacridone Rose (PV19) is a vivid red-violet colour. Try with Indigo for deep dusty purples, or Indanthrone Blue for rich, clear purples. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Moonglow is a complex violet hue composed of Anthraquinoid Red, Ultramarine Blue, and Viridian Grey. This colour is the one to choose when painting a moonlit night, a sunset snow scene or the long evening shadows. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Hansa Yellow Medium (PY97) is yellow with a whisper of orange. This colour is an excellent primary mixing colour. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Burnt Umber (PBr7) is a rich dark brown colour. It is low-staining and semi-transparent. Burnt Umber can be warmed with a little Alizarin Crimson or cooled with blue. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Watercolour Dot Cards are an excellent way to test out their wide variety of colours.

The 36 Mineral Marvels Colours are truly unique watercolour paints - they are made from minerals, including semi-precious gemstones, that are sourced from all over the world, processed into pigments, then milled into watercolour paints. Most have a strong granulation which adds unique and exciting texture when painting.

The Mineral Marvels Watercolour Dot Card Set has extra-large dots of all 36 PrimaTek watercolours, which is the complete PrimaTek Collection. Just take a wet brush, touch the watercolour dot to release the colour, and you are ready to paint.

Daniel Smith Iridescent Ruby is a sweet and soft metallic pink. This watercolour paint is ideal for adding to the wings of birds and or to the petals of dewy flowers. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Iridescent Electric Blue is the blue colour that can be found within a peacock's feathers. This watercolour paint is one of the brightest luminescent colours. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Pearlescent White is a silver white shade that gives the same glow as mother of pearl. Pearlescent White is ideal for creating glimmering glaze or combining with other colours to create sparkling pastel tones. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Daniel Smith Aussie Red Gold is the rich, golden colour of ochre cliffs set aflame at sunset. This brilliant, reddish gold will add glowing light to Autumn leaves, late summer flowers and landscapes. Daniel Smith's goal is to make the painting process as memorable as your finished masterpiece. Daniel Smith have spent eighteen years developing the finest and most complete line of watercolour paint so you can create your own unique vision. Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist's paints', and every batch made is tested and analyzed for its performance qualities.

Beautiful periwinkle blue with great granulation, and lifts easily.

Daniel Smith Extra Fine watercolours were released in 1993 and are renowned by artists across the world. The range combine ancient hues and precious minerals with the most modern developments in paint technology.

Today, just like in 1993, these watercolours are 'formulated to meet and exceed the highest industry standards for the manufacture of artist’s paints', and every batch made is tested and analyzed for its performance qualities.