Is Kant really the 'bourgeois' philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism. Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant's philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant's concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due. Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukacs, Ranciere and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kant's Third Critique that challenges Marxist and mainstream assessments of Kant alike.

Modern Conspiracy attempts to sketch a new conception of conspiracy theory. Where many commentators have sought to characterize conspiracy theory in terms of the collapse of objectivity and Enlightenment reason, Fleming and Jane trace the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than see in conspiratorial thinking the imminent death of Enlightenment reason, and a regression to a new Dark Age, Modern Conspiracy contends that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment itself: among other things, its vociferous critique of established authorities, and a conception of political sovereignty fuelled by fear of counter-plots. Drawing out the roots of modern conspiratorial thinking leads us to truths less salacious and scandalous than the claims of conspiracy theorists themselves yet ultimately far more salutary: about mass communication; about individual and crowd psychology; and about our conception of and relation to knowledge. Perhaps, ultimately, what conspiracy theory affords us is a renewed opportunity to reflect on our very relationship to the truth itself.

The twelfth-century philosopher Averroes is often identified by modern Arab thinkers as an early advocate of the Enlightenment. Saud M. S. Al-Tamamy demonstrates that an historical as well as comparative approach to Averroes' thought refutes this widely held assumption. The philosophical doctrine of Averroes is compared with that of the key figure of the Enlightenment in Western thought, Immanuel Kant. By comparing Averroes and Kant, Al-Tamamy evaluates the ideologies of each thinker's work and in particular focuses on their respective political implications on two social groups: the Elite, in Averroes' case, and the Public, in the case of Kant. The book's methodology is at once historical, analytical and communicative, and is especially relevant when so many thinkers - both Western and Middle Eastern - are anxious to find common denominators between the formations of Islamic and Western cultures. It responds to a need for comparative analysis in the field of Averroes studies, and takes on the challenge to uncover the philosopher's influence on the Enlightenment.

Why is the philosopher Hegel returning as a potent force in contemporary thinking? Why, after a long period when Hegel and his dialectics of history have seemed less compelling than they were for previous generations of philosophers, is study of Hegel again becoming important? Fashionably contemporary theorists like Francis Fukuyama and Slavoj Zizek, as well as radical theologians like Thomas Altizer, have all recently been influenced by Hegel, the philosopher whose philosophy seems somehow perennial - or, to borrow an idea from Nietzsche, eternally returning. Exploring this revival via the notion of 'negation' in Hegelian thought, and relating such negativity to sophisticated ideas about art and artistic creation, Andrew Hass argues that the notion of Hegelian negation moves us into an expansive territory where art, religion and philosophy may all be radically reconceived and broken open into new forms of philosophical expression. The implications of such a revived Hegelian philosophy are, the author argues, vast and current. Hegel thereby becomes the philosopher par excellence who can address vital issues in politics, economics, war and violence, leading to a new form of globalised ethics. Hass makes a bold and original contribution to religion, philosophy and the history of ideas.

The keywords of the Enlightenment-freedom, tolerance, rights, equality-are today heard everywhere, and they are used to endorse a wide range of positions, some of which are in perfect contradiction. While Orwell's 1984 claims that there is one phrase in the English language that resists translation into Newspeak, namely the opening lines of that key Enlightenment text, the Declaration of Independence: 'We hold these truths to be self-evident, that all men are created equal...', we also find the Wall Street Journal saying of the Iraq War that the US was 'fighting for the very notion of the Enlightenment'. It seems we are no longer sure whether these truths are self-evident nor quite what they might mean today. Based on the critically acclaimed Oxford Amnesty Lectures series, this book brings together a number of major international figures to debate the history of freedom, tolerance, equality, and to explore the complex legacy of the Enlightenment for human rights. The lectures are published here with responses from other leading figures in the field.

Rene Descartes is famous as the philosopher who was prepared to doubt everything- even his own physical existence. Most people know that he said 'I think, therefore I am', even if they are not always sure what he really meant by it. Introducing Descartes explains what Descartes doubted, and why he is usually called the father of modern philosophy. It is a clear and accessible guide to all the puzzling questions he asked about human beings and their place in the world. Dave Robinson and Chris Garratt give a lucid account of Descartes' contributions to modern science, mathematics, and the philosophy of mind- and also reveal why he liked to do all of his serious thinking in bed.

Nietzsche remains one of the most influential philosophers of our time and this book is the definitive guide to his philosophy. Whether you're a philosophy student struggling with phrases like 'the superman' and 'the will to power', or whether you simply want to understand more about the life and work of this fascinating man, this easy-to-navigate guide will help you to demystify Nietzsche's influential ideas and discover his legacy to modern thought. NOT GOT MUCH TIME? One, five and ten-minute introductions to key principles to get you started. AUTHOR INSIGHTS Lots of instant help with common problems and quick tips for success, based on the author's many years of experience. TEST YOURSELF Tests in the book and online to keep track of your progress. FIVE THINGS TO REMEMBER Quick refreshers to help you remember the key facts. TRY THIS Innovative exercises illustrate what you've learnt and how to use it.

This title presents a concise and coherent overview of Locke, ideal for second- or third-year undergraduates who require more than just a simple introduction to his work and thought. John Locke is a clear and lucid writer who wrote on many subjects and founded many new schools of thought. Yet, while his work is not impossible to read, his thought is sufficiently subtle, complex and intricate that he can be agonizingly hard to follow, presenting students of philosophy with a number of difficulties and challenges. "Locke: A Guide for the Perplexed" is a clear and thorough account of Locke's philosophy, his major works and ideas, providing an ideal guide to the important and complex thought of this key philosopher. The book covers the whole range of Locke's philosophical work, offering a thematic review of his thought, together with detailed examination of his landmark text, "An Essay Concerning Human Understanding". Geared towards the specific requirements of students who need to reach a sound understanding of Locke's thought, the book provides a cogent and reliable survey of his life, political context and philosophical influences, and clearly and concisely reviews the competing interpretations of the Essay. This is the ideal companion to the study of this most influential and challenging of philosophers. "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.

This work offers a concise and accessible introduction to the key empiricists of the 17th and 18th centuries, ideal for undergraduate students. Empiricism is one of the most widely discussed topics in philosophy. Students regularly encounter the well known opposition between rationalism and empiricism - the clash between reason and experience as sources of knowledge and ideas - at an early stage in their studies. "The Empiricists: A Guide for the Perplexed" offers a clear and thorough guide to the key thinkers responsible for developing this central concept in the history of philosophy. The book focuses on the canonical figures of the empiricist movement, Locke, Berkeley and Hume, but also explores the contributions made by other key figures such as Bacon, Hobbes, Boyle and Newton.Laurence Carlin presents the views of these hugely influential thinkers in the context of the Scientific Revolution, the intellectual movement in which they emerged, and explores in detail the philosophical issues that were central to their work. Specifically designed to meet the needs of students seeking a thorough understanding of the topic, this book is the ideal guide to a key concept in the history of philosophy. "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.

Lancees six ans apres le Dictionnaire philosophique, les Questions sur l'Encyclopedie sont un des derniers chefs-d'oeuvre de Voltaire. OEuvre alphabetique, oeuvre polemique comme le Dictionnaire, les Questions offrent une richesse thematique sans equivalent et constituent un veritable condense des idees de Voltaire sur une impressionnante diversite de sujets. Collaborateurs: Marcus Allen, Francois Bessire, Alice Breathe, Christophe Cave, Marie-Helene Cotoni, Nicholas Cronk, Olivier Ferret, Michael Freyne, Graham Gargett, Paul Gibbard, Russell Goulbourne, Dominique Lussier, Christiane Mervaud, Michel Mervaud, Guillaume Metayer, Paul H. Meyer, Jeanne R. Monty, Francois Moureau, Christophe Paillard, Gillian Pink, Stephane Pujol, John Renwick, Bertram E. Schwarzbach, Arnoux Straudo, Jeroom Vercruysse.

Caroline of Ansbach (1683-1737), Augusta of Saxe-Gotha (1719-1772), and Charlotte of Mecklenberg-Strelitz (1744-1818) were three German princesses who became Queens Consort-or, in the case of Augusta, Queen in Waiting, Regent, and Princess Dowager-of Great Britain, and were linked by their early years at European princely courts, their curiosity, aspirations, and an investment in Enlightenment thought. This sumptuously illustrated book considers the ways these powerful, intelligent women left enduring marks on British culture through a wide range of activities: the promotion of the court as a dynamic forum of the Hanoverian regime; the enrichment of the royal collection of art; the advancement of science and industry; and the creation of gardens and menageries. Objects included range from spectacular state portraits to pedagogical toys to plant and animal specimens, and reveal how the new and novel intermingled with the traditional. Published in association with the Yale Center for British Art and Historic Royal Palaces Exhibition Schedule: Yale Center for British Art (02/02/17-04/30/17) Kensington Palace (06/22/17-11/12/17)

This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, Plasticity, and Music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.

Immanuel Kant is widely considered to be the most important and influential thinker of modern Europe and the late Enlightenment. His philosophy is extraordinarily wide-ranging and his influence has been pervasive throughout eighteenth, nineteenth and twentieth-century thought, in particular in the work of the German Idealists, and also in both Analytic and Continental philosophy today. Now available as a new and expanded edition in paperback, this accessible companion to Kant features more than 100 specially commissioned entries, written by a team of experts in the field, covering every aspect of his philosophy. The Bloomsbury Companion to Kant presents a comprehensive overview of the historical and philosophical context in which Kant wrote and the various features, themes and topics apparent in his thought. It also includes extensive synopses of all his major published works and a survey of the key lines of reception and influence including a new addition on Schopenhauer's reception of Kant. It concludes with a thorough bibliography of English language secondary literature, now expanded for this edition to include all cutting-edge publications in the area. This is an essential and practical research tool for those working in the field of eighteenth-century German philosophy and Kant.

In mid-eighteenth-century Europe, a taste for sentiment accompanied the 'rise of the novel', and the success of Samuel Richardson (1689-1761) played a vital role in this. James Fowler's new study is the first to compare the response of the most famous philosophes to the Richardson phenomenon. Voltaire, who claims to despise the novel, writes four 'Richardsonian' fictions; Diderot's fascination with the English author is expressed in La Religieuse, Rousseau's in Julie the century's bestseller. Yet the philosophes' response remains ambivalent. On the one hand they admire Richardson's ability to make the reader weep. On the other, they champion a range of Enlightenment beliefs which he, an enthusiast of Milton, vehemently opposed. In death as in life, the English author exacerbates the philosophes' rivalry. The eulogy which Diderot writes in 1761 implicitly asks: who can write a new Clarissa? But also: whose social, philosophical or political ideas will triumph as a result?"

The birth of the Enlightenment heralded a new reverence for the power of reason. But as science flourished in Europe, violence and brutality did not abate. In the French Revolution, thousands were guillotined and the death toll was vast. Philosophers asked whether we had become dehumanised by rationality and abstract political theory. Did art and literature provide a way to rediscover our soul and our compassion? Or could art be corrupted just as easily, used as propaganda to justify abhorrent acts? In this masterful survey of European aesthetics over the last two hundred years, philosopher Robert L. Wicks argues that it is this tension between creativity and rationality that has characterised debate in the subject. Presenting the theories of sixteen seminal thinkers, including Kant, Nietzsche, Freud, and Derrida, European Aesthetics shows how each philosopher's theory of art was motivated by broader topics in their thought, concerning who we are and what a good society should resemble. With colour photographs and written in a lively but objective tone, Wicks analyses important pieces of art, makes critical comparisons between thinkers, and offers a bold conclusion on our contemporary aesthetic situation. In an internet age, where we are presented with endless opportunity, but also startling existential questions, this is the definitive account of the evolution of continental thought in this hugely relevant and exciting area of philosophy.