This book offers an original reading of Wittgenstein's views on such topics as radical scepticism, the first- and third-person asymmetry of mental talk, Cartesianism, and rule-following.The celebrated 20th century philosopher, Ludwig Wittgenstein, developed an interest in his later career in natural forms of behaviour and the role they play in our linguistic and other intellectual practices. To many, Wittgenstein appears to be advancing a theory about these practices as originating in natural forms of behaviour. However, theories of this sort seem out of place in philosophy, especially in light of Wittgenstein's own expressed views on the purpose of philosophy.Keith Dromm offers a way of understanding these apparently incongruous aspects of Wittgenstein's writings that is more consistent with his views on the proper purpose of philosophy. The book shows that Wittgenstein does not in fact offer theories about natural human behaviour. Rather, these references belong to a type of philosophical reasoning that is not meant to contribute to our knowledge, as explanations in science do, but instead to help clarify our thinking on certain philosophical topics. In particular, they serve to relieve apparent tensions between the things we do know.

The pathology of wars, violence, anger, and frustration is traced from the first hominids to our time. This book traces the history of our gradual alienation from nature, from our community, and from our own and other species. The author uses a conversational tone to explain a theory of how having relinquished control of our lives to others, be it rulers, priests, or bosses, we have created a general malaise which has led to anger, frustration and violence. The book ends optimistically with possible solutions.

We humans are deeply convinced that there is something distinct about us as a species, but we have never been able to agree on what it is. In the West, the religion of Israel argued that the will is the fundamental vehicle of our relation to God and therefore the determining characteristic of our humanity. Greek philosophy countered with the view that reason is the definitively human characteristic, since humans are the only self-aware animal. Today that unresolved argument is further complicated by the pluralism of contemporary culture and the surprisingly different ways in which different groups understand themselves. These essays approach the question in two different ways. The first is a philosophical attempt at definition. Bhikhu Parekh agrees that there is a universal human nature but that there is also a nature which is culture-specific and a third which is self-reflective. Daniel O. Dahlstrom argues that we know our nature only when it is recognized by our culture and that the liberal democratic idea of the state both celebrates and threatens the notion of fundamental human equality. Stanley H. Rosen gives a contemporary interpretation of the classical Greek view in proposing that philosophy is an expression of our humanity, an openness to the human love of wisdom. Knud Haakonssen is not ready to endorse any given orthodoxy regarding human nature but argues rather for openness to experimental views and promising hypothesis. Lisa Sowle Cahill defends a feminist interpretation of Catholic moral theology; we must be able to say that the battering of women is everywhere and always wrong. And Robert Cummings Neville notes that being human means having the obligation to take responsibility for our history. The second group of essays recognizes that we are what we do as well as what we say we are and asks what it means to be genuinely humane. Glenn C. Loury criticizes Murray and Herrnstein's The Bell Curve

This volume examines the interface between the teachings of art and the art of teaching, and asserts the centrality of aesthetics for rethinking education. Many of the essays in this collection claim a direct connection between critical thinking, democratic dissensus, and anti-racist pedagogy with aesthetic experiences. They argue that aesthetics should be reconceptualized less as mere art appreciation or the cultivation of aesthetic judgment of taste, and more with the affective disruptions, phenomenological experiences, and the democratic politics of learning, thinking, and teaching. The first set of essays in the volume examines the unique pedagogies of the various arts including literature, poetry, film, and music. The second set addresses questions concerning the art of pedagogy and the relationship between aesthetic experience and teaching and learning. Demonstrating the flexibility and diversity of aesthetic expressions and experiences in education, the book deals with issues such as the connections between racism and affect, curatorship and teaching, aesthetic experience and the common, and studying and poetics. The book explores these topics through a variety of theoretical and philosophical lenses including contemporary post-structuralism, psychoanalysis, phenomenology, critical theory, and pragmatism.

Literature reveals that the hidden strings of the human "passional soul" are the creative source of the specifically human existence. Continuing the inquiry into the "elemental passions of the soul" and the "human creative soul" pursued in several previous volumes of this series, the present volume focuses on the "passions of the earth", bringing to light some of the primogenital existential threads of the innermost bonds of the "Human Condition" and mother earth. In the author's words, the book's purpose is to unravel the essential bond between the living human being and the earth - a bond that lies at the heart of our existence. A heightened awareness of this bond should enlighten our situation and help us find our existential bearings.

Alain Badiou's Being and Event continues to impact philosophical investigations into the question of Being. By exploring the central role set theory plays in this influential work, Burhanuddin Baki presents the first extended study of Badiou's use of mathematics in Being and Event. Adopting a clear, straightforward approach, Baki gathers together and explains the technical details of the relevant high-level mathematics in Being and Event. He examines Badiou's philosophical framework in close detail, showing exactly how it is 'conditioned' by the technical mathematics. Clarifying the relevant details of Badiou's mathematics, Baki looks at the four core topics Badiou employs from set theory: the formal axiomatic system of ZFC; cardinal and ordinal numbers; Kurt Goedel's concept of constructability; and Cohen's technique of forcing. Baki then rebuilds Badiou's philosophical meditations in relation to their conditioning by the mathematics, paying particular attention to Cohen's forcing, which informs Badiou's analysis of the event. Providing valuable insights into Badiou's philosophy of mathematics, Badiou's Being and Event and the Mathematics of Set Theory offers an excellent commentary and a new reading of Badiou's most complex and important work.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Water is the element that, more than any other, ties human beings in to the world around them - from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it. Building on the works by Luce Irigaray, Maurice Merleau-Ponty and Gilles Deleuze, Astrida Neimanis's book is a landmark study that brings a new feminist perspective to bear on ideas of embodiment and ecological ethics in the posthuman critical moment.

While economic and other social science expertise is indispensable for successful public policy-making regarding global climate change, social scientists face trade-offs between the scientific credibility, policy-relevance, and legitimacy of their policy advice. From a philosophical perspective, this book systematically addresses these trade-offs and other crucial challenges facing the integrated economic assessments of the Intergovernmental Panel on Climate Change (IPCC). Based on John Dewey's pragmatist philosophy and an analysis of the value-laden nature and reliability of climate change economics, the book develops a refined science-policy model and specific guidelines for these assessments of climate policy options. The core idea is to scientifically explore the various practical implications of alternative climate policy pathways in an interdisciplinary manner, together with diverse stakeholders. This could facilitate an iterative, deliberative public learning process concerning disputed policy issues. This volume makes novel contributions to three strands of the literature: (1) the philosophy of (social) science in policy; (2) the philosophy of economics; and (3) debates about the design of scientific assessments, including the continuous IPCC reform debate. This work is thus interesting for philosophers and other scholars reflecting on the science-policy interface, but also for assessment practitioners, climate policy-makers, and economists. The science-policy approach developed in this volume has already influenced the recent socio-economic IPCC assessment.

Philosophy, Myth and Epic Cinema looks at the power of cinema in creating ideas that inspire our culture. Sylvie Magerstadt discusses the relationship between art, illusion and reality, a theme that has been part of philosophical debate for centuries. She argues that with the increase in use of digital technologies in modern cinema, this debate has entered a new phase. She discusses the notion of illusions as a system of stories and values that inspire a culture similar to other grand narratives, such as mythology or religion. Cinema thus becomes the postmodern "mythmaking machine" par excellence in a world that finds it increasingly difficult to create unifying concepts and positive illusions that can inspire and give hope. The author draws on the work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze to demonstrate the relevance of continental philosophy to a reading of mainstream Hollywood cinema. The book argues that our longing for illusion is particularly strong in times of crisis, illustrated through an exploration of the recent revival of historic and epic myths in Hollywood cinema, including films such as Troy, The Lord of the Rings Trilogy, and Clash of the Titans.

This highly original collection of essays contributes to a critique of the common understanding of modernity as an enlightened project that provides rational grounds for orientation in all aspects and dimensions of the world. An international team of contributors contend that the modern principles of foundation show in themselves rather how modernity is disorienting itself. The book brings together discussions on the writings of philosophers who treat more systematically the questions of foundation and orientation, such as Kant, Nietzsche, Husserl, Heidegger, Pascal, and Patocka, and studies of literary works that explicitly thematize this question, such as Novalis, Hoelderlin, Beckett, Platonov, and Benjamin. This multi-disciplinary approach brings to the fore the paradox that modern figures of grounding and orientation unground and disorient and demonstrates a critical path to review current understandings of modernity and post-modernity.

This book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.

In thinking about ontology as the study of being or what fundamentally exists, we can adopt an ontology that either takes substances or processes as primary. There are, however, both commonsense and naturalistic reasons for not fully adopting a substance ontology, which indicate that we ought to suspend judgment with respect to the acceptance of a substance ontology. Doing so allows room to further explore other ontologies. In this book, Andrew M. Winters argues that there are both commonsense and naturalistic reasons for further pursuing a process ontology. Adopting a process ontology allows us to overcome many of the difficulties facing a substance ontology while also accommodating many of the phenomenon that substance ontologies were appealed to for explanation. Given these reasons, we have both commonsense and naturalistic reasons for pursuing and developing a metaphysics without substance.

What could Wittgenstein's work contribute to the rapidly growing literature on life's meaning? This book not only examines Wittgenstein's scattered remarks about value and 'sense of life' but also argues that his philosophy and 'way of seeing' has far reaching implications for the ways theorists approach an ancient question: 'How shall one live?'.

Merleau-Ponty's Phenomenology reconstructs Merleau-Ponty's treatment of the problem of ideal objects. Kirk Besmer describes Merleau-Ponty's early attempt to found ideal objects on pre-linguistic, perceptual experience and shows that Merleau-Ponty ultimately came to see the shortcomings of this initial view. An examination of often ignored writings from the middle-period of Merleau-Ponty's career allows Besmer to piece together Merleau-Ponty's mature view of ideal objects, one that does not overlook the contributions of perception but emphasizes the historical and cultural nature of ideal objects and one's experience of them. Merleau-Ponty's final view of ideal objects takes ideal meanings in language as paradigmatic and understands ideal objects as embedded in cultural practices and institutions. Kirk Besmer's book is the first ever to be devoted to the problem of ideal objects in Merleau-Ponty's thought. Showing for the first time the crucial conceptual developments and revisions internal to Merleau-Ponty's thought, Besmer's book will change the way that Merleau-Ponty is read.

In three comprehensive volumes, Logic of the Future presents a full panorama of Charles S. Peirce's important late writings. Among the most influential American thinkers, Peirce took his existential graphs to be his greatest contribution to human thought. The manuscripts from 1895-1913, most of which are published here for the first time, testify the richness and open-endedness of his theory of logic and its applications. They also invite us to reconsider our ordinary conceptions of reasoning as well as the conventional stories told about the evolution of modern logic. This second volume collects Peirce's writings on existential graphs related to his Lowell Lectures of 1903, the annus mirabilis of his that became decisive in the development of the mature theory of the graphical method of logic.

J.L. Austin subjected language to a close and intense analysis. This book deals with his examination of the various things we do with words, comparing his work with that of more recent philosophers and social scientists. It shows that his work can still play a vital role in enhancing our understanding of language. It also deals with the philosophical insights that Austin believed could be gained by closely examining the uses of words by non-philosophers.

In recent years there has been increased interest in three contemporary French philosophers, all former students of Louis Althusser and each now an influential thinker in his own right. Alain Badiou is one of the most important living continental thinkers, well-known for his pioneering theory of the Event. Etienne Balibar has forged new approaches to democracy, citizenship and what he describes as 'equaliberty'. Jacques Ranciere has crossed boundaries between history, politics and aesthetics and his work is beginning to receive the attention it deserves. Nick Hewlett brings these three thinkers together, examining the political aspects of their work. He argues that in each of their systems there are useful and insightful elements that make real contributions to the understanding of the modern history of politics and to the understanding of contemporary politics. But he also identifies and explores problems in each of Badiou, Balibar and Ranciere's work, arguing that none offers a wholly convincing approach.

Grete Hermann (1901-1984) was a pupil of mathematical physicist Emmy Noether, follower and co-worker of neo-Kantian philosopher Leonard Nelson, and an important intellectual figure in post-war German social democracy. She is best known for her work on the philosophy of modern physics in the 1930s, some of which emerged from intense discussions with Heisenberg and Weizsacker in Leipzig. Hermann's aim was to counter the threat to the Kantian notion of causality coming from quantum mechanics. She also discussed in depth the question of 'hidden variables' (including the first critique of von Neumann's alleged impossibility proof) and provided an extensive analysis of Bohr's notion of complementarity. This volume includes translations of Hermann's two most important essays on this topic: one hitherto unpublished and one translated here into English for the first time. It also brings together recent scholarly contributions by historians and philosophers of science, physicists, and philosophers and educators following in Hermann's steps. Hermann's work places her in the first rank among philosophers who wrote about modern physics in the first half of the last century. Those interested in the many fields to which she contributed will find here a comprehensive discussion of her philosophy of physics that places it in the context of her wider work.

The single most influential work in Chinese history is Lunyu, the Confucian Analects. Its influence on the Chinese people is comparable to that of the bible on the Western world. It is neither a tract of prosaic moralism contained in the fortune cookies in Chinese restaurants nor a manual of political administration that prescribes do's and don't's for new initiates. A book claiming a readership of billions of people throughout the history in China and East Asia and now even in the Western world must be one that has struck a chord in the readers, one which appears to arise from the existential concerns that Confucius shared: How can one overcome the egoistic tendency that plagues life? How does one see the value of communal existence? What should be one's ultimate concern in life?These questions call for a line of inquiry on the Analects that is explicitly existential. An existential reading of the Analects differs from other lines of inquiry in that it not only attempts to reveal how the text spoke to the original audience but also to us today. It is not only a pure academic exercise that appeals to the scholarly minded but also an engagement with all who feel poignantly about existential predicaments.In this existential reading of the Analects, the author takes Paul Tillich as an omnipresent dialogical partner because his existential theology was at one time very influential in the West and currently very popular in Chinese academia. His analysis of ontological structure of man can be applied to the Analects. This conceptual analysis reveals that that this foundational text has three organically connected levels of thought, proceeding from personal cultivation through the mediation of the community to the metaphysical level of Ultimate Reality. Few scholarly attempts like this one have been made to reveal systematically the interconnectedness of these three levels of thought and to the prominence to their theological underpinnings.This existential reading of the Analects carries with it a theological implication. If one follows the traditional division of a systematic theology, one will find that the Analects has anthropological, ethical, and theological dimensions, which correspond to the three levels of thoughts mentioned. If one understands soteriology more broadly, one will find the Analects also has a soteriological dimension. The Analects points to the goal of complete harmony in which a harmony within oneself, with the society and cosmos are ensured.If one is to construct a theology of the Analects, the existential reading enables the drawing of certain contrasts with Paul Tillich's existential theology. The Confucian idea of straying from the Way differs from the symbol of fall. The Confucian reality of social entanglement differs from the reality of estrangement. The Confucian paradoxical nature of Heaven differs from trinitarian construction of God. The most important contribution of this study is that it reveals the religious or theological dimension of the Confucian Analects.This is an important book for those engaged in the study of the Confucian Analects, including those in Chinese studies as well as comparative theology and religion.

This book develops a new Wittgenstein interpretation called Wittgenstein's Metametaphysics. The basic idea is that one major strand in Wittgenstein's early and later philosophy can be described as undermining the dichotomy between realism and idealism. The aim of this book is to contribute to a better understanding of the relation between language and reality and to open up avenues of dialogue to overcome deep divides in the research literature. In the course of developing a comprehensive and in-depth interpretation, the author provides fresh and original analyses of the latest issues in Wittgenstein scholarship and gives new answers to both major exegetical and philosophical problems. This makes the book an illuminating study for scholars and advanced students alike.

The old philosophical discipline of metaphysics - after having been pronounced dead by many - has enjoyed a significant revival within the last thirty years, due to the application of the methods of analytic philosophy. One of the major contributors to this revival is the outstanding American metaphysician Peter van Inwagen. This volume brings together twenty-two scholars, who, in commemoration of Prof. van Inwagen's 75th birthday, ponder the future prospects of metaphysics in all the richness to which it has now returned. It is only natural that logical and epistemological reflections on the significance of metaphysics - sometimes called "meta-metaphysics" - play a considerable role in most of these papers. The volume is further enriched by an interview with Peter van Inwagen himself.

Using Martin Heidegger's later philosophy as his springboard, Peter S. Dillard provides a radical reorientation of contemporary Christian theology. From Heidegger's initially obscure texts concerning the holy, the gods, and the last god, Dillard extracts two possible non-metaphysical theologies: a theology of Streit and a theology of Gelassenheit. Both theologies promise to avoid metaphysical antinomies that traditionally hinder theology. After describing the strengths and weaknesses of each non-metaphysical theology, Dillard develops a Gelassenheit theology that ascribes a definite phenomenology to the human encounter with divinity. This Gelassenheit theology also explains how this divinity can guide human action in concrete situations, remain deeply consonant with Christian beliefs in the Incarnation and the Trinity, and shed light on the Eucharist and Religious Vocations. Seminal ideas from Rudolf Otto and Ludwig Wittgenstein are applied at key points. Dillard concludes by encouraging others to develop an opposing Streit theology within the non-metaphysical, Heidegerrian framework he presents.