The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 9 & 10 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published by Princeton University Press, 1980ff.

Written by Derrida scholars, philosophers, and classicists, Derrida and Antiquity analyses a dialogue with the ancient world in the work of one of the greatest philosophers of the twentieth century. Through an analysis of Derrida's work it explores the relationship between modern philosophy and Plato, the role ancient concepts of democracy have played in modern political debates, and the place of antiquity in contemporary discussions about Europe, as well as investigating the influence that deconstruction has had on the study of classical literature, ancient philosophy, and early religion. The volume is prefaced by a previously untranslated essay by Derrida, 'We Other Greeks'.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Water is the element that, more than any other, ties human beings in to the world around them - from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it. Building on the works by Luce Irigaray, Maurice Merleau-Ponty and Gilles Deleuze, Astrida Neimanis's book is a landmark study that brings a new feminist perspective to bear on ideas of embodiment and ecological ethics in the posthuman critical moment.

Basic Problems of Phenomenology presents the first English translation of Martin Heidegger's early lecture course from the Winter of 1919/1920, in which he attempts to clarify phenomenology by looking at the phenomenon of life, which he sees as the primary area of research for phenomenology. Heidegger investigates the notions of life and world, and in particular the self-world, Christianity, and science in an attempt to discern how phenomenology is the primordial science of life and how phenomenology can take account of the streaming character of life. Basic Problems of Phenomenology provides invaluable insights into the development of Heidegger's thoughts about human existence up to Being and Time. It also offers a compelling insight into the nature of the world and our ability to give an account of human life. As an account of Heidegger's early understanding of life, the text fills an important gap in the available literature and represents a crucial contribution to our understanding of the early Heidegger.

The place (or absence) of God in Nietzsche's thought remains central and controversial. Nietzsche's proclamation of 'the death of God' is one of the most famous (and parodied) slogans in modern philosophy, seeming to encapsulate the nineteenth-century loss of religious faith in the affirmation that God has "turned out to be our oldest lie" and yet the nature of Nietzsche's own 'theology' is far from clear. This volume engages with Nietzsche's arguments about God, theology, and religion. The volume extends the discussion to an engagement of Nietzsche with alternative models of God, with ancient Greek religions, and with discussions of diversity (race, class, gender, sex) in dis/conjunction with religion. The chapters examine Nietzsche's genealogy of religion and his claims about the place of God and theology in the history of Western thought ("that faith of the Christians, which was also Plato's faith"), as well as his engagements with alternative conceptions of God. The volume also examines the historical and contemporary reception of Nietzsche's arguments about God by religious and non-religious thinkers, asking to what extent Nietzsche's philosophy of God speaks to the challenges of today's globalized philosophy and religion.

This is an important new monograph offering a novel reading of the philosophy of Iris Murdoch."Iris Murdoch and the Art of Imagining" offers a new appreciation of Iris Murdoch's philosophy, emphasising the importance of images and the imagination for her thought.This book is first and foremost a study of Iris Murdoch's philosophical work. It examines how literature and imagination enabled Murdoch to form a philosophical response to the decline of religion. It thus argues that Murdoch is an important philosopher, because she has not confined herself to philosophy. The book also reconsiders various contemporary assumptions about what philosophy is and does. Through Le Doeuff's notion of the philosophical imaginary, it examines the different ways in which images and imagination are part of philosophy.

The old philosophical discipline of metaphysics - after having been pronounced dead by many - has enjoyed a significant revival within the last thirty years, due to the application of the methods of analytic philosophy. One of the major contributors to this revival is the outstanding American metaphysician Peter van Inwagen. This volume brings together twenty-two scholars, who, in commemoration of Prof. van Inwagen's 75th birthday, ponder the future prospects of metaphysics in all the richness to which it has now returned. It is only natural that logical and epistemological reflections on the significance of metaphysics - sometimes called "meta-metaphysics" - play a considerable role in most of these papers. The volume is further enriched by an interview with Peter van Inwagen himself.

The book is a comprehensive introduction to the work of the Estonian-German biologist Jakob von Uexkull. After a first introductory chapter by Morten Tonnessen and a second chapter on Uexkull's life and philosophical background, it contains four chapters devoted to the analysis of his main works. They are followed by a vast eighth chapter which deals with the influence Uexkull had on other philosophers and scientists. Finally, the author discloses his conclusions, focused on the possibility of updating Uexkull's work. As far as the key issue is concerned, the Uexkullian Umwelt is the perceptive and operative world which surrounds animal species; it is a subjective species-specific construction which provides living organisms with great security and behaviour stability. The relationship that the animal carries out with its environment is a complex system of semiotic interactions: its behaviour is not a set of mechanical reactions, but a spontaneous attribution of meaning to the outside world.

Caro and Murphy introduce the philosophy of Quantum Aesthetics--a theoretical framework developed by Spanish-language theorists that has spread throughout the world in the last three years--to an English-speaking audience. In order to achieve this, writers from around the world were asked to either apply quantum aesthetics philosophy to their respective areas of study, or write about their current work within this theoretical framework.

Chapters are devoted to the history of quantum aesthetics, quantum art, quantum literature, quantum politics, quantum anthropology, and so forth. In the end, the general elements of a quantum culture are outlined, and the differences that this culture shows with respect to old conceptualizations of this domain are explained. With respect to the field of cultural studies, this new approach to cultural analysis changes how societies can be investigated as well as provides cultural studies with a more comprehensive and integrated framework. Specifically noteworthy is that quantum aesthetics is less reductionistic than research strategies of the past. A provocative collection for scholars, students, and other researchers involved with the sociology of culture, cultural studies, social philosophy, and sociological theory.

In three comprehensive volumes, Logic of the Future presents a full panorama of Charles S. Peirce's important late writings. Among the most influential American thinkers, Peirce took his existential graphs to be his greatest contribution to human thought. The manuscripts from 1895-1913, most of which are published here for the first time, testify the richness and open-endedness of his theory of logic and its applications. They also invite us to reconsider our ordinary conceptions of reasoning as well as the conventional stories told about the evolution of modern logic. This second volume collects Peirce's writings on existential graphs related to his Lowell Lectures of 1903, the annus mirabilis of his that became decisive in the development of the mature theory of the graphical method of logic.

Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough and confident understanding of demanding material. Hans-Georg Gadamer is one of the formeost European philosophers of recent times. His work on philosophical hermeneutics defined the whole subject, and Truth and Method, his magnum opus, is a landmark text in modern philosophy. However, Gadamer's ideas, the complex relationship between them, and the often opaque way they are expressed, undoubtedly pose a considerable challenge for the reader. Gadamer: A Guide for the Perplexed is the ideal text for anyone trying to get to grips with Gadamer's work. Providing a clear account of the central tenets of Gadamer's philosophy, the book does not shy away from the more complex material and provides an invaluably thorough and fully engaged account of Gadamer's hermeneutics. There is clear exposition and analysis of such key terms - often problematic for the reader - as 'fusion of horizons', 'effective historical consciousness' and 'the logic of question and answer', as well as Gadamer's redefinition of such concepts as 'prejudice', 'authority' and 'tradition'. The book also discusses Gadamer's influence in other areas of philosophy; the response of other philosophers to his work; and criticisms of his work on the grounds of relativism.

Wittgenstein: Connections and Controversies consists of thirteen thematically linked essays on different aspects of the philosophy of Wittgenstein. After an introductory overview of Wittgenstein's philosophy the following essays fall into two classes. Some investigate connections between the philosophy of Wittgenstein and other philosophers or philosophical trends. Others enter into some of the controversies that, over the last two decades, have raged over the interpretation of one aspect or another of Wittgenstein's writings. These far-ranging essays, several of them previously unpublished or difficult to find, shed much light upon different aspects of Wittgenstein's thought, and upon the controversies which it has stimulated.

This book is a collection of all the single authored essays by Paul Cilliers, published between 1990-2011. Being one of few authors who approached the study of complexity from a philosophical perspective, the main themes in these papers explore: - Qualitative characterization of complexity and the normative implications of studying complex adaptive systems, - the philosophical and conceptual similarity to post-structural approaches - how any engagement with complexity leads to a critical engagement with how we do science and design interventions - critical and normative implications for how to engage with complex socio-political concerns in the world. What makes this book unique is that it consolidates a body of work that is distributed over a wide range of academic journals. Although his book "Complexity and Postmodernism" (Routledge, 1998) remains a cornerstone in the field of complexity studies, Cilliers' journal essays really explore the application of the theoretical concepts in more depth. His ground-breaking ideas conceptualized in these essays have served as a continual source of novelty and inspiration in the process of applying complexity thinking to other fields of study.

At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.

The End of Russian Philosophy describes and evaluates the troubled state of Russian philosophical thought in the post-Soviet decades. The book suggests that in order to revive philosophy as a universal, professional discipline in Russia, it may be necessary for Russian philosophy to first do away with the messianic traditions of the 19th century.

This book approaches post-truth and relativism in a multidisciplinary fashion. Researchers from astrophysics, philosophy, psychology, media studies, religious studies, anthropology, social epistemology and sociology discuss and analyse the impact of relativism and post-truth both within the academy and in society at large. The motivation for this multidisciplinary approach is that relativism and post-truth are multifaceted phenomena with complex histories that have played out differently in different areas of society and different academic disciplines. There is hence a multitude of ways in which to use and understand the concepts and the phenomena to which they refer, and a multitude of critiques and defenses as well. No single volume can capture the ongoing discussions in different areas in all their complexity, but the different chapters of the book can function as exemplifications of the ramifications these phenomena have had.

Since the middle of the 20th century Ludwig Wittgenstein has been an exceptionally influential and controversial figure wherever philosophy is studied. This is the most comprehensive volume ever published on Wittgenstein: thirty-five leading scholars explore the whole range of his thought, offering critical engagement and original interpretation, and tracing his philosophical development. Topics discussed include logic and mathematics, language and mind, epistemology, philosophical methodology, religion, ethics, and aesthetics. Wittgenstein's relation to other founders of analytic philosophy such as Gottlob Frege, Bertrand Russell, and G. E. Moore is explored. This Handbook is the place to look for a full understanding of Wittgenstein's special importance to modern philosophy.

This book investigates the complex, sometimes fraught relationship between phenomenology and the natural sciences. The contributors attempt to subvert and complicate the divide that has historically tended to characterize the relationship between the two fields. Phenomenology has traditionally been understood as methodologically distinct from scientific practice, and thus removed from any claim that philosophy is strictly continuous with science. There is some substance to this thinking, which has dominated consideration of the relationship between phenomenology and science throughout the twentieth century. However, there are also emerging trends within both phenomenology and empirical science that complicate this too stark opposition, and call for more systematic consideration of the inter-relation between the two fields. These essays explore such issues, either by directly examining meta-philosophical and methodological matters, or by looking at particular topics that seem to require the resources of each, including imagination, cognition, temporality, affect, imagery, language, and perception.

Levinas and Lacan, two giants of contemporary theory, represent schools of thought that seem poles apart. In this major new work, Mari Ruti charts the ethical terrain between them. At first glance, Levinansian and Lacanian approaches may seem more or less incompatible, and in many ways they are, particularly in their understanding of the self-other relationship. For both Levinas and Lacan, the subject's relationship to the other is primary in the sense that the subject, literally, does not exist without the other, but they see the challenge of ethics quite differently: while Levinas laments our failure to adequately meet the ethical demand arising from the other, Lacan laments the consequences of our failure to adequately escape the forms this demand frequently takes. Although this book outlines the major differences between Levinas and Judith Butler on the one hand and Lacan, Slavoj Zizek, and Alain Badiou on the other, Ruti proposes that underneath these differences one can discern a shared concern with the thorny relationship between the singularity of experience and the universality of ethics. Between Levinas and Lacan is an important new book for anyone interested in contemporary theory, ethics, psychoanalysis, and feminist and queer theory.

Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl's work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.

Frege's puzzle concerning belief reports has been in the middle of the discussion on semantics and pragmatics of attitude reports: The intuition behind the opacity does not seem to be consistent with the thesis of semantic innocence according to which the semantic value of proper names is nothing but their referent. Main tasks of this book include providing truth-conditional content of belief reports. Especially, the focus is on semantic values of proper names. The key aim is to extend Crimmins's basic idea of semantic pretense and the introduction of pleonastic entities proposed by Schiffer. They enable us to capture Frege's puzzle in the analysis without giving up semantic innocence. To reach this conclusion, two issues are established. First, based on linguistic evidence, the frame of belief reports functions adverbially rather than relationally. Second, the belief ascriptions, on which each belief report is made, must be analyzed in terms of the measurement-theoretic analogy.

This book draws the philosophical contribution of Martin Heidegger together with theological-spiritual insights from the East, especially that of Nikolai Berdyaev. Thus, it brings into dialogue the West with the East, and philosophy with theology. By doing so, it offers Christian theology an existential-spiritual language that is relevant and meaningful for the contemporary reader. In particular, the work explores Heidegger's 'being towards death' (Sein zum Tode) as the basis for theological-philosophical thinking. Only the one who embraces 'being towards death' has the courage to think and poetize. This thinking, in turn, makes 'being towards death' possible, and in this circular movement of thinking and being, the mystery of being reveals itself and yet remains hidden. Since the work aims at demonstrating 'being towards death' through language, it transitions away from the common formulations and traditionally accepted ways of writing (dogmatic) theology towards an original, philosophical reflection on faith and spirituality. At different points, however, the work also retrieves the profound thoughts and theologies of the past, the insightful creativity of which cannot be denied.

Ranging from Antiquity to contemporary analytic philosophy, it provides a concise but thorough analysis of the arguments developed by some of the most outstanding philosophers of all times. Besides the aesthetics of music proper, the volume touches upon metaphysics, ethics, philosophy of language, psychology, anthropology, and scientific developments that have influenced the philosophical explanations of music. Starting from the very origins of philosophy in Western thought (Pythagoras, Plato, Aristotle) the book talks about what music is according to Augustine, Descartes, Leibniz, Rousseau, Kant, Hegel, the Romantics, Schopenhauer, Nietzsche, Wittgenstein, Susanne Langer, Bloch, Adorno, and many others. Recent developments within the analytic tradition are illustrated with particular attention to the ontology of the musical artwork and to the problem of music and emotions. A fascinating idea which recurs throughout the book is that philosophers allow for a sort of a secret kinship between music and philosophy, as means to reveal complementary aspects of truth.

This is a translation of Rossi's account of the art of memory and the logic of linkage and combination