A new approach to reading Frege's notations that adheres to the modern view that terms and well-formed formulas are any disjoint syntactic categories. On this new approach, we can at last read Frege's notations in their original form revealing striking new solutions to many of the outstanding problems of interpreting his philosophy.

This book is a philosophical examination of the main stages in our journey from hominid to human. It deals with the nature and origin of language, the self, self-consciousness, and the religious ideal of a return to Eden. It approaches these topics through a philosophical anthropology derived from the later writings of Wittgenstein. The result is an account of our place in nature consistent with both a hard-headed empiricism and a this-worldy but religiously significant mysticism.

Globalization and consumerism are two of the buzzwords of the early twenty-first century. In Consuming Cultures, renowned scholars explore the links between modernity and consumption. The book fills a gap in contemporary thinking on the subject by approaching it from a truly global point-of-view. It draws on case studies from around the world, with Africa, Asia and Central America featuring as prominently as Western countries. A transnational perspective allows the authors to investigate the diversity of consumer cultures and the interaction between them. The authors look at the genealogy of the modern consumer and the development of consumer cultures, from the porcelain trade and consumption in Britain and China in the seventeenth and eighteenth centuries, to post Second World War developments in America and Japan, and the contemporary consumer politics of cosmopolitan citizenship. Challenging and pioneering, Consuming Cultures problematizes popular accounts of globalization and consumerism, decentring the West and concentrating on putting history back into these accounts.

Concentrating mainly on the process philosophy developed by Alfred North Whitehead, this series of essays brings together some of the newest developments in the application of process thinking to the physical and social sciences. These essays, by established scholars in the field, demonstrate how a wider and deeper understanding of the world can be obtained using process philosophical concepts, how the distortions and blockages inevitably inherent in substantivist talk can be set aside, and how new and fertile lines of research in the sciences can be opened as a result.

Arguing that our attachment to Aristotelian modes of discourse makes a revision of their conceptual foundations long overdue, the author proposes the consideration of unacknowledged factors that play a central role in argument itself. These are in particular the subjective imprint and the dynamics of argumentation. Their inclusion in a four-dimensional framework (subjective-objective, structural-procedural) and the focus on thesis validity allow for a more realistic view of our discourse practice. Exhaustive analyses of fascinating historical and contemporary arguments are provided. These range from Columbus s advocacy of the Western Passage to India, over the trial of King Louis XVI during the French Revolution, to today s highly charged controversies surrounding euthanasia and embryo research.

Excavating foundational issues such as the purpose of argument itself (assent of an audience or critical examination of validity claims) and the contested role of argument as a generator of knowledge, the book culminates in a discussion of the relationship between rationality and reasonableness and criticizes the restrictions of rational argument relying on fixed logical, economic or cultural criteria that in reality are mutable. Here, a true, open argument requires the infusion of Paul Lorenzen s principle of transsubjectivity, which recognizes but transcends the partiality of the individual and which can be seen in the pragmatic and expanding consensus that humanity can control itself to safeguard the future of a fragile, damaged world."

This is the first single-authored critical engagement with the major works of Zygmunt Bauman. Where previous books on Bauman have been exegetical, here an unwavering light is shone on key themes in the sociologist's work, exposing serious weaknesses in Bauman's interpretations of the Holocaust, Western modernity, consumerism, globalisation and the nature of sociology. The book shows how Eurocentrism, the neglect of issues of gender and a lack of awareness of the racism faced by Europe's non-white ethnic minorities seriously limit Bauman's analyses of Western societies. At the same time, it points to Bauman's repeated insistence on the need for sociologists to take a moral stance in favour of the world's poor and downtrodden as being his most valuable legacy. The book will be of great interest to sociologists. Its readability will be valued by undergraduates and postgraduates and it will attract a readership well beyond the discipline. -- .

French thinkers such as Lacan and Derrida are often labelled as representatives of 'poststructuralism' in the Anglophone world. However in France, where their work originated, they use no such category; this group of theorists - 'the poststructuralists' - were never perceived as a coherent intellectual group or movement. Outlining the institutional contexts, affinities, and rivalries of, among others, Althusser, Barthes, Foucault, Irigaray, and Kristeva, Angermuller - drawing from Bourdieu's concepts of cultural capital and the academic field - insightfully explores post-structuralism as a phenomenon. By tracing the evolution of the French intellectual field after the war, Why There is No Poststructuralism in France places French Theory both in the specific material conditions of its production and the social and historical contexts of its reception, accounting for a particularly creative moment in French intellectual life which continues to inform the theoretical imaginary of our time.

The rise of scientific (analytic) philosophy since the turn of the twentieth century is linked to the philosophical interaction between, on the one hand, Ernst Mach, the Vienna Circle around Moritz Schlick and Otto Neurath, the Berlin Group (Hans Reichenbach, Carl G. Hempel), and the Prague Group (Rudolf Carnap, Philipp Frank), and, on the other, philosophers and scientists in Denmark (Niels Bohr, Joergen Joergensen), Finland (Eino Kaila, Georg Henrik von Wright and their disciples), Norway (Arne Naess and his students), and Sweden (Ake Petzall, the journal Theoria and a younger generation of philosophers in Uppsala). In addition, the pure theory of law of Hans Kelsen achieved wide dissemination in the Nordic countries (through, for example, Alf Ross). One of the key events in the relations between the Central European philosophers and those of the Nordic countries was the Second International Congress for the Unity of Science which was arranged in Copenhagen in 1936.

Besides considering the interactions of these groups, the book also pays special attention to their interactions, in the context of the Cold War period following the Second World War, with the so-called Third Vienna Circle and with the Forum Alpbach/Austrian College around Viktor Kraft and Bela Juhos (along with Ludwig Wittgenstein and Paul Feyerabend), where the issues of (philosophical and scientific) realism and "psychologism"-the relationship between psychology and philosophy-were matters of controversy.

By comparison with the more extensively investigated and better known transatlantic transfer and transformation of "positivism" and logical empiricism, the developments outlined above remain

neglected and marginalized topics in historiography. The symposium aims to reveal the remarkable continuity of the philosophical enlightened "Nordic Connection." We intend to shed light on this forgotten communication and to reconstruct these hidden scholarly networks from an historical and logical point of view, thereby evaluating their significance for today's research."

The Myth of Sisyphus is one of the most profound philosophical statements written this century. It is a discussion of the central idea of Absurdity that Camus was to develop in his novel The Outsider. Here Camus poses the fundamental question: Is life worth living? If existence has ceased to retain significance when confronted with the fragmented reality of the human condition, what then can keep us from suicide? Camus movingly argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty.

This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran.

This collection on the Standard of Taste offers a much needed resource for students and scholars of philosophical aesthetics, political reflection, value and judgments, economics, and art. The authors include experts in the philosophy of art, aesthetics, history of philosophy as well as the history of science. This much needed volume on David Hume will enrich scholars across all levels of university study and research.

While there are publications on Wittgenstein's interest in Dostoevsky's novels and the recurring mentions of Wittgenstein in Sebald's works, there has been no systematic scholarship on the relation between perception (such as showing and pictures) and the problem of an adequate presentation of interiority (such as intentions or pain) for these three thinkers.This relation is important in Wittgenstein's treatment of the subject and in his private language argument, but it is also an often overlooked motif in both Dostoevsky's and Sebald's works. Dostoevsky's depiction of mindset discrepancies in a rapidly modernizing Russia can be analyzed interms of multi-aspectivity. The theatricality of his characters demonstrates especially well Wittgenstein's account of interiority's interrelatedness with overt public practices and codes. In Sebald's Austerlitz, Wittgenstein's notion of family resemblances is an aesthetic strategy within the novel. Visual tropes are most obviously present in Sebald's use of photography, and can partially be read as an ethical-aesthetic imperative of rendering pain visible. Tea Lobo's book contributes towards a non-Cartesian account of literary presentations of inner life based on Wittgenstein's thought.

"Reading Ranciere" brings together leading international in the first sustained critical exploration of Ranciere's work on politics, aesthetics and philosophy in English. Over the past 40 years, Jacques Ranciere's work has defined itself through a remarkable set of philosophical differences in relation to other key figures working in the fields of politics, philosophy and aesthetics. There have been significant philosophical, theoretical and aesthetic disagreements with influential figures in contemporary thought, including Althusser, Bourdieu, Derrida, Agamben, Deleuze, Foucault, Habermas and Badiou. Through these differences Ranciere has emerged as one of the world's leading contemporary theorists. Whilst Ranciere has long been a well-known force in francophone contexts, the translation of his works into English has generated a lot of excitement and catapulted him to the forefront of attention in several putatively distinct but interconnected fields: philosophy, politics, critical theory, aesthetics and film. "Reading Ranciere" intervenes in this ongoing discourse by assembling an eminent collection of critical assessments of the significance of Ranciere's diverse impact and growing influence. This book offers the first sustained and critically balanced response to the work of this major contemporary theorist.

This study offers a fresh reappraisal of the philosopher, political thinker, and historian of ideas Sir Isaiah Berlin (1909-1997) from childhood to the height of his intellectual career. It provides the first historically contextualized study of Berlin's formative years and identifies different stages in his intellectual development, allowing a reappraisal of his theory of liberalism. Applying a "double perspective" that examines Berlin both as an East European Jewish emigre as well as a British Liberal intellectual, author Arie Dubnov stresses the very ambivalent relation between Berlin's liberal philosophy and his pro-Zionist sentiments.

This book argues that critics of consequentialism have not been able to make a successful and comprehensive case against all versions of consequentialism because they have been using the wrong methodology. This methodology relies on the crucial assumption that consequentialist theories share a defining characteristic. This text interprets consequentialism, instead, as a family resemblance term. On that basis, it argues quite an ambitions claim, viz. that all versions of consequentialism should be rejected, including those that have been created in response to conventional criticisms. The book covers a number of classic themes in normative ethics, metaethics and, particularly, ethical methodology and also touches upon certain aspects of experimental moral philosophy. It is written in clear language and is analytic in its argumentative style. As such, the book should appeal to students, graduate students as well as professional academics with an interest in analytic moral philosophy.

This book approaches the construction of complex and transgressive 'pervert' characters in mainstream (not 'art'), adult-oriented (not pornographic) cinema. It deconstructs an episteme on which to base the construction of characters in screenplays, in a way that acknowledges how semiotic elements of characterisation intersect. In addition, it provides an extended re-phrasing of the notion of 'the pervert' as Feiticiero/a: a newly-coined construct that might serve as an underpinning for complex, sexual filmic characters that are both entertaining and challenging to audiences. This re-phrasing speaks to both an existential/phenomenological conception of personhood and to the scholarly tradition of the 'linguistic turn' of continental philosophers such as Foucault and Lacan, who represent language not primarily as describing the world but as constructing it. The result is an original and interdisciplinary volume that is brought to coherence through a queer, post-humanist lens.

This volume brings Cassirer's work into the arena of contemporary debates both within and outside of philosophy. All articles offer a fresh and contemporary look at one of the most prolific and important philosophers of the 20th century. The papers are authored by a wide array of scholars working in different areas, such as epistemology, philosophy of culture, sociology, psychopathology, philosophy of science and aesthetics.

Wittgenstein's later writings generate a great deal of controversy and debate, as do the implications of his ideas for such topics as consciousness, knowledge, language and the arts. Oswald Hanfling addresses a widespeard tendency to ascribe to Wittgenstein views that go beyond those he actually held. Separate chapters deal with important topics such as the private language argument, rule-following, the problem of other minds, and the ascription of scepticism to Wittgenstein. Describing Wittgenstein as a 'humanist' thinker, he contrasts his views on language, art humanity and philosophy itself with those of scientifically minded philosophers. He argues that 'the human form of life' calls for a kind of understanding that cfannot be achieved by the methods of emirical science; that consiousness, for example, cannot properly be regarded as a property of the bran; and that the resulting 'problem of consoiusness is an illusion. Wittgenstein and the Human Form of Life is essential reading for anyone interested in Wittgenstein's approach to what it means to be human. It will be invaluable to all Wittgenstein scholars, and all who are interested in the philosophy of mind, language and aesthetics.

This is an in-depth analysis of dramatization as method in the work of Deleuze and Guattari. It provides an account of the value of this method for the study of the political with particular emphasis on the relationship between politics and art.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book addresses an epidemic that has developed on a global scale, and, which under the heading of "addiction," presents a new narrative about the travails of the human predicament. The book introduces phenomenological motifs, such as desire, embodiment, and temporality, to uncover the existential roots of addiction, and develops Martin Heidegger's insights into technology to uncover the challenge of becoming a self within the impulsiveness and depersonalization of our digital age. By charting a new path of philosophical inquiry, the book allows a pervasive, cultural phenomenon, ordinarily reserved to psychology, to speak as a referendum about the danger which technology poses to us on a daily basis. In this regard, addiction ceases to be merely a clinical malady, and instead becomes a "signpost" to exposing a hidden danger posed by the assimilation of our culture within a technological framework.

Wittgenstein's thought is reflected in his reading and reception of other authors. Wittgenstein Reading approaches the moment of literature as a vehicle of self-reflection for Wittgenstein. What sounds, on the surface, like criticism (e.g. of Shakespeare) can equally be understood as a simple registration of Wittgenstein's own reaction, hence a piece of self-diagnosis or self-analysis. The book brings a representative sample of authors, from Shakespeare, Goethe, or Dostoyevsky to some that have received far less attention in Wittgenstein scholarship like Kleist, Lessing, or Wilhelm Busch and Johann Nepomuk Nestroy. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts. Unique to this book is its internal design. The editors' introduction sets the scene with regards to both biography and theory, while each of the subsequent chapters takes a quotation from Wittgenstein on a particular author as its point of departure for developing a more specific theme relating to the writer in question. This format serves to avoid the well-trodden paths of discussions on the relationship between philosophy and literature, allowing for unconventional observations to be made. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts.

At the turn of the century, philosophical thinking on both sides of the Atlantic was dominated by the idealist movement, a school of thought that influenced the rise of both pragmatism and analytic philosophy. The essays in this edited collection introduce and critically assess the central themes of the main Anglo-American idealists, considering the philosophical arguments in their own context and terms, but also connecting them to current debates. The figures and topics covered include T. H. Green on the common good, Edward Caird on evolution, F. H. Bradley on relations, Bosanquet's view of the state, Royce's concept of the absolute, McTaggart's timeless personalism, JoachiM's theory of truth, and Collingwood's philosophy of history. The introduction provides a contextual overview of the movement, which, as a philosophy superseded by a more modern approach, was first subjected to much hostile criticism, then ignored, and is now once again beginning to interest historians of philosophy.

This book investigates the conflicts concerning pragmatism in Wittgenstein's work On Certainty, through a comparison with the pragmatist tradition as expressed by its founding fathers Charles S. Peirce and William James. It also describes Wittgenstein's first encounters with pragmatism in the 1930s and shows the relevance of Frank Ramsey in the development of his thought. Offering a balanced, critical and theoretical examination the author discusses issues such as doubt, certainty, common sense, forms of life, action and the pragmatic maxim. While highlighting the objective convergences and divergences between the two approaches, the volume makes links to ongoing debates on relativism, foundationalism, scepticism and objectivity. It will be of interest to anyone searching for new perspectives on Wittgenstein's philosophy.

This volume presents different conceptions of logic and mathematics and discuss their philosophical foundations and consequences. This concerns first of all topics of Wittgenstein's ideas on logic and mathematics; questions about the structural complexity of propositions; the more recent debate about Neo-Logicism and Neo-Fregeanism; the comparison and translatability of different logics; the foundations of mathematics: intuitionism, mathematical realism, and formalism. The contributing authors are Matthias Baaz, Francesco Berto, Jean-Yves Beziau, Elena Dragalina-Chernya, Gunther Eder, Susan Edwards-McKie, Oliver Feldmann, Juliet Floyd, Norbert Gratzl, Richard Heinrich, Janusz Kaczmarek, Wolfgang Kienzler, Timm Lampert, Itala Maria Loffredo D'Ottaviano, Paolo Mancosu, Matthieu Marion, Felix Muhlhoelzer, Charles Parsons, Edi Pavlovic, Christoph Pfisterer, Michael Potter, Richard Raatzsch, Esther Ramharter, Stefan Riegelnik, Gabriel Sandu, Georg Schiemer, Gerhard Schurz, Dana Scott, Stewart Shapiro, Karl Sigmund, William W. Tait, Mark van Atten, Maria van der Schaar, Vladimir Vasyukov, Jan von Plato, Jan Wolenski and Richard Zach.