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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 -
This book offers a clear, analytic, and innovative interpretation of Heidegger's late work. This period of Heidegger's philosophy remains largely unexplored by analytic philosophers, who consider it filled with inconsistencies and paradoxical ideas, particularly concerning the notions of Being and nothingness. This book takes seriously the claim that the late Heidegger endorses dialetheism - namely the position according to which some contradictions are true - and shows that the idea that Being is both an entity and not an entity is neither incoherent nor logically trivial. The author achieves this by presenting and defending the idea that reality has an inconsistent structure. In doing so, he takes one of the most discussed topics in current analytic metaphysics, grounding theory, into a completely unexplored area. Additionally, in order to make sense of Heidegger's concept of nothingness, the author introduces an original axiomatic mereological system that, having a paraconsistent logic as a base logic, can tolerate inconsistencies without falling into logical triviality. This is the first book to set forth a complete and detailed discussion of the late Heidegger in the framework of analytic metaphysics. It will be of interest to Heidegger scholars and analytic philosophers working on theories of grounding, mereology, dialetheism, and paraconsistent logic.
This groundbreaking interdisciplinary collection interrogates the significance of Deleuze's work in the recent and dramatic nonhuman turn. It confronts questions about environmental futures, animals and plants, nonhuman structures and systems, and the place of objects in a more-than-human world.
The philosopher and psychologist G.F. Stout was the teacher of
Moore and Russell around 1894. This book shows that Stout's ideas
have played a role in Moore and Russell's development from their
early idealism towards analytic realism, where Stout's ideas often
find their origin in early phenomenology.
This title brings a deconstructive perspective to theories of justice in the early and later work of Rawls, Habermas and Honneth. Deconstructing influential theories of justice by John Rawls, Jurgen Habermas and Axel Honneth, Miriam Bankovsky explores and critiques the early and later work of these three important liberal theorists. Bankovsky examines the commitments that all these thinkers make to a conception of justice as, in Rawls' words, an 'art of the possible' and the difficulties that such commitments present for their theories. Taking a deconstructive approach, the book argues that such a defence of possibility must be supplemented by an acknowledgment of the ways in which theory ultimately fails to reconcile the conflicting demands of 'justice' - namely, it's demand for responsibility for the other in the particular and for impartiality among all. In so doing, the book draws attention to the 'perfectible' (simultaneously possible and impossible) status of theories of justice, celebrating such perfectibility as the very condition for justice's critical function. "Continuum Studies in Political Philosophy" presents cutting-edge scholarship in the field of political philosophy. Making available the latest high-quality research from an international range of scholars working on key topics and controversies in political philosophy and political science, this series is an important and stimulating resource for students and academics working in the area.
Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian migr , a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derridas work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstructions critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derridas work.
An Essay on Metaphysics is one of the finest works of the great Oxford philosopher, historian, and archaeologist R. G. Collingwood (1889-1943). First published in 1940, it is a broad-ranging work in which Collingwood considers the nature of philosophy, especially of metaphysics. He puts forward his well-known doctrine of absolute presuppositions, expounds a logic of question and answer, and gives an original and influential account of causation. The book has been widely read and much discussed ever since. In this revised edition the complete original text is accompanied by three previously unpublished essays by Collingwood which will be essential reading for any serious student of his thought: `The Nature of Metaphysical Study' (1934), `The Function of Metaphysics in Civilization' (1938), and `Notes for a Essay on Logic' (1939). These fascinating writings illuminate and amplify the ideas of the Essay, to which they are closely related. The distinguished philosopher and Collingwood scholar Rex Martin has established authoritative versions of these new texts, added a short set of notes on the Essay, and contributed a substantial introduction explaining the story of the composition of all these works, discussing their major themes, and setting them in the context of Collingwood's philosophy as a whole.
Postphenomenological Investigations: Essays on Human-Technology Relations provides an introduction to the school of thought called postphenomenology and showcases projects at the cutting edge of this perspective. Postphenomenology presents a unique blend of insights from the philosophical traditions of phenomenology and American pragmatism, and applies them to studies of user relations to technologies. These studies provide deep descriptions of the ways technologies transform our abilities, augment our experience, and shape the world around us. This book proceeds with a preface by Don Ihde, postphenomenology's founder, and a detailed review of the main ideas of this perspective by the editors Robert Rosenberger and Peter-Paul Verbeek. The body of this volume is composed of twelve postphenomenological essays which reflect the expansive range, detail-orientation, and interdisciplinarity of this school of thought. These essays confront a broad assortment of topics, both abstract and concrete. Abstract topics addressed include metaphysics, ethics, methodology, and analysis of the notions of selfhood, skill training, speed, and political activism. Just a few of the concrete topics studied include human-like interactive robots, ethics education, image interpretation in radiology, science fiction tropes, transportation history, wearable computing, and organ donation protocols for brain-dead bodies. The volume concludes with constructive critiques of postphenomenology by Andrew Feenberg, Diane Michelfelder, and Albert Borgmann, all figures whose work is relevant to postphenomenological projects.
As an analyst, philosopher and militant, Felix Guattari anticipated decentralized forms of political activism that have become increasingly evident around the world since the events of Seattle in 1999. Lines of Flight offers an exciting introduction to the sometimes difficult and dense thinking of an increasingly important 20th century thinker. An editorial introduction by Andrew Goffey links the text to Guattari's long-standing involvement with institutional analysis, his writings with Deleuze, and his consistent emphasis on the importance of group practice - his work with CERFI in the early 1970s in particular. Considering CERFI's work on the 'genealogy of capital' it also points towards the ways in which Lines of Flight anticipates Guattari's later work on Integrated World Capitalism and on ecosophy. Providing a detailed and clearly documented account of his micropolitical critique of psychoanalytic, semiological and linguistic accounts of meaning and subjectivity, this work offers an astonishingly fresh set of conceptual tools for imaginative and engaged thinking about capitalism and effective forms of resistance to it.
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl's work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.
This book is the first critical genealogy of Jacques Derrida's philosophy of technology. It traces the evolution of what Derrida calls "originary technicit"' via an appraisal of his own philosophy of technology together with that of key interlocutors including Marx, Freud, Lacan, Heidegger and Bernard Stiegler.
Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possible, while historians require rough philosophical understandings of ideals that merit reasonable endorsement. Both Immanuel Kant and Walter Benjamin recognize this fact. Each sees a special place for religious consciousness and critical practice in the articulation and revision of ideals that are to have cultural effect, but they differ sharply in the forms of religious-philosophical understanding, cultural criticism, and political practice that they favor. Kant defends a liberal, reformist, Protestant stance, emphasizing the importance of liberty, individual rights, and democratic institutions. His fullest picture of movement toward a moral culture appears in Religion within the Bounds of Mere Reason, where he describes conjecturally the emergence of an ethical commonwealth. Benjamin defends a politics of improvisatory alertness and consciousness-raising that is suspicious of progress and liberal reform. He practices a form of modernist, materialist criticism that is strongly rooted in his encounters with Kant, Hoelderlin, and Goethe. His fullest, finished picture of this critical practice appears in One-Way Street, where he traces the continuing force of unsatisfied desires. By drawing on both Kant and Benjamin, Eldridge hopes to avoid both moralism (standing on sharply specified normative commitments at all costs) and waywardness (rejecting all settled commitments). And in doing so, he seeks to make better sense of the commitment-forming, commitment-revising, anxious, reflective and sometimes grownup acculturated human subjects we are.
The Metaphysical Presuppositions of Being-in-the-World brings St. Thomas Aquinas and Martin Heidegger into dialogue and argues for the necessity of Christian philosophy. Through the confrontation of Heideggerian and Thomist thought, it offers an original and comprehensive rethinking of the nature of temporality and the origins of metaphysical inquiry. The book is a careful treatment of the inception and deterioration of the four-fold presuppositions of Thomistic metaphysics: intentionality, causality, finitude, ananke stenai. The analysis of the four-fold has never before been done and it is a central and original contribution of Gilson's book. The four-fold penetrates the issues between the phenomenological approach and the metaphysical vision to arrive at their core and irreconcilable difference. Heidegger's attempt to utilize the fourfold to extrude theology from ontology provides the necessary interpretive impetus to revisit the radical and often misunderstood metaphysics of St. Thomas, through such problems as aeviternity, non-being and tragedy.
American Philosophy Past and Present offers the first historically framed introduction to the tradition of American philosophy and it contemporary engagement with the world.Born out of the social and political turmoil of the Civil War, American philosophy was a means of dealing with conflict and change. In the turbulence of the 21st century, this remains as relevant as ever. Placing the work of present-day American philosophers in the context of a history of resistance through a philosophical tradition marked by a commitment to pluralism, fallibilism and liberation, this book tells the story of a philosophy shaped by major events that call for philosophical reflection and illustrates the ways in which philosophy is relevant to lived experience. The book presents a survey of the historical development of American philosophy, as well as coverage of key contemporary issues in America including race theory, feminism, indigenous peoples, and environmentalism. It is the ideal introduction to the work of the major American thinkers, past and present, and the sheer breadth of their ideas and influence.
Exploring phenomenological philosophy as it relates to psychiatry and the social world, this book establishes a common language between psychiatrists, anti-psychiatrists, psychologists and social workers. Phenomenology and the Social Context of Psychiatry is an inter-disciplinary work by phenomenological philosophers, psychiatrists, and psychologists to discover the essence and foundations of social psychiatry. Using the phenomenology of Husserl as a point of departure, the meanings of empathy, interpersonal understanding, we-intentionality, ethics, citizenship and social inclusion are investigated in relation to psychopathology, nosology, and clinical research. This work, drawing upon the rich classical and contemporary phenomenological tradition, touching on a broad range of thinkers such as Deleuze, Levinas, and R.D. Laing, also explicates how phenomenology is a method capable of capturing the human condition and its intricate relation to the social world and mental illness
This text offers a series of critical commentaries on, and forced encounters between, different thinkers. At stake in this philosophical and psychoanalytical enquiry is the drawing of a series of diagrams of the finite/infinite relation, and the mapping out of the contours for a speculative and pragmatic production of subjectivity.
Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of "religious poems", some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.
Martin Flanagan uses Bakhtins notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focusing particularly on the way cinematic narrative utilizes time and space in its very construction.
Much has been written about Heidegger's reappropriation of Aristotle, but little has been said about the philosophical import and theoretical context of this element of Heidegger's work. In this important new book, Michael Bowler sheds new light on the philosophical context of Heidegger's return to Aristotle in his early works and thereby advances a reinterpretation of the background to Heidegger's forceful critique of the primacy of theoretical reason and his radical reconception of the very nature of philosophical thinking. This book offers a detailed analysis of the development of Heidegger's thought from his early enagagement with neo-Kantianism and Husserlian phenomenology. Through this reading, a criticism of the theoretical conception of philosophy as primordial science, especially in relation to life and lived-experience (Erlebnis), emerges. It is in this context that Bowler examines Heidegger's reappropriation of key aspects of Aristotle's thought. In Aristotle's notions of movement, life and activity proper (praxis), Heidegger perceives a new approach to the dilemma presently facing philosophy, namely how philosophy is situated within life and human existence.
Double looks at the contending schools of thought on the problem of free will and argues that this problem is intractable, since free will theorists are separated by metaphilosophical differences in the way they view the philosophical enterprise itself. Statements about what actions are "free" express subjective attitudes and values but do not have objective truth value.
This title introduces the history and methods of Phenomenology through the study of four key thinkers: Husserl, Heidegger, Sartre and Merleau-Ponty. This book provides a concise and comprehensive introduction to the concept of phenomenology, perhaps the most important and influential movement in twentieth century philosophy. It explains the development of the phenomenological method in the works of four thinkers: Edmund Husserl, Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty. It also addresses the criticisms directed at phenomenology by Emmanuel Levinas and Jacques Derrida, and the ways in which phenomenology has continued to flourish in spite of such critique, in the work of Michel Henry and Jean-Luc Marion. The text includes many helpful features such as key definitions, sample essay and exam questions, an extensive bibliography, and suggested readings for each topic covered, making the book an ideal companion to any course in phenomenology and phenomenological thinkers. The book presupposes no prior knowledge on the part of the reader, making it suitable for those encountering phenomenology for the first time, but it also provides an original interpretation that will be of lasting value to postgraduates and scholars.
The volume collects papers on central aspects of Alexius Meinong's Gegenstandstheorie (Theory of Objects) and its transformation in contemporary logic, semantics and ontology covering the impact of his views on grasping and representation, the status of nonexistent or inconsistent objects and their incorporation in theories like Noneism and Possible-World-Semantics. In addition it presents studies on Meinong's notion of probability and on Auguste Fischer, a student and collaborator of Meinong.
The impact of Nietzsche's engagement with the Greek skeptics has
never before been systematically explored in a book-length work -
an inattention that belies the interpretive weight scholars
otherwise attribute to his early career as a professor of classical
philology and to the fascination with Greek literature and culture
that persisted throughout his productive academic life. Jessica N.
Berry fills this gap in the literature on Nietzsche by
demonstrating how an understanding of the Pyrrhonian skeptical
tradition illuminates Nietzsche's own reflections on truth,
knowledge, and ultimately, the nature and value of philosophic
inquiry. This entirely new reading of Nietzsche's epistemological
and ethical views promises to make clear and render coherent his
provocative but often opaque remarks on the topics of truth and
knowledge and to grant us further insight into his ethics-since the
Greek skeptics, like Nietzsche, take up the position they do as a
means of promoting well-being and psychological health. In
addition, it allows us to recover a portrait of Nietzsche as a
philologist and philosophical psychologist that has been too often
obscured by commentaries on his thought.
Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia, has been hailed as a 'highly original and sensational' major philosophical work. The collaboration of two of the most remarkable and influential minds of the twentieth century, it is a project that still sets the terms of contemporary philosophical debate. It provides a radical and compelling analysis of social and cultural phenomena, offering fresh alternatives for thinking about history, society, capitalism and culture. In Who's Afraid of Deleuze and Guattari?, Gregg Lambert revisits this seminal work and re-evaluates Deleuze and Guattari's legacy in philosophy, literary criticism and cultural studies since the early 1980s. Lambert offers the first detailed analysis of the reception of the Capitalism and Schizophrenia project by such key figures as Jameson, Zizek, Badiou, Hardt, Negri and Agamben. He argues that the project has suffered from being underappreciated and too hastily dismissed on the one hand and, on the other, too quickly assimilated to the objectives of other desires such as multiculturalism or American identity politics. In the light of the limitations of this reception-history, Lambert offers a fresh evaluation of the project and its influences that promise to challenge the ways in which Deleuze and Guattari's controversial and remarkable project has been received. Divided into four key sections, Aesthetics, Psychoanalysis, Politics and Power, Who's Afraid of Deleuze and Guattari? offers a fresh, witty and intelligent analysis of this major philosophical project. |
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