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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 -
This volume presents political phenomenology as a new specialty in western philosophical and political thought that is post-classical, post-Machiavellian, and post-behavioral. It draws on history and sets the agenda for future explorations of political issues. It discloses crossroads between ethics and politics and explores border-crossing issues. All the essays in this volume challenge existing ideas of politics significantly. As such they open new ways for further explorations BY future generations of phenomenologists and non-phenomenologists alike. Moreover, the comprehensive chronological bibliography is unprecedented and provides not only an excellent picture of what phenomenologists have already done but also a guide for the future.
This is the first volume dedicated to a direct exploration of
Wittgenstein and Plato. It is a compilation of essays by thirteen
authors of diverse geographical provenance, orientation and
philosophical interest.
Ranging from the experience of sound through language, music, religion, and silence, clear examples and illustrations, this text takes the reader into the important and often overlooked role of the auditory in human life.
In this brief and accessible introduction, Russell guides the reader through his famous 1910 distinction between "knowledge by acquaintance and knowledge by description" and introduces important theories of Plato, Aristotle, Descartes, Hume, Locke, Kant, Hegel and others. He lays the foundation for philosophical inquiry for general readers and scholars.There are sixteen chapters: Appearance and Reality, The Existence of Matter, The Nature of Matter, Idealism, Knowledge by Acquaintance and Knowledge by Description, On Induction, On Our Knowledge Of General Principles, How A Priori Knowledge Is Possible, The World of Universals, On Our Knowledge of Universals, On Intuitive Knowledge, Truth and Falsehood, Knowledge, Error, and Probable Opinion, The Limits of Philosophical Knowledge, The Value of Philosophy. Russell also provides a short supplementary reading list.
One hundred years ago, Russell and Whitehead published their
epoch-making Principia Mathematica (PM), which was initially
conceived as the second volume of Russell's Principles of
Mathematics (PoM) that had appeared ten years before. No other
works can be credited to have had such an impact on the development
of logic and on philosophy in the twentieth century. However, until
now, scholars only focused on the first parts of the books - that
is, on Russell's and Whitehead's theory of logic, set-theory and
arithmetic.
The history of interwar Polish logic, including philosophical logic, is still a relatively little known area, especially if compared with the movement's well-documented contemporaries - the Vienna Circle or the Berlin Circle, for instance. The book aims to address this lacuna, by presenting the state of the art of research into this part of the history of analytic philosophy. It comprises thirteen essays, written by outstanding philosophers and exemplifying different approaches to the history of philosophy. One approach focuses on some little known aspects of Polish philosophy (e.g., Lesniewski's arithmetic, Tarski's geometry, philosophy of mathematics in interwar Krakow), analyzing it in great detail, sometimes by using current formal techniques. Another group of papers looks at the inspiration the Poles got from the founding fathers of analytic philosophy (Frege, Husserl, Wittgenstein), and locates Polish philosophy in the larger landscape of European analytic philosophy. Finally, some contributors pick a topic from the Polish school (sometimes only mentioned, but not developed by the Poles), and construct an alternative account which is then compared with the earlier account. Most of the papers were presented at a symposium celebrating the 70th birthday of Jan Wolenski, whose book "Logic and Philosophy of the Lvov-Warsaw School" has played a substantial role in sparking contemporary interest in Polish analytic philosophy.
This book explores the importance of the philosophical dimension of emotions, turning the traditional relationship between emotions and philosophy upside down: instead of being one of many objects of philosophical thought, an emotion contains an inherent philosophical truth. For this thesis, the author refers to Kierkegaard's groundbreaking discovery of 'anxiety' as an emotional experience that is totally different from fear. This allows a deeper understanding of the emotions, and reveals the philosophical primacy of emotions over thoughts, which always convey a meaning. Part I explores the three aspects of anxiety (anxiety about 'nothing', guilt-anxiety, shame-anxiety) that are distinguished by their capacity to disclose the human condition in its naked thatness, which is generally for most of us too hard to bear. Parts II and III then discuss the basic human need for protection from being overwhelmed by the ontological-emotional experience of anxiety. Part II examines the protection given by negation of this intolerable truth in its direct emotional repudiation in nausea, envy and despair. Part III addresses the protection by the two positive feelings of love and trust, which claim to be stronger than anxiety and therefore to be able to overcome it. Only sympathy cannot be categorised here. It belongs in a psychoanalytic therapy guided by existential perspectives, where the analyst listens with a philosophical ear and recognises his patients as 'reluctant philosophers' who are especially sensitive to the ontological truth disclosed in anxiety and therefore suffer not only 'from reminiscences' (Freud), but also from their own being.
Richard Campagna and his team of optimistic, pragmatic spiritual, existentialist merrymakers have done it again. The author(s) set forth a low-key, workable philosophy of life (replete with DOs and DON'Ts) drawing from the 60's and 70's and novel practical approaches as well as personal, professional and political counsel, developed for the new millennium.
This collection is an attempt by a diverse range of authors to reignite interest in C.I. Lewis's work within the pragmatist and analytic traditions. Although pragmatism has enjoyed a renewed popularity in the past thirty years, some influential pragmatists have been overlooked. C. I. Lewis is arguably the most important of overlooked pragmatists and was highly influential within his own time period. The volume assembles a wide range of perspectives on the strengths and weaknesses of Lewis's contributions to metaphysics, epistemology, semantics, philosophy of science, and ethics.
Hegel's Phenomenology of Spirit, first published in 1807, is a work with few equals in systematic integrity, philosophical originality and historical influence. This collection of newly-commissioned essays, contributed by leading Hegel scholars, examines all aspects of the work, from its argumentative strategies to its continuing relevance to philosophical debates. The collection combines close analysis with wide-ranging coverage of the text, and also traces connections with debates extending beyond Hegel scholarship, including issues in the philosophy of language, philosophy of mind, philosophy of action, ethics, and philosophy of religion. In showing clearly that we have not yet exhausted the Phenomenology's insights, it demonstrates the need for contemporary philosophers to engage with Hegel.
Although pain is one of the most fundamental and unique experiences we undergo in everyday life, it also constitutes one of the most enigmatic and frustrating subjects for many scientists. This book provides a detailed analysis of why this issue is grounded in the nature of pain itself. It also offers a philosophically driven solution of how we may still approach pain in a theoretically compelling and practically useful manner. Two main theses are defended: (i) Pain seems inscrutable because there exists no property that is commonly shared by all types of pain and that is at the same time particular to pain, setting it apart from other bodily sensations. This applies irrespective of whether we consider the psychological dimensions, neural networks, causal relations or biological functions of pain. Consequently, it is impossible to refer to ideal far-reaching and ideal distinct generalizations on the matter of pain. (ii) Despite this challenge, by focusing on the resemblance relations that hold across pains, we can generate scientific progress in explaining, predicting and treating pain. In doing so, the book aims to provide a clear conceptual basis for interdisciplinary communication and a useful heuristic for future research.
This is an exciting new collection of essays exploring the relevance of Deleuze and Guattari's work in contemporary aesthetics and political theory.Gilles Deleuze and Felix Guattari have arguably gone further than anyone in contemporary philosophy in affirming a philosophy of creation, one that both establishes and encourages a clear ethical imperative: to create the new.In this remarkable undertaking, these two thinkers have created a fresh engagement of thought with the world. This important collection of essays attempts to explore and extend the creative rupture that Deleuze and Guattari produce in the "Capitalism and Schizophrenia" project.The essays in this volume, all by leading thinkers and theorists, extend Deleuze and Guattari's project by offering creative experiments in constructing new communities - of ideas and objects, experiences and collectives - that cohere around the interaction of philosophy, the arts and the political realm. "Deleuze, Guattari and the Production of the New" produces new perspectives on Deleuze and Guattari's work by emphasising its relevance to the contemporary intersection of aesthetics and political theory, thereby exploring a pressing contemporary problem: the production of the new.
What is power? Where does it come from and who is in possession of it? How should we think about power and authority in a post-secular society in which traditional boundaries between individual and collective faith and secular governments and institutions are becoming increasingly blurred? The way which we conceive of power in the twenty-first century will effectively determine how we approach issues such as market reform and environmental disaster. Placing the twentieth-century French philosopher Michel Foucault into critical conjunction with the apostle Paul, Foucault/Paul re-evaluates the way in which power operates within society and underpins our ethical and political actions.
This book offers a concise and accessible introduction to his work and thought, ideal for students coming to his philosophy for the first time. John Searle is one of the most important and influential analytic philosophers working today. He has made significant contributions to the fields of the philosophy of language and the philosophy of mind. This concise and accessible book provides a critical review of Searle's philosophical themes. While Searle began his career as a philosopher of language, this book proceeds thematically, starting with a review of Searle's general ontological commitments. His conception of the mental is then located within that general framework. A theory of intentionality sets the stage for Searle's accounts of action, rationality, freedom, language, and social reality. Searle weaves together this broad array of topics by means of a set of theoretical and methodological assumptions. Part of the task of this book is to articulate some of those unifying tendencies, while locating Searle within the history of analytic philosophy. In addition to comparing Searle's views to those of his interlocutors, the book also attempts to identify changes in those views, as articulated over the course of Searle's career. "The Continuum Contemporary American Thinkers" series offers concise and accessible introductions to the most important and influential thinkers at work in philosophy today. Designed specifically to meet the needs of students and readers encountering these thinkers for the first time, these informative books provide a coherent overview and analysis of each thinker's vital contribution to the field of philosophy. The series is the ideal companion to the study of these most inspiring and challenging of thinkers.
what makes a property intrinsic? What exactly does the intrinsic/extrinsic distinction rest upon, and how can we reasonably justify this distinction? These questions bear great importance on central debates in such diverse philosophical fields as ethics (What is the nature of intrinsic value?), philosophy of mind (Does mental content supervene on internal bodily features?), epistemology (Can intrinsic duplicates differ in the justification of their beliefs?) and philosophy of science (Do the causal powers of an object depend on its extrinsic features?) - to only name a few. Given the central relevance of the intrinsic/extrinsic distinction to philosophical research, a collection of pertinent essays on the topic is an essential addition to the literature. It helps to identify more clearly the problems and arguments that are at stake. The anthology provides a comprehensive overview of central facets of the debates, including both crucial earlier and important new contributions by leading philosophers. As such it constitutes an indispensable component of any serious study of the topic.
This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor-artist or interpreter-and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.
This is a fascinating examination of the relation between absence and chance in Derrida's work and through that a re-examination of the relation between war and literature. "Derrida, Literature and War" argues for the importance of the relation between absence and chance in Derrida's work in thinking today about war and literature. Sean Gaston starts by marking Derrida's attempts to resist the philosophical tradition of calculating on absence as an assured resource, while insisting on the (mis)chances of the chance encounter. Gaston re-examines the relation between the concept of war and the chances of literature by focusing on narratives of conflict set during the Napoleonic wars. These chance encounters or duels can help us think again about the sovereign attempt to leave the enemy nameless or to name what cannot be named in the midst of wars without end. His study includes new readings of a range of writers, including Aristotle, Hume, Rousseau, Schiller, Clausewitz, Thackeray, Tolstoy, Conrad, Freud, Heidegger, Blanchot, Foucault, Deleuze and Agamben. Offering an authoritative reading of Derrida's oeuvre and new insights into a range of writers in philosophy and literature, this is a timely and ambitious study of philosophy, literature, politics and ethics. "The Philosophy, Aesthetics and Cultural Theory" series examines the encounter between contemporary Continental philosophy and aesthetic and cultural theory. Each book in the series explores an exciting new direction in philosophical aesthetics or cultural theory, identifying the most important and pressing issues in Continental philosophy today.
This volume examines the question "Do abstract objects exist?", presenting new work from contributing authors across different branches of philosophy. The introduction overviews philosophical debate which considers: what objects qualify as abstract, what do we mean by the word "exist" and indeed, what evidence should count in favor or against the thesis that abstract objects exist. Through subsequent chapters readers will discover the ubiquity of abstract objects as each philosophical field is considered. Given the ubiquitous use of expressions that purportedly refer to abstract objects, we think that it is relevant to attend to the controversy between those who want to advocate the existence of abstract objects and those who stand against them. Contributions to this volume depict positions and debates that directly or indirectly involve taking one position or other about abstract objects of different kinds and categories. The volume provides a variety of samples of how positions for or against abstract objects can be used in different areas of philosophy in relation to different matters.
This volume focuses on controversial issues that stem from Philippa Foot's later writings on natural goodness which are at the center of contemporary discussions of virtue ethics. The chapters address questions about how Foot relates judgments of moral goodness to human nature, how Foot understands happiness, and addresses objections to her framework from the perspective of empirical biology. The volume will be of value to any student or scholar with an interest in virtue ethics and analytic moral philosophy.
This book contests the general view that natural selection constitutes the explanatory core of evolutionary biology. It invites the reader to consider an alternative view which favors a more complete and multidimensional interpretation. It is common to present the 1930-1960 period as characterized by the rise of the Modern Synthesis, an event structured around two main explanatory commitments: (1) Gradual evolution is explained by small genetic changes (variations) oriented by natural selection, a process leading to adaptation; (2) Evolutionary trends and speciational events are macroevolutionary phenomena that can be accounted for solely in terms of the extension of processes and mechanisms occurring at the previous microevolutionary level. On this view, natural selection holds a central explanatory role in evolutionary theory - one that presumably reaches back to Charles Darwin's Origin of Species - a view also accompanied by the belief that the field of evolutionary biology is organized around a profound divide: theories relying on strong selective factors and those appealing only to weak ones. If one reads the new analyses presented in this volume by biologists, historians and philosophers, this divide seems to be collapsing at a rapid pace, opening an era dedicated to the search for a new paradigm for the development of evolutionary biology. Contrary to popular belief, scholars' position on natural selection is not in itself a significant discriminatory factor between most evolutionists. In fact, the intellectual space is quite limited, if not non-existent, between, on the one hand, "Darwinists", who play down the central role of natural selection in evolutionary explanations, and, on the other hand, "non-Darwinists", who use it in a list of other evolutionary mechanisms. The "mechanism-centered" approach to evolutionary biology is too incomplete to fully make sense of its development. In this book the labels created under the traditional historiography - "Darwinian Revolution", "Eclipse of Darwinism", "Modern Synthesis", "Post-Synthetic Developments" - are thus re-evaluated. This book will not only appeal to researchers working in evolutionary biology, but also to historians and philosophers."
(Mis)readings of Marx In Continental Philosophy reflects on the way major European philosophers related to the work of Karl Marx. It brings together leading and emerging critical theorists to address the readings of Marx offered by Benjamin, Adorno, Arendt, Althusser, Foucault, Derrida, Deleuze, Negri, Badiou, Agamben, Ranciere, Latour and Zizek.
This is an important collection of essays that rectifies a long-standing misconception in the history of the relation between Hegel and analytic philosophy. Offering one of the first initiatives of reconciliation between the analytic and continental philosophical traditions, this important collection of original essays offers a new perspective on Hegel's philosophy within the context of some of the themes central to current discussion. Placing Hegel at the intersection between continental and analytic philosophy, the book presents an indispensable guide to the most current contemporary debates and to an emerging topic within Hegel studies. Analytic philosophy has long been held to consider Hegel its bete noir. Yet in fact Hegel and analytic philosophy converge on some crucial issues, which suggests that, although analytic philosophy initially declared its anti-Hegelianism, it is in fact nourished of Hegelian themes and defended through Hegelian concepts. The essays in this volume address this apparent paradox, offering 'analytic' readings of Hegel, Hegelian readings of the analytic tradition, historical explorations of Hegel's confrontation with Kant and of the analytic tradition's debt to Hegel, and new interpretations of Hegelian texts. "Continuum Studies in Philosophy" presents cutting-edge scholarship in all the major areas of research and study. The wholly original arguments, perspectives and research findings in titles in this series make it an important and stimulating resource for students and academics from a range of disciplines across the humanities and social sciences. |
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