Hegel's Phenomenology of Spirit, first published in 1807, is a work with few equals in systematic integrity, philosophical originality and historical influence. This collection of newly-commissioned essays, contributed by leading Hegel scholars, examines all aspects of the work, from its argumentative strategies to its continuing relevance to philosophical debates. The collection combines close analysis with wide-ranging coverage of the text, and also traces connections with debates extending beyond Hegel scholarship, including issues in the philosophy of language, philosophy of mind, philosophy of action, ethics, and philosophy of religion. In showing clearly that we have not yet exhausted the Phenomenology's insights, it demonstrates the need for contemporary philosophers to engage with Hegel.

What is power? Where does it come from and who is in possession of it? How should we think about power and authority in a post-secular society in which traditional boundaries between individual and collective faith and secular governments and institutions are becoming increasingly blurred? The way which we conceive of power in the twenty-first century will effectively determine how we approach issues such as market reform and environmental disaster. Placing the twentieth-century French philosopher Michel Foucault into critical conjunction with the apostle Paul, Foucault/Paul re-evaluates the way in which power operates within society and underpins our ethical and political actions.

Although pain is one of the most fundamental and unique experiences we undergo in everyday life, it also constitutes one of the most enigmatic and frustrating subjects for many scientists. This book provides a detailed analysis of why this issue is grounded in the nature of pain itself. It also offers a philosophically driven solution of how we may still approach pain in a theoretically compelling and practically useful manner. Two main theses are defended: (i) Pain seems inscrutable because there exists no property that is commonly shared by all types of pain and that is at the same time particular to pain, setting it apart from other bodily sensations. This applies irrespective of whether we consider the psychological dimensions, neural networks, causal relations or biological functions of pain. Consequently, it is impossible to refer to ideal far-reaching and ideal distinct generalizations on the matter of pain. (ii) Despite this challenge, by focusing on the resemblance relations that hold across pains, we can generate scientific progress in explaining, predicting and treating pain. In doing so, the book aims to provide a clear conceptual basis for interdisciplinary communication and a useful heuristic for future research.

This book offers a concise and accessible introduction to his work and thought, ideal for students coming to his philosophy for the first time. John Searle is one of the most important and influential analytic philosophers working today. He has made significant contributions to the fields of the philosophy of language and the philosophy of mind. This concise and accessible book provides a critical review of Searle's philosophical themes. While Searle began his career as a philosopher of language, this book proceeds thematically, starting with a review of Searle's general ontological commitments. His conception of the mental is then located within that general framework. A theory of intentionality sets the stage for Searle's accounts of action, rationality, freedom, language, and social reality. Searle weaves together this broad array of topics by means of a set of theoretical and methodological assumptions. Part of the task of this book is to articulate some of those unifying tendencies, while locating Searle within the history of analytic philosophy. In addition to comparing Searle's views to those of his interlocutors, the book also attempts to identify changes in those views, as articulated over the course of Searle's career. "The Continuum Contemporary American Thinkers" series offers concise and accessible introductions to the most important and influential thinkers at work in philosophy today. Designed specifically to meet the needs of students and readers encountering these thinkers for the first time, these informative books provide a coherent overview and analysis of each thinker's vital contribution to the field of philosophy. The series is the ideal companion to the study of these most inspiring and challenging of thinkers.

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor-artist or interpreter-and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.

This is a fascinating examination of the relation between absence and chance in Derrida's work and through that a re-examination of the relation between war and literature. "Derrida, Literature and War" argues for the importance of the relation between absence and chance in Derrida's work in thinking today about war and literature. Sean Gaston starts by marking Derrida's attempts to resist the philosophical tradition of calculating on absence as an assured resource, while insisting on the (mis)chances of the chance encounter. Gaston re-examines the relation between the concept of war and the chances of literature by focusing on narratives of conflict set during the Napoleonic wars. These chance encounters or duels can help us think again about the sovereign attempt to leave the enemy nameless or to name what cannot be named in the midst of wars without end. His study includes new readings of a range of writers, including Aristotle, Hume, Rousseau, Schiller, Clausewitz, Thackeray, Tolstoy, Conrad, Freud, Heidegger, Blanchot, Foucault, Deleuze and Agamben. Offering an authoritative reading of Derrida's oeuvre and new insights into a range of writers in philosophy and literature, this is a timely and ambitious study of philosophy, literature, politics and ethics. "The Philosophy, Aesthetics and Cultural Theory" series examines the encounter between contemporary Continental philosophy and aesthetic and cultural theory. Each book in the series explores an exciting new direction in philosophical aesthetics or cultural theory, identifying the most important and pressing issues in Continental philosophy today.

This volume examines the question "Do abstract objects exist?", presenting new work from contributing authors across different branches of philosophy. The introduction overviews philosophical debate which considers: what objects qualify as abstract, what do we mean by the word "exist" and indeed, what evidence should count in favor or against the thesis that abstract objects exist. Through subsequent chapters readers will discover the ubiquity of abstract objects as each philosophical field is considered. Given the ubiquitous use of expressions that purportedly refer to abstract objects, we think that it is relevant to attend to the controversy between those who want to advocate the existence of abstract objects and those who stand against them. Contributions to this volume depict positions and debates that directly or indirectly involve taking one position or other about abstract objects of different kinds and categories. The volume provides a variety of samples of how positions for or against abstract objects can be used in different areas of philosophy in relation to different matters.

This volume focuses on controversial issues that stem from Philippa Foot's later writings on natural goodness which are at the center of contemporary discussions of virtue ethics. The chapters address questions about how Foot relates judgments of moral goodness to human nature, how Foot understands happiness, and addresses objections to her framework from the perspective of empirical biology. The volume will be of value to any student or scholar with an interest in virtue ethics and analytic moral philosophy.

This book contests the general view that natural selection constitutes the explanatory core of evolutionary biology. It invites the reader to consider an alternative view which favors a more complete and multidimensional interpretation. It is common to present the 1930-1960 period as characterized by the rise of the Modern Synthesis, an event structured around two main explanatory commitments: (1) Gradual evolution is explained by small genetic changes (variations) oriented by natural selection, a process leading to adaptation; (2) Evolutionary trends and speciational events are macroevolutionary phenomena that can be accounted for solely in terms of the extension of processes and mechanisms occurring at the previous microevolutionary level. On this view, natural selection holds a central explanatory role in evolutionary theory - one that presumably reaches back to Charles Darwin's Origin of Species - a view also accompanied by the belief that the field of evolutionary biology is organized around a profound divide: theories relying on strong selective factors and those appealing only to weak ones. If one reads the new analyses presented in this volume by biologists, historians and philosophers, this divide seems to be collapsing at a rapid pace, opening an era dedicated to the search for a new paradigm for the development of evolutionary biology. Contrary to popular belief, scholars' position on natural selection is not in itself a significant discriminatory factor between most evolutionists. In fact, the intellectual space is quite limited, if not non-existent, between, on the one hand, "Darwinists", who play down the central role of natural selection in evolutionary explanations, and, on the other hand, "non-Darwinists", who use it in a list of other evolutionary mechanisms. The "mechanism-centered" approach to evolutionary biology is too incomplete to fully make sense of its development. In this book the labels created under the traditional historiography - "Darwinian Revolution", "Eclipse of Darwinism", "Modern Synthesis", "Post-Synthetic Developments" - are thus re-evaluated. This book will not only appeal to researchers working in evolutionary biology, but also to historians and philosophers."

(Mis)readings of Marx In Continental Philosophy reflects on the way major European philosophers related to the work of Karl Marx. It brings together leading and emerging critical theorists to address the readings of Marx offered by Benjamin, Adorno, Arendt, Althusser, Foucault, Derrida, Deleuze, Negri, Badiou, Agamben, Ranciere, Latour and Zizek.

This is an important collection of essays that rectifies a long-standing misconception in the history of the relation between Hegel and analytic philosophy. Offering one of the first initiatives of reconciliation between the analytic and continental philosophical traditions, this important collection of original essays offers a new perspective on Hegel's philosophy within the context of some of the themes central to current discussion. Placing Hegel at the intersection between continental and analytic philosophy, the book presents an indispensable guide to the most current contemporary debates and to an emerging topic within Hegel studies. Analytic philosophy has long been held to consider Hegel its bete noir. Yet in fact Hegel and analytic philosophy converge on some crucial issues, which suggests that, although analytic philosophy initially declared its anti-Hegelianism, it is in fact nourished of Hegelian themes and defended through Hegelian concepts. The essays in this volume address this apparent paradox, offering 'analytic' readings of Hegel, Hegelian readings of the analytic tradition, historical explorations of Hegel's confrontation with Kant and of the analytic tradition's debt to Hegel, and new interpretations of Hegelian texts. "Continuum Studies in Philosophy" presents cutting-edge scholarship in all the major areas of research and study. The wholly original arguments, perspectives and research findings in titles in this series make it an important and stimulating resource for students and academics from a range of disciplines across the humanities and social sciences.

The current volume is comparative and inter-disciplinary, and it provides a reflection on what thinking might become after Heidegger's philosophy. Its aim is to critically expand the current field of research by presenting unfamiliar and unchartered avenues that will guide and carry the Heidegger scholarship into the twenty-first century. By doing so, it addresses fundamental questions in the Heideggerian scholarship, including its problems, restraints, and future direction. It also engages and broadens the increasingly disparate approaches to Heidegger's work, whether those approaches are traditional in their employment of phenomenology and hermeneutics or whether they apply to Heidegger's thinking in new and surprising ways. The first section of the volume emphasizes the importance of methodology for the future of Heidegger studies while the second section examines the historical, ethical and vocal-poetical in Heidegger's thought and draws conclusions relevant to the Heidegger scholar of today. The final section demonstrates Heidegger's appeal to a variety of other discourses besides philosophy and the way his thinking could be creatively approached, utilized and implemented in our century. Contributions come from cutting-edge scholars such as Babette E. Babich, Dermot Moran, Francois Raffoul and Trish Glazebrook.

Descartes s concern with the proper method of belief formation is evident in the titles of his works e.g., "The Search after Truth," "The Rules for the Direction of the Mind" and "The Discourse on Method of rightly conducting one s reason and seeking the truth in the sciences." It is most apparent, however, in his famous discussions, both in the "Meditations" and in the "Principles," of one particularly noteworthy source of our doxastic errors namely, the misuse of one s will. What is not widely recognized, let alone appreciated and understood, is the relationship between his concern with belief formation and his concern with virtue. In fact, few seem to realize that Descartes regards doxastic errors as "moral" errors and as "sins" both because such errors are intrinsically vicious and because they entail notably deleterious social consequences.

"Reforming the Art of Living" seeks to rectify this rather common oversight in two ways. First, it aims to elucidate the nature of Descartes s account of virtuous belief formation. Second, it aims both (i) to illuminate the social significance of Descartes s philosophical program as it relates to the understanding and practice not of science, but of religion and (ii) to develop a kind of Leibnizian critique of this aspect of his program. More specifically, it aims to show that Descartes s project is dangerous, insofar as it is subversive not only of traditional Christianity but also of other traditional forms of religion, both in theory and in practice."

Current research on social capital tends to focus on an economic reading of social relations. Whereas economists pride themselves on reaching out to social theory at-large, sociologists criticize the economization of the social fabric. The concept of social capital serves as a touchstone for the study of the role of the economy in modern societies. It serves as a breach for expanding the reach of economic categories, yet it also yields the opportunity for questioning and transforming economic premises in the light of social theory and philosophy. Exploring the concept of social capital in the context of related terms like embeddedness, trust, sociability, and cooperation is particularly instructive. This collection of papers from various disciplines (philosophy, sociology, economics, religious studies) combines conceptual studies and empirical findings. It is a plea for re-embedding economic thought in a broader theoretical framework. By exploring the varieties of social identities implied in the theories of social capital, the authors argue for a social (or more sociable) conception of man.

"Herbartism in Austrian-Hungarian philosophy" is often an obligatory reference, but even if quoting Herbart and his school is frequent, reading them attentively is less evident. Because Herbartism reached its peak in the second half of the 19th century, and was effectively institutionalized as "official philosophy" of the Austro-Hungarian Empire, at least in Prague and Vienna, criticizing Herbartism often means discussing the "Austrian", "philosophical" and "institutional" criteria of the object under consideration. As the history of the Austrian tradition and theoretical reflections in this field expand, discussion of this tradition is becoming more and more tight and precise. The contributors in this volume recall the historical and conceptual importance of Herbartism in the field of Austrian philosophy, by addressing several aspects of his specific realism: philosophical, theoretical, pedagogical, psychological, and aesthetical.

This book presents an anti-intellectualist view of how the cognitive-mental dimension of human intellect is rooted in and interwoven with our embodied-internal components including emotion, perception, desire, etc., by investigating practical forms of thinking such as deliberation, planning, decision-making, etc. With many thought-provoking statements, the book revises some classical notions of rationality with new interpretation: we are "rational animals", which means we have both rational capabilities, such as calculation, evaluation, justification, etc., and more animal aspects, like desire, emotion, and the senses. According to the traditional position of rationalism, we use well-grounded reason as the fundamental basis of our actions. But this book argues that we simply perform our practical intellect intuitively and spontaneously, just like playing music. By this the author turns the dominant metaphor of "architecture" in understanding of human rationality to that of "music-playing". This book presents a groundbreaking and compelling critique of today's pervasively reflective-intellectual culture, just as Bernard Williams, Charles Taylor and other philosophers diagnose, and makes any detached notion of rationality and formalized understanding of human intellect highly problematic.Methodologically, it not only reconciles the phenomenological-hermeneutic tradition with analytical approaches, but also integrates various theories, such as moral psychology, emotional studies, action theory, decision theory, performativity studies, music philosophy, tacit knowledge, collective epistemology and media theory. Further, its use of everyday cases, metaphors, folk stories and references to movies and literature make the book easy to read and appealing for a broad readership.

This book examines epistemic pluralism, a brand new area of research in epistemology with dramatic implications for the discipline. Challenging traditional assumptions about the nature of justification, an expert team of contributors explores pluralism about justification, with compelling first-order results - including analysis of the various requisites one might want to impose on the notion of justification (and therefore of knowledge) and why. It is shown why a long-lasting dispute within epistemology about the nature of justification has reached a stalemate and how embracing a different overarching outlook might lead to progress and aid better appreciation of the relationship between the various epistemic projects scholars have been pursuing. With close connections to the idea of epistemic relativism, and with specific applications to various areas of contemporary epistemology (such as the debate over epistemic norms of action and assertion, epistemic peers' disagreement, self-knowledge and the status of philosophical disputes about ontology) this fascinating new volume is essential reading for scholars, researchers and advanced students in the discipline.

Offering new critical approaches to Dada as quintessential part of the Avant-Garde, Dada and Existentialism: the Authenticity of Ambiguity reassesses the movement as a form of (proto-) Existentialist philosophy. Dada is often dismissed as an anti-art movement with a merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Moreover, neither was nonsensical or meaningless; both reveal a rich individualist ethics aimed at the amelioration of the individual and society. The first major comparative study of Dada and Existentialism, this text contributes new perspectives on Dada as movement, historical legacy, and field of study. Analysing Dada works through Existentialist literature across the themes of choice, alienation, responsibility, freedom and truth, the text posits that Dada and Existentialism both advocate the creation of a self that aims for authenticity through ambiguity.

This volume features essays that detail the distinctive ways authors and researchers in Spanish speaking countries express their thoughts on contemporary philosophy of technology. Written in English but fully capturing a Spanish perspective, the essays bring the views and ideas of pioneer authors and many new ones to an international readership. Coverage explores key topics in the philosophy of technology, the ontological and epistemological aspects of technology, development and innovation, and new technological frontiers like nanotechnology and cloud computing. In addition, the book features case studies on philosophical queries. Readers will discover such voices as Miguel Angel Quintanilla and Javier Echeverria, who are main references in the current landscape of philosophy of technology both in Spain and Spanish speaking countries; Jose Luis Lujan, who is a leading Spanish author in research about technological risk; and Emilio Munoz, former head of the Spanish National Research Council and an authority on Spanish science policy. The volume also covers thinkers in American Spanish speaking countries, such as Jorge Linares, an influential researcher in ethical issues; Judith Sutz, who has a very recognized work on social issues concerning innovation; Carlos Osorio, who focuses his work on technological determinism and the social appropriation of technology; and Diego Lawler, an important researcher in the ontological aspects of technology.

The purpose of this work is to critically assess Errol E. Harris's process philosophy in the face of contemporary research in the special sciences. Harris devoted his life to grappling with the big questions concerning the relationships between nature, mind, and knowledge. His 70-plus year career was distinguished, his texts on the history of philosophy, philosophy of science, political philosophy, philosophy of religion, and consciousness were widely published, and yet his metaphysics has until now remained excluded from mainstream discussions. This book's contention is that Harris's work reveals as yet unnoticed connections between theories in numerous scientific disciplines ranging from psychology to cosmology and that an examination of certain theories within these disciplines may serve to strengthen his original arguments. This work maintains that the resulting metaphysics frames a transdisciplinary paradigm shift and provides a viable solution to the hard problem of consciousness.