This book explores the importance of the philosophical dimension of emotions, turning the traditional relationship between emotions and philosophy upside down: instead of being one of many objects of philosophical thought, an emotion contains an inherent philosophical truth. For this thesis, the author refers to Kierkegaard's groundbreaking discovery of 'anxiety' as an emotional experience that is totally different from fear. This allows a deeper understanding of the emotions, and reveals the philosophical primacy of emotions over thoughts, which always convey a meaning. Part I explores the three aspects of anxiety (anxiety about 'nothing', guilt-anxiety, shame-anxiety) that are distinguished by their capacity to disclose the human condition in its naked thatness, which is generally for most of us too hard to bear. Parts II and III then discuss the basic human need for protection from being overwhelmed by the ontological-emotional experience of anxiety. Part II examines the protection given by negation of this intolerable truth in its direct emotional repudiation in nausea, envy and despair. Part III addresses the protection by the two positive feelings of love and trust, which claim to be stronger than anxiety and therefore to be able to overcome it. Only sympathy cannot be categorised here. It belongs in a psychoanalytic therapy guided by existential perspectives, where the analyst listens with a philosophical ear and recognises his patients as 'reluctant philosophers' who are especially sensitive to the ontological truth disclosed in anxiety and therefore suffer not only 'from reminiscences' (Freud), but also from their own being.

The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart's panoramic study of Hegel's deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel's notions of 'alienation' and 'recognition' became the central motifs for the era's thinking; how these concepts spilled over into other fields - like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called 'Hegel's century.' This book is required reading for historians of ideas as well as of philosophy.

Exploring phenomenological philosophy as it relates to psychiatry and the social world, this book establishes a common language between psychiatrists, anti-psychiatrists, psychologists and social workers. Phenomenology and the Social Context of Psychiatry is an inter-disciplinary work by phenomenological philosophers, psychiatrists, and psychologists to discover the essence and foundations of social psychiatry. Using the phenomenology of Husserl as a point of departure, the meanings of empathy, interpersonal understanding, we-intentionality, ethics, citizenship and social inclusion are investigated in relation to psychopathology, nosology, and clinical research. This work, drawing upon the rich classical and contemporary phenomenological tradition, touching on a broad range of thinkers such as Deleuze, Levinas, and R.D. Laing, also explicates how phenomenology is a method capable of capturing the human condition and its intricate relation to the social world and mental illness

The illumination of African philosophy offered in this volume leads to the illumination of philosophy in general. Illuminating arises as an essential task of philosophy, whether African or not. What is illuminated is not already there, but is constituted at the moment of illumination. This book invites the reader to participate in the illuminating work of philosophy and necessarily, thereby, to contribute to his or her own self-constituting self-illumination. Although the focus is on African philosophy, the book also bridges the gap between African philosophy and other branches. Today more than ever, a bridging philosophy is called for, and this book helps to meet that need. This book poses philosophical questions such as who is an African and what Africa is, and seeks philosophical answers. In doing so, it contributes to the ongoing discourse on African philosophy. It addresses such issues as the African grounding of philosophy, the difference between African and Black philosophy, the African body, African art as expressed in and by Chiwara, the plight of African trees as the plight of Africans, and the symbolic meaning of Robben Island.

This collection of original essays brings together a world-class lineup of philosophers to provide the most comprehensive critical treatment of Ted Honderich's philosophy, focusing on three major areas of his work: (1) his theory of consciousness; (2) his extensive and ground-breaking work on determinism and freedom; and (3) his views on right and wrong, including his Principle of Humanity and his judgments on terrorism. Grote Professor Emeritus of the Philosophy of Mind and Logic at University College London, Honderich is a leading contemporary philosopher of mind, determinism and freedom, and morals. The collection begins with a comprehensive introduction written by Honderich followed by fourteen original chapters separated into three sections. Each section concludes with a set of remarks by Honderich. Contributors include Noam Chomsky, Paul Snowdon, Alastair Hannay, Barbara Gail Montero, Barry Smith, Derk Pereboom, Paul Russell, Kevin Timpe, Gregg D. Caruso, Mary Warnock, Paul Gilbert, Richard J. Norman, Michael Neumann, and Saul Smilansky.

American Philosophy Past and Present offers the first historically framed introduction to the tradition of American philosophy and it contemporary engagement with the world.Born out of the social and political turmoil of the Civil War, American philosophy was a means of dealing with conflict and change. In the turbulence of the 21st century, this remains as relevant as ever. Placing the work of present-day American philosophers in the context of a history of resistance through a philosophical tradition marked by a commitment to pluralism, fallibilism and liberation, this book tells the story of a philosophy shaped by major events that call for philosophical reflection and illustrates the ways in which philosophy is relevant to lived experience. The book presents a survey of the historical development of American philosophy, as well as coverage of key contemporary issues in America including race theory, feminism, indigenous peoples, and environmentalism. It is the ideal introduction to the work of the major American thinkers, past and present, and the sheer breadth of their ideas and influence.

This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Bunuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scene. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.

Heidegger's Atheism explains what Heidegger meant when he said that all philosophy is atheistic. This unique book traces the development of his explanation of philosophy as a methodological atheism, and relates it to his reading of Aristotle, Aquinas, and Nietzsche. A predominant issue throughout this study is Heidegger's pursuit of an answer to the question: How did God get into philosophy?

Laurence Paul Hemming discusses a wide range of topics in this comprehensive volume, including the influence of Heidegger on theologians like Bultmann, Rahner, and Ott; the central themes of Being and Time; Heidegger's political decisions and involvement with National Socialism; and Jean-Luc Marion's reading of Heidegger. Hemming also provides an in-depth analysis of Heidegger's turn or Kehre. He addresses how Heidegger's understanding of das Ereignis, the event, relates both to his view of atheism and to the way he appropriated Nietzsche's proclamation of the death of God.

Heidegger's Atheism also attempts to trace new possibilities in the relationship between theology and philosophy in Heidegger's critique of metaphysics. Hemming argues that Heidegger criticizes the tradition of metaphysics from Aristotle and Plato through Nietzsche and Hegel because it traces a particular understanding of being in relation to God -- even when that God is announced as dead. In contrast, Heidegger sees the task of philosophy as the self-understanding of human existence, and claims philosophy offers no definitives regarding what God humanity might encounter. Consequently, Hemming argues, Heidegger's atheism is an implicit critique of theology. Yet, Hemming also contends Heidegger's work resonates with theconcerns of Christian faith, especially the Catholic tradition.

Heidegger's Atheism offers radical and challenging conclusions about most of the recent British and American readings of Heidegger. Sure to provoke much debate and discussion, Heidegger's Atheism is essential for anyone with an interest in Heidegger.

This book provides the first comprehensive account of Hume's conception of objects in Book I of "A" "Treatise of Human Nature." What, according to Hume, are objects? Ideas? Impressions? Mind-independent objects? All three? None of the above? Through a close textual analysis, Rocknak shows that Hume thought that objects are imagined ideas. But, she argues, he struggled with two accounts of how and when we imagine such ideas. On the one hand, Hume believed that we always and universally imagine that objects are the causes of our perceptions. On the other hand, he thought that we only imagine such causes when we reach a "philosophical" level of thought. This tension manifests itself in Hume's account of personal identity; a tension that, Rocknak argues, Hume acknowledges in the Appendix to the "Treatise." As a result of Rocknak's detailed account of Hume's conception of objects, we are forced to accommodate new interpretations of, at least, Hume's notions of belief, personal identity, justification and causality.

Michael Payne introduces the principal writings of Roland Barthes, Michael Foucault and Louis Althusser by means of a detailed focus on their common interest in the forms and conditions of knowledge. His careful reading reveals their profound commitment to a critical understanding of how truth, meaning, and value are constituted in language and in non-verbal texts.

In his first three chapters, Payne examines in considerable detail brief texts by Barthes, Foucault, and Althusser that seem to be their own strategically designed introductions to their projects. The next three chapters take up the most important books by each of these writers: Foucault's "The Order of Things," Barthes's "S/Z," and Althusser's "Reading Capital." Chapter 7 examines a specific text by each author writing on one of the visual arts, in an effort to investigate the assumption that knowledge - whether as theory, enlightenment, vision, illumination, or insight - is in some sense visual. The last chapter briefly examines the work of Gilles Deleuze.

Payne writes here with the same lucidity and acuity to be found in his highly successful companion to this volume, "Reading Theory: An Introduction to Lacan, Derrida, and Kristeva" (1993).

This book upends some of the myths that have come to surround the work of the philosopher Theodor W. Adorno - not least amongst them, his supposed fatalism. Sebastian Truskolaski argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without, at the same time, betraying its vital impulse. By re-appraising Adorno's writings on politics, philosophy, and art, this book reconstructs this notoriously difficult author's overall project from a radically new perspective (Adorno's famous 'standpoint of redemption'), and brings his central concerns to bear on the problems of today. On the one hand, this means reading Adorno alongside his principal interlocutors (including Kant, Marx and Benjamin). On the other hand, it means asking how his secular brand of social criticism can serve to safeguard the image of a better world - above all, when the invocation of this image occurs alongside Adorno's recurrent reference to the Old Testament ban on making images of God. By reading Adorno in this iconoclastic way, Adorno and the Ban on Images contributes to current debates about Utopia that have come to define political visions across the political spectrum.

This book discusses Gadamer's theory of context-dependence. Analytical and partly critical, the book also shows exegetical accuracy in the rendering of Gadamer's position. It explores the following questions that Gadamer's theory of context-dependence tries to answer: in what way is thought influenced by and thus dependent on its historical context? To what extent and in what way is the individual able to become reflectively aware of and emancipate himself from this dependence? The book takes Gadamer's wide interests into account, e.g. issues relating to the history of historiography and the nature of art and aesthetic experience. The problem of the context-dependence of thought is prominent in contemporary philosophy, including the fields of structuralism, post structuralism, deconstruction, certain forms of feminist philosophy and the philosophy of science. In this sense, the book discusses an issue with wide repercussions.

Derrida's work is controversial, its interpretation hotly contested. Derrida: Ethics Under Erasure offers a new way of thinking about ethics from a Derridean perspective, linking the most abstract theoretical implications of his writing on deconstruction and on justice and responsibility to representations of the practice of ethical paradoxes in everyday life. The book presents the development of Derrida's thinking on ethics by demonstrating that the ethical was a focus of Derrida's work at every stage of his career. In connecting Derrida's earlier work on language with the ethics implicated in his later work on justice and responsibility, Nicole Anderson traverses literary, linguistic, philosophical and ethical interpretative movements, thus recontextualising Derrida's entire oeuvre for a contemporary readership. She explores the positive ethical implications of Derrida's work for representation and practice and asks the reader to consider how this new ethical reading of Derrida's work might be applied to concrete instances of his or her own ethical experience.

A key development in Wittgenstein Studies over recent years has been the advancement of a resolutely therapeutic reading of the Tractatus. Rupert Read offers the first extended application of this reading of Wittgenstein, encompassing Wittgenstein's later work too, to examine the implications of Wittgenstein's work as a whole upon the domains especially of literature, psychopathology, and time. Read begins by applying Wittgenstein's remarks on meaning to language, examining the consequences our conception of philosophy has for the ways in which we talk about meaning. He goes on to engage with literary texts as Wittgensteinian, where 'Wittgensteinian' does not mean expressive of a Wittgenstein philosophy, but involves the literature in question remaining enigmatic, and doing philosophical work of its own. He considers Faulkner's work as productive too of a broadly Wittgensteinian philosophy of psychopathology. Read then turns to philosophical accounts of time, finding a link between the division of time into discrete moments and solipsism of the present moment as depicted in philosophy on the one hand and psychopathological states on the other. This important book positions itself at the forefront of a revolutionary movement in Wittgenstein studies and philosophy in general and offers a new and dynamic way of using Wittgenstein's works.

As an analyst, philosopher and militant, Felix Guattari anticipated decentralized forms of political activism that have become increasingly evident around the world since the events of Seattle in 1999. Lines of Flight offers an exciting introduction to the sometimes difficult and dense thinking of an increasingly important 20th century thinker. An editorial introduction by Andrew Goffey links the text to Guattari's long-standing involvement with institutional analysis, his writings with Deleuze, and his consistent emphasis on the importance of group practice - his work with CERFI in the early 1970s in particular. Considering CERFI's work on the 'genealogy of capital' it also points towards the ways in which Lines of Flight anticipates Guattari's later work on Integrated World Capitalism and on ecosophy. Providing a detailed and clearly documented account of his micropolitical critique of psychoanalytic, semiological and linguistic accounts of meaning and subjectivity, this work offers an astonishingly fresh set of conceptual tools for imaginative and engaged thinking about capitalism and effective forms of resistance to it.

The volume collects papers on central aspects of Alexius Meinong's Gegenstandstheorie (Theory of Objects) and its transformation in contemporary logic, semantics and ontology covering the impact of his views on grasping and representation, the status of nonexistent or inconsistent objects and their incorporation in theories like Noneism and Possible-World-Semantics. In addition it presents studies on Meinong's notion of probability and on Auguste Fischer, a student and collaborator of Meinong.

This book challenges liberals and conservatives alike. Hook pierces to the heart of momentous issues: human rights, racial equality, cultural freedom, and the separation of ethical behaviour from religious belief.

This volume deals with the relation between faith and reason, and brings the latest developments of modern logic into the scene. Faith and rationality are two perennial key concepts in the history of ideas. Philosophers and theologians have struggled to bring into harmony these otherwise conflicting concepts. Despite the diversity of approaches about what rationality effectively means, logic remains the cannon of objective and rational thought. The chapters in this volume analyze several issues pertaining to the philosophy of religion and philosophical theology from the perspective of their relation to logic and the benefit they can derive from the use of modern logic tools. The book is divided into five parts: (I) Introduction, (II) Analytic Philosophy of Religion, (III) Logical Philosophy of Religion, (IV) Computational Philosophy and Religion and (V) Logic, Language and Religion. This text appeals to students and researchers in the field.

This book is the first collection of essays to discuss Oscar Wilde's love and vast knowledge of philosophy. Over the past few decades, Oscar Wilde scholars have become increasingly aware of Wilde's love and intimate knowledge of philosophy. Wilde's "Oxford Notebooks" and his soon-to-be-published "Notebook on Philosophy" all point to Wilde not just as an aesthete, but also as a serious philosophical thinker. The aim of this collection is not to make the statement that Wilde was a philosopher, or that his works were philosophical tracts. Rather, it provides a space to explore any and all linkages between Wilde's works and philosophical thought. Addressing a broad spectrum of philosophical matter, from classical philology to Daoism, ethics to aestheticism, this collection enriches the literature on Wilde and philosophy alike.

This book presents a posthumous collection of previously uncollected works of political theory written by Whittle Johnston. Johnston believed that both the liberal tradition of political thought and the realist tradition of international thought had contributed much to humanity's store of political wisdom, but that each had limitations that could most easily be recognized by its encounter with the other. His method of accomplishing this task was to examine the liberal conception of political life in general and international political life in particular and then to explore the realist critique of the liberal view, particularly as it was expressed by three great twentieth-century realist thinkers, all of whom were, in their various ways, skeptical of liberal assumptions: Reinhold Niebuhr, Hans Morgenthau, and E. H. Carr. In doing so, Johnston reveals the power of the realist outlook, but also the areas in which it remains insufficient, and insufficient particularly where it underestimates the complexity and prudence that liberalism is capable of displaying. There have been studies of both liberalism and realism, but no other work has put them into conversation with each other in the way that this book does.

The papers in this volume present some of the most recent results of the work about contradictions in philosophical logic and metaphysics; examine the history of contradiction in crucial phases of philosophical thought; consider the relevance of contradictions for political and philosophical actuality. From this consideration a common question emerges: the question of the irreducibility, reality and productive force of (some) contradictions.

This is the first collection of original essays entirely devoted to a detailed study of the Pyrrhonian tradition. The twelve contributions collected in the present volume combine to offer a historical and systematic analysis of the form of skepticism known as "Pyrrhonism". They discuss whether the Pyrrhonist is an ethically engaged agent, whether he can claim to search for truth, and other thorny questions concerning ancient Pyrrhonism; explore its influence on certain modern thinkers such as Pierre Bayle and David Hume; and examine Pyrrhonian skepticism in relation to contemporary analytic philosophy.

Despite the recent upsurge of interest in Theodor Adorno's work, his literary writings remain generally neglected. Yet literature is a central element in his aesthetic theory. Building on the current emergent interest in modern philosophical aesthetics, this book offers a wide-ranging account of the literary components of Adorno's thinking. Bringing together original essays from a distinguished international group of contributors, it offers the reader a user-friendly path through the major areas of Adorno's work in this area. It is divided into three sections, dealing with the concept of literature, with poetry and poetics, and with modernity, drama and the novel respectively. At the same time, the book provides a clear sense of the unique qualities of Adorno's philosophy of literature by critically relating his work to a number of other influential theorists and theories including contemporary postmodernist thought and cultural studies.

This groundbreaking interdisciplinary collection interrogates the significance of Deleuze's work in the recent and dramatic nonhuman turn. It confronts questions about environmental futures, animals and plants, nonhuman structures and systems, and the place of objects in a more-than-human world.