Much attention has been paid to Wittgenstein's treatment of solipsism and to Cavell's treatment of skepticism. But comparatively little has been made of the striking connections between the early Wittgenstein's view on the truth of solipsism and Cavell's view on the truth of skepticism, and how that relates to the claim that the later Wittgenstein sees privacy as a constant human possibility. This book offers close readings of representative writings by both authors and argues that an adequate understanding of solipsism and skepticism requires taking into account a set of underlying difficulties related to a disappointment with finitude which might ultimately lead to the threat of solipsism. That threat is further interpreted as a wish not to bear the burden of having to constantly negotiate and nurture the fragile connections with the world and others which are the conditions of possibility for finite beings to achieve meaning and community. By presenting Wittgenstein's and Cavell's responses in an order which reflects the chronology of their writings, the result is a cohesive articulation of some under-appreciated aspects of their philosophical methodologies which has the potential of reorienting our entire reading of their work.

This fully-annotated documentary novel explores the life and thought of Walter Benjamin, imaginatively examining its implications in the political context of a post-War London estate. A startling critical-creative examination of one of the 20th Century's leading thinkers, "The Late Walter Benjamin" is a documentary novel that juxtaposes the life and death of Walter Benjamin with the days, hours and minutes of a working-class council estate on the edge of London in post-war Austerity England. The novel centres on one particular tenant who claims to be Walter Benjamin, and only ever uses words written by Benjamin, apparently oblivious that the real Benjamin committed suicide 20 years earlier whilst fleeing the Nazis. Initially set in the sixties, the text slips back to the early years of the estate and to Benjamin's last days, as he moves across Europe seeking ever-more desperately to escape the Third Reich. Through this fictional narrative, John Schad explores not only the emergence of Benjamin's thinking from a politicised Jewish theology forced to confront the rise of Nazism but also the implications of his utopian Marxism, forged in exile, for the very different context of a displaced working class community in post-war Britain. This series aims to showcase new work at the forefront of religion and literature through short studies written by leading and rising scholars in the field. Books will pursue a variety of theoretical approaches as they engage with writing from different religious and literary traditions. Collectively, the series will offer a timely critical intervention to the interdisciplinary crossover between religion and literature, speaking to wider contemporary interests and mapping out new directions for the field in the early twenty-first century.

The German philosopher Robert Spaemann provides an important contribution to a number of contemporary debates in philosophy and theology, opening up possibilities for conversation between these disciplines. He engages in a dialogue with classical and contemporary positions and often formulates important and original insights which lie beyond common alternatives. In this study Holger Zaborowski provides an analysis of the most important features of Spaemann's philosophy and shows the unity of his thought.
The question 'Who is a person?' is of increasing significance: Are all human beings persons? Are there animals that can be considered persons? What does it mean to speak of personal identity and of the dignity of the person? Spaemann provides an answer to these questions: Every human being, he argues, is a person and, therefore, 'has' his nature in freedom. In order to understand the person, Spaemann explains, we have to think about the relation between nature and freedom and avoid the reductive accounts of this relation prevalent in important strands of modern thought.
Spaemann develops a challenging critique of modernity, incorporating analysis of modern anti-modernisms and showing that these are also subject to a dialectical development, perpetuating the problematic shortcomings of many features of modern reasoning. If we do not want to abolish ourselves as persons, Spaemann reasons, we need to find a way of understanding ourselves that evades the dialectic of modernity. Thus, he reminds his readers of 'self-evident' knowledge: insights that we have once already known, but tend to forget.

This book presents a comprehensive and detailed exploration of the relationship between the thought of G.W.F. Hegel and that of John McDowell, the latter of whom is widely considered to be one of the most influential living analytic philosophers. It serves as a point of entry in McDowell's and Hegel's philosophy, and a substantial contribution to ongoing debates on perceptual experience and perceptual justification, naturalism, human freedom and action. The chapters gathered in this volume, as well as McDowell's responses, make it clear that McDowell's work paves the way for an original reading of Hegel's texts. His conceptual framework allows for new interpretive possibilities in Hegel's philosophy which, until now, have remained largely unexplored. Moreover, these interpretations shed light on various aspects of continuity and discontinuity between the philosophies of these two authors, thus defining more clearly their positions on specific issues. In addition, they allow us to see Hegel's thought as containing a number of conceptual tools that might be useful for advancing McDowell's own philosophy and contemporary philosophy in general.

The first English translation of his work, The Withholding Power, offers a fascinating introduction to the thought of Italian philosopher Massimo Cacciari. Cacciari is a notoriously complex thinker but this title offers a starting point for entering into the very heart of his thinking. The Withholding Power provides a comprehensive and synthetic insight into his interpretation of Christian political theology and leftist Italian political theory more generally. The theme of katechon - originally a biblical concept which has been developed into a political concept - has been absolutely central to the work of Italian philosophers such as Agamben and Eposito for nearly twenty years. In The Withholding Power, Cacciari sets forth his startlingly original perspective on the influence the theological-political questions have traditionally exerted upon ideas of power, sovereignty and the relationship between political and religious authority. With an introduction by Howard Caygill contextualizing the work within the history of Italian thought, this title will offer those coming to Cacciari for the first time a searing insight into his political, theological and philosophical milieu.

For Kierkegaard the most important thing in life is to become a single individual or a true self. We are all born as human beings, but this makes us only members of a crowd, not true selves. To become a true self, we must transcend what we are at any given time and orient ourselves to the possible and to the actuality of the possible, to which all that is possible owes itself. True selves exist only in becoming, they are fragile, and that is their strength. They are not grounded by their own activities, but in a reality extra se, the flip side of which is a deep passivity that underlies all their activity and allows them to continually leave themselves and move beyond their respective actualities toward the new and the possible. Therefore, without the passion of possibility, there is no truly single individual. This study of Kierkegaard's post-metaphysical theology outlines his existential phenomenology of the self by exploring in three parts what Kierkegaard has to say about the sense of self (finitude, uniqueness, self-interpretation, and alienation), about selfless passion (anxiety, trust, hope, and true love), and about how to become a true self (a Christian in Christendom and a neighbor of God's neighbors).

This book brings together for the first time two philosophers from different traditions and different centuries. While Wittgenstein was a focal point of 20th century analytic philosophy, it was Hegel's philosophy that brought the essential discourses of the 19th century together and developed into the continental tradition in 20th century. This now-outdated conflict took for granted Hegel's and Wittgenstein's opposing positions and is being replaced by a continuous progression and differentiation of several authors, schools, and philosophical traditions. The development is already evident in the tendency to identify a progression from a 'Kantian' to a 'Hegelian phase' of analytical philosophy as well as in the extension of right and left Hegelian approaches by modern and postmodern concepts. Assessing the difference between Wittgenstein and Hegel can outline intersections of contemporary thinking.

The concept of schizoanalysis is Deleuze and Guattari's fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art's function is both political and aesthetic - it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. They are simply two sides of the same coin, both concerned with the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. From this point of view we are all artists, we all have the potential to exercise what might be called a 'aesthetico-political function' and change the world around us; or, conversely, we can not only let the status quo endure, but fight to preserve it as though it were freedom itself. Edited by one of the world's leading scholars in Deleuze Studies and an accomplished artist, curator and critic, this impressive collection of writings by both academics and practicing artists is an exciting imaginative tool for a upper level students and academics researching and studying visual arts, critical theory, continental philosophy, and media.

Analysing the reception of contemporary French philosophy in architecture over the last four decades, Adventures with the Theory of the Baroque and French Philosophy discusses the problematic nature of importing philosophical categories into architecture. Focusing particularly on the philosophical notion of the Baroque in Gilles Deleuze, this study examines traditional interpretations of the concept in contemporary architecture theory, throwing up specific problems such as the aestheticization of building theory and practice. Identifying these and other issues, Nadir Lahiji constructs a concept of the baroque in contrast to the contemporary understanding in architecture discourse. Challenging the contemporary dominance of the Neo-Baroque as a phenomenon related to postmodernism and late capitalism, he establishes the Baroque as a name for the paradoxical unity of 'kitsch' and 'high' art and argues that the digital turn has enhanced the return of the Baroque in contemporary culture and architectural practice that he brands a pseudo-event in the term 'neobaroque'. Lahiji's original critique expands on the misadventure of architecture with French Philosophy and explains why the category of the Baroque, if it is still useful to keep in architecture criticism, must be tied to the notion of Post-Rationalism. Within this latter notion, he draws on the work of Alain Badiou to theorize a new concept of the Baroque as Event. Alongside close readings of Walter Benjamin, Theodor Adorno and Michel Foucault related to the criticism of the Baroque and Modernity and discussions of the work of Frank Gehry, in particular, this study draws on Jacque Lacan's concept of the baroque and presents the first comprehensive treatment of the psychoanalytical theory of the Baroque in the work of Lacan.

"An eloquent work. Somer Brodribb not only gives us a feminist critique of postmodernism with its masculinist predeterminants in existentialism, its Freudian footholdings and its Sadean values, but in the very form and texture of the critique, she literally creates new discourse in feminist theory. Brodribb has transcended not only postmodernism but its requirement that we speak in its voice even when criticizing it. She creates a language that is at once poetic and powerfully analytical. Her insistent and compelling radical critique refuses essentialism--from both masculinist thinkers and their women followers. She demystifies postmodernism to reveal that it and its antecedents represent yet another mundane version of patriarchal politics. Ultimately Brodribb returns us to feminist theory with the message that we must refuse to be derivative and continue to originate theory and politics from the condition of women under male domination."
--Kathleen Barry, author of "Female Sexual Slavery"

An iconoclastic work brilliantly undertaken . . . "Nothing Mat(T)ers" magnificently shows that postmodernism is the cultural capital of late patriarchy. It is the art of self- display, the conceit of masculine self and the science of reproductive and genetic engineering in an ecstatic Nietzschean cycle of statis."
--Andre Michel

"Nothing Mat(T)ers" encapsulates in its title the valuelessness of the current academic fad of postmodernism. Somer Brodribb has written a brave and witty book demolishing the gods and goddesses of postmodernism by deconstructing their method and de-centering their subjects and, in the process, has deconstructed deconstructionism and decentered decentering! Thisis a long-awaited and much-needed book from a tough- minded, embodied, and unflinching scholar."
--Janice Raymond

This volume examines the complex dialogue between German Idealism and phenomenology, two of the most important movements in Western philosophy. Twenty-four newly authored chapters by an international group of well-known scholars examine the shared concerns of these two movements; explore how phenomenologists engage with, challenge, and critique central concepts in German Idealism; and argue for the continuing significance of these ideas in contemporary philosophy and other disciplines. Chapters cover not only the work of major figures such as Husserl, Heidegger, and Merleau-Ponty, but a wide range of philosophers who build on the phenomenological tradition, including Fanon, Gadamer, and Levinas. These essays highlight key themes of the nature of subjectivity, the role of intersubjectivity, the implications for ethics and aesthetics, the impact of time and history, and our capacities for knowledge and understanding. Key features: * Critically engages two of the major philosophical movements of the last 250 years * Draws on the insights of those movements to address contemporary issues in ethics, theory of knowledge, and political philosophy * Expands the range of idealist and phenomenological themes by considering them in the context of gender, postcolonial theory, and environmental concerns, as well as their global reach * Includes new contributions from prominent, international scholars in these fields This Handbook is essential reading for all scholars and advanced students of phenomenology and German Idealism. With chapters on Beauvoir, Sartre, Scheler, Schutz, Stein, and Ricoeur, The Palgrave Handbook of German Idealism and Phenomenology is also ideal for scholars researching these important figures in the history of philosophy.

This is an original study aiming to explain fully Lacanian thought and apply it to the study of literary texts.In contemporary academic literary studies, Lacan is often considered impenetrably obscure, due to the unavailability of his late works, insufficient articulation of his methodologies and sometimes stereotypical use of Lacanian concepts in literary theory.This study aims to integrate Lacan into contemporary literary study by engaging with a broad range of Lacanian theoretical concepts, often for the first time in English, and using them to analyse a range of key texts from different periods.Azari explores Lacan's theory of desire as well as his final theories of lituraterre, littoral, and the sinthome and interrogates a range of poststructuralist interpretive approaches. In the second part of the book, he outlines the variety of ways in which Lacanian theory can be applied to literary texts and offers detailed readings of texts by Shakespeare, Donne, Joyce and Ashbery. This ground-breaking study provides original insights into a number of the most influential intellectual discussions in relation to Lacan and will fill a recognised gap in understanding Lacan and his legacy for literary study and criticism.

This work illustrates China's values and how they are practiced. After introducing readers to the theories, systematical structure, historical status, and influence of traditional Chinese values, it points out major developmental trends in connection with modernization. Further, it explores the significance of the contemporary reconstruction of Chinese values and argues that these values can be divided into three layers: values-based goals of national development, Chinese values concepts, and norms of values in a civil society. On this basis, it subsequently interprets the core socialist values "Prosperity, Democracy, Civility and Harmony," the value concepts "Freedom, Equality, Justice and Rule of Law" and values-based norms "Patriotism, Dedication, Integrity and Friendship."

Alienation After Derrida rearticulates the Hegelian-Marxist theory of alienation in the light of Derrida's deconstruction of the metaphysics of presence. Simon Skempton aims to demonstrate in what way Derridian deconstruction can itself be said to be a critique of alienation. In so doing, he argues that the acceptance of Derrida's deconstructive concepts does not necessarily entail the acceptance of his interpretations of Hegel and Marx. In this way the book proposes radical reinterpretations, not only of Hegel and Marx, but of Derridian deconstruction itself. The critique of the notions of alienation and de-alienation is a key component of Derridian deconstruction that has been largely neglected by scholars to date. This important new study puts forward a unique and original argument that Derridian deconstruction can itself provide the basis for a rethinking of the concept of alienation, a concept that has received little serious philosophically engaged attention for several decades. >

This volume brings together contributions that explore the philosophy of Franz Brentano. It looks at his work both critically and in the context of contemporary philosophy. For instance, Brentano influenced the phenomenology of Edmund Husserl, the theory of objects of Alexius Meinong, the early development of the Gestalt theory, the philosophy of language of Anton Marty, the works of Carl Stumpf in the psychology of tone, and many others. Readers will also learn the contributions of Brentano's work to much debated contemporary issues in philosophy of mind, ontology, and the theory of emotions. The first section deals with Brentano's conception of the history of philosophy. The next approaches his conception of empirical psychology from an empirical standpoint and in relation with competing views on psychology from the period. The third section discusses Brentano's later programme of a descriptive psychology or "descriptive phenomenology" and some of his most innovative developments, for instance in the theory of emotions. The final section examines metaphysical issues and applications of his mereology. His reism takes here an important place. The intended readership of this book comprises phenomenologists, analytic philosophers, philosophers of mind and value, as well as metaphysicians. It will appeal to both graduate and undergraduate students, professors, and researchers in philosophy and psychology.

Engaging with several emerging and interconnected approaches in the social sciences, including pragmatism, system theory, processual thinking and relational thinking, this book leverages John Dewey and Arthur Bentley's often misunderstood concept of trans-action to revisit and redefine our perceptions of social relations and social life. The contributors gathered here use trans-action in a more specific sense, showing why and how social scientists and philosophers might use the concept to better understand our social life and social problems. As the first collective sociological attempt to apply the concept of trans-action to contemporary social issues, this volume is a key reference for the growing audience of relational and processual thinkers in the social sciences and beyond.

Cursory allusions to the relation between Kierkegaard and Wittgenstein are common in philosophical literature, but there has been little in the way of serious and comprehensive commentary on the relationship of their ideas. Genia Schoenbaumsfeld closes this gap and offers new readings of Kierkegaard's and Wittgenstein's conceptions of philosophy and religious belief. Chapter one documents Kierkegaard's influence on Wittgenstein, while chapters two and three provide trenchant criticisms of two prominent attempts to compare the two thinkers, those by D. Z. Phillips and James Conant. In chapter four, Schoenbaumsfeld develops Kierkegaard's and Wittgenstein's concerted criticisms of certain standard conceptions of religious belief, and defends their own positive conception against the common charges of 'irrationalism' and 'fideism'. As well as contributing to contemporary debate about how to read Kierkegaard's and Wittgenstein's work, A Confusion of the Spheres addresses issues which not only concern scholars of Wittgenstein and Kierkegaard, but anyone interested in the philosophy of religion, or the ethical aspects of philosophical practice as such.

This is the second edition of the study of Ayn Rand's first novel, which was published in 1936--ten years after she left Soviet Russia, and during America's Red Decade. Essays deal with historical, literary and philosophical themes. Essays on the history of We the Living cover: the drafts of the novel; the historical accuracy of its setting and the extent to which the novel is autobiographical; and, Rand's struggles with a hostile culture first to publish We the Living, and then to adapt it. Essays providing literary analyses include a comparison of We the Living and the fiction of Victor Hugo (Rand's favorite writer). Also covered are We the Living's plot, theme, characterization and style--what Rand, in her writings on literary aesthetics, considered the four essential attributes of a novel. The theme of We the Living is the individual against the state, and the sanctity of human life. These issues are dealt with in detail, especially in the essays which focus on philosophical topics. A number of essays in this collection make extensive use of previously unpublished material from the Ayn Rand Archives.

James Connelly and Giuseppina D'Oro present a revised edition of R. G. Collingwood's classic work of 1933, supplementing the original text with important related writings from Collingwood's manuscripts which appear here for the first time. The editors also contribute a substantial new introduction, and the volume will be welcomed by all historians of twentieth-century philosophy.

Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction.