Husserl's 20th-century phenomenological project remains the cornerstone of modern European philosophy. The place of ethics is of importance to the ongoing legacy and study of phenomenology itself. Husserl's Ethics and Practical Intentionality constitutes one of the major new interventions in this burgeoning field of Husserl scholarship, and offers an unrivaled perspective on the question of ethics in Husserl's philosophy through a focus on volumes not yet translated into English. This book offers a refreshing perspective on stagnating ethical debates that pivot around conceptions of relativism and universalism, shedding light on a phenomenological ethics beyond the common dichotomy.

Drawing on art, media, and phenomenological sources, Showing Off!: A Philosophy of Image challenges much recent thought by proposing a fundamentally positive relationship between visuality and the ethical. In philosophy, cultural studies and art, relationships between visuality and the ethical are usually theorized in negative terms, according to the dyadic logics of seeing on the one hand, and being seen, on the other. Here, agency and power are assumed to operate either on the side of those who see, or on the side of those who control the means by which people and things enter into visibility. To be seen, by contrast - when it occurs outside of those parameters of control- is to be at a disadvantage; hence, for instance, contemporary theorist Peggy Phelan's rejection of the idea, central to activist practices of the 1970's and 80's, that projects of political emancipation must be intertwined with, and are dependent on, processes of 'making oneself visible'. Acknowledgment of the vulnerability of visibility also underlies the realities of life lived within increasingly pervasive systems of imposed and self-imposed surveillance, and apparently confident public performances of visual self display. Showing Off!: A Philosophy of Image is written against the backdrop of these phenomena, positions and concerns, but asks what happens to our debates about visibility when a third term, that of 'self-showing', is brought into play. Indeed, it proposes a fundamentally positive relationship between visuality and the ethical, one primarily rooted not in acts of open and non-oppressive seeing or spectating, as might be expected, but rather in our capacity to inhabit both the risks and the possibilities of our own visible being. In other words, this book maintains that the proper site of generosity and agency within any visual encounter is located not on the side of sight, but on that of self-showing - or showing off!

Prolegomena to a Carnal Hermeneutics introduces the importance of body politics from both Eastern and Western perspectives. Hwa Yol Jung begins with Giambattista Vico's anti-Cartesianism as the birth of the discipline. He then explores the homecoming of Greek mousike (performing arts), which included oral poetry, dance, drama, and music; Mikhail Bakhtin's dialogical body politics; the making of body politics in Hannah Arendt, Emmanuel Levinas, and Luce Irigaray; Marshall McLuhan's transversal and embodied philosophy of communication; and transversal geophilosophy. This tour de force will be an engaging read for anyone interested in the above thinkers, as well as for students and scholars of comparative philosophy, communication theory, environmental philosophy, political philosophy, or continental philosophy

Winner - AERA 2011 Outstanding Book Award Jacques Rancire: Education, Truth, Emancipation demonstrates the importance of Rancires work for educational theory, and in turn, it shows just how central Rancires educational thought is to his work in political theory and aesthetics. Charles Bingham and Gert Biesta illustrate brilliantly how philosophy can benefit from Rancires particular way of thinking about education, and go on to offer their own provocative account of the relationship between education, truth, and emancipation. Including a new essay by Rancire himself, this book is a must-read for scholars of social theory and all who profess to educate.

This book is concerned with the evaluation of natural argumentative discourse, and, in particular, with the language in which arguments are expressed. It introduces a systematic procedure for the analysis and assessment of arguments, which is designed to be a practical tool, and may be considered a pseudo-algorithm for argument evaluation. The first half of the book lays the theoretical groundwork, with a thorough examination of both the nature of language and the nature of argument. This leads to a definition of argumentation as reasoning expressed within a procedure, which itself yields the three frames of analysis used in the evaluation procedure: Process, Reasoning, and Expression. The second half begins with a detailed discussion of the concept of fallacy, with particular attention on fallacies of language, their origin and their effects. A new way of looking at fallacies emerges from these chapters, and it is that conception, together with the understanding of the nature of argumentation described in earlier sections, which ultimately provides the support for the Comprehensive Assessment Procedure for Natural Argumentation. The first two levels of this innovative procedure are outlined, while the third, that dealing with language, and involving the development of an Informal Argument Semantics, is fully described. The use of the system, and its power of analysis, are illustrated through the evaluation of a variety of examples of argumentative texts.

The questions have been with us since the dim, dark dusk of early humanity. Who are we? How did we get here? Who is in charge? In "The Discovery of Everything, the Creation of Nothing, " author Jim Robert Bader communicates his personal philosophy on these age-old enigmas as they apply to modern society.Intended as a primer for the mind of the layman, "The Discovery of Everything, the Creation of Nothing" presents a manifesto of the soul that insists the truth is not only out there, but easily accessible to anyone. Based on years of research and observation, Bader distills the complexities and addresses relevant topics from an "everyman" perspective by pondering the nature of the universe. He reflects on the thoughts and discoveries of others to bring knowledge to the common man.In "The Discovery of Everything, the Creation of Nothing, " Bader offers a new way of understanding the world. He confronts old assumptions, and he challenges the traditional way of thinking to better cope with and comprehend the nature of the world around us.

Bringing together leading scholars from across the world, this is a comprehensive survey of the latest phenomenological research into the perennial philosophical problem of truth. Starting with an historical introduction chronicling the variations on truth at play in the Phenomenological tradition, the book explores how Husserls methodology equips us with the tools to thoroughly explore notions of truth, reality and knowledge. From these foundations, the book goes on to explore and extend the range of approaches that contemporary phenomenological research opens up in the face of the most profound ontological and epistemological questions raised by the tradition. In the final section, the authors go further still and explore how phenomenology relates to other variations on truth offered up by hermeneutic, deconstructive and narrative approaches.Across the 12 essays collected in this volume, Variations on Truth explores and maps a comprehensive and rigorous alternative to mainstream analytic discussions of truth, reality and understanding.

Although there is a significant literature on the philosophy of Jacques Derrida, there are few analyses that address the deconstructive critique of phenomenology as it simultaneously plays across range of cultural productions including literature, painting, cinema, new media, and the structure of the university. Using the critical figures of "ghost" and "shadow"-and initiating a vocabulary of phantomenology-this book traces the implications of Derridean "spectrality" on the understanding of contemporary thought, culture, and experience.This study examines the interconnections of philosophy, art in its many forms, and the hauntology of Jacques Derrida. Exposure is explored primarily as exposure to the elemental weather (with culture serving as a lean-to); exposure in a photographic sense; being over-exposed to light; exposure to the certitude of death; and being exposed to all the possibilities of the world. Exposure, in sum, is a kind of necessary, dangerous, and affirmative openness.The book weaves together three threads in order to format an image of the contemporary exposure: 1) a critique of the philosophy of appearances, with phenomenology and its vexed relationship to idealism as the primary representative of this enterprise; 2) an analysis of cultural formations-literature, cinema, painting, the university, new media-that highlights the enigmatic necessity for learning to read a spectrality that, since the two cannot be separated, is both hauntological and historical; and 3) a questioning of the role of art-as semblance, reflection, and remains-that occurs within and alongside the space of philosophy and of the all the "posts-" in which people find themselves.Art is understood fundamentally as a spectral aesthetics, as a site that projects from an exposed place toward an exposed, and therefore open, future, from a workplace that testifies to the blast wind of obliteration, but also in that very testimony gives a place for ghosts to gather, to speak with each other and with humankind. Art, which installs itself in the very heart of the ancient dream of philosophy as its necessary companion, ensures that each phenomenon is always a phantasm and thus we can be assured that the apparitions will continue to speak in what Michel Serres's has called the "grotto of miracles." This book, then, enacts the slowness of a reading of spectrality that unfolds in the chiaroscuro of truth and illusion, philosophy and art, light and darkness.Scholars, students, and professional associations in philosophy (especially of the work of Derrida, Husserl, Heidegger, and Kant), literature, painting, cinema, new media, psychoanalysis, modernity, theories of the university, and interdisciplinary studies.

This edited volume examines the relationship between collective intentionality and inferential theories of meaning. The book consists of three main sections. The first part contains essays demonstrating how researchers working on inferentialism and collective intentionality can learn from one another. The essays in the second part examine the dimensions along which philosophical and empirical research on human reasoning and collective intentionality can benefit from more cross-pollination. The final part consists of essays that offer a closer examination of themes from inferentialism and collective intentionality that arise in the work of Wilfrid Sellars. Groups, Norms and Practices provides a template for continuing an interdisciplinary program in philosophy and the sciences that aims to deepen our understanding of human rationality, language use, and sociality.

This timely volume brings together a diverse group of expert authors in order to investigate the question of phenomenology's relation to the political. These authors take up a variety of themes and movements in contemporary political philosophy. Some of them put phenomenology in dialogue with feminism or philosophies of race, others with Marxism and psychoanalysis, while others look at phenomenology's historical relation to politics. The book shows the ways in which phenomenology is either itself a form of political philosophy, or a useful method for thinking the political. It also explores the ways in which phenomenology falls short in the realm of the political. Ultimately, this collection serves as a starting point for a groundbreaking dialogue in the field about the nature of the relationship between phenomenology and the political. It is a must-read for anyone who is interested in phenomenology or contemporary social and political philosophy.

Gabriel Marcel (1889-1973) stands outside the traditional canon of twentieth-century French philosophers. Where he is not simply forgotten or overlooked, he is dismissed as a 'relentlessly unsystematic' thinker, or, following Jean-Paul Sartre's lead, labelled a 'Christian existentialist' - a label that avoids consideration of Marcel's work on its own terms. How is one to appreciate Marcel's contribution, especially when his uvre appears to be at odds with philosophical convention? Helen Tattam proposes a range of readings as opposed to one single interpretation, a series of departures or explorations that bring his work into contact with critical partners such as Henri Bergson, Paul Ric ur and Emmanuel Levinas, and offer insights into a host of twentieth-century philosophical shifts concerning time, the subject, the other, ethics, and religion. Helen Tattam's ambitious study is an impressively lucid account of Marcel's engagement with the problem of time and lived experience, and is her first monograph since the award of her doctorate from the University of Nottingham.

Has postmodern American culture so altered the terrain of medical care that moral confusion and deflated morale multiply faster than both technological advancements and ethical resolutions? The Ethos of Medicine in Postmodern America is an attempt to examine this question with reference to the cultural touchstones of our postmodern era: consumerism, computerization, destruction of meta-narratives, and stakeholder late capitalism . The cultural insights of the postmodern thinkers help elucidate the changes in healthcare delivery that are occurring early in the 21st century. Although only Foucault among postmodern thinkers actually focused his critique on medical care itself, their combined analysis provides a valuable perspective for gaining understanding of contemporary changes in healthcare deliver. It is often difficult to envision what is happening in the psychosocial, cultural dynamic of an epoch as you experience it. Therefore it is useful to have a technique for refracting those observations through the lens of another system of thought. The prism of postmodern thought offers such a device with which to view the eclipse of changing medical practice. Any professional practice is always thoroughly embedded in the social and cultural matrix of its society, and the medical profession in America is no exception. Corporatization, consumerism, and computerization of medical practice and the clinical encounter constitute the three C s of Postmodern American healthcare. In drawing upon of the insights of key Continental thinkers such as Foucault, Deleuze and Guattari, Lyotard, Baudrillard, Bauman, and Levinas as well as American scholars, I do not necessarily endorse the views of postmodernism but believe much can be learned from their insight. Furthermore my comments are also informed by empirical information from health services research and the sociology of medicine. I attempt to develop a new understanding of healthcare delivery in the 21st century and suggest positive developments that might be nurtured to avoid the barren Silicon Cage of corporate, bureaucratized medical practice. Bringing to this analysis are current healthcare issues such as the patient centered medical home, clinical practice guidelines, and electronic health records, the insights of an interdisciplinary examination that include postmodern thought, medical sociology, bioethics, and health services research.

Bernard Lonergan (1904-84) is acknowledged as one of the most significant philosopher-theologians of the 20th century. Lonergan, Meaning and Method in many ways complements Andrew Beards' previous book on Lonergan, Insight and Analysis (Bloomsbury, 2010). Andrew Beards applies Lonergan's thought and brings it into critical dialogue and discussion with other contemporary philosophical interlocutors, principally from the analytical tradition. He also introduces themes and arguments from the continental tradition, as well as offering interpretative analysis of some central notions in Lonergan's thought that are of interest to all who wish to understand the importance of Lonergan's work for philosophy and Christian theology. Three of the chapters focus upon areas of fruitful exchange and debate between Lonergan's thought and the work of three major figures in current analytical philosophy: Nancy Cartwright, Timothy Williamson and Scott Soames. The discussion also ranges across such topics as meaning theory, metaphilosophy, epistemology, philosophy of science and aesthetics.

Wisdom and Philosophy: Contemporary and Comparative Approaches questions the nature of the relationship between wisdom and philosophy from an intercultural perspective. Bringing together an international mix of respected philosophers, this volume discusses similarities and differences of Western and Asian pursuits of wisdom and reflects on attempts to combine them. Contributors cover topics such as Confucian ethics, the acquisition of wisdom in pre-Qin literature and anecdotes of stupidity in the classical Chinese tradition, while also addressing contemporary topics such as global Buddhism and analytic metaphysics. Providing original examples of comparative philosophy, contributors look at ideas and arguments of thinkers such as Confucius, Zhuangzi and Zhu Xi alongside the work of Aristotle, Plato and Heidegger. Presenting Asian perspectives on philosophy as practical wisdom, Wisdom and Philosophy is a rare intercultural inquiry into the relation between wisdom and philosophy. It provides new ways of understanding how wisdom connects to philosophy and underlines the need to reintroduce it into philosophy today.

This monograph offers a new interpretation of Melville's work (focusing on "Moby-Dick", "Pierre" and "Benito Cereno") in the light of scholarship on globalization from critics in 'new' American studies. In "Melville, Mapping and Globalization", Robert Tally argues that Melville does not belong in the tradition of the American Renaissance, but rather creates a baroque literary cartography, artistically engaging with spaces beyond the national model. At a time of intense national consolidation and cultural centralization, Melville discovered the postnational forces of an emerging world system, a system that has become our own in the era of globalization. Drawing on the work of a range of literary and social critics (including Deleuze, Foucault, Jameson, and Moretti), Tally argues that Melville's distinct literary form enabled his critique of the dominant national narrative of his own time and proleptically undermined the national literary tradition of American Studies a century later. Melville's hypercanonical status in the United States makes his work all the more crucial for understanding the role of literature in a post-American epoch. Offering bold new interpretations and theoretical juxtapositions, Tally presents a postnational Melville, well suited to establishing new approaches to American and world literature in the twenty-first century.

This is a unique and much needed book exploring the debt Deleuze owes to Kantian arguments and principles. The way in which we read Kant's "Critique of Pure Reason" has profound consequences for our understanding of his thought in relation to the work of other thinkers. "Kant, Deleuze and Architectonics" presents a unified reading of this text in order to respond to the concerns surrounding the method and arguments Kant employs. In showing us how the 'first critique' comes to make greater sense when read as a whole or in terms of its 'architectonic' unity, Edward Willatt breathes new life into a text often considered rigid and artificial in its organisation. On the basis of this reading, Kant's relation to Deleuze is revealed to be much more productive than is often realized. Deftly relating the unifying method of Kant's "Critique of Pure Reason" with Deleuze's account of experience, and using Kant's concern to secure the conditions that make experience possible to develop Deleuze's attempt to convincingly relate 'the actual' and 'the virtual', this book constitutes an important step in our understanding of Deleuze and his philosophical project. "Continuum Studies in Continental Philosophy" presents cutting-edge scholarship in the field of modern European thought. The wholly original arguments, perspectives and research findings in titles in this series make it an important and stimulating resource for students and academics from across the discipline.

During the first quarter of the twentieth century, the French philosopher Henri Bergson became an international celebrity, profoundly influencing contemporary intellectual and artistic currents. While Bergsonism was fashionable, L. Susan Stebbing, Bertrand Russell, Moritz Schlick, and Rudolf Carnap launched different critical attacks against some of Bergson's views. This book examines this series of critical responses to Bergsonism early in the history of analytic philosophy. Analytic criticisms of Bergsonism were influenced by William James, who saw Bergson as an 'anti-intellectualist' ally of American Pragmatism, and Max Scheler, who saw him as a prophet of Lebensphilosophie. Some of the main analytic objections to Bergson are answered in the work of Karin Costelloe-Stephen. Analytic anti-Bergsonism accompanied the earlier refutations of idealism by Russell and Moore, and later influenced the Vienna Circle's critique of metaphysics. It eventually contributed to the formation of the view that 'analytic' philosophy is divided from its 'continental' counterpart.

The transcendental turn of Husserl's phenomenology has challenged philosophers and scholars from the beginning. This volume inquires into the profound meaning of this turn by contrasting its Kantian and its phenomenological versions. Examining controversies surrounding subjectivity, idealism, aesthetics, logic, the foundation of sciences, and practical philosophy, the chapters provide a helpful guide for facing current debates.

Available in English for the first time, this first draft of Heidegger's opus, "Being and Time", provides a unique insight into Heidegger's Phenomenology. "The Concept of Time" presents Heidegger's so-called Dilthey review, widely considered the first draft of his celebrated masterpiece, "Being and Time". Here Heidegger reveals his deep commitment to Wilhelm Dilthey and Count Yorck von Wartenburg. He agrees with them that historicity must be at the centre of the new philosophy to come. However, he also argues for an ontological approach to history. From this ontological turn he develops the so-called categories of Dasein. This work demonstrates Heidegger's indebtedness to Yorck and Dilthey and gives further evidence to the view that thought about history is the germ cell of "Being and Time". However, it also shows that Heidegger's commitment to Dilthey was not without reservations and that his analysis of Dasein actually employs Husserl's phenomenology. The work reopens the question of history in a broader sense, as Heidegger struggles to thematize history without aligning it with world-historical events. The text also provides a concise and readable summary of the main themes of "Being and Time" and as such is an ideal companion to that text.