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Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 -
In Movies with Stanley Cavell in Mind, some of the scholars who
have become essential for our understanding of Stanley Cavell's
writing on film gather to use his landmark contributions to help us
read new films-from Hollywood and elsewhere-that exist beyond his
immediate reach and reading. In extending the scope of Cavell's
film philosophy, we naturally find ourselves contending with it and
amending it, as the case may be. Through a series of interpretive
vignettes, the group effort situates, for the expert and novitiate
alike, how Cavell's writing on film can profitably enrich one's
experience of cinema generally and also inform how we might
continue the practice of serious philosophical criticism of
specific films mindful of his sensibility. The resulting
conversations between texts, traditions, disciplines, genres, and
generations creates propitious conditions for discovering what it
means to watch and listen to movies with Stanley Cavell in mind.
When our smartphones distract us, much more is at stake than a
momentary lapse of attention. Our use of smartphones can interfere
with the building-blocks of meaningfulness and the actions that
shape our self-identity. By analyzing social interactions and
evolving experiences, Roholt reveals the mechanisms of
smartphone-distraction that impact our meaningful projects and
activities. Roholt's conception of meaning in life draws from a
disparate group of philosophers - Susan Wolf, John Dewey, Hubert
Dreyfus, Martin Heidegger, and Albert Borgmann. Central to Roholt's
argument are what Borgmann calls focal practices: dinners with
friends, running, a college seminar, attending sporting events. As
a recurring example, Roholt develops the classification of musical
instruments as focal things, contending that musical performance
can be fruitfully understood as a focal practice. Through this
exploration of what generates meaning in life, Roholt makes us
rethink the place we allow smartphones to occupy in the everyday.
But he remains cautiously optimistic. This thoughtful, needed
interrogation of smartphones shows how we can establish a positive
role for technologies within our lives.
Horst Ruthrof revisits Husserl's phenomenology of language and
highlights his late writings as essential to understanding the full
range of his ideas. Focusing on the idea of language as imaginable
as well as the role of a speech community in constituting it,
Ruthrof provides a powerful re-assessment of his methodological
phenomenology. From the Logical Investigations to untranslated
portions of his Nachlass, Ruthrof charts all the developments and
amendments in his theorizations. Ruthrof argues that it is the
intersubjective character to linguistic meaning that is so
emblematic of Husserl's position. Bringing his study up to the
present day, Ruthrof discusses mental time travel, the evolution of
language, and protosyntax in the context of Husserl's late
writings, progressing a comprehensive new phenomenological ontology
of language with wide-ranging implications for philosophy,
linguistics, and cultural studies.
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Faint Not
(Hardcover)
Steven De Lay
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R796
R692
Discovery Miles 6 920
Save R104 (13%)
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Ships in 10 - 15 working days
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In this Modern Master on Jacques Lacan (1901-81), Malcolm Bowie
presents a clear, coherent introduction to the work of one of the
most influential and forbidding thinkers of our century. A
practising psychoanalyst for almost 50 years, Lacan first achieved
notoriety with his pioneering article on Freud in the 1930s. After
the Second World War, he emerged as the most original and
controversial figure in French psychoanalysis, and because a
guiding light in the Parisian intellectual resurgence of the 1950s,
Lacan initiated and subsequently steered the crusade to reinterpret
Freud's work in the light of the new structuralist theories of
linguistics, evolving an elaborate, dense, systematic analysis of
the relations between language and desire, focusing on the human
subject as he or she is defined by linguistic and social pressures.
His lectures and articles were collected and published as Ecrits in
1966, a text whose influence has been immense and persists to this
day. Knowledge of Lacan's revolutionary ideas, which underpin those
of his successors across the disciplines, is useful to an
understanding of the work of many modern thinkers - literary
theoriest, linguists, psychoanalysts, anthropologists. Malcolm
Bowie's accessible critical introduction provides the perfect
starting point for any exploration of the work of this formidable
thinker.
This book compiles James L. Cox's most important writings on a
phenomenology of Indigenous Religions into one volume, with a new
introduction and conclusion by the author. Cox has consistently
exemplified phenomenological methods by applying them to his own
field studies among Indigenous Religions, principally in Zimbabwe
and Alaska, but also in Australia and New Zealand. Included in this
collection are his articles in which he defines what he means by
the category 'religion' and how this informs his precise meaning of
the classification 'Indigenous Religions'. These theoretical
considerations are always illustrated clearly and concisely by
specific studies of Indigenous Religions and their dynamic
interaction with contemporary political and social circumstances.
This collection demonstrates the continued relevance of the
phenomenological method in the study of religions by presenting the
method as dynamic and adaptable to contemporary social contexts and
as responsive to intellectual critiques of the method.
This study illuminates the complex interplay between Deleuze and
Guattari's philosophy and architecture. Presenting their
wide-ranging impact on late 20th- and 21st-century architecture,
each chapter focuses on a core Deleuzian/Guattarian philosophical
concept and one key work of architecture which evokes, contorts, or
extends it. Challenging the idea that a concept or theory defines
and then produces the physical work and not vice versa, Chris L.
Smith positions the relationship between Deleuze and Guattari's
philosophy and the field of architecture as one that is mutually
substantiating and constitutive. In this framework, modes of
architectural production and experimentation become inextricable
from the conceptual territories defined by these two key thinkers,
producing a rigorous discussion of theoretical, practical, and
experimental engagements with their ideas.
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