The first collection of its kind, The Continental Philosophy of Film Reader is the essential anthology of writings by continental philosophers on cinema, representing the last century of film-making and thinking about film, as well as all of the major schools of Continental thought: phenomenology and existentialism, Marxism and critical theory, semiotics and hermeneutics, psychoanalysis, and postmodernism. Included here are not only the classic texts in continental philosophy of film, from Benjamin's "The Work of Art in the Age of Mechanical Reproduction" to extracts of Deleuze's Cinema and Barthes's Mythologies, but also the earliest works of Continental philosophy of film, from thinkers such as Georg Lukacs, and little-read gems by philosophical giants such as Sartre and Beauvoir. The book demonstrates both the philosophical significance of these thinkers' ideas about film, as well their influence on filmmakers in Europe and across the globe. In addition, however, this wide-ranging collection also teaches us how important film is to the last century of European philosophical thought. Almost every major continental European thinker of the twentieth and twenty-first centuries has had something to say-sometimes, quite a lot to say-about cinema: as an art form, as a social or political phenomenon, as a linguistic device and conveyor of information, as a projection of our fears and desires, as a site for oppression and resistance, or as a model on the basis of which some of us, at least, learn how to live. Purpose built for classroom use, with pedagogical features introducing and contextualizing the extracts, this reader is an indispensable tool for students and researchers in philosophy of film, film studies and the history of cinema.

Mary Midgley is one of the most influential moral philosophers of the twentieth century. Over the last 40 years, Midgley's writings on such central yet controversial topics as human nature, morality, science, animals, the environment, religion, and gender have shaped the landscape of contemporary philosophy. She is celebrated for the complexity, nuance, and sensibility with which she approaches some of the most challenging issues in philosophy without falling into the pitfalls of close-minded extremism. In turn, Midgley's sophisticated treatment of the interconnected and often muddled issues related to human nature has drawn interest from outside the philosophical world, stretching from scientists, artists, theologians, anthropologists, and journalists to the public more broadly. Mary Midgley: An Introduction systematically introduces readers to Midgley's collected thought on the most central and influential areas of her corpus. Through clear and lively engagement with Midgley's work, this volume offers readers accessible explanation, interpretation, and analysis of the concepts and perspectives for which she is best known, most notably her integrated understanding of human nature, her opposition to reductionism and scientism, and her influential conception of our relationship to animals and the wider world. These insights, supplemented by excerpts from original interviews with Midgley herself, provide readers of all backgrounds with an informed understanding and appreciation of Mary Midgley and the philosophical problems to which she has devoted her life's work.

This volume is composed of extended versions of selected papers presented at an international conference held in June 2011 at Opole University-the seventh in a series of annual American and European Values conferences organized by the Institute of Philosophy, Opole University, Poland. The papers were written independently with no prior guidelines other than the obvious need to address some aspect of George Herbert Mead's work. While rooted in careful study of Mead's original writings and transcribed lectures and the historical context in which that work was carried out, these papers have brought that work to bear on contemporary issues in metaphysics, epistemology, cognitive science, and social and political philosophy. There is good reason to classify Mead as one of the original classical American pragmatists (along with Charles Peirce, William James, and John Dewey) and consequently as a major figure in American philosophy. Nevertheless his thought has been marginalized for the most part, at least in academic philosophy. It is our intention to help recuperate Mead's reputation among a broader audience by providing a small corpus of significant contemporary scholarship on some key aspects of his thought.

This book attempts to open up a path towards a phenomenological theory of values (more technically, a phenomenological axiology). By drawing on everyday experience, and dissociating the notion of value from that of tradition, it shows how emotional sensibility can be integrated to practical reason. This project was prompted by the persuasion that the fragility of democracy, and the current public irrelevance of the ideal principles which support it, largely depend on the inability of modern philosophy to overcome the well-entrenched skepticism about the power of practical reason. The book begins with a phenomenology of cynical consciousness, continues with a survey of still influential theories of value rooted in 20th century philosophy, and finally offers an outline of a bottom-up axiology that revives the anti-skeptical legacy of phenomenology, without ignoring the standards set by contemporary metaethics.

Speculative realism is one of the most talked-about movements in recent Continental philosophy. It has been discussed widely amongst the younger generation of Continental philosophers seeking new philosophical approaches and promises to form the cornerstone of future debates in the field. This book introduces the contexts out of which speculative realism has emerged and provides an overview of the major contributors and latest developments. It guides the reader through the important questions asked by realism (what can I know? what is reality?), examining philosophy's perennial questions in new ways. The book begins with the speculative realist's critique of 'correlationism', the view that we can never reach what is real beneath our language systems, our means for perception, or our finite manner of being-in-the-world. It goes on to critically review the work of the movement's most important thinkers, including Quentin Meillassoux, Ray Brassier, and Graham Harman, but also other important writers such as Jane Bennett and Catherine Malabou whose writings delineate alternative approaches to the real. It interrogates the crucial questions these thinkers have raised and concludes with a look toward the future of speculative realism, especially as it relates to the reality of time.

Georges Bataille's influence upon 20th-century philosophy is hard to overstate. His writing has transfixed his readers for decades - exerting a powerful influence upon Foucault, Blanchot and Derrida amongst many others. Today, Bataille continues to be an important reference for many of today's leading theorists such as Giorgio Agamben, Roberto Esposito, Jean-Luc Nancy and Adrianna Caverero. His work is a unique and enigmatic combination of mystical phenomenology, politics, anthropology and economic theory - sometimes adopting the form of literature, sometimes that of ontology. This is the first book to take Bataille's ambitious and unfinished Accursed Share project as its thematic guide, with individual contributors isolating themes, concepts or sections from within the three volumes and taking them in different directions. Therefore, as well as providing readings of Bataille's key concepts, such as animality, sovereignty, catastrophe and the sacred, this collection aims to explore new terrain and new theoretical problems.Georges Bataille and Contemporary Thought acts simultaneously as a companion to Bataille's three-volume secular theodicy and as a laboratory for new syntheses within his thought.

This is above all a practical book. It discusses with a wealth of illustration and insight such subjects as the organization of the intellectual worker's time, materials, and his life; the integration of knowledge and the relation of one's specialty to general knowledge; the choice and use of reading; the discipline of memory; the taking of notes, their classification and use; and the preparation and organization of the final production.

This book investigates a number of central problems in the philosophy of Charles Peirce grouped around the realism of his semiotics: the issue of how sign systems are developed and used in the investigation of reality. Thus, it deals with the precise character of Peirce's realism; with Peirce's special notion of propositions as signs which, at the same time, denote and describe the same object. It deals with diagrams as signs which depict more or less abstract states-of-affairs, facilitating reasoning about them; with assertions as public claims about the truth of propositions. It deals with iconicity in logic, the issue of self-control in reasoning, dependences between phenomena in their realist descriptions. A number of chapters deal with applied semiotics: with biosemiotic sign use among pre-human organisms: the multimedia combination of pictorial and linguistic information in human semiotic genres like cartoons, posters, poetry, monuments. All in all, the book makes a strong case for the actual relevance of Peirce's realist semiotics.

This is the first study to compare the philosophical systems of secular scientific philosopher Mario Bunge (1919-2020), and Moroccan Islamic philosopher Taha Abd al-Rahman (b.1945). In their efforts to establish the philosophical underpinnings of an ideal modernity these two great thinkers speak to the same elements of the human condition, despite their opposing secular and religious worldviews. While the differences between Bunge's critical-realist epistemology and materialist ontology on the one hand, and Taha's spiritualist ontology and revelational-mystical epistemology on the other, are fundamental, there is remarkable common ground between their scientific and Islamic versions of humanism. Both call for an ethics of prosperity combined with social justice, and both criticize postmodernism and religious conservatism. The aspiration of this book is to serve as a model for future dialogue between holders of Western and Islamic worldviews, in mutual pursuit of modernity's best-case scenario.

This volume examines (1) the philosophical sources of the Kantian concepts "apperception" and "self-consciousness", (2) the historical development of the theories of apperception and deduction of categories within the pre-critical period, (3) the structure and content of A- as well as B-deduction of categories, and finally (4) the Kantian (and non-Kantian) meaning of "apperception" and "self-consciousness".

The future of deconstruction lies in the ability of its practitioners to mobilise the tropes and interests of Derrida's texts into new spaces and creative readings. In Deconstruction without Derrida, Martin McQuillan sets out to do just that, to continue the task of deconstructive reading both with and without Derrida. The book's principal theme is an attention to instances of deconstruction other than or beyond Derrida and thus imagining a future for deconstruction after Derrida. This future is both the present of deconstruction and its past. The readings presented in this book address the expanded field of deconstruction in the work of Jean-Luc Nancy, Helene Cixous, Paul de Man, Harold Bloom, J. Hillis Miller, Judith Butler, Gayatri Spivak and Catherine Malabou. They also, necessarily, address Derrida's own readings of this work. McQuillan accounts for an experience of otherness in deconstruction that is, has been and always will be beyond Derrida, just as deconstruction remains forever tied to Derrida by an invisible, indestructible thread.

The book offers an elucidation of two of the most important themes in Martin Heidegger's early as well as later philosophical writings. These perennial themes of his thought, namely, the concept of the world and his existential analysis of death, are explored as the ongoing philosophical problems grappled by this important thinker of the twentieth century within all periods of the body of his entire work. These themes are closely related to the fundamental issue of Heidegger's thought namely the question concerning the meaning of Being for which a proper elucidation of the world-concept and death is absolutely crucial. Since this book considers all the important phases of Heidegger's thought along with all the important ongoing conceptual preoccupations of this thinker along with his original analyses of human existence and the world, the notion of the ground, art and artworks, language, dwelling, and death, it can serve as a substantive introduction to the philosophy of Martin Heidegger.

Reflections on the Religious, the Ethical, and the Political presents fourteen essays devoted to the interconnected topics of religion, ethics, and politics, along with an introductory interview with the author regarding his philosophical development over the years. This volume serves two interconnected purposes: as an introduction or reintroduction to Calvin O.Schrag s intellectual contributions to a critical consideration of these three topics, and as a critical companion and supplement to Schrag s published work on these topics. The topics of religion, ethics, and politics have served as pivot points throughout Schrag s career in the academy, which spans half a century."

This is a unique collection presenting work by Alain Badiou and commentaries on his philosophical theories. It includes three lectures by Badiou, on contemporary politics, the infinite, cinema and theatre and two extensive interviews with Badiou - one concerning the state of the contemporary situation and one wide ranging interview on all facets of his work and engagements. It also includes six interventions on aspects of Badiou's work by established scholars in the field, addressing his concept of history, Lacan, Cinema, poetry, and feminism; and four original essays by young and established scholars in Australia and New Zealand addressing the key concerns of Badiou's 2015 visit to the Antipodal region and the work he presented there. With new material by Badiou previously unpublished in English this volume is a valuable overview of his recent thinking. Critical responses by distinguished and gifted Badiou scholars writing outside of the European context make this text essential reading for anyone interested in the development and contemporary reception of Badiou's thought.

This is a book about the body and its amazing contribution to the moral mind. The author focuses on the important roles the body plays in moral cognition. What happens to us when we observe moral violations, make moral judgments and engage in moral actions? How does the body affect our moral decisions and shape our moral dispositions? Can embodied moral psychology be consistently pursued as a viable alternative to disembodied traditions of moral philosophy? Is there any school of philosophy where the body is discussed as the underlying foundation of moral judgment and action? To answer these questions, the author analyzes Confucian philosophy as an intriguing and insightful example of embodied moral psychology.

Michel Foucault continues to be regarded as one of the most essential thinkers of the twentieth century. A brilliantly evocative writer and conceptual creator, his influence is clearly discernible today across nearly every discipline-philosophy and history, certainly, as well as literary and critical theory, religious and social studies, and the arts. This volume exploits Foucault's insistent blurring of the self-imposed limits formed by the disciplines, with each author in this volume discovering in Foucault's work a model useful for challenging not only these divisions but developing a more fundamental interrogation of modernism. Foucault himself saw the calling into question of modernism to be the permanent task of his life's work, thereby opening a path for rethinking the social. Understanding Foucault, Understanding Modernism shows, on the one hand, that literature and the arts play a fundamental structural role in Foucault's works, while, on the other hand, it shifts to the foreground what it presumes to be motivating Foucault: the interrogation of the problem of modernism. To that end, even his most explicitly historical or strictly epistemological and methodological enquiries directly engage the problem of modernism through the works of writers and artists from de Sade, Mallarme, Baudelaire to Artaud, Manet, Borges, Roussel, and Bataille. This volume, therefore, adopts a transdisciplinary approach, as a way to establish connections between Foucault's thought and the aesthetic problems that emerge out of those specific literary and artistic works, methods, and styles designated "modern." The aim of this volume is to provide a resource for students and scholars not only in the fields of literature and philosophy, but as well those interested in the intersections of art and intellectual history, religious studies, and critical theory.

Imagination and Postmodernity addresses the role of the imagination in philosophy today. By focusing on philosophy at the boundary of reason with constant reference to Kant s view of the boundary-limit, it is possible to advance a viable alternative to deconstructing the imagination. Patrick L. Bourgeois puts forth the claim that by refocusing the imagination in the postmodern conversation, a far-reaching contemporary position can be reached that reestablishes the position of the humanities as central against the anti-humanism of deconstruction. This work addresses some of the challenges and problems that emerge in conflicting positions within contemporary philosophy, including a concentration on the role of the imagination in the work of Paul Ricoeur in contrast and in opposition to its role in such postmodern thinkers as Derrida and Lyotard. This treatment requires going back to the role of the imagination in the period of Kant and his immediate followers in order to clarify the various ways of seeing the imagination then and now, for the role today is anticipated in the nineteenth century. Finally, this work, as a creative appropriation of the position of Paul Ricoeur, presents a role for the imagination today that is more encompassing than most thinkers allow for.