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Painting, Politics, and the New Front of Cold War Italy (Paperback)
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Painting, Politics, and the New Front of Cold War Italy (Paperback)
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The first English-language monograph on Il Fronte Nuovo delle Arti,
this study explores the rise and fall of this postwar Italian
artists' group as a representative instance of the tensions facing
Italian painting during the transition out of two decades of
Fascism and into the global divisions of the Cold War. Adrian Duran
argues that the binary structures of the era - realism vs.
abstraction, Communism vs. democracy, conformism vs. freedom - have
monopolized the discourse surrounding the Fronte Nuovo and, with
it, the historiography of Italian painting during this period,
1944-50. Beginning with the dialogues that framed the formation of
the Fronte Nuovo, this book reconsiders artists' works,
correspondence, critical writings, and manifestos. These are
married to examinations of specific exhibitions, the most important
of which are the group's 1947 inaugural exhibition and the 1948 and
1950 Venice Biennali. The critical responses to these exhibitions
are reconsidered in light of their groundings in the heated
political debates of the period. In total, these diverse sources
reveal the vast divide between the internal discourse of the arts,
generated by the participant artists and their works, and the
surrounding politics of Cold War Italy.
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