Using the idea of 'parability, 'or the ability for writers to tell
improper stories, as a foundation, Alan Ramon Clinton synthesizes a
new model for a creative, more daring literary criticism. Sharp and
surprising, this wide-ranging project engages with the work of
Pynchon, Eco, Forche, Merrill, Weiner, Plath, Ashbery, and Eigner
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