Current philosophical discussions of self-deception remain
steeped in disagreement and controversy. In The Self-Deceiving
Muse, Alan Singer proposes a radical revision of our commonplace
understanding of self-deception. Singer asserts that
self-deception, far from being irrational, is critical to our
capacity to be acute "noticers" of our experience. The book
demonstrates how self-deception can be both a resource for rational
activity generally and, more specifically, a prompt to aesthetic
innovation. It thereby provides new insights into the ways in which
our imaginative powers bear on art and life. The
implications--philosophical, aesthetic, and ethical--of such a
proposition indicate the broadly interdisciplinary thrust of this
work, which incorporates "readings" of novels, paintings, films,
and video art.
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