Despite advances in feminism, the "law of the father" remains
the dominant model of Western psychological and cultural analysis,
and the law of the mother continues to exist as an underdeveloped
and marginal concept. In her radical rereading of the Greek myth,
"Oresteia," Amber Jacobs hopes to rectify the occlusion of the
mother and reinforce her role as an active agent in the laws that
determine and reinforce our cultural organization.
According to Greek myth, Metis, Athena's mother, was Zeus's
first wife. Zeus swallowed Metis to prevent her from bearing
children who would overthrow him. Nevertheless, Metis bore Zeus a
child-Athena-who sprang forth fully formed from his head. In
Aeschylus's "Oresteia," Athena's motherless status functions as a
crucial justification for absolving Orestes of the crime of
matricide. In his defense of Orestes, Zeus argues that the father
is more important than the mother, using Athena's "motherless"
birth as an example.
Conducting a close reading of critical works on Aeschylus's
text, Jacobs reveals that psychoanalytic theorists have unwittingly
reproduced the denial of Metis in their own critiques. This
repression, which can be found in the work of Sigmund Freud and
Melanie Klein as well as in the work of more contemporary theorists
such as Andr? Green and Luce Irigaray, has resulted in both an
incomplete analysis of Oresteia and an inability to account for the
fantasies and unconscious processes that fall outside the
oedipal/patricidal paradigm.
By bringing the story of Athena's mother, Metis, to the
forefront, Jacobs challenges the primacy of the Oedipus myth in
Western culture and psychoanalysis and introduces a bold new theory
of matricide and maternal law. She finds that the Metis myth exists
in cryptic forms within Aeschylus's text, uncovering what she terms
the "latent content of the Oresteian myth," and argues that the
occlusion of the law of the mother is proof of the patriarchal
structures underlying our contemporary social and psychic
realities. Jacobs's work not only provides new insight into the
Oresteian trilogy but also advances a postpatriarchal model of the
symbolic order that has strong ramifications for psychoanalysis,
feminism, and theories of representation, as well as for clinical
practice and epistemology.
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