Women writers have often felt alienated from both the Bible and
the canonical literary tradition that has been built on its
foundation. Yet contemporary American women writers seem to be as
haunted by the Bible as their nineteenth-century predecessors. This
study of feminist biblical revision argues that women writers'
contentious dialogues with the Bible ultimately reconstruct the
writers' own basis of authority. The author traces the evolution of
this phenomenon from the mid-nineteenth century to the present and
analyzes biblical revision in works by Emily Dickinson, H.D., Anne
Sexton, Sylvia Plath, Gloria Naylor, and Toni Morrison.
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