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Isamu Noguchi's Modernism - Negotiating Race, Labor, and Nation, 1930-1950 (Paperback)
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Isamu Noguchi's Modernism - Negotiating Race, Labor, and Nation, 1930-1950 (Paperback)
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Exploring the complex interweaving of race, national identity, and
the practice of sculpture, Amy Lyford takes us through a close
examination of the early US career of the Japanese American
sculptor Isamu Noguchi (1904-1988). The years between 1930 and 1950
were perhaps some of the most fertile of Noguchi's career. Yet the
work that he produced during this time has received little
sustained attention. Weaving together new archival material,
little-known or unrealized works, and those that are familiar,
Lyford offers a fresh perspective on the significance of Noguchi's
modernist sculpture to twentieth-century culture and art history.
Through an examination of his work, this book tells a story about
his relation to the most important cultural and political issues of
his time. By focusing on Noguchi's reputation, and reception as an
artist of Japanese American descent, Lyford analyzes the artist and
his work within the context of a burgeoning desire at that time to
define what modern American art might be--and confront unspoken
assumptions that linked whiteness to Americanness. Lyford reveals
how that reputation was both shaped by and helped define ideas
about race, labor and national identity in twentieth-century
American culture.
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