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Women and Images of Men in Cinema - Gender Construction in La Belle et la Bete by Jean Cocteau (Paperback)
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Women and Images of Men in Cinema - Gender Construction in La Belle et la Bete by Jean Cocteau (Paperback)
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Women and men in cinema are imaginary constructs created by
filmmakers and their audiences. The film-psychoanalytic approach
reveals how movies subliminally influence unconscious reception. On
the other hand, the movie is embedded in a cultural tradition: Jean
Cocteau's film La Belle et la Bete (1946) takes up the classic
motif of the animal groom from the story of Cupid and Psyche in
Apuleius' The Golden Ass (originally a tale about the stunning
momentum of genuine female desire), liberates it from its baroque
educational moral (a girl's virtue and prudence will help her to
overcome her sexual fears), and turns it into a boyhood story:
inside the ugly rascal there is a good, but relatively boring
prince - at least in comparison to the monsters of film history. In
the seventy years since it was made, La Belle et la Bete has
inspired numerous interpretations and has been employed by
theorists of all genres and interests.
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