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Joan of Arc and Sacrificial Authorship (Paperback)
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Joan of Arc and Sacrificial Authorship (Paperback)
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A host of modern authors have portrayed Joan of Arc as a heroine.
Identifying with the medieval saint and martyr as a figure of the
artist, they tell her story as a way of commenting on their own
situation in a world where the aura of art has decayed. Blending
the theoretical insights of Walter Benjamin, Roland Barthes, and
Rene Girard, Ann W. Astell persuasively argues that many modern
authors have seen their own artistic vocation in the visions and
voices that inspired Joan. Astell's pathbreaking study explores the
treatment of Joan of Arc in the works of such renowned and diverse
authors as Mark Twain, Samuel Coleridge, Virginia Woolf, Friedrich
Schiller, George Bernard Shaw, Bertolt Brecht, and Lillian Helman.
Astell contends that in Joan's problematic identity as a peasant
woman, these writers find an image for their own status as
outsiders and potential scapegoats. Joan's condemnation and cruel
death by fire mirror the anxious fears of artists who find
themselves in a philistine marketplace. By depicting Joan's
miraculous victories and ultimate canonization as a saint, these
writers seek to imbue their own work with a quasi-religious aura
and to secure for themselves a lasting place in the literary canon.
Joan of Arc and Sacrificial Authorship offers the most
comprehensive, comparative treatment to date of modern renditions
of the medieval story of Joan of Arc. By connecting the societal
roles of nineteenth- and twentieth-century authors and Saint Joan,
Astell explains the continuing importance of the Middle Ages in the
quest for a modern self-understanding.
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